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12 Page CGN November 2014
A MISSION TRIP TO KOINONIA FARM ... PAGES 6, 7 AND 10 CGN! Caldwell Good News! November 2014 Our Adult Christian Cold nights mean the Las Posada is a New members break One of our members Education (ACE) homeless need to be chance for Caldwell bread - well, actually as a ‘moo-ving’ class studies what we safely housed and to celebrate the birth it was pizza - together experience during her can learn from other cared for. Our Room of Christ and walk at Hawthorne’s. trek to Koinonia religions. in the Inn team could with our Latino Page 9 Farm. Page 2 use your help to bring brothers and sisters. Page 12 comfort to others in Mark Dec. 19 on your need. calendar for this Page 3 solemn but festive occasion. Pages 4 - 5 CALDWELL PRESBYTERIAN CHURCH CHARLOTTE, NORTH CAROLINA CALDWELL GOOD NEWS! CALDWELLPRESBY.ORG$ NOVEMBER 2014 Pastor John What can we learn from other religions? Cleghorn’s column will This series encourages understanding. return in December. There’s considerable misunderstanding about other faiths but our ACE class is doing something about it by studying What Christians Can Learn fom Other Religions. Islam Few religions are as misunderstood as Islam. But an open dialogue can bridge the knowledge gap that tends to isolate one religion from another. “A lot of what you accept is the Imam Wogaman said “When we look at things from a standpoint of culture you grew up in and we reject what God wants ... we could engage about what he has given us.” cultures we don’t know,” Muslim Imam J. -
Page Luca Shivendra Om Today
PipTrump Club 4 May 4 2014 Luca Shivendra Om Today: big wheels big deals Khadijah Carolyn They are leaving their compass behind. Or they had to use it to make a wheel. Two solstices, the equinox, the arctic circle. The middle becomes the compass rose. They seem to be coming east west, so they had to "come past" or navigate this huge coin. Aurora Díaz Fernández Empty and full / looking for and found / liberty of movement versus confinement / first step do and behold / two sides of a coin / two ways of perceiving a situation / same but different If an object: a bicycle. Or pirate eyes. Luca Shivendra Om To move VS to rest "in place" —the continuous movement of life stops —the stillness of death —maybe a treasure of another kind is still waiting to be discovered Paul Nagy FEEL HOW RUNT FOCI FOE OCEANS: the pirate eye patch curse. The Military Industrial Complex. A fleet of battleships arranged for attack. 1 | P a g e PipTrump Club 4 May 4 2014 A cyclone, hurricane, tornado, whirlwind. The animals escaped the zoo. Ecological disaster. Earthquakes, tectonic plates move and undermined what we see and how we think. The sun is given a cosmetic facelift to become a smiling flower. Cataracts. A sty of the eyelid. One miscalculates the odds or is visited with unexpected goods. The world resets itself despite our worst or best efforts at upsetting it. Luca Shivendra Om Money can change your life or A simpler life? Astrologically speaking: earth sign Audrey Layden The random churning of ambitions/uneven, tied to makeshift structures/is engulfed, run over by the rolling juggernaut/of natural force. -
2016 Asset Handbook TSX / NYSE
2016 Asset Handbook TSX / NYSE Franco-Nevada Corporation’s 2016 Asset Handbook is intended to assist investors and analysts in their understanding of our business and portfolio of assets. Franco-Nevada Corporation is the leading gold royalty and streaming company with the largest and most diversified portfolio of assets. The Company’s business model provides investors with gold price and exploration optionality with less exposure to operating risks. Franco-Nevada has no net debt and uses its free cash flow to expand its portfolio and pay dividends. It trades under the symbol FNV on both the Toronto and New York stock exchanges. Since its IPO, Franco-Nevada’s share price has outperformed the gold price and all relevant gold equity benchmarks. Franco-Nevada is the gold investment that works. Information relating to projects, properties and their owners and operators presented in this Asset Handbook has been sourced from the public disclosure of the owners and operators of our assets available as of March 9, 2016. More current information may be available in our subsequent disclosure and our website. This Asset Handbook contains information about many of our assets, including those that may not currently be material to us. Also, the description and depiction of our business and assets have been simplified for presentation purposes. This Asset Handbook should be read with reference to the explanatory notes and cautionary statements contained in the Additional Information section found at the end of this Asset Handbook. Please also refer to the additional supporting information and explanatory notes found in our Annual Information Form (“AIF”) and our Annual Report on Form 40-F available at www.sedar.com and www.sec.gov, respectively, and on our web site at www.franco-nevada.com. -
Which Tipsters Get It Right?
