DOCSLIB.ORG

The Lantern Vol. 27, No. 3, Fall 1960 Joel Roberts Ursinus College

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Lantern Vol. 27, No. 3, Fall 1960 Joel Roberts Ursinus College Ursinus College Digital Commons @ Ursinus College The Lantern Literary Magazines Ursinusiana Collection Fall 1960 The Lantern Vol. 27, No. 3, Fall 1960 Joel Roberts Ursinus College Phil Rowe Ursinus College Phyllis W. Furst Ursinus College Steve Dearsley Ursinus College Carol Flood Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/lantern Part of the Fiction Commons, Illustration Commons, Nonfiction Commons, and the Poetry Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Roberts, Joel; Rowe, Phil; Furst, Phyllis W.; Dearsley, Steve; Flood, Carol; Springer, Jill; Herre, Naomi Ruth; Heale, Betty; Ryan, J. H.; Hauer, Bea; Boris, Michael; Vennema, Pete; Mendelson, Anne; Pfaffhausen, Sandy L.; and Combe, Timothy H. C. R., "The Lantern Vol. 27, No. 3, Fall 1960" (1960). The Lantern Literary Magazines. 85. https://digitalcommons.ursinus.edu/lantern/85 This Book is brought to you for free and open access by the Ursinusiana Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in The Lantern Literary Magazines by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Joel Roberts, Phil Rowe, Phyllis W. Furst, Steve Dearsley, Carol Flood, Jill Springer, Naomi Ruth Herre, Betty Heale, J. H. Ryan, Bea Hauer, Michael Boris, Pete Vennema, Anne Mendelson, Sandy L. Pfaffhausen, and Timothy H. C. R. Combe This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/lantern/85 Co-Edito'rs PHIL ROWE BETTY HEALE Associate E dito 1'8 TIMOTHY H. C. R. COMBE PHYLLIS FURST RICHARD LEVINE Business Managers DA VE CRISMAN AL ROSENBERG Faculty Adviser DAVID HUDNUT Staff CINDY BENNER DORIS BETHKE MICHAEL BLEWETT MICHAEL BORIS GLORIA CAMPEZZI STEPHEN DEARSLEY CAROL FLOOD SANDY HENNE NAOMI RUTH HERRE PAT HOEHL CAL MOYER SANDY PFAFFHA USEN JUDY POWELL BETSY THOMPSON PETE VENNEMA ANN WILLIS JOAN GRACE Copyright Welcomed TABLE OF CONTENTS THO"l GHT I I' OFFEEH E-A nonynwu' ......... .... .......... ........... 3 KI)lE IOLOG LA -R.A.Y. .............................................................................. 3 ART-Richa?'d F. L vin ...... ......... .. ..................................... ............ .................... 4 No O. E I NA lED ALI T IR-Jo l [~ob e/'t .................................................... 5 THE BEAT GE TERATION-Alli on ...................................................................... 6 THE S PER HIGHWAY BL E - Phil Rowe ...................................................... 6 PA~IC A D THE Mo TAl I PEAK- Phyllis F1l1' t ........................................ 7 THE LAKE-Alli on ............................................................................................ 9 LA TER-A lli on .................................................................................................... 9 ART-J. Bosniak .................................................................................................. 10 ARE - teve Dear ley........................................................................................ 11 THE LIGHT-Carol Flood .................................................................................. 12 THE ROO;\I-Jill p1-inge'r .................................................................................. 13 THO 'GHT AFTER THREE·THIRT - nonY1nOl/,,! .............................................. 14 CRITIQ E-Anne 1 ndel on ............................................................................ 14 POE:.\I- aomi Ruth H e1T H: POE:.\I- 'aouzi Ruth H 1'r ............................................................................... 1 THERE-Le lie ................................................................................................... .. 16 ORGA~IZED RELIGIO r - PRo-B tty H (Lie .................................................. .. 1 ORGAXIZED RELIGION - 0 '-J. H. Ryan .................................................... .. 19 LOXGING--Allison .............................................................................................. .. 20 POE:.\I- a01ni Ruth H e1're ... ... .................................................................... .... .. 