Player One: What Is to Become of Us: a Novel in Five Hours Free

Total Page:16

File Type:pdf, Size:1020Kb

Player One: What Is to Become of Us: a Novel in Five Hours Free FREE PLAYER ONE: WHAT IS TO BECOME OF US: A NOVEL IN FIVE HOURS PDF Douglas Coupland | 246 pages | 01 Oct 2010 | House of Anansi Press | 9780887849688 | English | United Kingdom Player One: What Is to Become of Us by Douglas Coupland Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Player One by Douglas Coupland. International bestselling author Douglas Coupland delivers a real-time, five- hour story set in an airport cocktail lounge during a global disaster. Five disparate people are trapped inside: Karen, a single mother waiting for her online date; Rick, the down-on-his-luck airport lounge bartender; Luke, a pastor on the run; Rachel, a cool Hitchcock blonde incapable of true hum International bestselling author Douglas Coupland delivers a real-time, five-hour story set in an airport cocktail lounge during a global disaster. Five disparate people are trapped inside: Karen, a single mother waiting for her online date; Rick, the down-on-his-luck airport lounge bartender; Luke, a pastor on the run; Rachel, a cool Hitchcock blonde incapable of true human contact; and finally a mysterious voice known as Player One. Slowly, each reveals the truth about themselves while the world as they know it comes Player One: What Is to Become of Us: A Novel in Five Hours an end. In the tradition of Kurt Vonnegut and J. Ballard, Coupland explores the modern crises of time, human identity, society, religion, and the afterlife. The book asks as many questions as it answers, and readers will leave the story with no doubt that we are in a new phase of existence as a species — and that there is no turning back. Get A Copy. Paperbackpages. More Details Original Title. Scotiabank Giller Prize Nominee Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Player Oneplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jul 16, Mon rated it it was amazing Shelves: po-mo. It's hard to write about any of Coupland's novel because they are much more than mere plots and characters smudged together. This hits its peak in Player One Player One: What Is to Become of Us: A Novel in Five Hours, possibly the clearest manifestation of Couplandism: where do we go after Postmodernism. When was Generation X published? Let's Google that. Will the future generation remember a time when information required more physical labour? Look, I can't even get to my review without quoting Coupland, this is how much I love him. So it has bee It's hard to write about any of Coupland's novel because they are much more than mere plots and characters smudged together. So it has been two decades since his first book, and the transition is striking. The premise is purer and more minimal, the characters well defined as he finally ditched using first person narratives no offense Doug, but you really aren't a good enough writer for that yet. More importantly, this is a synthesis of all his previous attempts at clarifying his philosophy - it's a combination of Life After God 's postmodern religion, Hey Nostradamus 's terrorism, Shampoo Planet 's denial of the past and Girlfriend in a Coma 's So-now-let's-pretend-it's-the-future- what-the-hell-do-we-do. Intentional or not, a lot of material in this book, including character profiles and dialogues are recycled straight from his earlier works. But it's all very art school isn't it? Appropriation as part of postmodernism. It works much better when Coupland cleans up his half-finished rants and integrates them into a stew of social criticism. One thing, or perhaps the best thing of all, is that Coupland offers hope in his work. Not the obvious Bald-fontHelvetica in-your-face Obama sort of hope, but a subtle 'hey I know it's shitty now, and probably will be shitty because we're surrounded by shitty people, and you will most definitely fail, and be broken in the process. But that's ok. Because you're here asking that question'. This really shouldn't be called a novel, it's a bunch of quotes and thoughts put together loosely bound by a post-apocalypse theme. Maybe Player One: What Is to Become of Us: A Novel in Five Hours should just stop pretending and have a list of Tumblr-ish ideas and illustrations. What was I saying before that? I don't remember. Oh well. This is what the 'save' button is for isn't it. I love Coupland. Probably because he's such a product of art school yet he went on to satirise its exact nature. Now, you don't see Damien Hirst or Vito Acconci doing that do you? View all 3 comments. Dec 11, Daniel rated it it was ok. If this book had decided to just go ahead and be a novel, it would've been great. If it had decided to just go ahead and be a series of essays on existentialism and the transformations and implications of humanity and society, it probably would've been great, too. Instead, it tries to be both, and only gets halfway with either. The book is -- at first -- about five people who meet in a hotel bar during a major, global crisis. They each get a chance to tell their tales -- including a mysterious If this book had decided to just go ahead