W Post 12-2005 25/9/07 4:53 PM Page 1 Memorable Quotes... Lester Piggott on his retirement from the saddle in October 1985 T HE REGULAR NEWSLETTER FROM H OMEBRED R ACING 1/2006 told the assembled press “Eating is going to be a whole new ball game - I may even have to buy a Know your rules: new pair of trousers!” Which tipsters Claiming get it right? and selling Did you know? races Snaafi Dancer is one of the The ideal job must be to be The Racing Post Naps most expensive equine flops of a weather forecaster - no Competition lists 52 tipsters and All horses which have come under all time.A bidding duel between one ever expects you to get their league table reveals no less starters orders in Claiming and Robert Sangster and Sheikh it right! Being a tipster must than 44 of them showing a loss to Selling races may be claimed at the Mohammed forced his auction be very much the same £1 level stake on their selections. period showing a profit of advertised price - excepting the Racing Post Ratings was the only £164.00 to £10 each way staked price to a staggering $10.2 although there’s a much winner of a selling race which is million for the yearling son of ‘industry’ tipster doing well (2nd on every selection.This follows offered for sale after the race by greater sense of expectation place) whilst Farrington of the on from results for the previous Northern Dancer. Sadly Snaafi attached to predictions. -
The Tenth Muse
The Tenth Muse Science Park High School Literary Magazine 2013-2014 The Tenth Muse “You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise.” Maya Angelou (1928 – 2014) Advisor Mr. Townsend Student Editors Daniela Fonseca Ashanti Hargrove The Tenth Muse is dedicated to Daniela Fonseca and Ashanti Hargrove. Table of Contents Title Author Page(s) Doubtful Authenticity Claressa Lopez 1 Twisted Devotion Dylan Vieira 2 Perfect Storm Claudia Sá 3 Clipped Wings Sachin Motiram 4 Volleyball Rebecca Ford 5 Profound Waves Edd Brown Jr. 6 The Beautiful Game Josue Romero 7 Around the Horn Patrick Alves 8 Frogman Shaheen Norfleet 9 The Truth About Love Jasmin Williams 10 Disenchanted Mariamu Kesselly 11 Mourning Grief Victor Pullas 12 True Colors Kennia Vasquez 13 Hello Luis Marquez 14 Epiphany Edgar Freitas 15 Enchanted Misery Ashley Lopez 16 Life Hanirah Mitchner 17 The Foreign Character Katherine Mendoza 18 Blue Dahlia Mariamu Kesselly 19 - 21 The Birds Inside My Head David Shamburger 22 - 28 Royal Nightmare Kennia Vasquez 29 - 31 Justice Edd Brown Jr. 32 - 37 Making Decisions Naana Boachie 38 - 40 Idealization Paulo Pinto 41 - 44 The Usage of Motifs in Macbeth Paulo Pinto 45 - 47 Finding Potential Daniela Fonseca 48 - 49 Doubtful Authenticity by Claressa Lopez What if the canyons that ran on our hands Were scars from the crusades we never fought? And due to the restraints of our commands, We never dared explore what we ought not. But since we were unaware of the pain, We carried on to build, create, and dream; The canvases where our wounds do remain Form mountains, flowers, valleys, skies and streams. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
Bamfords Auctioneers & Valuers
Bamfords Auctioneers & Valuers The Derby Auction House Chequers Road Derby VICTORIAN, EDWARDIAN AND GENERAL SALE PART 2 Derbyshire DE21 6EN Started 07 Jul 2015 11:00 BST United Kingdom Lot Description A pair of Royal Crown Derby shaped circular plates, painted by W.E.J Dean, signed, painted with ships, within a pale yellow borders, 5000 25.5cm diam, printed mark 5001 A pair of Royal Crown Derby 1128 Imari dessert plates, second quality 5002 A Victorian cranberry glass ovoid water jug, clear glass reeded scroll handle, 19cm, c1880 5003 A Victorian cake stand, the EPNS pedestal embossed with scrolls, Chinoiserie Staffordshire plate, 18cm, c.1880 5004 A pair of large Chinese Teutani cylinder vases, decorated with warriors 5005 A pair of French Sujets Musicaux Terre De Fer plates, Le Barbier De Seville and Guillaume Tell (2) 5006 An early 19th century Vienna charger, decorated in the Oriental manner, impressed marks 813 5007 A Chinese Cloisonne baluster vase, 32cm, marked Made in China 5008 A Beswick model of a Shire Horse; a large model of a brown horse; three foals (5) 5009 A Country Artist model, Thrush and Young, limited edition no. 268/500 5010 Beswick foals; a Royal Doulton dog, etc. (5) 5011 Royal Crown Derby - a pair of 1128 Imari dinner plates; a pair of side plates; a cup and saucer, all first quality, printed marks (6) 5012 Royal Crown Derby 1128 Imari - a fluted dessert plate; a teacup and saucer; twin-handled sucrier, all first quality (3) 5013 A composed early 19th century cups and saucers painted with floral buds and sprigs; -
