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The New Frontiers of User Rights
American University International Law Review Volume 32 Article 1 Issue 1 Issue1 2016 The ewN Frontiers Of User Rights Niva Elkin-Koren University of Haifa, [email protected] Follow this and additional works at: http://digitalcommons.wcl.american.edu/auilr Part of the International Law Commons Recommended Citation Elkin-Koren, Niva (2016) "The eN w Frontiers Of User Rights," American University International Law Review: Vol. 32 : Iss. 1 , Article 1. Available at: http://digitalcommons.wcl.american.edu/auilr/vol32/iss1/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University International Law Review by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. ELKINREVISED.DOCX (DO NOT DELETE) 10/24/16 3:45 PM ARTICLES THE NEW FRONTIERS OF USER RIGHTS * NIVA ELKIN-KOREN I. INTRODUCTION ............................................................................2 II. FAIR USE AND NEW CHALLENGES TO ACCESS TO KNOWLEDGE ..............................................................................5 A. ACCESS TO KNOWLEDGE ............................................................5 B. NEW FRONTIERS IN ACCESS TO KNOWLEDGE ...........................8 C. BARRIERS TO ACCESS AND COPYRIGHT ENFORCEMENT BY ONLINE INTERMEDIARIES .......................................................13 -
No Monitoring Obligations’ the Death of ‘No Monitoring Obligations’ a Story of Untameable Monsters by Giancarlo F
The Death of ‘No Monitoring Obligations’ The Death of ‘No Monitoring Obligations’ A Story of Untameable Monsters by Giancarlo F. Frosio* Abstract: In imposing a strict liability regime pean Commission, would like to introduce filtering for alleged copyright infringement occurring on You- obligations for intermediaries in both copyright and Tube, Justice Salomão of the Brazilian Superior Tribu- AVMS legislations. Meanwhile, online platforms have nal de Justiça stated that “if Google created an ‘un- already set up miscellaneous filtering schemes on a tameable monster,’ it should be the only one charged voluntary basis. In this paper, I suggest that we are with any disastrous consequences generated by the witnessing the death of “no monitoring obligations,” lack of control of the users of its websites.” In order a well-marked trend in intermediary liability policy to tame the monster, the Brazilian Superior Court that can be contextualized within the emergence of had to impose monitoring obligations on Youtube; a broader move towards private enforcement online this was not an isolated case. Proactive monitoring and intermediaries’ self-intervention. In addition, fil- and filtering found their way into the legal system as tering and monitoring will be dealt almost exclusively a privileged enforcement strategy through legisla- through automatic infringement assessment sys- tion, judicial decisions, and private ordering. In multi- tems. Due process and fundamental guarantees get ple jurisdictions, recent case law has imposed proac- mauled by algorithmic enforcement, which might fi- tive monitoring obligations on intermediaries across nally slay “no monitoring obligations” and fundamen- the entire spectrum of intermediary liability subject tal rights online, together with the untameable mon- matters. -
September 2, 2015 Dear Kilton Library Community, As Guardians Of
September 2, 2015 Dear Kilton Library community, As guardians of knowledge and the freedom to read, librarians have long led the fight for free expression. In the Information Age —which has produced unprecedented access to information and mass surveillance— librarians are eager as ever to help their communities better understand and protect their privacy and intellectual freedom. Across the nation and around the globe, librarians are working with the Library Freedom Project (LFP) to make real the promise of intellectual freedom in the digital age. LFP, along with our partners the ACLU and the Tor Project, provides privacy trainings for library communities, teaching people their rights under the law, and how to find and use free and open source, privacy protective technologies. Thanks to generous funding from the Knight Foundation, LFP has over the past year run dozens of privacy workshops for libraries of all sizes across the United States. In a pilot project in the summer of 2015, the Kilton Library in Lebanon, New Hampshire, worked with LFP and the Tor Project to setup a Tor relay.1 Tor is a free, open network that helps people defend against mass surveillance by providing them anonymity online. While the Tor Project is responsible for maintaining the source code for Tor, the technology depends on thousands of volunteers who run "relays", or computer servers that support the Tor network. Libraries are ideal locations to host Tor relays because they are staunch supporters of intellectual freedom and privacy, and because they provide access to other essential internet services. The Kilton Library, with LFP's help, sought to become one among many such nodes in Tor's worldwide internet freedom system. -
Digital Millennium Copyright Act
