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The Writing Life Twelve New Zealand Authors DEBORAH SHEPARD
Intelligent, relevant books for intelligent, inquiring readers The Writing Life Twelve New Zealand Authors DEBORAH SHEPARD CANDID CONVERSATIONS WITH 12 WRITERS WHO HELPED SHAPE NEW ZEALAND LITERATURE A unique, candid and intimate survey of the life and work of 12 of our most acclaimed writers: Patricia Grace, Tessa Duder, Owen Marshall, Philip Temple, David Hill, Joy Cowley, Vincent O’Sullivan, Albert Wendt, Marilyn Duckworth, Chris Else, Fiona Kidman and Witi Ihimaera. Constructed as Q&As with experienced oral historian Deborah Shepard, they offer a marvellous insight into their careers. As a group they are now the ‘elders’ of New Zealand literature; they forged the path for the current generation. Together the authors trace their publishing and literary history from 1959 to 2018, through what might now be viewed as a golden era of publishing into the more unsettled climate of today. They address universal themes: the death of parents and loved ones, the good things that come with ageing, the components of a satisfying life, and much more. And they give advice on writing. The book has an historical continuity, showing fruitful and fascinating links $49.99 between individuals who have negotiated the same literary terrain for more than sixty years. To further honour them are magnificent photo portraits by CATEGORY: New Zealand Non Fiction distinguished photographer John McDermott, commissioned by the publisher ISBN: 978-0-9951095-3-7 for this project. eISBN: n/a ABOUT THE AUTHOR BIC: BGL, DSK, 1MBN BISAC: LCO020000, BIO007000 Deborah Shepard is an author, teacher of memoir, oral historian and film PUBLISHER: Massey University Press and art historian. -
NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
August 2010 PROTECTION of AUTHOR
THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 A World Like This: Existentialism in New Zealand Literature Dale Christine Benson A thesis submitted for the degree of Doctor of Philosophy of the University of Otago, Dunedin New Zealand 31 March 2000 ii Let us insist again on the method: it is a matter ofpersisting. The Myth ofSisyphus, by Albert Camus iii Abstract A World Like This: Existentialism in New Zealand Literature Literary existentialism has evolved unevenly in New Zealand since the late-nineteenth century. In this thesis I will define and trace the pre-existentialism of the early pioneers and settlers, which originally emerged as a Victorian expression of their experiences in an unpredictable new environment. Then I will describe how during the 1930s, 40s, 50s, 60s and 70s some of their descendants modified their world-view with ideas popularly associated with French literary existentialism, including notions about the individual's freedom and responsibility to act in an unrnediated universe. -
A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
January 2013 Ate Hungafine Tito Ruri O Aotearoa Line
The MagazIne OF The New ZealanD POETry SOCIETY ISBN 1178-3931 JANUARY 2013 aTe Hungafine Tito Ruri o Aotearoa line Contents 1 207 pieces of Licorice, or how to publish your first e book Charmaine Thomson NEW ZEALAND POETRY SOCIETY 2 From the National Coordinator Laurice Gilbert Te Hunga Tito Ruri o Aotearoa 3 About our contributors 3 A Warm Welcome To: New ZealanD POETry SOCIETY 3 Congratulations PO BOX 5283 LAMBTON Quay 4 Noticeboard WellIngTON 6145 5 Competitions and Submissions 7 Regional Report PATROns 8 haikai café Kirsten Cliff Dame Fiona Kidman 8 Reviews: JAAM #29 Vaughan Rapatahana Vincent O’Sullivan 10 Selected poems Bill Manhire Mary Cresswell PRESIDENT / NATIONAL COORDINATOR 11 Working in the Cracks Between Jenny Argante Vaughan Rapatahana Laurice Gilbert 12 Flaubert’s Drum Sugu Pillay Rangi Faith 13 Night’s Glass Table Karen Zelas Rangi Faith EMAIL: [email protected] 14 The Cheese and Onion Sandwich and other New Zealand Icons Vivienne www.poetrysociety.org.nz Plumb Jenny Clay 15 The Bengal Engine’s Mango Afterglow Geoff Cochrane Natasha Dennerstein 16 American Life in Poetry Ted Kooser, US Poet Laureate 2004-2006 16 Notes from the Net WELLINGTON MEETINGS 18 Members’ Poems: David Clarke, Susan Howard, Robin Fry Poetry @ The Thistle Inn 3 Mulgrave St, Wellington Central Starts at 7.30pm with open mic. Monday 18th February: 207 pieces of Licorice, or how to publish your Guest Poet: Colin Patterson first e book Monday 18th March: Charmaine Thomson Guest Poet: TBA Having sat and listened to other poets at NZPS talk about their publications, I thought it was time to have the experience of self publishing an e-book. -
The One Story and the Four Ways of Telling