and be a novel, it would've been great. They each get a chance to tell their tales -- including a mysterious narrator named "Player One. The characters are all at thresholds of differing types -- Luke is a pastor who's lost his faith, Karen is there to meet an internet hook-up, Rick is about to hand thousands of dollars over to a celebrity savior, and Rachel has finally decided to get pregnant to prove that she's human -- and it's fun to see the "flawed narrator" tool used in four different ways, their flaws all multiply colored through everyone else's eyes. Unfortunately, the global crisis traps them in the hotel bar, and they spend the rest of the book all ruminating on life, existence, the soul, and purpose. Even this wouldn't be so bad except every - single - character has the same poetic, insightful, intricate thought processes when they start analyzing what it means to be alive. By the end of the story, it is painfully obvious that every character is nothing more than a mouthpiece for our author, who -- at that point -- has said "to heck with it" with character development and story and has gone full bore with his philosophizing much of it coming across as little more than erudite thumb-twiddling, although Player One: What Is to Become of Us: A Novel in Five Hours may just be because there's so darn much of it that it becomes mind-numbing after time. The story, almost unforgivably, is tied up with a hasty narrative ribbon, with one character quite literally explaining everything to the reader, as if Coupland was bored with the book and just didn't want to bother with actual writing. The last fifth of the novel is a glossary of terms that, while interesting, don't really add to either the book or the philosophies it analyzes. I'm not sure what the purpose of this section was -- some of it is definitely meant to be funny -- but it didn't do much for me. It's fantastic when a book gets you to think about life more deeply and in challenging ways, but the best books do this through interesting stories, complicated characters and character development, and in intricate plotting and planning. This book sets up an intriguing premise and then tosses it all aside to give each character a chance to preach the same basic message of modern disaffection and doubt. That's not good writing or Player One: What Is to Become of Us: A Novel in Five Hours philosophizing. It's a lazy example of both trying to wear the other's hat. Just another terrific read. This is ultimately an exploration on some of the bigger, philosophical questions on life: what is this concept of time? What happens before we're born and after we die? And so on. And Coupland does this with his innate lyrical language, and his trademark wit. The premise of the story is: Five people, all of whom end up in a Toronto Pearson airport lounge, find themselves locked inside the lounge while the world around them implodes. Oil prices instantly skyrocket, and Just another terrific read. Oil prices instantly skyrocket, and what follows is a sort of nuclear-esque fallout as people lose their goddamn minds over the shortage of oil. It's extremely prophetic, in my mind. I think Coupland brilliantly satirises the extremes to which humans will go when the world oil supply suddenly dries up and the prices sky rocket. Perhaps he exaggerates the outcome, but perhaps not I think he accurately assumes that the dominant religion on the planet are not the religions we commonly think of - the dominant religion is the Almighty Dollar.
Recommended publications
  • Douglas Coupland's
    College Quarterly Winter 2011 - Volume 14 Number 1 Home Beware the Ides of Coupland: Douglas Coupland’s (Oh, So Very Canadian) Perspective on the Future and What it Means Contents to Us By Marilyn Boyle-Taylor Douglas Coupland, a prolific author/artist/lecturer and now prognosticator, is in the forefront of the arts movement in both Canada and the US. His works, starting with his breakout novel Generation X: Tales for an Accelerated Culture, have consistently worked as a bellwether of current perspectives and values, both noting our cultural milestones and influencing future trends. In books, such as Microserfs and JPod, he sensitively involves the reader in the world of the technologically wired, showing the paradox of the resultant isolation and alternative community that evolves within the computer industry. Other works, such as A Souvenir of Canada, complete as an installation, documentary, and book, and his further installation of Terry Fox, display the keenness with which he filters his North American experience, and in particular, his roots as a Canadian with specific values and artifacts. Each novel, artwork, or article shows a different side of Coupland, explores new topics, yet reiterates his belief in the randomness of behaviour, or at least humanity’s inability to control our excesses. Nonetheless, he consistently leaves the reader with a paradoxical sense of hope that there is a future, perhaps even one that is superior to what we dream. Beware the Ides of Couplandis a look at his current work and his 2010 CBC Massey Lecture series, which he presents as a “novel in five hours” about the future.
