50d manual focus

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Gordon’s In Camera book. Rent gear from Borrow Lenses Written by Gordon Laing Intro Canon EOS 50D video tour Canon EOS 50D design, controls, screen and live view Canon EOS 50D lenses, focusing, sensor and drive Outdoor resolution Canon EOS 50D vs Nikon D90 vs Canon EOS 40D Canon EOS 50D resolution comparison Canon EOS 50D vs Canon EOS 40D High ISO Noise Canon EOS 50D Gallery Canon EOS 50D vs Nikon D90 High ISO Noise Canon EOS 50D High ISO Noise Reduction Canon EOS 50D Gallery Canon EOS 50D verdict Canon EOS 50D lenses, focusing, sensor and drive. The Canon EOS 50D employs an EF lens mount and is fully compatible with both Canon EF and EFS lenses. Thanks to its APSC sensor size, all lenses effectively have their field of view reduced by 1.6 times. Depending on your geographic region, there’ll be four main EOS 50D kits, bundled with either the EFS 1855mm IS, EFS 1785mm IS, the EF 28135mm IS or the new EFS 18200mm IS. We tested the EOS 50D with the latter, a superzoom with an 11x optical range equivalent to 29320mm, an f3.55.6 focal ratio, and Image Stabilisation to help counteract camera shake. The design and build quality are roughly the same as the EFS 55250mm IS, with a large zoom ring closest to the lens mount and a thinner manual focusing ring towards the end of the lens. The manual ring turns when autofocusing, but since your grip is further back on the zoom ring, it’s not a problem. The filter thread is 72mm and the end section of the lens does not rotate while focusing, which is good news for users of polarisers. Like Nikkor’s DX 18200mm VR, we noticed a little creep with the EFS 18200mm IS when it was pointed vertically up or down, although a small switch at the side will lock the barrel in its shortest position. The EFS 18200mm IS will undoubtedly be a popular option for existing Canon DSLR owners, and to whet your appetite, you can see examples of its broad coverage below. To see samples of its image quality, check out our EOS 50D Results and Gallery pages.http://www.dynamiccontractingservices.com/userfiles/dell-s2500n-manual.xml

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Support this site by shopping at Amazon Note some owners of the EOS 50D have reported a higher than average occurrence of Error99 communication issues between the body and lens. We tested our 50D with a variety of lenses and only experienced the Error99 with a wellused press sample of the EFS 1785mm IS, and then only at certain focal lengths. When we switched to a newer private sample of this lens, we had no issues. As such we believe the problem we experienced was with the older sample of the EFS 1785mm IS, but we will report back if the problem returns with other lenses in the future. Update Canon has released EOS 50D v1.0.3 firmware which is said to address the problem. Canon EOS 50D focusing. The Canon EOS 50D employs the same 9point AF system as the EOS 40D, although the AF algorithm has been improved. All nine points are crosstypes, sensitive to both horizontal and vertical lines when used with lenses of f5.6 or brighter. The central point is also twice as sensitive as the others when used with a lens aperture of f2.8 or brighter. Press the focus area button and you can use the joystick to manually select a single focus point or use the finger dial to cycle through the options. Under dim conditions, the will popup and flicker to provide AF assistance, but if you find this alarming, you can disable it or only request AF assistance from an external flashgun in a custom menu Fitted with the new EFS 18200mm IS lens, the EOS 50D focuses quickly and feels very responsive. The AF motor in the lens may be quite audible but mounted on this body it really can snap into focus quickly and without fuss. Zoomedinto 200mm, we found this lens and the 50D’s AI Servo AF mode was easily able to stay locked on vehicles approaching faceon at 50kph.http://www.cafezipp.at/lehremitholz/img/upload/dell-sas-6-ir-adapter-manual.xml Switch to a highend lens with USM and the focusing speed improves a little, but the major difference is quieter operation especially during the initial acquisition and a manual focusing ring which allows fulltime override and doesn’t turn while autofocusing. So the EOS 50D may not feature the 51 AF points of the Nikon D300, nor even the 11 of the Nikon D90, but in use it certainly feels very quick and able to easily handle fast action. The D300 may have the edge when a subject changes distance unpredictably between focusing points, but if you can keep the action around the 50D’s diamond capture area, you’ll be fine in most situations. You can apply adjustments globally to all lenses, or register individual settings for up to 20 different models of your choice. When you attach that particular lens, the 50D recognises it and applies whatever settings you’ve stored. Should you try and register more than 20 lenses, the 50D will ask which ones you want to overwrite. We’re pleased to find this facility filter down to the 50D as it addresses a serious issue that affects many photographers, and will measure its effectiveness for a future article. Canon EOS 50D metering, exposures and bracketing is available with three frames up to 2EV apart in 0.3EV increments, which puts it in line with the D90; the D300 however boasts up to nine frames which will appeal more to serious HDR enthusiasts. If both exposure and white balance bracketing are active, the 50D will take nine frames. Canon EOS 50D antidust. The EOS 50D offers the same three techniques as the EOS 40D to combat dust antistatic coatings and materials to reduce it sticking in the first place, a vibrating filter which tries to shakefree the more stubborn particles, and a softwarebased solution which maps the position of any pesky marks and appends them to images for automatic removal later using the supplied Digital Photo Professional software.

