Miscellaneous/Facts

Total Page:16

File Type:pdf, Size:1020Kb

Miscellaneous/Facts MISCELLANEOUS/FACTS PAINTINGS, ART, CRAFTS, DANCE FORMS MADHUBANI: Madhubani art (or Mithila painting) is a style of Indian painting, practiced in the Mithila region of the Indian subcontinent. It originated from Madhubani district of the Mithila region of Bihar. This painting is done with a variety of tools, including fingers, twigs, brushes, nib-pens, and matchsticks and using natural dyes and pigments. It is characterized by its eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja. Madhubani painting has received GI (Geographical Indication) status. © Winnishers Educational Services Pvt Ltd 1 CHHAU DANCE Regions: Seraikella (Jharkhand), Purulia (West Bengal) and Mayurbhanj (Odisha). Origin:The origin of the dance is traceable to indigenous forms of dance and martial practices.It is also intimately connected to regional festivals notably the spring festival Chaitra Parva. Features:The dance is performed at night in an open space to traditional and folk melodies played on the reed pipes mohuri and shehnai. In 2010,it was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. ZARDOZI ART Regions:Zardozi or Zar-douzi, also Zardosi work is a type of embroidery in Iran, Azerbaijan, Iraq, Kuwait, Syria, Turkey, Central Asia, India, Pakistan and Bangladesh. Meaning: Zardozi comes from two Persian words: zar or zarin meaning 'gold', and dozi meaning 'sewing'. Zardozi work in India Gold embroidery has existed in India since the time of the Rigveda, between 1500 and 1200 BC. It prospered during the 17th century during the reign of the Mughal emperor Akbar, but later a loss of royal patronage and industrialization led to its decline. The craft began to experience a resurgence in popularity following India's independence in 1947 Today, zardozi is popular in the Indian cities of Lucknow, Farrukhabad, Chennai and Bhopal. In 2013, the Geographical Indication Registry (GIR) accorded Geographical Indication (GI) registration to the Lucknow zardozi . © Winnishers Educational Services Pvt Ltd 2 Intangible culture Why in news? Manipur’s tradition of making rice beer, the practice of tying turbans in Rajasthan and several different dances, forms of music and festivals from across the country were among the 106 items listed as intangible cultural heritage in a draft. Examples of Intangible culture. Devotional music of Qawwali and the music of the oldest instrument in the country, the Veena. The Kumbh Mela and Ramlila traditions folk festival of Pachoti in Assam . Kinnar Kanthgeet and compositions of Ameer Khusro are among the entries from Delhi . The making of khor, a rice beer, by the Tangkhul community in Manipur From Jammu and Kashmir, the Kalam Bhat or Qalambaft gharana of Sufiana music in Budgam district and from Ladakh, the Buddhist chanting across both Leh and Kargil districts were on the list of intangible cultural heritage . © Winnishers Educational Services Pvt Ltd 3 Kerala’s martial art form, Kalaripayuttu, and the practice of making designs at the entrance of homes and temples called kolam in Kerala, Andhra Pradesh, Tamil Nadu and Andhra Pradesh BANDINI Bandhani is a type of tie-dye textile decorated by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. The term bandhani is derived from the Sanskrit verbal root bandh ("to bind, to tie"). Today, most Bandhani making centers are situated in Gujarat,Rajasthan, Sindh, Punjab region and in Tamil Nadu where it is known as Sungudi. Earliest evidence of Bandhani dates back to Indus Valley Civilization where dyeing was done as early as 4000 B.C. The earliest example of the most pervasive type of Bandhani dots can be seen in the 6th century paintings depicting the life of Buddha found on the wall of Cave 1 at Ajanta TRADITIONAL FOLK THEATRE OF INDIA KOODIYATTAM One of the oldest traditional theatre forms of India, Koodiyattam follows the performative principles of the ancient tradition of Sanskrit theatre. © Winnishers Educational Services Pvt Ltd 4 However, it has its own distinctive characteristics that are firmly rooted in the culture of Kerala. This theatre was traditionally a part of temple rituals performed in sacred theaters, called Koothambalams. In 2001, Koodiyattam was officially recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. YAKSHAGANA Yakshagana is a popular folk theatre form of Karnataka with a long history of