20 ApOLOGIE TO FRA COl VILLO -Bea Hall r .............................................. .. ~1 THE FORT NE TELLER-Phil ROl ................................................................. AT TWILIGHT-Iv]ichael B ori ............................................................ ............... .. 2 THE LEDGE-Phil R01ve .................................................................................... .. 24 Drawing by Micha l Boris '''.UTI G AT ErENING FOR THE KY To F LL- lli.·ol/ .............................. .. 31 L ' ME:\10RY OF A FRIEND-Allison .................................................................. .. 1 THE GE~TLE IA -Pete ennenza ................................................................... 32 OX :.\IPTION-Pete Vennema ......................................................................... 32 Po T,PA 'EGYRI -Pete V nn nza .................................................................. .. 32 ART- andy Pfaffhausen ................................................................................. 33 THE E\,ERGLADE -Phyllis Fur,·t .................................................................... 33 ART-J. Bosniak ................................................................................................. 34 A WARE. ES _ • L. PfalJlzaus ft ....................................................................... .A THE ART OF Two-TI 11 G--Timothy H. '.R. omb ' .................................... .. .) ART- . L. Pfaffenhausen ............................................................................... 3 MEDITATIONS OF AN EGYPTOLOGI T-Ann flr1 nd [son ................................ .. 37 SOXXET TO MAO T E-T NG 19 8-Phil Row .............................................. .. 3· SO. 'XET TO MAO T E-T NG 1960- Phil Roule .............................................. .. 3 ASTRA lG E AFFAIR-Cr.t1'ol Flood ..................................................... .............. 3 ARTOoN-Mike Blewett .................................................................................. .. 40 WITH U TONIGHT-Anne Mend [sou ........................................................... 41 THE FOR 1 IN FRONT-Anonymolls ................................................................. 4_ CARTOON-Mike Blewett ............... .. .................................................................. 43 ART-Gloria Carnpezzi ...................................................................................... 44 ART-Gloria Canl,pezzi ............................................... ...................................... .. 4, over Dc ign by "U " 1 Some time ago a staff of individuals of rath I' div rse interests and opinions was thrown together in an elev nth hour effort to save the Lantern. These people, two radicals, a cons rvativ , a mystic, and a transatlantic were guaranteed enough freedom and mon y to exp riment with a Really Big Issue. And, eyes alight with childish wonder and dollar signs, they began to do just that. The radicals proposed lead articles on the values of free love, and marijuana. Th cons rvatives countered with an issue devoted to the Republican Party, birth control, and a campaign to populariz snuff. And the transatlantic suggested tea breaks and Teddy girls. All, however, seemed to agree on a chang. So they began a campaign. The result - for the first time in sev ral y aI'S the Lantern was not forced to take everything in order to fill space. The selections in this magazine are one-third of all that was submitted. A contest was l'un (the editol's running wild with a total of sixt -fi e dollars in prizes) . The entries wel'e anonymous and the lection of ,inners wa as follows : Best Art Work-Jay Bosniak and Gloria amp zzi. Best E ssays on the Contest Topic of Organiz d Religion-Betty Reale and J im Ryan. Best Poetic Contributions-P te Vennema and Phil Ro\ Best Entry in Fiction Contest-Joel Roberts. Mr. Rudnut selected the powerful autobiographic essay Panic On the Mountain Peak, by P hyllis Furst as the "Best of Everything." So here it is. This is the new Lantern. Read it and decide for yourself whether the adjective new is justifi ed. I only remains to thank all those who helped with criticism, illustrations, typing, meeting-attending and general enthusiasm. ' THE EDITOR