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The Dakini Project
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2014 The Dakini Project Kimberley Harris Idol University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Comparative Literature Commons Repository Citation Idol, Kimberley Harris, "The Dakini Project" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2094. http://dx.doi.org/10.34917/5836113 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE DAKINI PROJECT: TRACKING THE “BUTTERFLY EFFECT” IN DETECTIVE FICTION By Kimberley Harris Idol Bachelor of Arts in Literature Mount Saint Mary’s College 1989 Master of Science in Education Mount Saint Mary’s College 1994 Master of Arts in Literature California State University, Northridge 2005 Master of Fine Arts University -
Record-Mirror-1978-1
Record Mora, December 2. 1978 Alice inside out rr ALICE COOPER: 'From The Inside' (Warner Brothers K5677) t , t- THE BAT out of hell has clipped his wings, thrown sz away his last bottle of 1 booze and vowed never to be nAughty again. s Alice was In danger of A heading for that great boogie house In the sky, after years of pickling his Si liver with alcohol. But he pulled back and went on a cure. This album Is a loose a. concept of his reflections . and hospital experiences. t Apocalyptic tracks, , -k heavy with thunderous , II guitar and keyboards. The title track is a panoramic view of being on the road and how the booze troubles started. Imagine 'School's Out' meeting a quality disco track and you'll get the 'idea of how the song on the wagon sounds. ALICE COOPER: Alice now works many assorted seventies Highlights are the primarily with Bernie albums Rundgren has cocktail - piano intro to Taupin, who hasn't lost cleverly fused mid -sixties 'never Never Land' and his talent for incisive idyllic American emotional 'The Verb To lyrics. 'The Quiet Room' melodies with various Love' but 'Hello It's Me' Is full of opposing forms of heavy - rock. comes off best with Its parallels between soul; jazz, Eastern In- archetypal chorus thoughts of home and trigue and even modern utilising the vocal talents frustration about being Instrumental pieces akin of Hall and Oates, Stevie n M locked in a padded cell. to Debussy to create a Nicks (when she's not But Cooper isn't going complete 'pop - sound with her group she's to forget about his early encyclopaedia', and alright) and Rick "weirdo" Image. -
When December Burns Cold Like a Stone Rise to the Unknown I Now
When December Burns Cold like a stone rise to the unknown I now drown in despair when December burns Locked in one’s mind my state of being, denial Drag me away with your toxin this bliss lasts just for one moment What’s left of this world? Where’s your true purpose? These flames seem to wait atop a hill Breath to the wind I’m built up with sin What can you find beneath my ashes? See hope in others’ eyes this earth leaves nothing to thrive living beside the dead upon stacks of burial mounds My skin starts to boil The stench is too grim to bear But now there's no turning back I will not perish in dissent Cold like a stone Rise to the unknown I now drown in despair When December burns Where's your god? Where's your faith when we all die the same? The smoke now rises, the sky turns pale This is my end, my farewell Your life leaves nothing for me Burn me again and again I stand alone on this hill Flames succumb all around Black like coal In the unknown I now burn In December Jeremy Farfan - Guitar, Vocals Efrain Farfan - Guitar, Vocals Manolo Estrada - Drums Martin Tune - Bass Recorded at Atomic Sound, Red Hook Brooklyn April 20 and May 28, 2019 Recorded by Dakota Bowman Mixed by Neil Kernon Mastered by Alan Douches at West West Side Music Starved For Energy I'm Crawling through earth and through stone I gasp for one last breath of your innocent silence Covered in dirt I know you bare this hurt alone Contemplating suicide A look inside this tangled mind A noose that hangs six feet high Can you see it sway? The clouds now merge With obscure shades of grey The fields then burn With the smell of decay What more can be said For a wind thats passed This unspoken whisper Lingers in smoke as dead eyes stare down! I drown my tears over flames That vanish snow And I can't fight the dark that's consumed me My sanity has left me here. -