nearly four hundred years. It is a unique harmony of musical tradition, eye-catching costumes, and authentic styles of dance, improvised gestures and acting, with its extemporaneous dialogue holding a wide appeal. The themes are generally derived from the mythological stories and epics. Traditionally presented from dusk to dawn, this folk theatre is predominantly seen in the coastal districts of Karnataka. SWANG A popular folk theatre form in Haryana, Rajasthan and Uttar Pradesh, Swang is centered around music. In this folk theatre, religious stories and folk tales are enacted and sung by a group of a dozen or so artistes. Characterized by loud rendering of dialogues and songs (a legacy of its open air performances in the past), Swang has two important styles – one that belong to Rohtak (performed in the © Winnishers Educational Services Pvt Ltd 5 Bangru language)and the other that belongs to Haathras (performed in the Brajbhasha language). BHAND PATHER The centuries old traditional theatre form of Kashmir, bhand pather is a unique combination of dance, music and acting. Satire, wit and parody are commonly used in this folk drama that incorporates local mythological legends and contemporary social commentary. Traditionally, the performances begin in the evening with a ritualistic dance called chhok. THERUKOOTHU A unique form of rural entertainment in Tamil Nadu, therukoothu literally means street theatre. RAMMAN It is a ritual theatre that is a part of a religious festival in the Garhwal region of Uttarakhand. ANKIYA NAAT BHAONA Bhaona is a presentation of the Ankiya Naat, a one-act play that has its roots in rural Assam. A creation of Srimanta Sankardeva (an Assamese saint-scholar), these plays were written in Brajavali, a unique Assamese- Maithili mixed language, and are primarily centered on Hindu diety, Krishna. TAMASHA A traditional folk theatre form of Maharashtra, tamasha flourished in the courts of Maratha rulers of the 18th and 19th centuries and attained its artistic peak during the reign of Baji Rao II . It has evolved from the folk forms such as gondhal, jagran and kirtan. © Winnishers Educational Services Pvt Ltd 6 Unlike other theatre forms, in tamasha, the female actress is the lead performer and the chief exponent of dance in the play. BHAVAI Bhavai is the traditional theatre form of the Kutch and Katiawar region of Gujarat. Subtle social criticism laced with humour is the speciality of this theatre that also uses instruments like the bhungal, pakhaawaj, rabaab, sarangi and manjeera. DASHAVATAR Dashavatar is a folk theatre form practiced by farmers of the Konkan coast Sindhudurg district of of Maharashtra and the North Goa district of Goa. KARYALA A traditional folk theatre form of Himachal Pradesh, karyala is normally performed around the Dussehra festival, i.e. in October-November. With local variants all over Himachal Pradesh (banthada in Mandi, budechhu in Sirmaur and bhagtu in Kangra), karyala generally derives its theme from the daily life and concerns of the villagers. © Winnishers Educational Services Pvt Ltd 7 FESTIVALS FESTIVAL NAME PLACE OCCASION Petta Thullal Kerala It is the ritualistic sacred dance to celebrate the victory of good over evil in the legend of Lord Ayyappa. During annual Sabarimala pilgrimage season. Performed during the Mandalam Makaravilakku period (November, December and January). Bohag Bihu Assam Celebrated during the middle the month of April. This marks the beginning of the new Assamese calendar year started (around April 15). In Assam, three Bihu festivals are celebrated in a year called as RongaliBihu or BohagBihu, Bhugali (MaghBihu) and Kangali (Kati Bihu) for marking the distinctive phase in the farming calendar. Vaisakhi(baisaki). Sikhs. Vishu. Kerala. Harvest festivals of NabaBarsha Bengal. different states. PuthanduPirappu Tamil Nadu The Iranian New Year, Persian New Year or the Parsi New Year will be celebrated on March 20 in India. While the festival is a Navroz holy festival for the Zoroastrian, some Muslim and Iranian communities, it is celebrated by several faiths across the world © Winnishers Educational Services Pvt Ltd 8 Festival is the spring festival in Goa Shigmo Goa celebrated by the Konkani diaspora of Goa, with a lot of pompous and splendour. This festival takes place in the Phalguna month, according to the Saka calendar of the Hindu community living in Goa. rakuUtsav Andhra Pradesh