November 5Th Online Auction
09/23/21 10:51:19 November 5th Online Auction Auction Opens: Thu, Oct 31 10:49pm ET Auction Closes: Tue, Nov 5 7:00pm ET Lot Title Lot Title 1 "New Process" Kerosene Stove, American 101 Commercial Steel Cabinet, Five Shelves Plus Stove Company Cleveland Ohio, Later Became Bottom, Double Doors and Handles, 36"W x Magic Chef Stove Company, Multiple Patents 24"D x 78"H, Good Condition on Stove, Last Is July 4, 1911, Spring On Drip 1010 2011 S Chickasaw National Park Washington Valve On Glass Glove Still Works, Needs Quarter, Graded PR69 DCAM By PCGS, Will Cleaning - Sat I A Barn Since World War II, Make Great Addition To Any Collection 39"W x 17"D x 32"H 1011 Vintage Red Glass And Sterling Pierced 10 Wall Clock, American Time Keeping Earrings With Tiny Black Stone Company, Battery Operated - One AA, Mosaic Embellishment, Wire Hooks, Circa 1960's, Design, Humidity and Temp Gauges, Like Very Good Condition, 1 1/2"L New, 15"Diam 1012 Six Indian Head Pennies, 1881, 1898, 1903, 100 Three Classy Hats Will Look Good For Any 1906, 1907 and 1908, All Clear Dates in Great Occasion, Good Shape, Two One Size Fits All, Shape One Medium By What's Up Design, 13" to 15"Diam Rims 1013 New Silver Plated Ring, Size 6, Marquise Cut White Sapphire, Very Impressive 1000 1885 O Morgan Silver Dollar 1014 Five 1 Gram .999 Fine Silver Bars, Race Car 1001 New Stamped 925 Silver Plated Ring, White Design Sapphire, Charming And Super Pretty, Size 11 1/2 to 12 1015 New Stamped 925 Silver Plated, Ring, Oval Cut White Sapphire With Princess Cut Sapphires on 1002 1916 D -
Obiko Art Wear Archive Project
TEXTILE ARTS COUNCIL FINE ARTS MUSEUMS OF SAN FRANCISCO OBIKO ART WEAR ARCHIVE PROJECT Feather collar by K.Lee Manuel “Electra” 1988. Photo: David Reese The Obiko ArtWear Archive documents and celebrates the work of Bay Area clothing and jewelry designers whose work was showcased at Sandra Sakata’s renowned boutique, Obiko. In the 1970s- through the 1990s, one-of-a-kind Art Wear blossomed in a culture that embraced global design. The influence of Asian and African ethnic costume and textile techniques is particularly evident in the aesthetic of this remarkable era. The archive includes a collection of designers’ work, four fashion shows, oral histories, photos and memories. The Textile Art Council hopes that the archive will be a great discovery and resource for future generations. © 2014 Textile Arts Council Fine Arts Museums of San Francisco, all rights reserved | Design: Nancy Rosenblum, Frisco Graphics OBIKO ART WEAR ARCHIVE PROJECT TABLE OF CONTENTS 1. Acknowledgements 2. History 3. Designers 4. Audio Interviews 5. Videos OBIKO ART WEAR ARCHIVE PROJECT ACKNOWLEDGEMENTS Jean Cacicedo Ana Lisa Hedstrom Thank Yous OBIKO ART WEAR ARCHIVE PROJECT | ACKNOWLEDGE- MENTS JEAN CACICEDO The hand-crafted garments and accessories that emerged in late 1960s and 1970s America played a significant role in our cultural identity. One-of-a-kind wearables emerged on both the east and west coasts, drawing on an anti-fashion street style approach. Two seminal galleries, Julie:Artisans in New York City and Obiko in San Francisco, provided a showcase for this work. I began my career on the east coast in the late 60s during an extraordinary time consumed by nationwide political protests and self expression. -
Tongue Tied by Natalie Rodriguez Copyright © 2017 by Natalie
Tongue Tied By Natalie Rodriguez Copyright © 2017 by Natalie Rodriguez Rodriguez – Tongue Tied 1 1. My name is Timothy Green. Yes, just like the movie, The Odd Life of Timothy Green; but not like Sutter Keely, whose opening line I just stole: “My name is Sutter Keely!” Also, I’m not an alcoholic like Sutter is. Life is really like one big movie. Short moments we wish to speed by with. Long moments we sometimes forget about. And in my movie, this is how it would go: Actor…uh, me…clears his throat… From the black, screen, we hear some scribble scrabbles against a hard surface… Okay, Timothy, just keep it simple. Ladies and gentlemen and everyone who’s 4’11 or shorter, my name is Timothy Green (in case you forgot it the first time). I’m 4’11, aka “a shawdy,” as Lisa the random chick in my class calls me. Shawdy means “short,” in case you were wondering. I eat my carrots and broccoli like no other kid—no seriously, I think I’m the only one who likes fruits and veggies? I even prefer H20 over soda pop— “Damn it, Dexter!” I nearly collapse out of my spinning red chair because Dexter my pet beagle is licking my toes—no, not Dexter the serial killer from that show, which mom screams at me to never watch whenever I try to stream it on Netflix. Yet, I’ve seen American Beauty and House of Cards with her a gazillion times, because Space is da man! Seriously, if I ever meet Kevin Spacey aka Lester Burnham aka F.U. -
Those Who Know the Future Don't Talk About It. Under All These Lives I've
Those who know the future don’t talk about it. —Ted Chiang, Stories of Your Life and Others Under all these lives I’ve lived, something else has been growing. I’ve evolved into something new. —Dolores Abernathy, Westworld ElectricKingdom_BOM_INT_4pp_REVISED.indd 11 8/11/2020 4:59:59 PM Life began with a snowstorm. “The absolute nerve,” said Theresa Underwood, speeding down the highway. It was nighttime; snow hit the windshield, cov- ered the road in a white blanket. “I could see a slap on the wrist, but firing me is a shameless power play, am I right?” The only other sentient being in the van was her faithful bird, a budgie named Wilma, whom Theresa had begun bringing with her pretty much everywhere. Wilma sat perched in a cage buckled into the passenger-side front seat, staring out the window as if con- templating where things had gone wrong. “I mean, shit,” said Theresa. “It’s not like I was jacking twen- ties from the till.” “Jacking!” If the sign of a devoted listener was word repetition, Wilma was world-class. He was also, despite the name, a male budgie, some- thing Theresa’s husband had once pointed out, to which Theresa had responded, “Gender is a social construct, Howard. Also, it’s a fucking bird.” Theresa lit a cigarette with one hand, negotiated the steering wheel with the other. “Like that place is gonna miss the pocket change I took. My boss, ladies and gentlemen. Forever trying to prove his balls.” “Balls!” And so it went: Theresa Underwood drove through the snow like a bat out of hell while Wilma the budgie yelled “Balls!” (his own testes having remained dormant so long as to be presumed ElectricKingdom_BOM_INT_4pp_REVISED.indd 12 8/11/2020 4:59:59 PM Life began with a snowstorm. -
The Power of the Hip-Hop Narrative in Mainstream Rap Morgan Klatskin Brigham Young University, Provo, [email protected]
Criterion: A Journal of Literary Criticism Volume 11 Article 7 Issue 1 Volume 11, Issue 1 (Winter 2018) 4-2018 Reclaiming the Black Personhood: the Power of the Hip-Hop Narrative in Mainstream Rap Morgan Klatskin Brigham Young University, Provo, [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/criterion Part of the African American Studies Commons, American Popular Culture Commons, Civil Rights and Discrimination Commons, English Language and Literature Commons, Law and Race Commons, Other Music Commons, Other Rhetoric and Composition Commons, Race and Ethnicity Commons, and the Social Influence and Political Communication Commons BYU ScholarsArchive Citation Klatskin, Morgan (2018) "Reclaiming the Black Personhood: the Power of the Hip-Hop Narrative in Mainstream Rap," Criterion: A Journal of Literary Criticism: Vol. 11 : Iss. 1 , Article 7. Available at: https://scholarsarchive.byu.edu/criterion/vol11/iss1/7 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Criterion: A Journal of Literary Criticism by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Reclaiming the Black Personhood: the Power of the Hip-Hop Narrative in Mainstream Rap Cover Page Footnote Thank you to my husband, who helped me through the countless late nights at the library. Thank you to Professor Peter Leman, who encouraged me to follow my passion and be adventurous and unconventional in my research. This article is available in Criterion: A Journal of Literary Criticism: https://scholarsarchive.byu.edu/criterion/vol11/iss1/7 Reclaiming the Black Personhood The Power of the Hip-Hop Narrative in Mainstream Rap Music Morgan Klatskin In response to acutely visible injustice, music has long served as a method of resistance for the Black community.