Safe Harbor for Online Service Providers Under Section 512(c) of the Digital Millennium Copyright Act March 26, 2014 Congressional Research Service https://crsreports.congress.gov R43436 Safe Harbor for Online Service Providers Under Section 512(c) of the DMCA Summary Congress passed the Digital Millennium Copyright Act (DMCA) in 1998 in an effort to adapt copyright law to emerging digital technologies that potentially could be used to exponentially increase infringing activities online. Title II of the DMCA, titled the “Online Copyright Infringement Liability Limitation Act,” added a new Section 512 to the Copyright Act (Title 17 of the U.S. Code) in order to limit the liability of providers of Internet access and online services that may arise due to their users posting or sharing materials that infringe copyrights. Congress was concerned that without insulating Internet intermediaries from crippling financial liability for copyright infringement, investment in the growth of the Internet could be stifled and innovation could be harmed. The § 512 “safe harbor” immunity is available only to a party that qualifies as a “service provider” as defined by the DMCA, and only after the provider complies with certain eligibility requirements. The DMCA’s safe harbors greatly limit service providers’ liability based on the specific functions they could perform: (1) transitory digital network communications, (2) system caching, (3) storage of information on systems or networks at direction of users, and (4) information location tools. In exchange for the shelter from most forms of liability, the DMCA requires service providers to cooperate with copyright owners to address infringing activities conducted by the providers’ customers. -
Dmca Safe Harbors: an Analysis of the Statute and Case Law
DMCA SAFE HARBORS: AN ANALYSIS OF THE STATUTE AND CASE LAW Excerpted from Chapter 4 (Copyright Protection in Cyberspace) from the April 2020 updates to E-Commerce and Internet Law: Legal Treatise with Forms 2d Edition A 5-volume legal treatise by Ian C. Ballon (Thomson/West Publishing, www.IanBallon.net) INTERNET, MOBILE AND DIGITAL LAW YEAR IN REVIEW: WHAT YOU NEED TO KNOW FOR 2021 AND BEYOND ASSOCIATION OF CORPORATE COUNSEL JANUARY 14, 2021 Ian C. Ballon Greenberg Traurig, LLP Silicon Valley: Los Angeles: 1900 University Avenue, 5th Fl. 1840 Century Park East, Ste. 1900 East Palo Alto, CA 914303 Los Angeles, CA 90067 Direct Dial: (650) 289-7881 Direct Dial: (310) 586-6575 Direct Fax: (650) 462-7881 Direct Fax: (310) 586-0575 [email protected] <www.ianballon.net> LinkedIn, Twitter, Facebook: IanBallon This paper has been excerpted from E-Commerce and Internet Law: Treatise with Forms 2d Edition (Thomson West April 2020 Annual Update), a 5-volume legal treatise by Ian C. Ballon, published by West, (888) 728-7677 www.ianballon.net Ian C. Ballon Silicon Valley 1900 University Avenue Shareholder 5th Floor Internet, Intellectual Property & Technology Litigation East Palo Alto, CA 94303 T 650.289.7881 Admitted: California, District of Columbia and Maryland F 650.462.7881 Second, Third, Fourth, Fifth, Seventh, Ninth, Eleventh and Federal Circuits Los Angeles U.S. Supreme Court 1840 Century Park East JD, LLM, CIPP/US Suite 1900 Los Angeles, CA 90067 [email protected] T 310.586.6575 LinkedIn, Twitter, Facebook: IanBallon F 310.586.0575 Ian C. Ballon is Co-Chair of Greenberg Traurig LLP’s Global Intellectual Property & Technology Practice Group and represents companies in intellectual property litigation (including copyright, trademark, trade secret, patent, right of publicity, DMCA, domain name, platform defense, fair use, CDA and database/screen scraping) and in the defense of data privacy, cybersecurity breach and TCPA class action suits. -
Section 512 of Title 17 a Report of the Register of Copyrights May 2020 United States Copyright Office
united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 U.S. Copyright Office Section 512 Report ACKNOWLEDGEMENTS The publication of this Report is the final output of several years of effort by the Copyright Office to assist Congress with evaluating ways to update the Copyright Act for the 21st century. The genesis of this Report occurred in the midst of the two years of copyright review hearings held by the House Judiciary Committee that spanned the 113th and 114th Congresses. At the twentieth and final hearing in April 2015, the Copyright Office proposed several policy studies to aid Congress in its further review of the Copyright Act. Two studies already underway at the time were completed after the hearings: Orphan Works and Mass Digitization (2015), which the Office later supplemented with a letter to Congress on the “Mass Digitization Pilot Program” (2017), and The Making Available Right in the United States (2016). Additional studies proposed during the final hearing that were subsequently issued by the Office included: the discussion document Section 108 of Title 17 (2017), Section 1201 of Title 17 (2017), and Authors, Attribution, and Integrity: Examining Moral Rights in the United States (2019). The Office also evaluated how the current copyright system works for visual artists, which resulted in the letter to Congress titled “Copyright and Visual Works: The Legal Landscape of Opportunities and Challenges” (2019). Shortly after the hearings ended, two Senators requested a review of the role of copyright law in everyday consumer products and the Office subsequently published a report, Software-Enabled Computer Products (2016). -
Plan Du Rapport