The EOS 50D’s sensor also now features a Fluorine coating which Canon claims offers greater resistance to dust We then updated the 50D’s Dust Delete Data and powered the camera on and off twice to vibrate the filter. We then took a series of photos at every aperture setting of a plain white surface at close range with the EFS 18200mm IS lens zoomedinto 50mm and manually focused to infinity. Dust marks normally become most apparent at the smallest apertures eg f16 and f22, but it’s also important to test at more common apertures. Support this site by shopping at Amazon With the 50D set to f22 we spotted just one dust mark on the image, pressed up against the left side; we’ve cropped it at 100% above left. Applying Auto Levels to the whole image revealed a number of fainter marks, but these weren’t visible under normal conditions. As the aperture was opened, the visible mark became larger, more diffused and trickier to see. We’ve pictured the exact same area above right from the sample taken at f8 where the mark has grown to around three quarters of the crop height and become very faint. The supplied Digital Photo Professional software identified that Dust Delete Data was present on both JPEG and RAW files, and used it to eliminate the offending mark with a single click from the Stamp Tool palette. So even though the 50D’s antidust system like most DSLRs wasn’t 100% infallible, we only found one mark after our torturetest and it was easily eliminated using the supplied software. Canon EOS 50D sensor and processing RAW files are of course offered, although unusually again in the choice of three resolutions either the full 15.1 Megapixels, 7.1 Megapixels in SRAW1 mode or 3.8 Megapixels in the new SRAW2 mode. Cleverly the RAW and JPEG options can be set separately, allowing you to choose any combination. So if recording both JPEG and RAW, you could have RAW, SRAW1 or SRAW2, accompanied by a JPEG at any of the three resolutions or two compression settings.

Best quality Large Fine typically measure between 5 and 8MB each, while fullsize RAW files measure 17 to 25MB each. See our Results pages for examples comparing the 50D’s JPEG and RAW output. The sensitivity runs between 100 and 3200 ISO, with the option of H1 and H2 settings offering an equivalent of 6400 and 12800 ISO respectively; note H1 and H2 will only be available if you enable ISO Expansion in the Custom settings. This gives the 50D the option of sensitivities two stops higher than the H1 3200 ISO equivalent setting on the 40D, although to see how they compare in terms of detail and noise levels, see our High ISO Results page. If Highlight Tone Protection is enabled, the 50D’s sensitivity range is reduced to 2003200 ISO. High ISO Noise Reduction is now available with four settings Standard the default, Low, Strong or Disable, and we have examples of each in our High ISO Noise Reduction results page. Note Strong NR will reduce the maximum burst during continuous shooting. White Balance correction and bracketing is also available. Sharpness, Contrast, Saturation and Colour Tone are applied using a number of Picture Styles for colour photography, you have the choice of Standard, Portrait, Landscape, Neutral and Faithful, while a further Monochrome option offers four filter and four toning effects.Like most of Canon’s recent DSLRs, the output is very smooth and can handle additional sharpening if you prefer a crisper results. This option is only available between 200 and 3200 ISO and Canon warns noise could be increased in shadow areas. To put this to the test we shot our standard outdoor resolution composition using the EOS 50D and EFS 18200mm IS with and without Highlight Tone Priority enabled. At this time of year, the peaks of the mountain range are covered in snow, which results in blown highlights when exposing for the main scene.