Araku Valley is a hill station and valley region in the southeastern Indian state of Andhra Pradesh. It is surrounded by the thick forests of the Eastern Ghats mountain range Ambubachi Mela Guwahati,Kamakhya Temple This mela is also known as Ameti or Tantric fertility festival since it is closely associated with Tantric Shakti cult prevalent in eastern parts of India. Even some Tantric Babas make their public appearances only during these four days. Temple priests said the ritualistic fair celebrating the Goddess’ period is one of the reasons why taboo associated with menstruation is less in Assam compared to other parts of India. The attainment of womanhood of girls in Assam is celebrated with a ritual called Tuloni Biya, meaning small wedding. © Winnishers Educational Services Pvt Ltd 9 Bishnu sendra parva Jharkhand and the Annual hunting festival neighbouring Odisha and observed by tribals. West Bengal, Dalma Wildlife Sanctuary (DWS Lai haraoba Assam, Tripura, Manipur, Festival is celebrated Meghalaya, Myanmar and by Meitei people to Bangladesh. please sacred trees called “Umang Lai”. The Lai Haraoba Festival in the state of Manipur is celebrated in the month of May.
Recommended publications
  • Sun Temple, Konark
    Sun Temple, Konark March 11, 2021 About Sun Temple, Konark Konark Sun Temple, located in the eastern State of Odisha near the sacred city of Puri, is dedicated to the sun God or Surya. It is a monumental representation of the sun God Surya’s chariot; its 24 wheels are decorated with symbolic designs and it is led by a team of six horses. It is a masterpiece of Odisha’s medieval architecture and one of India’s most famous Brahman sanctuaries. The Konark temple is widely known not only for its architectural grandeur but also for the intricacy and profusion of sculptural work. It marks the highest point of achievement of Kalinga architecture depicting the grace, the joy and the rhythm of life all its wondrous variety. The temple declared a world heritage by UNESCO was built in A.D. 1250, during the reign of the Eastern Ganga King Narasimhadeva-I (A.D. 1238-64). There are two rows of 12 wheels on each side of the Konark sun temple. Some say the wheels represent the 24 hours in a day and others say the 12 months. The seven horses are said to symbolize the seven days of the week. Sailors once called this Sun Temple of Konarak, the Black Pagoda because it was supposed to draw ships into the shore and cause shipwrecks. The Konark is the third link of Odisha’s Golden Triangle. The first link is Jagannath Puri and the second link is Bhubaneswar (Capital city of Odisha). This temple was also known as Black Pagoda due to its dark color and used as a navigational landmark by ancient sailors to Odisha.
    [Show full text]
  • Requiring Body SIA Unit
    SOCIAL IMPACT ASSESSMENT STUDY FINAL REPORT LAND ACQUISITION FOR THE CONSTRUCTION OF OIL DEPOT &APPROACH ROAD FOR HPCL/BPCL AT PAYYANUR VILLAGE IN KANNUR DISTRICT 15th JANUARY 2019 Requiring Body SIA Unit RAJAGIRI outREACH HINDUSTAN PETROLEUM Rajagiri College of Social Sciences CORPORATION LTD. Rajagiri P.O, Kalamassery SOUTHZONE Pin: 683104 Phone no: 0484-2550785, 2911332 www.rajagiri.edu 1 CONTENTS CHAPTER 1 EXECUTIVE SUMMARY 1.1 Project and Public Purpose 1.2 Location 1.3 Size and Attributes of Land Acquisition 1.4 Alternatives Considered 1.5 Social Impacts 1.6. Mitigation Measures CHAPTER 2 DETAILED PROJECT DESCRIPTION 2.1. Background of the Project including Developers background 2.2. Rationale for the Project 2.3. Details of Project –Size, Location, Production Targets, Costs and Risks 2.4. Examination of Alternatives 2.5. Phases of the Project Construction 2.6.Core Design Features and Size and Type of Facilities 2.7. Need for Ancillary Infrastructural Facilities 2.8.Work force requirements 2.9. Details of Studies Conducted Earlier 2.10 Applicable Legislations and Policies CHAPTER 3 TEAM COMPOSITION, STUDY APPROACH AND METHODOLOGY 3.1 Details of the Study Team 3.2 Methodology and Tools Used 3.3 Sampling Methodology Used 3.4. Schedule of Consultations with Key Stakeholders 3.5. Limitation of the Study CHAPTER 4 LAND ASSESSMENT 4.1 Entire area of impact under the influence of the project 4.2 Total Land Requirement for the Project 4.3 Present use of any Public Utilized land in the Vicinity of the Project Area 2 4.4 Land Already Purchased, Alienated, Leased and Intended use for Each Plot of Land 4.5.