HIGH COUNCIL FOR LITERARY AND ARTISTIC PROPERTY REPORT BY THE RESEARCH MISSION ON RECOGNITION TOOLS FOR COPYRIGHT- PROTECTED CONTENT ON DIGITAL PLATFORMS COPYRIGHT PROTECTION ON DIGITAL PLATFORMS: EXISTING TOOLS, GOOD PRACTICE AND LIMITATIONS Head of Mission: Olivier Japiot, Member of the Council of State Rapporteur for the mission: Laure Durand-Viel, Junior Civil Servant at the Council of State Report submitted to the CSPLA on 19 December 2017 - the content of the report reflects the authors’ view only – FINAL REPORT Summary According to a study by the European Grouping of Author and Composer Societies (GESAC)1, cited by the impact study on the European Commission’s Proposal for a Directive on copyright issued in September 2016, two-thirds of videos published on YouTube contain copyright- protected works (primarily musical), and over half have been published online without the initial authorisation of the rightholder2. These figures show that access to cinematographic, audiovisual and musical works is one of the key reasons why users access video-sharing platforms. This is also the case for the sharing of other types of content (music, images and texts), even though special platforms for these domains often have fewer users. This finding led the European Commission to propose (in Article 13 of the above-mentioned Proposal for a Directive) that these platforms should be required to implement technical tools to protect copyright, primarily by blocking content for which rightholders have provided a digital fingerprint. Rightholders would be able to select a ‘monetisation’ option under which they would receive any advertising revenue related to their works, following the deduction of a generally substantial commission for the platform3, and, where relevant, remuneration of the user if they produce their own creative work based on the original work. -
Faulty Math: the Economics of Legalizing the Grey Album
File: BambauerMerged2 Created on: 1/31/2008 4:34 PM Last Printed: 2/13/2008 3:38 PM FAULTY MATH: THE ECONOMICS OF LEGALIZING THE GREY ALBUM Derek E. Bambauer* ABSTRACT ................................................................................................. 346 I. INTRODUCTION ....................................................................................... 346 II. MISSED OPPORTUNITIES ..................................................................... 348 III. COPYRIGHT’S UNUSUAL ECONOMICS................................................. 354 IV. ECONOMIC THEORIES SUPPORTING THE DERIVATIVE WORKS RIGHT 357 A. Reducing Transaction Costs........................................................... 358 1. Theory: Copyright as Clearinghouse ....................................... 358 2. Analysis: Second-Best at Cutting Costs.................................... 359 B. Enabling Price Discrimination....................................................... 361 1. Theory: Broadening Access, Boosting Returns ........................ 361 2. Analysis: Movie Rentals and Other Weaknesses...................... 364 a. Access................................................................................. 364 b. Production.......................................................................... 367 c. Shortcomings...................................................................... 368 C. Exploiting Markets Efficiently........................................................ 368 1. Theory: Digging Dry Wells ..................................................... -
Strategies for Unbridled Data Dissemination: an Emergency Operations Manual
Strategies for Unbridled Data Dissemination: An Emergency Operations Manual Nikita Mazurov PhD Thesis Centre for Cultural Studies, Goldsmiths, University of London 1 Declaration To the extent that this may make sense to the reader, I declare that the work presented in this thesis is my own. Nikita Mazurov 2 Acknowledgements The notion that the work in a thesis is ‘one’s own’ doesn’t seem quite right. This work has benefited from countless insights, critiques, commentary, feedback and all potential other manner of what is after all, work, by those who were subjected to either parts or the entirety of it during encounters both formal and informal. To say nothing of the fact that every citation is an acknowledgement of prior contributory work in its own right. I may have, however, mangled some or all of the fine input that I have received, for which I bear sole responsibility. Certain images were copied from other publications for illustrative purposes. They have been referenced when such is the case. Certain other images were provided by sources who will rename anonymous for reasons of safety. Assistance with technical infrastructure in establishing a server for part of the project was provided by another anonymous source; anonymous for the same reason as above. 3 Abstract This project is a study of free data dissemination and impediments to it. Drawing upon post-structuralism, Actor Network Theory, Participatory Action Research, and theories of the political stakes of the posthuman by way of Stirnerian egoism and illegalism, the project uses a number of theoretical, technical and legal texts to develop a hacker methodology that emphasizes close analysis and disassembly of existent systems of content control. -
Heavyweight Bots in the Clouds: the Rw Ong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online Anjanette H