Below you can see crops taken from the upper left area with and without Highlight Tone Priority, and on decent quality monitors, it’s clear the version with the feature enabled has recorded highlight details which have become blownout on the normal image. Checking the histograms reveals a slight compression to the tonal range which has then been shifted to the left to avoid saturation of the highlights. We didn’t notice any increase in noise in darker areas of this particular image, although it was taken under bright daylight. Highlight Tone Priority will undoubtedly be a popular option for wedding photographers along with anyone shooting in bright wintery conditions, but we wouldn’t recommend it for all situations. As always, check the result with examples of your own to see if its having a benefit. Support this site by shopping at Amazon On the 50D, there’s now four different Auto Lighting Optimizer settings Standard, Low, Strong and Disable. The Standard setting is always applied when the 50D is set to Auto or the Scene presets, and is also applied by default in PASM or ADEP modes, although you can adjust it in the custom menu to one of the other three settings.Above you can see two examples of the same composition taken with the Auto Lighting Optimizer disabled above left and with its Strong setting above right. In this particular example which includes dark shadow areas and blown highlights, we can see very little evidence of the Auto Lighting Optimiser in action. The shadows remain dark and the bright window highlights remain saturated. Lest you think it’s the same image, we’ve included histograms of each which reveal a very slight reduction in the shadow peak on the version with Strong Auto Lighting Optimization, but little difference overall. Following our policy of using default settings when testing cameras, most of the same images you’ll see in this review were taken with Highlight Tone Priority off and the Active Lighting Optimizer set to Standard.

Since both can result in artificially higher noise levels though, we ensured both were disabled for our High ISO Results page. This is optionally applied to JPEG images to reduce the effect of vignetting where the image darkens towards the corners; this is the first time such correction has been builtinto a Canon DSLR. The EOS 50D contains a database of 26 Canon lenses and allows you to enter a further 14 models. If the lens model is recognised, the correction will be applied by default to JPEG images, although you can switch the option off if preferred. Canon describes the resulting effect as similar to that offered on RAW images in recent versions of its Digital Photo Professional DPP software, although DPP itself can offer additional corrections. DPP also offers data for each lens fitted with a 1.4x or 2x Extender, although these will count as additional entries in the 50D’s 40model database. Since Peripheral Illumination Correction is enabled by default, you’ll see the effect of it on our JPEG sample images throughout this review taken with the EFS 18200mm IS. To test its effectiveness in practice though, we have examples below taken with the EFS 1785mm IS when zoomedout to 17mm and with its aperture open to f4, at which point this lens normally suffers from quite noticeable vignetting. As a popular EFS zoom, this lens was already loaded in the 50D’s internal database. The tests were taken of an evenlylit white surface using a diffused filter and the lens focused to infinity. Support this site by shopping at Amazon As you can clearly see above, the 50D’s incamera Peripheral Illumination Correction has greatly reduced the effect of vignetting on our sample, although there’s still some darkening in the extreme corners. It remains a big improvement over the version without though, but remember any digital brightening will result in potentially greater visible noise in the applied areas.