    [Show full text]
  • List of Offices Under the Department of Registration
    1 List of Offices under the Department of Registration District in Name& Location of Telephone Sl No which Office Address for Communication Designated Officer Office Number located 0471- O/o Inspector General of Registration, 1 IGR office Trivandrum Administrative officer 2472110/247211 Vanchiyoor, Tvpm 8/2474782 District Registrar Transport Bhavan,Fort P.O District Registrar 2 (GL)Office, Trivandrum 0471-2471868 Thiruvananthapuram-695023 General Thiruvananthapuram District Registrar Transport Bhavan,Fort P.O District Registrar 3 (Audit) Office, Trivandrum 0471-2471869 Thiruvananthapuram-695024 Audit Thiruvananthapuram Amaravila P.O , Thiruvananthapuram 4 Amaravila Trivandrum Sub Registrar 0471-2234399 Pin -695122 Near Post Office, Aryanad P.O., 5 Aryanadu Trivandrum Sub Registrar 0472-2851940 Thiruvananthapuram Kacherry Jn., Attingal P.O. , 6 Attingal Trivandrum Sub Registrar 0470-2623320 Thiruvananthapuram- 695101 Thenpamuttam,BalaramapuramP.O., 7 Balaramapuram Trivandrum Sub Registrar 0471-2403022 Thiruvananthapuram Near Killippalam Bridge, Karamana 8 Chalai Trivandrum Sub Registrar 0471-2345473 P.O. Thiruvananthapuram -695002 Chirayinkil P.O., Thiruvananthapuram - 9 Chirayinkeezhu Trivandrum Sub Registrar 0470-2645060 695304 Kadakkavoor, Thiruvananthapuram - 10 Kadakkavoor Trivandrum Sub Registrar 0470-2658570 695306 11 Kallara Trivandrum Kallara, Thiruvananthapuram -695608 Sub Registrar 0472-2860140 Kanjiramkulam P.O., 12 Kanjiramkulam Trivandrum Sub Registrar 0471-2264143 Thiruvananthapuram- 695524 Kanyakulangara,Vembayam P.O. 13
    [Show full text]
  • Sun Worship in Himalaya Region: with Special Reference to Katarmal and Martand
    Artistic Narration: A Peer Reviewed Journal of Visual & Performing Art ISSN (P): 0976-7444 Vol. IV., 2013 Sun Worship in Himalaya Region: with Special Reference to Katarmal and Martand Dr. Virendra Bangroo Assistant Professor IGNCA, New Delhi. & Dr. Richan Kamboj Assistant Professor & HOD, Department of Drawing & Painting M.K.P.(P.G.) College Dehra Dun. The Sun, the source of light and solar energy, is the sources of all life and finds mention in all the sacred texts like the Rig Veda, the Vishnu Purana, the Mahabharta, the Bhavisya Purana, the Chandogya Upanishad, the Markandaya Purana, the Taittiriya Upansihad, the Nilarudra Upanishad and the Varaha purana. The Sun or Surya is also known by other names, each name highlights the grandeur, brilliance, quality and power of the Sun,viz:- 1. Aditya- Son of the primordial vastness ss 2. Aja-ekapad – one legged goat 3. Pavaka – Purifier 4. Jivana- the source of life 5. Jayanta-Victorious 6. Ravi - Divider 7. Martanda- born from life less egg 8. Savitr -Nourisher 9. Aharpati-Lord of the day 10. Jagat chaksu-Eye of the world 11 - Karma Sanskasin -Witness of deeds 12. Graha Rajan-King of Planets 13. Sahasra-Kirana-Having Thousand beams 14. Saptashwa-Having seven horses 15. Dyumani-Gem of the sky 1 Artistic Narration: A Peer Reviewed Journal of Visual & Performing Art ISSN (P): 0976-7444 Vol. IV., 2013 16. Graha pati-Lord of the Planets 17. Heli-Pervader 18. Khaga-Wanderer of space 19. Padma-bandhu-Friend of the lotus 20. Padma Pani-Lotus in hand 21. Himarati- Enemy of snow 22.