    [Show full text]
  • The Failure of the Anthropostory in Douglas Coupland's Post-Millennial
    Julia Nikiel Epic Fail: The Failure of the Anthropostory in Douglas Coupland’s Post-Millennial Prose Abstract: The aim of the paper is to discuss the conceptualization of humanity’s planetary agency offered by a Canadian author, Douglas Coupland, in his three post-millennial novels: Generation A, Player One: What Is to Become of Us?, and Worst.Person.Ever. Exposing the egotism of what for years he has been calling humanity’s “Narrative Drive,” Coupland comments on the fallacies of the Anthropocene. Advocating the power of stories to act as models for approaching climate change in its hyperobjectivity, the three novels hint that unless people learn to story-tell-with other terran forces and agents, the anthropostory, which positions humans as the only active agents in a sequential narrative of conquest and destitution, is bound to come to an abrupt end. Keywords: the Anthropocene, Douglas Coupland, posthumanism, extreme present, “Narrative Drive,” storyliving, making-with The Story vs. The Stories In the introductory pages of The Age of Earthquakes (2015), Douglas Coupland, Hans- Ulrich Obrist, and Shumon Basar paint the magnitude of humanity’s influence on the planet. Printed on individual pages, in black and white and with font size changing parallel to intended emphasis, short evocative statements concerning the chain reaction leading to current environmental changes read like a machine-gun volley. The message conveyed is simple: the unfolding of informational capitalism has triggered processes which directly contribute to global ecological imbalance, manifesting, among others, in the recent intensification and increased frequency of earthquakes. “The bulk of human activity is the creation and moving of information,” Coupland et al.
    [Show full text]
  • An Interview with Douglas Coupland
    HTTP://VOICE.AIGA.ORG/ Generation X-Wear: An Interview with Douglas Coupland Written by Steven Heller Published on July 6, 2010 Filed in Voice: Journal of Design ouglas Coupland is the best-selling author of the novel that gave a post-baby boom epoch its name—Genera- Dtion X—and its recent sequel, Generation A. He’s also written Life After God, Microserfs and JPod, among others. What his legions of followers might not realize is that he first trained to be an artist and designer. Therefore, it shouldn’t seem out of character that Coupland is now the creator of a fashion line, produced by the Canadian outdoors company Roots. That he collaborated with filmmaker Chris Nanos adds yet another page-turning twist. The Roots x Douglas Coupland collection ranges from apparel and accessories to furniture and original artwork. Launching on July 8, Coupland’s line celebrates the Vancouver-based artist’s homeland, as well as early TV test patterns, pixels and computer circuitry. I connected with Coupland to discuss how his most recent “art/design experiment” has taken the form of arm warmers, patterned leggings and club jackets. Heller: I suppose the most obvious question to ask is, why have you started a fashion line? Coupland: It’s not so much a line as an art/design experiment. I’ve been doing art, design and book projects since 2000 that explore new ways of perceiving “being Canadian.” Roots, a large Canadian clothing company, has been doing it since 1973. A friend in common said, “You two really ought to be doing something together.” It was a good idea, and wonderfully free of cynicism.
    [Show full text]
  • Douglas Coupland, Player One: What Is to Become of Us: a Novel in Five
    FICTION / NON-FICTION Douglas Coupland, Player One: What Is to Become of Us: A Novel in Five Hours, House of Anansi, 2010 Sarah Leavitt, Tangles: A Story about Alzheimer’s, My Mother and Me, Freehand Books, 2010 Presented as Douglas Coupland’s 2010 Massey Lecture, Player One is a portrait of humanity at the brink of change. Set in a perhaps once fabulous but now terribly seedy hotel bar, Player One is narrated by five people: Karen, a divorced mother on her way to what she hopes will be a life-changing Internet date; Rick, the recovering alcoholic bartender who has lost everything but hope; Luke, who has within hours made the shift from pastor to atheist, sponsored by money stolen from his flock; Rachel, a gorgeous but emotionally unreach- able young woman seeking to be impregnated; and an omniscient voice—a video game avatar—named Player One. These five voices, all collected at the airport bar by varied circumstances, narrate a por- tion of each hour as the novel counts down to a catastrophic event that will change the course of history. In Player One’s pages, Coupland fans will delight in noticing the words of characters they have loved before; he recycles lines and mo- 107 ments from his previous novels, which lends a sense of déjà vu to the pages. Rather than being distracting, this choice complicates each character, layering his or her identity with the echoes of Coupland’s existing canon. The effect is, for the Coupland fan, characters who are richer and come to life more readily, as though the reader has been preparing for their arrival for years.