As Substitute, for Walden Pond
as substitute, for Walden Pond When Henry David Thoreau built his cabin and secreted him afford the $10 f ee much less the self from the world on Walden $50 they say they want now." Pond, he did without coffee and He coughs lightly after every tea. sentence. "One reason I'm here. "I have everything Thoreau You can't hold a job with bron had and still have coffee and tea," chitis. I was a coat-and-collar said i.agh Mes»er. who has done man until a little more than a much the same- thing for the past year ago. When I first came here, year on a remote beach on the I was taking four sets of pills and north shore of Copan o Bay. couldn't walk more than 30 feet at Messer could hardly be called a a time without losing my breath. hermit. "I'm not trying to escape Now I can take in my lines, from anything," he said. "As a handle my boat and do what I matter of fact, I should get myself to me. Why not? I feed them. And have to do. I take patent medicin some cleric garb and a collar, so the animals. Raccoons tore up my es. That's all I can afford." many people come back in here to tent. And there's a lynx and her He was somewhat vague about tell me their troubles. It's not any kit that live Up on the point. She'll his background except to say he one group. -
An Inspirational Novel
Uncharted An Inspirational Novel GR AEME CONNELL Chapter One A hand brushes aside his scarf, and Brewster McWhirtle feels the softness of two warm fingers nudging their way toward his windpipe for the rhythmic beat of life. He stirs and slowly liberates the young lodgepole pine that has anchored him through the night. His arm is locked, maybe frozen; it hurts to uncurl his hand. His free arm, folded above his head, is stiff, the muscles beyond feeling. His cramped fingers rest on the smooth, flat rock he’d poked a few hours earlier under the low branches between the trunk and earth. Melanie, the laser etching says on the underside, Blue Aster. A slight nudge to his left foot. What’s that? A nosy coyote? Brewster lies still, half-frozen, half-asleep, facedown in dirty, slushy snow. How do I get out of this life? Again, a tentative tap-tap. Let me die. His leg twitches from the stiffness of the hours he’s been lying there. Cold, so cold. He turns his head a degree or two, licks and spits the muck from his lips. I should be unconscious by now. With no more pain. With no more daylight. Let there be peace. “Hey, fella, you okay?” Not a coyote, just the toe of someone’s boot. “Hello-o. Can you hear me?” Brewster inches out from the tree. His groan from the pain in his arms is nothing compared to the howling he did during the snowstorm 1 Graeme Connell in the early morning hours. The blood starts to run as he stirs—a severe case of pins and needles. -
Mass Lyric SAMPLER
SAMPLER Dawn Songs Also by Peter Riley (* Shearsman titles) Poetry Love-Strife Machine The Canterbury Experimental Weekend The Linear Journal The Musicians, The Instruments Preparations Lines on the Liver Tracks and Mineshafts Ospita Noon Province Sea Watches Reader Lecture Sea Watch Elegies Royal Signals Distant Points Alstonefield * Between Harbours Noon Province et autres poèmes Snow Has Settled … Bury Me Here * Author Passing Measures: A Collection of Poems The Sea’s Continual Code Aria with Small Lights Alstonefield (extended edition) Excavations A Map of Faring SAMPLER The Llŷn Writings * The Day’s Final Balance: Uncollected Writings 1965–2006 * Best at Night Alone Western States Twelve Moons Greek Passages * The Derbyshire Poems * The Glacial Stairway Due North * Pennine Tales Prose Two Essays Company Week The Dance at Mociu * Peter Riley Dawn Songs preceded by Mass Lyric SAMPLER and followed by On First Hearing Derek Bailey Shearsman Books First published in the United Kingdom in 2017 by Shearsman Books 50 Westons Hill Drive Emersons Green BRISTOL BS16 7DF www.shearsman.com ISBN 978-1-84861-545-8 Copyright © Peter Riley, 2017 The right of Peter Riley to be identified as the author of this work has been asserted by him in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Acknowledgements Dawn Songs was first published in a shortened version on the author’s website. Mass Lyric was first published in Additional Apparitions edited by David Kennedy and Keith Tuma, The Cherry on the Top Press, 2002, since which it has been revised and extended. On First Hearing Derek Bailey was first published in Great Works no. -