gUide thio ljuitl :10 CJ'eate the unatlainatle. of!ante,.n, tg-ht the wa';l. 2 THOUGHTS IN DA VINCI'S COFFEEHOUSE from the unpublished poems of J. Alfred Prufrock We sit to find the pure essence of being in the blown wreaths of smoke from Gail's cancerous cigarette and think and the muse of da Vinci hovers silently around and we wonder Did Leonardo eat pizza? Two neophytes come in They look at the pictures and pretend to know They order espresso and pretend to know With surprise they view double pot and demi tasse cups With many grimaces they sip the dark brew We sit and think They dose it up with sugar We smile grimly at the hypocrisies of the world We try to find the pure essence of being and strip the falseness from beliefs KINESIOLOGY CLASS and actions utside-- nowflakes through the windows We sit Cars going by; and think Going nowhere, but in a hurry Out on the street The sound of wind busy people run by Inside-- like ants in a hill Heads bent over books each important Papers rattling
Load more

Recommended publications
  • On the History and Ideology of Film Lighting Peter Baxter During The
    Downloaded from On the History and Ideology of Film Lighting http://screen.oxfordjournals.org Peter Baxter During the 1880's, the major theatres of Europe and America began to convert their stage lighting systems from the gas which had come into widespread use in the twenty or thirty previous years to electricity. It is true that arc lighting had been installed at the Paris Opera as early as 1846, but the superior efficiency of gas illumination at the time, and the surety of its supply, had brought at Universidade Estadual de Campinas on April 27, 2010 it into prominent use during the third quarter of the century when it attained no small operational sophistication. From a single control board gas light could be selectively brightened or dimmed, even completely shut down and re-started. The theatrical term ' limelight' originally referred to a block of lime heated to incan- descence by a jet of gas, which could throw a brilliant spot of light on the stage to pick out and follow principal actors. Henry Irving so much preferred gas to electric light that he used it for his productions at the Lyceum Theatre, and achieved spectacular results, into the twentieth century, when the rest of theatrical London had been electrified for some years. But despite the mastery that a man like Irving could attain over gas lighting, for most stages it was ' strictly for visibility and to illuminate the scenery. The Victorians painted that scenery to incorporate motivated light meticulously. A window would be painted and the light coming through the window would be painted in.
    [Show full text]
  • Tom Watson's Magazine [Serial]
    TOM WATSON'S MAGAZINE °'^= '='' MONTHLY I I °°';J-^'' '^/ViLEO€^* TOM WATSON'S MAGAZINE 121 West 42nd Street New York ABRAHAM LINCOLN was the radical of his day. Many of the views expressed in his letters and speeches would strike a " good Republican ** of today as extremely radical. ARE YOU ACQUAINTED with the great commoner's views on political and religious liberty, on alien immi- gration, on the relation of labor and capital, on the colonization of negroes, on free labor, on lynch law, on the doctrine that all men are created equal, on the importance of young men in politics, on popular sovereignty, on woman suffrage? All of his views are to be found in this edi- tion of "LINCOLN'S LETTERS AND AD- DRESSEES," the first complete collection to be pub- lished in a single volume. Bound in an artistic green crash cloth, stamped in gold. Printed in a plain, readable type, on an opaque featherweight paper. For $ 1 .45, sent direct to this office, we will en- ter a year's subscription to TOM WATSON'S MAGAZINE and mail a copy of LINCOLN'S LETTERS AND ADDRESSES, postage pre- paid. This handsome book and a dollar magazine—both for only $ 1 .45. Send today. Do it now. TOM WATSON'S MAGAZINE 121 West 42cl St., New York City !^\»^ TOM WATSON'S MAGAZINE THE MAGAZINE WITH A PURPOSE BACK OF IT October, 1905 Editorials Thomas E. Watson 385 In the Mountains— Tolstoy and the Land—For Sale: A Policy in the Equitable — A Day in the Autumn Woods — Editorial Comment Are Treasury Reports Reliable? .