Canon EOS 50D drive modes and remote control The EOS 50D now supports quick UDMA Compact Flash cards which allow it to capture impressive bursts of either 90 JPEGs compared to 75 on the 40D or 16 RAW frames same on the 40D. Support for even faster Class 6 UDMA cards in the future should see these figures increase. To put these figures to the test we fitted the EOS 50D with a formatted Lexar Professional UDMA 4GB 300x Compact Flash card and set the camera to Continuous High. In Large Fine JPEG mode, the 50D rattledoff no fewer than 125 JPEGs in 20.5 seconds before slowing slightly, corresponding to a rate of 6.1fps. Set to RAW mode, the 50D managed the quoted 16 RAW frames before slowing, in 2.7 seconds, corresponding to a rate of 5.9fps. Writing to the card was very fast, with the process completed after only a few seconds. In both cases, the 50D’s continuous shooting rate was measured at slightly less than the quoted 6.3fps, and coincidentally virtually matched the rates we previously measured for the 40D in practice, despite that model’s higher claims of 6.5fps. Either way though, achieving around 6fps in practice is still very impressive and allows the 50D, like the 40D before it, to grab plenty of frames during fast action sequences.Unlike the Nikon D300, there’s no builtin Intervalometer, but in its favour, the 50D can achieve this and more when connected to a computer with supplied software. In a feature which first made its debut on the EOS 40D, the 50D can be connected to a PC or Mac with a USB cable and remote controlled using the supplied EOS Utility. Images can be recorded to your computer’s hard disk, the internal memory card or both, and there’s Intervalometer facilities for programmed shoots. So you can’t change the exposure mode from, say, Aperture to Priority using the software, but you can adjust the aperture or shutter value, the quality, white balance, metering or sensitivity for example.

Impressively the software also lets you see the Live View on your computer monitor and even lets you manually focus the lens with a magnified view for assistance. We have a demonstration of this in our EOS 50D video tour. New to version 2.5 which comes supplied with the EOS 50D is the option to switch the camera between autofocus and manual focus. You’ll also see a Peripheral Illumination Correction section which lets you choose which 40 lenses from the entire Canon EF catalogue should populate the 50D’s internal database. Softwarebased remote control is a wonderful feature to have and if you have a laptop handy, it could even eliminate the need for certain photographers to invest in a cable release. In fact the only downside we could find was the inability for the USB port to power the camera itself, thereby making an AC adapter mandatory for serious unattended timelapse photography. So while Canon can be tight about not supplying lens hoods with its nonL models, it certainly doesn’t skimp on the bundled software. Continue Outdoor resolution Canon EOS 50D vs Nikon D90 vs Canon EOS 40D Buy me a coffee! May not be used without permission. Website design by Coolgrey Gordon’s In Camera book. Rent gear from Borrow Lenses. Using a tripod is recommended. Live View shooting does not work in Basic Zone modes. This is used to check the horizontality and verticality of the image. The most appropriate mode can be set depending on the shooting conditions or the subject. Although you can focus the desired area quickly, the Live View image will be interrupted momentarily during AF operation. The Live View image will reappear. The AF point used for focusing will be displayed in red. Take the picture only while the Live View image is displayed. Although AF is possible with the Live View image displayed, the AF operation will take longer than with Quick mode. Also, achieving focus may be more difficult than with Quick mode.

Check the focus and exposure, and then press the shutter button to take the picture. Have the subject face the camera. Check that the flickering has stopped, then autofocus. Note that the AF speed may differ between the normal and magnified views. If this happens, stop and resume the Live View shooting under the actual light source to be used. Wait until the brightness level stabilizes before shooting. However, the actual captured image will correctly show the bright area. When you magnify the image, the image sharpness may look more pronounced than it really is. Terminate Live View shooting when not shooting images. Before taking a long exposure, stop Live View shooting temporarily and wait several minutes before shooting. Return to the normal view before taking the picture. During the magnified view, the and aperture will be displayed in red. By using this site, you agree to our use of cookies and our Privacy Policy. If I switch the lens to manual focus in a manual mode, bam. Takes a picture as usual. I also cant hit the picture review button, as in the one you hit to view pictures youve taken, in manual modes. Can hit it and bring pictures up as usual in auto modes. I also cant adjust the ISO. Full manual is all I really use now, so its pretty useless to me atm. Just full manual. Its not the lens, as Ive tried with 2 different lenss and tested both said lenss on another camera and theyre 100% operational. I was pointing the camera around in M mode with auto focus on before, and I could hear the auto focus doing something in the lens. Wasnt touching any buttons though. I got mad. Ive redone the firmware. Tried in various different shutter speeds, apertures and lighting conditions. About all I can think of as useful information atm.Maybe check you custom functions like mentioned.And its blinking at 2eV because your current settings would underexpose the scene as the camera metering calculation sees it. Please visit my Flickr and leave a comment.