    [Show full text]
  • List of Lacs with Local Body Segments (PDF
    TABLE-A ASSEMBLY CONSTITUENCIES AND THEIR EXTENT Serial No. and Name of EXTENT OF THE CONSTITUENCY Assembly Constituency 1-Kasaragod District 1 -Manjeshwar Enmakaje, Kumbla, Mangalpady, Manjeshwar, Meenja, Paivalike, Puthige and Vorkady Panchayats in Kasaragod Taluk. 2 -Kasaragod Kasaragod Municipality and Badiadka, Bellur, Chengala, Karadka, Kumbdaje, Madhur and Mogral Puthur Panchayats in Kasaragod Taluk. 3 -Udma Bedadka, Chemnad, Delampady, Kuttikole and Muliyar Panchayats in Kasaragod Taluk and Pallikere, Pullur-Periya and Udma Panchayats in Hosdurg Taluk. 4 -Kanhangad Kanhangad Muncipality and Ajanur, Balal, Kallar, Kinanoor – Karindalam, Kodom-Belur, Madikai and Panathady Panchayats in Hosdurg Taluk. 5 -Trikaripur Cheruvathur, East Eleri, Kayyur-Cheemeni, Nileshwar, Padne, Pilicode, Trikaripur, Valiyaparamba and West Eleri Panchayats in Hosdurg Taluk. 2-Kannur District 6 -Payyannur Payyannur Municipality and Cherupuzha, Eramamkuttoor, Kankole–Alapadamba, Karivellur Peralam, Peringome Vayakkara and Ramanthali Panchayats in Taliparamba Taluk. 7 -Kalliasseri Cherukunnu, Cheruthazham, Ezhome, Kadannappalli-Panapuzha, Kalliasseri, Kannapuram, Kunhimangalam, Madayi and Mattool Panchayats in Kannur taluk and Pattuvam Panchayat in Taliparamba Taluk. 8-Taliparamba Taliparamba Municipality and Chapparapadavu, Kurumathur, Kolacherry, Kuttiattoor, Malapattam, Mayyil, and Pariyaram Panchayats in Taliparamba Taluk. 9 -Irikkur Chengalayi, Eruvassy, Irikkur, Payyavoor, Sreekandapuram, Alakode, Naduvil, Udayagiri and Ulikkal Panchayats in Taliparamba
    [Show full text]
  • Ancient Temples of Kashmir
    Ancient Temples of Kashmir by Virendra Bangroo Kashmir is bestowed with nature's bounties and the mystical environment has fascinated people irrespective of caste, creed and language. Scholars coming from far and wide have carried away with them its, immense spiritual wealth shedding the shackles of this materialistic work and merging with the ultimate. The Kashmir valley blessed with the natural bounties is rightly celebrated as the valley of Gods. Apart from its natural beauty an added attraction are the ancient stone temples of Kashmir, noteworthy for unique architectural elements and fine stone carvings. The Hindu temple represents the cosmological symbolism in an aesthetic grab. The Hindu temple is a symbol or rather an aggregate of various symbols. It is ritually invested with human personality (Vastupursha) and conceived in terms of human organism, which is the most evolved form. The scriptures say that the temple should be worshipped as Pursa. The names of the various limbs of the human body from the foot to the crown of the head are applied in Indian architectural texts to different parts of the temple structure. The door of the temple is its mouth, the platform terminating the trunk to the superstructure, represents the shoulder of the Pursa; the projection, the arms and down to the wall, the leg and to the very bottom, to the lower most molding- the feet. The temple is Pursa and conceived by means of Prakrti the feminine form. We talked about the perfect body- the Vastupursha, but it is lifeless without the resident soul. The image in the temple, the Pratima is the very life of the temple.