    [Show full text]
  • Founders Journal from Founders Ministries | Spring 2012 | Issue 88
    FOUNDERS JOURNAL FROM FOUNDERS MINISTRIES | SPRING 2012 | ISSUE 88 WATCHING OVER THE FLOCK AND THE SHEPHERD Contents The Editorial Introduction 1 Founders Tom Ascol Thomas Watson As Pastor and Scholar 3 Bruce Ware Journal Committed to historic Baptist principles A Sermon to Preachers 22 B. H. Carroll Issue 88 Spring 2012 Horatius Bonar and the Search for Rest 38 John Y. May Select Hymns of Horatius Bonar 41 News 2 Watching Over the Flock And the Shepherd CONTRIBUTORS: Dr Tom Ascol is Senior Pastor of Grace Baptist Church in Cape Coral, FL and author of the Founders Ministries Blog: http://blog.founders.org/ B. H. Carroll (1843–1914) was the founding president of Southwestern Baptist Teo- logical Seminary in Fort Worth, TX. Chris Lee is a graduate of Union Univerity and an MDiv student at Te Southern Baptist Teological Seminary in Louisville, KY. John Y. May. lives in Lancaster, PA and is a graduate of the University of Pittsburgh. Cover photo: “Welsh Landscape” by William Lollar TheFounders Journal Editor: Thomas K. Ascol Associate Editor: Tom J. Nettles Design Editor: Kenneth A. Puls Contributing Editors: Bill Ascol, Timothy George, Fred Malone, Joe Nesom, Phil Newton, Don Whitney, Hal Wynn. The Founders Journal is a quarterly publication which takes as its theological framework the first recognized confession of faith which Southern Baptists produced, The Abstract of Principles. The journal is now only available as a digital download. It can be downloaded in either ePUB or mobi format from our online store (for $1.99 each): www.founderspress.com Please send all inquiries and correspondence to: [email protected] Or you may write to: )/(,-5 )/,(&5R5885)25gkfoig5R5*5),&65 5iiogk Or contact us by phone at (239) 772-1400 or fax at (239) 772-1140.
    [Show full text]
  • Welsh Poetry Old and New in English Verse
    WELSH POETRY OLD AND NEW IN ENGLISH VERSE ALFRED PERCEVAL GRAVES LIBRARY UNIVERiMY Of CALIrtJKNIA V SAN OILQQ WELSH POETRY OLD AND NEW WELSH POETRY OLD AND NEW IN ENGLISH VERSE ALFRED PERCEVAL^RAVES, M.A. ("CANWR CILARNE") PRESIDENT OF THE IRISH LITERARY SOCIETY LONDON REPRESENTATIVE OF THE COUNCIL OF THE CELTIC ASSOCIATION MEMBER OF THE EXECUTIVE COMMITTEES OF THE FOLK SONG SOCIETY AND OF THE WELSH AND IRISH FOLK SONG SOCIETIES AND MEMBER OF THE HONOURABLE SOCIETY OF CYMMRODOR10N LONGMANS, GREEN, AND CO. 39 PATERNOSTER ROW, LONDON NEW YORK, BOMBAY, AND CALCUTTA 1912 All right'! reserved TO JOHN LLOYD WILLIAMS, D.Sc. DIRECTOR OF MUSIC AT BANGOR UNIVERSITY COLLEGE SEARCHER out in their last lone lairs Of Gwalia's golden olden airs, Searcher out of Life's mysteries Beside Her moon-swayed summer seas, Because before my children's eyes You have revealed to their glad surprise In glimmering cave and flowery nook The lovely leaves of Her Nature Book; Because you have helped their sire to mould Into Sassenach mintage Her Bardic gold ; And more because our Arts unite Over the black notes and the white To guard against neglect and wrong Her noble ancient dower of song ; But most because of our friendship true, These leaves of Her Minstrelsy old and new Her oak and mistletoe's Druid wreath, The Princely plumes of Her purple heath, Her Dafydd's roses of rich delight, Her Ceiriog's field flowers yellow and white For you in one posy proud unite. ALFRED PERCEVAL GRAVES. ERINFA, HARLECH. Easier Tuesday, 797.2.
    [Show full text]
  • Early Classical Hollywood Cinema 1900'S-In The
    Early Classical Hollywood Cinema 1900’s-In the early 1900s, motion pictures ("flickers") were no longer innovative experiments/scapist entertainment medium for the working-class masses/ Kinetoscope parlors, lecture halls, and storefronts turned into nickelodeon. Admission 5 cents (sometimes a dime) - open from early morning to midnight. 1905-First Nickelodean -Pittsburgh by Harry Davis in June of 1905/few theatre shows in US- shows GREAT TRAIN ROBBERY Urban, foreign-born, working-class, immigrant audiences loved the cheap form of entertainment and were the predominent cinema-goers Some of the biggest names in the film business got their start as proprietors, investors, exhibitors, or distributors in nickelodeons.:Adolph Zukor ,Marcus Loew, Jesse Lasky, Sam Goldwyn (Goldfish), the Warner brothers, Carl Laemmle, William Fox, Louis B. Mayer 1906-According to most sources, the first continuous, full-length narrative feature film (defined as a commercially-made film at least an hour in length) was Charles Tait's biopic of a notorious outback bushranger, The Story of the Kelly Gang (1906, Australia)- Australia was the only country set up to regularly produce feature-length films prior to 1911.- 1907-Griffith begins working for Edision- Edwin S. Porter's and Thomas Edison's Rescued From the Eagle's Nest (1907)/ Griffith- Contributing to the modern language of cinema, he used the camera and film in new, more functional, mobile ways with composed shots, traveling shots and camera movement, split-screens, flashbacks, cross-cutting (showing two simultaneous actions that build toward a tense climax), frequent closeups to observe details, fades, irises, intercutting, parallel editing, dissolves, changing camera angles, soft-focus, lens filters, and experimental/artificial lighting and shading/tinting.