Todd Rundgren: “Back to the Bars ”
Serving DeKalb Community College Vol. \A Friday, March 30, 1979 Page 1 Scott is just not a good businessman.” This week’s edition of The Open Door is only four pages in length because of the Spring break. The paper will return to its —John Truelove regular 8-page editions starting next week. Photo by B. Maher A* by Bill Maher According to a report in Activity Calander the Thursday, March 22,1979 issue of the Atlanta Journal, The following is a list of the already scheduled activities for the chairman of the DeKalb the month of April. County School Board will not April support the renewal of 3 - InterClub Council Meeting. 2:15 p.m r President W. Wayne Scott’s 3 - Student Government Association Meeting. 3:15 p.m. contract for another year. 10 - Student Government Association meeting. 3:15 p.m School Board Chairman 11 - Tech Rap Committee - Technical Division and College Trustee John Truelove told the Journal Spring Fling. 11:00 (activities hour) that, "Dr. Scott is just not a 17 - InterClub Council meeting. 2:15 p.m. good businessman.” 17 - Student Government Association. 3:15 p.m. Truelove also said that the 18 - Inter-Varsity sponsors a contemporary gospel concert. school board urged Scott to 11:00 a.m. place his children in public 24 - Student Government Association meeting. 3:15 p.m. school soon after he was 25 - Club meetings hired. Scott complied with the wishes of the board but- President Scott. Is his job on the line? put the children back into told us he was doing it.” Board has no stated policy SGA Meetings private schools last Dr. -
Benjamin Britten(1913–76)
Benjamin Britten (1913–76) Curlew River: A Parable for Church Performance (1964) A virtuous wife raped by the vicious son of a an artist who, for all his deep curiosity about Roman tyrant; a Japanese mother, maddened other cultures, was grounded in the tradition by grief perhaps, in search of her abducted set in train by the Enlightenment, that West was son. How much can The Rape of Lucretia and probably best. However, neither The Rape of Curlew River have in common? For a start Lucretia nor Curlew River attempts to synthesise there’s a span of 18 years between the first the European past and present or East and performances of each work, during which time West; both are simultaneously and separately Benjamin Britten’s interests moved in different present in each work and are somehow brought directions. Then The Rape of Lucretia is described together within the performance itself. Indeed as an opera, while Curlew River was subtitled ‘performance’ may be said to act as a bridge ‘A Parable for Church Performance’. It’s true that between these two worlds. So the principal both works tell their tales within a specifically action of the church parable has the Madwoman Christian framework, with the man and woman and the Traveller being ferried across the Curlew of the chorus in Lucretia struggling to relate River, while in the chamber opera Tarquinius her rape and eventual suicide to Christian must ride from his army camp outside Rome ideas about suffering and redemption, and into the heart of the city to ravish Lucretia. -
IITEBPBIS Cunningham Is an Active Volved in Many Shreve Member of the Rifle Team·, Activities
1978-79 ... A year to remember by Missy Falbaum get parents more involved with the first female in the history The 1978-79 school year was their children in school. of Captain Shreve to be one full of pep rallies, football , The Caddo Parish School appointed Cadet Corps Com games, plays, a talent show, the Board passed a mandatory mander in the JROTC program. EXCEL program, and many suspension for anyone using or The Student Counci I spon new changes at Captain Shreve. possessing tobacco on any school sored many intermural sports campus or school bus. activities throughout the year. Probably the newest change at A new diploma variation was They were also in charge of the CS was the ruling passed by