The One Story and the Four Ways of Telling: The relationship between New Zealand literary autobiography and spiritual autobiography. A thesis submitted in partial fulfilment of the requirements for the Degree of Masters of Arts in English in the University of Canterbury DEPARTMENT OF ENGLISH UN!VEf,SITY OF c,wrrnmnw By CHRISTCHURCH, N.Z. Emily Jane Faith University of Canterbury 2001 ACKNOWLEDGEMENTS I would like to thank everyone who has given various forms of support during this two year production. Thanks especially to my Mum and Dad and my brother Nick, Dylan, my friends, and my office-mates in Room 320. Somewhere between lunch, afternoon tea, and the gym, it finally got done! A special mention is due to my supervisor Patrick Evans for his faith in me throughout. The first part of my title is based on Lawrence Jones' a1iicle 'The One Story, the Two Ways of Telling, and the Three Perspectives', in Ariel 16:4 (October 1985): 127-50. CONTENTS Abst1·act ................................................................................................................... 1 Introduction ........................................................................................................... 2 I. A brief history of a brief history: New Zealand literary autobiography (and biography) ................................................................................ 2 II. The aims and procedures of this thesis ................................................... 9 III. Spiritual autobiography: the epiphany ................................................. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
Otago Abroad
Otago poetry on Krakow walls The poetry of Otago alumni writers is shining on Krakow city walls, as part of the UNESCO Cities of Literature Multipoetry Project. Read on to learn more about the poets, and view more images of the poetry beaming in to the heart of Krakow. The eight alumni poets are: Emma Neale Emma is a former Burns Fellows at Otago. She currently teaches Creative Writing in the English Department, and her latest book of poetry Tender Machines has recently been published by University of Otago Press. Hone Tuwhare New Zealand's most distinguished Māori poet, and a former Burns Fellow at Otago. Hone Tuwhare is the people’s poet. He was loved and cher ished by New Zealan ders from all walks of life. A picture of Hone's poem in Krakow is featured below. David Eggleton David is editor of pre-eminent NZ literary journal Landfall, published by University of Otago Press. Landfall is New Zealand's foremost and longest-running arts and literary journal, showcasing new fiction and poetry, as well as biographical and critical essays, and cultural commentary. He recently won the 2015 Janet Frame Literary Trust Award for Poetry. A picture of David's poem in Krakow is featured below. Janet Frame Janet Frame is New Zealand’s most distinguished writer. Among her numerous honours, Frame is a Member of the Order of New Zealand, a Nominee for the Nobel Prize in Literature and an Honorary Foreign Member of the American Academy and Institute of Arts and Letters. She was among ten of New Zealand’s greatest living artists named as Arts Foundation of New Zealand Icon Artists in 2003. -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow. -
THE INKLINGS – Christmas 20, Issue No. 14
THE INKLINGS – Christmas 20, Issue No. 14 Amazing Navigating the State Highway Down South Hiakai: Modern Ko Aotearoa Aroha: Māori Birds of Aotearoa Aotearoa Stars: Māori One BRUCE ANSLEY Māori Cuisine Tātou I We Are wisdom for a New Zealand: Activity Book Creation Myths SAM COLEY (HARPERCOLLINS) MONIQUE FISO New Zealand contented life Collective Nouns GAVIN BISHOP WITI IHIMAERA (HACHETTE LIVRE) HB NZ TITLE (GODWIT) MICHELLE ELVY, lived in harmony MELISSA (PENGUIN BOOKS) (VINTAGE NZ) PB NZ TITLE $49.99 HB NZ TITLE PAULA MORRIS, with our planet BOARDMAN PB NZ TITLE HB NZ TITLE $34.99 From Curio Bay to $65.00 JAMES NORCLIFFE HINEMOANA (HARPERCOLLINS) $25.00 $45.00 It's been years since Golden Bay, writer After years overseas in (OTAGO ELDER (PENGUIN HB NZ TITLE UNIVERSITY PRESS) There are 60+ awe- From master storyteller Alex was in New Bruce Ansley sets Michelin-star restau- BOOKS) $29.99 NZ TITLE some games, puz- Witi Ihimaera, a spell- Zealand, and years off on a vast expe- rants, Monique Fiso PB HB NZ TITLE A whistling of whio? zles and activities in binding and provocative since he spent any one- dition across the returned to Aotearoa to $39.95 $30.00 A loot of weka? A tus- this fun, creative and retelling of traditional on-one time with his South Island, Te begin Hiakai, an inno- Ko Aotearoa Tātou | Discover traditional sock of takahē? This We Are New Zealand is high-quality activity Māori myths for the twin sister, Amy. When Waipounamu, visiting vative pop-up venture Māori philosophy is a book for children, book based on Gavin twenty-first century.