Northwestern Journal of Technology and Intellectual Property Volume 11 | Issue 6 Article 1 2013 Heavyweight Bots in the Clouds: The rW ong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online Anjanette H. Raymond Indiana University, Kelley School of Business Recommended Citation Anjanette H. Raymond, Heavyweight Bots in the Clouds: The Wrong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online, 11 Nw. J. Tech. & Intell. Prop. 473 (2013). https://scholarlycommons.law.northwestern.edu/njtip/vol11/iss6/1 This Article is brought to you for free and open access by Northwestern Pritzker School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Technology and Intellectual Property by an authorized editor of Northwestern Pritzker School of Law Scholarly Commons. NORTHWESTERN J O U R N A L OF TECHNOLOGY AND INTELLECTUAL PROPERTY Heavyweight Bots in the Clouds: The Wrong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online Anjanette H. Raymond August 2013 VOL. 11, NO. 6 © 2013 by Northwestern University School of Law Northwestern Journal of Technology and Intellectual Property Copyright 2013 by Northwestern University School of Law Volume 11, Number 6 (August 2013) Northwestern Journal of Technology and Intellectual Property Heavyweight Bots in the Clouds: The Wrong Incentives and Poorly Crafted Balances That Lead to the Blocking of Information Online By Anjanette H. Raymond* The United States and the European Union have long recognized the need to protect ISPs from potential liability from customers using their services to infringe intellectual property rights. -
Trends in Copyright Infringement and Enforcement in India
TRENDS IN COPYRIGHT INFRINGEMENT AND ENFORCEMENT IN INDIA December 2019 2 3 ACKNOWLEDGMENTS TABLE OF CONTENTS The authors would like to thank all the people who assisted in drafting this report. We are particularly grateful to Nandita Saikia, Dr Arul Scaria, Prasanth Reddy, and Aditya Gupta. We are also thankful to our interns, Madhukari Mishra, Dhawal Sagar, Craig Dsouza, and Hatim Hussain for their invaluable support and help. OVERVIEW / 4 CHAPTER 4/ This report would not have been possible without the support of Star India Private Limited. While several stakeholder inputs were taken in the course of writing this report, all views INTRODUCTION / 6 KEY LEGISLATIVE TRENDS / 18 expressed here, as well as errors therein are the authors’ alone. INDUSTRY GROWTH AND PIRACY / 6 EXPEDITED JUDICIAL SYSTEM / 18 THE INDIAN CONTEXT / 6 ADMINISTRATIVE FRAMEWORKS WITH Designed by: Drishti Khokhar METHOD / 7 SAFEGUARDS / 18 CINEMATOGRAPH (AMENDMENT) BILLS, CHAPTER 1/ 2019 / 19 ABOUT THE ESYA CENTRE ECONOMIC ANALYSIS OF PIRACY IN THE DRAFT COPYRIGHT (AMENDMENT) INDIAN MOVIE AND MUSIC INDUSTRY / 8 RULES, 2019 / 19 The Esya Centre is a New Delhi based technology policy think tank. The Centre’s mission QUANTIFYING LOSSES FROM PIRACY / 8 is to generate empirical research and inform thought leadership to catalyse new policy SURVEY BASED EVIDENCE / 9 CHAPTER 5/ constructs for the future. It aims to build institutional capacities for generating ideas that will connect the triad of people, innovation and value to help reimagine the public policy ALTERNATIVE STRATEGIES TO ESTIMATE CROSS-BORDER COPYRIGHT discourse in India. More details can be found at www.esyacentre.org. -
The Private-Sector Ecosystem of User Data in the Digital
on current controversies in communications Maya has a track record of helping technologists Liz Woolery policy, online intermediary liability, privacy, and successfully navigate complex regulations to Senior Policy Analyst, copyright. Olivier has been on the local NPR achieve their design and product goals. Most Center for Democracy and Technology station and an invited speaker at universities recently, she was on the healthcare team at Liz Woolery is a senior policy analyst at the and conferences around the world. He is part the United States Digital Service, which aims to Center for Democracy and Technology, where of a team of legal scholars, research engineers, improve the way government delivers services to her work focuses on the intersection of free and social entrepreneurs to whom The National the American people through better technology expression and the digital world. Prior to CDT, Science Foundation in fall 2017 awarded a three- and user-centered design. Maya worked directly she was with New America’s Open Technology year one-million-dollar grant to prototype an with engineers, data scientists, designers, and Institute (OTI) as a senior policy analyst on the “edge-cloud” network that is to be owned and product managers on the launch of the All of Us secure internet team, where her work addressed operated as a “commons resource” for Harlem Research Program at the National Institutes of free speech, privacy, and transparency online. residents. Health. She also worked with the Centers for Previously she was a Google Policy Fellow at OTI, Medicare and Medicaid Services to improve At Fordham, Olivier teaches Legislation & interned with the Berkman Center for Internet data sharing with physicians participating in Regulation, Administrative Law, Information and Society’s Chilling Effects Clearinghouse the Quality Payment Program, and transition Law, and information law related courses.