    [Show full text]
  • WHOM GOD HATH JOINED. a Question of Marriage
    WHOM GOD HATH JOINED. A Question of Marriage. BY FERGUS HUME, AUTHOR OF "THE MYSTERY OF A HANSOM CAB," "THE MAN WITH A SECRET," "MONSIEUR JUDAS," ETC., ETC. The saying that no one can serve two masters has its exception in the case of a wife and mother, who is bound by her marriage vows and maternal instincts to love in equal measure her husband and children; but alas for the happiness of the family should she love one to the exclusion of the other, for from such exclusion arise many domestic heart burnings. THIRD EDITION. LONDON: F. V. WHITE & CO., 14, BEDFORD STREET, STRAND, W.C. 1894. PRINTED BY KELLY AND CO. LIMITED, 182, 183 AND 184, HIGH HOLBORN. W.C., AND KINGSTON-ON-THAMES. TO MY CRITICS, IN APPRECIATION OF THE KIND MANNER IN WHICH THEY HAVE REVIEWED MY FORMER BOOKS, I DEDICATE THIS WORK. If marriages are made above, They're oft unmade by man below, There should be trust, and joy, and love, If marriages are made above; But should Heav'n mate a hawk and dove, Such match unequal breeds but woe, If marriages are made above, They're oft unmade by man below. CHAPTER I. TWO FRIENDS. "Like doth not always draw to like--in truth Old age is ever worshipful of youth, Seeing in boyish dreams with daring rife, A reflex of the spring time of its life, When sword in hand with Hope's brave flag unfurled, It sallied forth to fight the blust'ring world." It was about mid-day, and the train having emerged from the darkness of the St.
    [Show full text]
  • Cantos a Literary and Arts Journal
    Cantos A Literary and Arts Journal EDITOR John J. Han ASSISTANT EDITORS Glory Castello Abigail Crane EDITORIAL ASSISTANTS Ashley Anthony Mary Ellen Fuquay Douglas T. Morris EDITORIAL CONSULTANTS Ben Moeller-Gaa C. Clark Triplett COVER ART COVER DESIGN Carol Sue Horstman Jenny Gravatt Cantos: A Literary and Arts Journal is published every spring by the Department of English at Missouri Baptist University. Its goal is to provide creative writers and artists with a venue for self-expression and to cultivate aesthetic sensibility among scholars and students. The views expressed in this publication are those of the authors and do not necessarily represent those of Missouri Baptist University. Compensation for contributions is one copy of Cantos, and copyrights revert to authors and artists upon publication. SUBMISSIONS: Cantos welcomes submissions from the students, faculty, staff, alumni, and friends of Missouri Baptist University. Send previously unpublished poems, short fiction, excerpts from a novel in progress, and nonfiction as e-mail attachments (Microsoft Word format) to the editor, John J. Han, at [email protected] by March 1. Send previously unpublished artwork, including haiga (illustrated haiku), as an e-mail attachment to the editor, John J. Han, at [email protected] by the same date. For more details, read the submission guidelines on the last page of this issue. SUBSCRIPTIONS & BOOKS FOR REVIEW: Cantos subscriptions, renewals, address changes, and books for review should be mailed to John J. Han, Editor of Cantos, Missouri Baptist University, One College Park Drive, St. Louis, MO 63141. Phone: (314) 392-2311/Fax: (314) 434-7596. Subscription rate for both individuals and institutions: $5 per issue purchased at MBU and $7 per mail-ordered issue.