Gear Canon 5D III, Canon 2470 L F4 IS, Canon 70300 L F4F5.6 IS, Canon 100mm F2.8 L IS Macro, Canon 35mm F2.0 IS, Canon 430EX IIRT, Canon 600EX IIRT LIKES 0 If I switch the lens to manual focus in a manual mode, bam. Just full manual. That is the way it is supposed to work. Read the section of the manual that talks about using the meter in manual mode. Ken Comment and critique is always appreciated. Flick r Gear list LIKES 0 If I switch the lens to manual focus in a manual mode, bam. Any ideas Other info Its not the lens, as Ive tried with 2 different lenss and tested both said lenss on another camera and theyre 100% operational. Ive redone the firmware. About all I can think of as useful information atm. Welcome to POTN! As others have suggested, I suspect you bought the camera used and a previous owner made some settings such as for Back Button Focusing. There are only two actual manual exposure modes on your camera M and B. The rest Tv, Av, P and ADep are various forms of auto exposure, too.I havent tested this personally. Ive just never used any of those modes that I can recall. I think that if the camera were set to Back Button Focus, even reinstalling the firmware wont reset that it never has when Ive updated firmware on my cameras and I have them all set to Back Button Focus. Your other camera where the two lenses work as expected, its probably because that camera doesnt have Back Button Focusing enabled. Alternatively, learn to Back Button Focus. Its quite useful, makes for much better control over focus and works very well. Most people who learn to do it never go back to the original methods of focusing. Follow the link Ive provided to read more about how and why to use it. Think about learning to use this focusing method before resetting your camera to stop it from doing so. Just full manual. The Exposure Compensation scale on the top LCD is used as a readout when in true manual M exposure mode.

There is no need or means for Exposure Compensation in this mode. So, if its flashing 2 you are just being informed that its too dark for the combination of exposure settings ISO, aperture size and shutter speed that you have set and it will result in underexposure.Of course, all this assumes that the AF switch on your lens isnt turned off. And that those arent some older Sigmas or Tamrons that wont auto focus on some newer Canon bodies I have an old Siggy 2875 that wont work on anything later than a 10D. AFAIK, most of the time those old Siggy and Tammy lenses cause an obvious error code, anyway. Its not just that AF doesnt work. Wasnt touching any buttons though. I cant explain the noise you are hearing. If you were halfpressing the shutter release button or the Back Button Focusing button, it would make sense that the lens were refocusing on things at various distances. Many lenses you can see the barrel moving in or out when it focuses. Some lenses with a focus scale in a little window on top you can see that operating, too. Lenses with I.S. will make noises, too. The camera has some moving internal parts to sense whether its in landscape or portrait orientation, that you might hear occasionally. Dont get mad. That usually doesnt help. Do you have the manual for your 50D. If not, you can download it free from Canons website.I should probably point out Ive been using this camera for ages now flawlessly first 6 pages of these photos , and that it was only halfway through this shoot that it just randomly decided no, Im not focusing for you Alec Oh, I guess I should also point out I cant hit the Menu button in Creative modes, and theres a hell of alot less options in the menu in the auto modes. This ones getting to me. Thanks for the big chunk of information to amfoto1.Anyone know what might be the issue.It AFs in all modes, but it hunts pretty badly on One Shot AF Drive if a specific focus point is not selected. What I have tried so far Re uploaded firmware 1.0.