the adopted which will now award an canned food drive, blood donor school board which required "Honors with Excellence" drive, and the Easter Seal drive. high school students in Caddo diploma to graduating seniors Also Student Council Week Parish to start classes an hour who have a more difficult brought with it speakers, and earlier than in the previous curriculum. many spirited activities. year. This program did allow The drama department put in It was also a year for such students who took six classes to three talent-packed plays which memorable events as Showboat leave school at 2:15 . dealt with such topics as drug '79, Sadie Hawkins, home Captain Shreve was one of the addicts, Saint Bernadette, and coming, and the prom. area schools that became in a dance marathon. 1ndeed the past year at volved in the EXCEL program. -
WPL 17 May 1974 Iv.Pdf
OSU WPL 17. iv-lli3 (1974); Pl!OI1E'l'IC ArlD PHOilOWGICAL PRO?BRTIES Or' CO;HiECTED 8?:EECH DISSERTATION Presented in Partial Fulfillment of the Reouirements for the Degree Doctor of Philosoph:r in the Graduate Schoo} of The Ohio State University By Linda Sheekey, B.A. * * * * The Ohio State University 1973 iv Copyright by Linda Shockey 1973 V Acknowledernents 'rhe completion of this document owes a ,:.;reat deal to Professors Arnold Zwick}·, John Black, and Francis Utley vl10 p:eve me valuable advice as to refe:t-ences, to Marlene Pnyhn. who typed far be~rond the call of duty and to Professor Re.j Reddy who ir,enel'.'ously made the facilities of the Computer Science Denartment at Ca.rneeie-Mellon Universit:ir available to me, !'~specially I would like to thank my a.dYise!", Professor Ilse Lehiste, who has been a constant source of encouragement, erudition, and i.nspiration throughout my studies at Ohio State. vi Table .of Contents Acknowledgments vi List of Tables and Fip;ures · viii Chapter I • • I I * • • • • Ill • • • • • . ,• l 1.1. Research Goals 1.2, Experimental Techniques Chapter II ,;, . 1 2.1. Chanter Goals 2.2. Descri~tion of data 2.3. Theoretical considerations 2.24, List of' Processes:Found: Word Internal 2,5, Weird-boundary Insensitive Processes 2.6. External. Sandhi Processes 2.7, Discussion Chapter III • . , . • , . ·. 43 3.1. Chanter Goals 3,2, "Degree .of Reduction11 3,3, Speech Rate 3,4, Results of Speech Re.te Investip;ation 3.5. Rate Determination Procedure · 3.6. Conclusions Chanter IV 54 - 4.1. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Suarez, Marta (2020) Motherhood, Domesticity and Nurture in the Post- Apocalyptic World: Negotiating Femininity in the Walking Dead
Suarez, Marta (2020) Motherhood, Domesticity and Nurture in the Post- apocalyptic World: Negotiating Femininity in The Walking Dead. In: Women who Kill. Gender and Sexuality in Film and Series of the Post-Feminist Era. Bloomsbury. ISBN 9781350115613 Downloaded from: https://e-space.mmu.ac.uk/624730/ Version: Accepted Version Publisher: Bloomsbury Please cite the published version https://e-space.mmu.ac.uk CHAPTER MOTHERHOOD, DOMESTICITY AND NURTURE IN THE POST-APOCALYPTIC WORLD: NEGOTIATING FEMININITY IN THE WALKING DEAD (AMC, 2010-) Marta Suarez The Walking Dead is a post-apocalyptic series that deals with the collapse of civilisation and its aftermath, following the spread of a virus that raises the dead and transforms them into predatory hunters of flesh. The narrative follows Rick Grimes, a deputy from a small town in Georgia. Having been in a coma during the outbreak, he wakes up to find walkers1 roaming the streets. He joins some survivors, reunites with his family and eventually becomes the leader of the group (S1E3). It is during this initial reunion that we are introduced to the first of the female characters discussed in this chapter, Carol. The second, Maggie, is introduced at the start of the second season when Rick arrives at her father’s farm (S2E2). The third character, Michonne, appears briefly at the end of S2, with a more extended introduction at the start of S3. The three are the longest-surviving female characters and are still alive at the time I am writing2. All three evolved from a pre-outbreak life connected to domestic spaces and distanced from acts of killing to a post-outbreak life as warriors and protectors of the group.