    [Show full text]
  • Final Proof-2.Inddproof-2.Indd 5 22011-10-21011-10-21 15:22:1615:22:16 6 Papers of the Bibliographical Society of Canada 49/1
    X-plained: The Production and Reception History of Douglas Coupland’s Generation X Christopher Doody* Welcome to the overnight and highly charmed success story of Generation X. – Douglas Coupland1 Introduction Generation X … is a novel that has achieved widespread popular recognition. According to the perverse logic of the literary establishment, its popularity calls into question its validity as a literary text. And yet this is a novel worth looking at seriously, if only for the influence it has had on contemporary culture. – G.P. Lainsbury2 Douglas Coupland’s novel Generation X: Tales for an Accelerated Culture was among the five novels chosen for CBC’s 2010 Canada Reads contest. It was, however, eliminated within the first two days, alongside Ann-Marie MacDonald’s novel Fall On Your Knees. Both books were deemed poor contestants for the contest, by the celebrity judges and readers alike, because they were already well- known Canadian novels. This dismissal, however, raises the question of how well Canadians, or the world for that matter, really know Coupland’s novel. Although most Canadians today might accept that this novel is part of the Canadian canon, consider these two * Christopher Doody is a Master’s candidate in English (Public Texts) at Trent University. His thesis examines the paratextual and ergodic elements of Douglas Coupland’s novels. He would like to thank Zailig Pollock, Elizabeth Popham, and the two anonymous readers for their invaluable suggestions. 1 Douglas Coupland, “Douglas Coupland on How He Came to Write Generation X,” Guardian [London], 26 September 2009. 2 G.P. Lainsbury, “Generation X and the End of History” in GenXegesis: Essays on “Alternative” Youth (Sub)Culture, ed.
    [Show full text]
  • University of British Columbia Library Rare Books and Special Collections Finding
    University of British Columbia Library Rare Books and Special Collections Finding Aid - Douglas Coupland fonds (RBSC- ARC-1643) Generated by Access to Memory (AtoM) 2.2.1 Printed: March 09, 2016 Language of description: English University of British Columbia Library Rare Books and Special Collections Irving K. Barber Learning Centre, 1961 East Mall Vancouver BC Canada V6T 1Z1 Telephone: 604-822-8208 Fax: 604-822-9587 http://www.library.ubc.ca/spcoll/ http://rbscarchives.library.ubc.ca//index.php/douglas-coupland-fonds Douglas Coupland fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Arrangement .................................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Series descriptions ........................................................................................................................................... 5 , Visual art projects, 1983 - 2012 ...............................................................................................................
    [Show full text]
  • A Conversation with Douglas Coupland: the Hideous, the Cynical, and the Beautiful Brenna Clarke Gray
    Document generated on 09/28/2021 8:23 p.m. Studies in Canadian Literature / Études en littérature canadienne A Conversation with Douglas Coupland: The Hideous, the Cynical, and the Beautiful Brenna Clarke Gray Volume 36, Number 2, 2011 URI: https://id.erudit.org/iderudit/scl36_2art13 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this document Gray, B. C. (2011). A Conversation with Douglas Coupland:: The Hideous, the Cynical, and the Beautiful. Studies in Canadian Literature / Études en littérature canadienne, 36(2), 255–278. All rights reserved © Management Futures, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ A Conversation with Douglas Coupland: The Hideous, the Cynical, and the Beautiful SCL/ÉLC Interview by Brenna Clarke Gray ouglas Coupland is one of Canada’s most successful novel- ists, producing a consistent stream of international bestsellers since the launch of his literary career with Generation X in D1991. But Coupland is also an important cultural critic and accom- plished visual artist; he works in all media, from critical essays to cul- tural commentary to collage, sculpture, and painting.
    [Show full text]
  • A Conversation with Douglas Coupland: the Hideous, the Cynical, and the Beautiful Brenna Clarke Gray
    Document généré le 24 sept. 2021 00:12 Studies in Canadian Literature / Études en littérature canadienne A Conversation with Douglas Coupland: The Hideous, the Cynical, and the Beautiful Brenna Clarke Gray Volume 36, numéro 2, 2011 URI : https://id.erudit.org/iderudit/scl36_2art13 Aller au sommaire du numéro Éditeur(s) The University of New Brunswick ISSN 0380-6995 (imprimé) 1718-7850 (numérique) Découvrir la revue Citer ce document Gray, B. C. (2011). A Conversation with Douglas Coupland:: The Hideous, the Cynical, and the Beautiful. Studies in Canadian Literature / Études en littérature canadienne, 36(2), 255–278. All rights reserved © Management Futures, 2011 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ A Conversation with Douglas Coupland: The Hideous, the Cynical, and the Beautiful SCL/ÉLC Interview by Brenna Clarke Gray ouglas Coupland is one of Canada’s most successful novel- ists, producing a consistent stream of international bestsellers since the launch of his literary career with Generation X in D1991. But Coupland is also an important cultural critic and accom- plished visual artist; he works in all media, from critical essays to cul- tural commentary to collage, sculpture, and painting.