7 Cleared All Camera Settings Cleared All Custom Functions Cleaned both lens and body contacts using eraser method. Im about ready to ship the body out to Canon, has anyone resolved this issue. Ive searched and come up with a couple users that have had this issue in the past, but there are no follow ups or what steps were taken to fix the issue.Anyone know what might be the issue.It AFs in all modes, but it hunts pretty badly on One Shot AF Drive if a specific focus point is not selected. Ive searched and come up with a couple users that have had this issue in the past, but there are no follow ups or what steps were taken to fix the issue. Still havent found a way to fix mine, would be great if I could. Keen to get some cash for it after buying the 7D.I cant even focus the camera. It just does whatever it wants. The display works comes on when I go into Creative Auto testing screen only, never shoot using CA, but when I press the menu button, nothing happens. I feel like I just bought an expensive paperweight. Anyone have any ideas Stefan LIKES 0 I cant even focus the camera. Anyone have any ideas Stefan I would try 2 things 1 Clear all settings from your menu 2 Full on reboot with all batteries removed. Do a search and your find a thread about this maybe its even in a stickey by now. Added Are your batteries fully charged and holding a charge. Walt 400D, 5D, 7D and a bag of stuff LIKES 0 COOKIES DISCLAIMER This website uses cookies to improve your user experience. By using this site, you agree to our use of cookies and to our privacy policy. Privacy policy and cookie usage info. Professionals, hobbyists, newbies and those who dont even own a camera all are welcome regardless of skill, favourite brand, gear, gender or age. Registering and usage is free. Our payment security system encrypts your information during transmission. We don’t share your credit card details with thirdparty sellers, and we don’t sell your information to others. Please try again.

Please try again.Register a free business account Please try your search again later.XINYINGKEJI Videos for related products 301 Click to play video Canon EF 101 Macro Lens Amazon Camera Videos for related products 418 Click to play video DPReview Photo Recipe Macro Photography How to take great macro pictures of flowers Content Sites Videos for related products 336 Click to play video Canon EF 101 Wide Angle Lens Amazon Camera Videos for related products 156 Click to play video The Altura Photo Professional 52MM 0.43X Wide Angle Lens Adapter Digital Goja Next page Upload your video Video Customer Review The 10 Best Nikon Lenses See full review Ezvid Wiki Onsite Associates Program To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please check the box to consent to receiving electronic messages from Canon Canada Inc., which include relevant information about products, services and promotions. You may withdraw your consent at any time by selecting NO. Any pending input will be lost. Please move away from the subject to shoot. For more information on the minimum focusing distances for individual lenses, please check the lens specifications on the Canon homepage or in the product’s Instruction Manual.In addition, see the instruction manual of your extender.Please try recomposing the picture, or refer to the following methods for focusing the camera.If you press the shutter button halfway during manual focusing, the AF point which achieved focus will flash briefly in red and the focus confirmation light will light in the viewfinder. Was this answer helpful. Please include additional comments below. Please try again. If you require assistance, please visit our. Used Very GoodThe lens and body show hardly any signs of use.

Includes Canon 50D camera body, Canon 28135mm lens, Canon battery, Canon charger, Canon neck strap, and lens cap.Please try again.Please try again.Please choose a different delivery location.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Page 1 of 1 Start over Page 1 of 1 In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Full content visible, double tap to read brief content. Please try your search again later.It features an APSC sized 15.1megapixel CMOS sensor for tremendous images, new DIGIC 4 Image Processor for fine detail and superior color reproduction, and improved ISO capabilities up to 12800 for uncompromised shooting even in the dimmest situations. It features a refined 3.0inch Clear View LCD 920,000 dots monitor, supercharged Live View Function with Face Detection Live mode, plus a number of new automatic Image Correction settings and HDMI output for viewing images on an HDTV. Pick up the EOS 50D and you’ll experience true digital inspiration!It features an APSC sized 15.1megapixel CMOS sensor for tremendous images, new DIGIC 4 Image Processor for fine detail and superior color reproduction, and improved ISO capabilities up to 12800 for uncompromised shooting even in the dimmest situations. With a maximum ISO rating of 12800 combined with a 4level High ISO speed noise reduction function, images that would have been impossible without the use of a strobe or flash become simple to record. Capture up to 6.3 fps, in bursts of up to 90 JPEGs Next generation DIGIC 4 Image Processor for faster processing The EOS 50D operates with such effortless speed that operation is nothing short of intuitive.