    [Show full text]
  • Adopt a Heritage Project - List of Adarsh Monuments
    Adopt a Heritage Project - List of Adarsh Monuments Monument Mitras are invited under the Adopt a Heritage project for selecting/opting monuments from the below list of Adarsh Monuments under the protection of Archaeological Survey of India. As provided under the Adopta Heritage guidelines, a prospective Monument Mitra needs to opt for monuments under a package. i.e Green monument has to be accompanied with a monument from the Blue or Orange Category. For further details please refer to project guidelines at https://www.adoptaheritage.in/pdf/adopt-a-Heritage-Project-Guidelines.pdf Please put forth your EoI (Expression of Interest) for selected sites, as prescribed in the format available for download on the Adopt a Heritage website: https://adoptaheritage.in/ Sl.No Name of Monument Image Historical Information Category The Veerabhadra temple is in Lepakshi in the Anantapur district of the Indian state of Andhra Virabhadra Temple, Pradesh. Built in the 16th century, the architectural Lepakshi Dist. features of the temple are in the Vijayanagara style 1 Orange Anantpur, Andhra with profusion of carvings and paintings at almost Pradesh every exposed surface of the temple. It is one of the centrally protected monumemts of national importance. 1 | Page Nagarjunakonda is a historical town, now an island located near Nagarjuna Sagar in Guntur district of Nagarjunakonda, 2 the Indian state of Andhra Pradesh, near the state Orange Andhra Pradesh border with Telangana. It is 160 km west of another important historic site Amaravati Stupa. Salihundam, a historically important Buddhist Bhuddist Remains, monument and a major tourist attraction is a village 3 Salihundum, Andhra lying on top of the hill on the south bank of the Orange Pradesh Vamsadhara River.
    [Show full text]
  • The Architectural Study of Sun Temples in India: Based on Location, Construction Material and Spatial Analysis Study
    International Journal of Scientific and Research Publications, Volume 11, Issue 1, January 2021 331 ISSN 2250-3153 The Architectural Study of Sun Temples in India: Based on Location, Construction Material and Spatial Analysis Study Ar. Swarna Junghare Amity school of architecture and planning Amity University Raipur, Chhattisgarh DOI: 10.29322/IJSRP.11.01.2021.p10935 http://dx.doi.org/10.29322/IJSRP.11.01.2021.p10935 Abstract-Religious places are most important constructions in India in every religion. In Hindu religion, the temples have supreme importance and different god and goddesses like Vishnu, Mahadeva, et. Are being worshiped. among them we are focusing on sun temples because they are believed to be built either because of some vow or to celebrate victory. Concept behind building sun temple is sun as a celestial body in universe, earth’s rotation around sun, period of completion of one rotation. elements of ornamentation are focused on the above-mentioned factors. In India the origin of the worship of the Sun is several centuries old. Sun temples are constructed in different time period by various dynasties. The study of sun temples in India is based on their location, spatial arrangement, historical background, construction material, time line, evolution and ornamentation. By comparing above mentioned parameters, we can find out over the period of time changes occurred in the construction of the sun temple in India. This study helps in the construction of contemporary sun temples. Index Terms - Architectural Details, India, Light, Sun Temple, time line I INTRODUCTION The history of India is very old and from historical time in India, religion, culture, festivals plays important role.