    [Show full text]
  • Redalyc.ACTRICES DEL CINE MUDO QUE NO SUPERARON LA
    Aposta. Revista de Ciencias Sociales E-ISSN: 1696-7348 [email protected] Luis Gómez Encinas ed. España Ballesteros García, Rosa María ACTRICES DEL CINE MUDO QUE NO SUPERARON LA BARRERA DEL SONORO Aposta. Revista de Ciencias Sociales, núm. 71, octubre-diciembre, 2016, pp. 147-191 Luis Gómez Encinas ed. Móstoles, España Disponible en: http://www.redalyc.org/articulo.oa?id=495952433006 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto aposta revista de ciencias sociales ISSN 1696-7348 Nº 71, Octubre, Noviembre y Diciembre 2016 ACTRICES DEL CINE MUDO QUE NO SUPERARON LA BARRERA DEL SONORO ACTRESSES OF THE SILENT FILMS THAT THEY DIDN'T GET OVERCOME THE SOUND BARRIER Rosa María Ballesteros García Universidad de Málaga (SEIM/UMA) Recibido: 19/09/2015 - Aceptado: 8/04/2016 Formato de citación: Ballesteros García, R.M. (2016). “Actrices del cine mudo que no superaron la barrera del sonoro”. Aposta. Revista de Ciencias Sociales , 71, 147-191, http://apostadigital.com/revistav3/hemeroteca/ballesteros8.pdf Resumen El presente artículo tiene como objetivo recuperar una serie de actrices, ídolos de la etapa del cine mudo, que no lograron mantenerse al iniciarse el proceso al hablado. Ponemos el objetivo en algunas de las actrices más representativas a quienes el progreso técnico iba a condenar al ostracismo al no adecuarse su voz (aún sin la muleta del doblaje) a los inevitables cambios estructurales y auditivos.
    [Show full text]
  • Arabia: the Cradle of Islam
    Arabia: The Cradle of Islam Studies in the Geography, People and Politics of the Peninsula with an account of Islam and Mission-work THIRD EDITION REVISED BY REV. S. M. ZWEMER, F.R.G.S. INTRODUCTION BY REV. JAMES S. DENNIS, D.D. NEW YORK CHICAGO TORONTO Fleming H. Revell Company Publishers of Evangelical Literature www.muhammadanism.org August 2, 2004 A TYPICAL ARAB OF YEMEN Copyright, 1900 by FLEMING H. REVELL COMPANY DEDICATED TO THE “STUDENT VOLUNTEERS” OF AMERICA IN MEMORY OF THE TWO AMERICAN VOLUNTEERS WHO LAID DOWN THEIR LIVES FOR ARABIA Peter J. Zwemer AND George E. Stone And Jesus said unto him: This day is salvation come to this house, forasmuch as he also is a son of Abraham. For the Son of Man is come to seek and to save that which was lost.— LUKE xix. 9, 10. Introductory Note THE author of this instructive volume is in the direct line of missionary pioneers to the Moslem world. He follows Raymond Lull, Henry Martyn, Ion Keith-Falconer, and Bishop French, and, with his friend and comrade the Rev. James Cantine, now stands in the shining line of succession at the close of a decade of patient and brave service at that lonely outpost on the shores of the Persian Gulf. Others have followed in their footsteps, until the Arabian Mission, the adopted child of the Reformed Church in America, is at present a compact and resolute group of men and women at the gates of Arabia, waiting on God's will, and intent first of all upon fulfilling in the spirit of obedience to the Master the duty assigned them.