    [Show full text]
  • Complicated Geographies: Douglas Coupland's North America
    COMPLICATED GEOGRAPHIES: DOUGLAS COUPLAND’S NORTH AMERICA A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy In the Department of English University of Saskatchewan Saskatoon By JESSICA MCDONALD © Jessica McDonald, December 2019. All rights reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. Requests for permission to copy or to make other uses of materials in this thesis/dissertation in whole or part should be addressed to: Head of the Department of English 9 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate and Postdoctoral Studies University of Saskatchewan 116 Thorvaldson Building, 110 Science Place Saskatoon, Saskatchewan S7N 5C9 Canada i ABSTRACT Starting with his breakout novel Generation X: Tales for an Accelerated Culture in 1991, Canadian writer and visual artist Douglas Coupland has published more than twenty works of fiction and non-fiction.
    [Show full text]
  • Douglas Coupland's Generation X and Its Spanish Counterparts
    Edited by Pilar Somacarrera Chapter 7 Douglas Coupland’s Generation X and its Spanish Counterparts Mercedes Díaz-Dueñas 1. Douglas Coupland and the Spanish Polysystem The extent of Douglas Coupland’s success as a writer in Spain can be measured according to different parameters. The translation155 of his books and the number of editions and reprints that have been released is only one of these variables. The number of Spanish web pages devoted to him or which deal with his work is also outstanding (around 3720 at the time this essay is being written).156 However, his definitive contribution to the Spanish cultural scene cannot be assessed in terms of quantity, but rather based on how his works and their repercussion in the media have helped to change the way literature is conceived and how we perceive contemporary culture. This chapter deals with the influence of Douglas Coupland’s work in Spain, focusing mainly on his fiction. First, it surveys when and how his books have been translated and published and analyses the reviews these works have received in major press publications and specialized journals. Secondly, it focuses on the influence that the term Generation X (popularized by his first novel) has had on Spanish culture and analyzes how the features associated with this cultural movement were assimilated and reworked in the 1990s by some representative Spanish writers who are described as part of this Generation X. Because of the dialogue of cultures, languages and literatures which has occurred at the transference of Douglas Coupland’s works into the Spanish literary system, a theoretical background like the polysystem theory, situated between the disciplines of comparative literature and translation studies, seems appropriate to form the basis of my analysis.
    [Show full text]
  • Canadianliterature / Littérature Canadienne
    Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 216, Spring 213 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Iain Higgins (Poetry), Laura Moss (Reviews), Deena Rymhs (Reviews) Assistant Editor: Tiffany Johnstone (Reviews) Past Editors: George Woodcock (1959-1977), W. H. New (1977-1995), Eva-Marie Kröller (1995-23), Laurie Ricou (23-27) Editorial Board Heinz Antor University of Cologne Kristina Fagan Bidwell University of Saskatchewan Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Lucie Hotte University of Ottawa Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Herb Wyile Acadia University Editorial Margery Fee Tourism in Saskatchewan 6 Articles Sam McKegney “pain, pleasure, shame.
    [Show full text]
  • This Book Explores the World That Existed in the Early
    Generation X: Technology, Identity and Apocalypse in three novels by Douglas Coupland. By Geoff Candy Geoff Candy 6/15/2005 Page 1 0005946R Declaration I declare that this thesis is my own unaided work. It is being submitted in fulfilment of the requirements of the degree of a Master of Arts of the University of the Witwatersrand, Johannesburg. It has not been submitted before for any degree or examination at any other university. ________________ Geoffrey James Richard Candy ____ day of _________ 2005 Geoff Candy 6/15/2005 Page 2 0005946R Table of Contents: Introduction: Contextual and theoretical base__________________________________ 4 Generation X: Tales for an Accelerated Culture_______________________________ 19 Microserfs ______________________________________________________________________ 35 Girlfriend in a Coma ___________________________________________________________ 50 Conclusion _____________________________________________________________________ 67 Bibliography:___________________________________________________________________ 71 Geoff Candy 6/15/2005 Page 3 0005946R Chapter One: Introduction: Contextual and theoretical base Back in 1990, North American society seemed to be living in a 1980’s hangover and was unclear of its direction. People were unsure that the 1990’s were even capable of generating their own mood.1 America in the 1990’s was an enigmatic place, a place filled with contradiction and uncertainty, yet considered the only remaining superpower. The novels of Douglas Coupland capture this world and its contradictions with an ironic ferocity somewhat at odds with the affected, ‘too-cool,’ apathy of generation X (of which he and his characters are a part) but completely resonant with the contradictory nature of the time. Coupland’s novels are important because any understanding of generation X America must include an understanding of the literature that best captures its mood – and his fiction does exactly this.
    [Show full text]