    [Show full text]
  • STATE BANK of TRAVANCORE.Pdf
    STATE DISTRICT BRANCH ADDRESS CENTRE IFSC CONTACT1 CONTACT2 PB 14, Opp V V Mahal Theatre, ANDHRA Mosque Rd PRADESH CHITTOOR tirupathy Tirupathi TIRUPATI SBTR0000649Tirupathi [email protected] 1st Lane, gunturvarithot ANDHRA a, Guntur PRADESH GUNTUR guntur Guntur GUNTUR SBTR0000625522001 [email protected] SRINIVASA NAGAR AS RAO COLONY AS NAGAR RAO NAGAR ANDHRA SECUNDERA SECUNDERA PRADESH HYDERABAD BADD BAD HYDERABAD SBTR0001151040-27810013 022-27564755 VARMA HEIGHTS, 16- 11-511/D/15, ROAD NO 9, SHALIVAHAN A NAGAR, ANDHRA DILSUKH HYDERABAD PRADESH HYDERABAD NAGAR 500060 HYDERABAD SBTR0001202040-29801361 Shri. K. Chellappa Chief Pb No 21, Manager PH Kushal 040-24744880 Chambers, Shri. Bank Street, Gummadi Koti, Sathish Babu ANDHRA Hyderabad Manager PH PRADESH HYDERABAD Hyderabad 500 001 HYDERABAD SBTR0000264040-24654686 MIG 155, KPR COMPLEX, ROAD NO.1,PHASE I & II, KPHB COLONY, KUKATPALLY, ANDHRA KUKATPALLY, HYDERABAD PRADESH HYDERABAD HYDERABAD 500 072 HYDERABAD SBTR0000743040-23051689 2nd FLOOR, KAMALA TOWERS SP ROAD, MICCORPOR SECUNDERA ATE BAD 500003 ANDHRA BRANCH, mcbhyd@sbt. PRADESH HYDERABAD HYDERABAD co.in HYDERABAD SBTR0001111040-2780013 HOUSE NO.6-1-276, FLAT NO.101A, ARCHANA BLOCK, CONJEEVAR AM HOUSE, PADMARAO PADMARAO NAGAR, ANDHRA NAGAR, SECUNDERA PRADESH HYDERABAD HYDERABAD BAD TARNAKA SBTR0000811040-27501689 040-27501690 H No.8-2- 293/82/L/247/ a/a, MLA PSB, Colony, HYDERABAD Banjara Hills, ANDHRA -BANJARA Hyderabad PRADESH HYDERABAD HILLS 500034 HYDERABAD SBTR0000987022-27564754 RETAIL SAI VAMSEE, ASSETS PLOT 645, CENTRAL
    [Show full text]
  • Kannur School Code Sub District Name of School School Type 13001 Govt H S Pulingome G 13002 St. Marys H S Cherupuzha a 13003 St
    Kannur School Code Sub District Name of School School Type 13001 Govt H S Pulingome G 13002 St. Marys H S Cherupuzha A 13003 St. Josephs English High School P 13004 Govt V H S S for Girls Kannur G 13005 Govt V H S S Kannur G 13006 ST TERESAS AIHSS KANNUR A 13007 ST MICHAELS AIHSS KANNUR A 13008 TOWN GHSS KANNUR G 13009 Govt. City High School, Kannur G 13010 DIS GIRLS HSS KANNUR CITY A 13011 Deenul Islam Sabha E M H S P 13012 GHSS PALLIKUNNU G 13013 CHOVVA HSS, CHOVVA A 13014 CHM HSS ELAYAVOOR A 13015 Govt. H S S Muzhappilangad G 13016 GHSS THOTTADA G 13017 Azhikode High School, Azhikode A 13018 Govt. High School Azhikode G 13019 Govt. Regional Fisheries Technical H S G 13020 CHMS GOVT. H S S VALAPATTANAM G 13021 Rajas High School Chirakkal A 13022 Govt. High School Puzhathi G 13023 Seethi Sahib H S S Taliparamba A 13024 Moothedath H S Taliparamba A 13025 Tagore Vidyanikethan Govt. H S S G 13026 GHSS KOYYAM G 13027 GHSS CHUZHALI G 13028 Govt. Boys H S Cherukunnu G 13029 Govt. Girls V H S S Cherukunnu G 13030 C H M K S G H S S Mattool G 13032 Najath Girls H S Mattool North P.O P 13033 Govt. Boys High School Madayi G 13034 Govt. H S S Kottila G 13035 Govt. Higher Secondary School Cheruthazham G 13036 Govt. Girls High School Madayi G 13037 Jama-Ath H S Puthiyangadi A 13038 Cresent E M H S Mattambram P 13039 Govt.