    [Show full text]
  • Spring 2002 • the Andrews University Magazine • Vol
    FOCUS SPRING 2002 • THE ANDREWS UNIVERSITY MAGAZINE • VOL. 38 NO. 2 I LOVE A PARADE AU’S 100 WOMEN OF THE CENtuRY HOMECOMING PHOTO EssaY IN FOCUS “PUTT-PUTT” AND OTHER (UNEXPECTED) HOMECOMING MOMENTS I'll admit it: I'm not much of an "Alumni in the parade, a contingent of his relatives ly not without pencil and paper. Still, as the Weekend" kind of guy. I find reunions tor- honored him with a banner that read, "Our sun was setting and as the international flags turous—I'm already dreading my academy Alumnus of the Year." Leading the group, were being raised, Andreasen addressed the class's 20th, just four short years away—and two grandchildren navigated an old red go- gathering, speaking words that floated gen- I'd sooner reacquire my high school ward- cart (named "Putt-Putt") that James had lov- tly above us, pulling our hearts and minds to robe of Don Johnson pastels than catch up ingly built years ago for his own children. the spiritual and communal meanings with people who remember my pimply-face The noisy cart still ran pretty well—James evoked in the symbolism of our flags. teenage smile and don't seem put off by my had just recently performed an overhaul— Later that evening in the church, as current pimply-face mid-30s smile. and the grandkids clearly enjoyed zig-zag- Vespers convened to honor "Andrews Like some other younger alums, I've been ging and "putt-putting" along the parade Women of the Century," I was, for the third known to equate college homecomings with route.
    [Show full text]
  • South American Fights and Fighters
    Conditions and Terms of Use PREFACE Copyright © Heritage History 2010 The first part of this new volume of the American Some rights reserved Fights and Fighters Series needs no special introduction. This text was produced and distributed by Heritage History, an Partly to make this the same size as the other books, but more organization dedicated to the preservation of classical juvenile history particularly because I especially desired to give a permanent books, and to the promotion of the works of traditional history authors. place to some of the most dramatic and interesting episodes in The books which Heritage History republishes are in the public our history—especially as most of them related to the Pacific domain and are no longer protected by the original copyright. They may and the Far West—the series of papers in part second was therefore be reproduced within the United States without paying a royalty included. to the author. The text and pictures used to produce this version of the work, "The Yarn of the Essex, Whaler" is abridged from a however, are the property of Heritage History and are subject to certain quaint account written by the Mate and published in an old restrictions. These restrictions are imposed for the purpose of protecting the volume which is long since out of print and very scarce. The integrity of the work, for preventing plagiarism, and for helping to assure papers on the Tonquin, John Paul Jones, and "The Great that compromised versions of the work are not widely disseminated. American Duellists" speak for themselves.
    [Show full text]
  • Aposta Revista De Ciencias Sociales ISSN 16967348 Nº 71, Octubre, Noviembre Y Diciembre 2016
    aposta revista de ciencias sociales ISSN 1696-7348 Nº 71, Octubre, Noviembre y Diciembre 2016 ACTRICES DEL CINE MUDO QUE NO SUPERARON LA BARRERA DEL SONORO ACTRESSES OF THE SILENT FILMS THAT THEY DIDN'T GET OVERCOME THE SOUND BARRIER Rosa María Ballesteros García Universidad de Málaga (SEIM/UMA) Recibido: 19/09/2015 - Aceptado: 8/04/2016 Formato de citación: Ballesteros García, R.M. (2016). “Actrices del cine mudo que no superaron la barrera del sonoro”. Aposta. Revista de Ciencias Sociales , 71, 147-191, http://apostadigital.com/revistav3/hemeroteca/ballesteros8.pdf Resumen El presente artículo tiene como objetivo recuperar una serie de actrices, ídolos de la etapa del cine mudo, que no lograron mantenerse al iniciarse el proceso al hablado. Ponemos el objetivo en algunas de las actrices más representativas a quienes el progreso técnico iba a condenar al ostracismo al no adecuarse su voz (aún sin la muleta del doblaje) a los inevitables cambios estructurales y auditivos. En los años en que se produce esta transición (último tercio de 1920 y primeros años de 1930) se produjo un general “pánico” entre el colectivo, justificado por cierto, pues a partir de entonces fueron de estricta obligación las “pruebas de voz”, por lo que buena parte de estas glorias mudas vieron frustradas sus carreras. Ídolos con pies de barro, juguetes a merced del marketing y de la voracidad de los productores, sus nombres fueron difuminándose, tan rápido como habían sido encumbrados, en una involuntaria huida plagada de fracasos, de adiciones y de varios casos de suicidios. Aposta. Revista de Ciencias Sociales ISSN 1696-7348 Nº 71, Octubre, Noviembre y Diciembre 2016 http://www.apostadigital.com/revistav3/hemeroteca/ballesteros8.pdf _______________________________________________________________________________________________ 147 Palabras clave Actrices, cine mudo, cine sonoro.
    [Show full text]