    [Show full text]
  • Flag of India (Tiranga) �
    20 August,2021 Friday 3 GUJ AIR SQN NCC RAJKOT GROUP, GUJRAT DTE. Flag of India (Tiranga) ϝ The National Flag of India (Hindi: Tiraṅgā) is a horizontal rectangular tricolour of India saffron, white and India green; with the Ashoka Chakra, a 24-spoke wheel, in navy blue at its centre. It was adopted in its present form during a meeting of the Constituent Assembly held on 22 July 1947, and it became the official flag of the Dominion of India on 15 August 1947. The flag was subsequently retained as that of the Republic of India. In India, the term "tricolour" almost always refers to the Indian national flag. The flag is based on the Swaraj flag, a flag of the Indian National Congress designed by Pingali Venkayya. ● Name:-Tiraṅgā(meaning "Tricolour") ● Use :- National flag ● Proportion:-2:3 ● Adopted:-22 July 1947; 73 years ago ● Design:-A horizontal triband of Indi saffron, white, and India green; charged with a navy blue wheel with 24 spokes in the centre. ● Designed by:-Pingali Venkayya By law, the flag is to be made of khadi, a special type of hand-spun cloth or silk, made popular by Mahatma Gandhi. The manufacturing process and specifications for the flag are laid out by the Bureau of Indian Standards. The right to manufacture the flag is held by the Khadi Development and Village Industries Commission, who allocates it to regional groups. As of 2009, the Karnataka Khadi Gramodyoga Samyukta Sangha has been the sole manufacturer of the flag. Usage of the flag is governed by the Flag Code of India and other laws relating to the national emblems.
    [Show full text]
  • Explanation 1
    EXCEL CIVILS ACADEMY DAILY CURRENT AFFAIRS Date: 07-08-2020 EXPLANATION 1. Ans) (d) Explanation : Farmers in South 24 Parganas district in West Bengal are betting on the pokkali variety of rice from Kerala to tide over a crisis-like situation created by severe seawater incursion into paddy fields in vast areas of the Sundarbans after cyclone Amphan hit West Bengal on May 20. The pokkali variety, known for its saltwater resistance, flourishes in the paddy fields of coastal Alappuzha, Ernakulam and Thrissur districts of Kerala. The uniqueness of the rice has brought it the Geographical Indication (GI) tag and is the subject of continuing research. Vyttila-11 is the latest variety of Pokkali Rice to come out of Kerala Agricultural University’s field station in Vyttila. Vyttila-11 promises better yield of about 5 tonnes per hectare than the previous varieties, and is crossed with the Jyoti variety of rice popular in Kerala. 2. Ans) (a) Explanation : The Government of India launched the Target Olympic Podium Scheme (TOPS) for the country’s promising junior athletes, with an aim to groom these young talents for medal glory at the 2024 and 2028 Olympics. The Sports Authority of India’s (SAI) ‘Mission Olympic Cell’ (MOC) has shortlisted 258 athletes in 12 sporting disciplines for TOPS Junior, including the 85 selected before the lockdown, who will be part of the ‘Developmental Group’. The selected athletes will receive a monthly ‘Out Of Pocket’ allowance of Rs 25,000. Of the 12 disciplines, 70 athletes have been shortlisted in shooting, 16 in athletics, 34 in archery, 27 in badminton, four in cycling, seven in table tennis, 14 in swimming, 11 in judo, 36 in boxing, 16 in weightlifting, five in rowing and 18 in wrestling.
    [Show full text]