Proquest Dissertations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Durham E-Theses
Durham E-Theses Art-like Wealth: the Foundation of Paiwan Hierarchy HSIAO, HSIANG-WEI How to cite: HSIAO, HSIANG-WEI (2019) Art-like Wealth: the Foundation of Paiwan Hierarchy, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13180/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Hsiang-Wei Hsiao Art-like Wealth: the Foundation of Paiwan Hierarchy Abstract In examining the Paiwan, an indigenous group in Taiwan, this thesis illustrates how wealth affects social hierarchy amongst people in house societies. Paiwan wealth is examined through the idea of abduction of agency, as suggested by Gell (1998), to reveal how people associate with past interactions in perceiving both present and future social relations. Investigating the notion of Paiwan wealth provides a means by which Lévi-Strauss’ idea of the ‘house society’ is reconsidered. -
Leeteyra Washington 0250E 1
©Copyright 2017 Mei Yi Lee (Ciwang Teyra) Culture and History Matter: Historical Trauma and Cultural Protective Factors on Alcohol Use Among Truku Tribal People Mei Yi Lee (Ciwang Teyra) A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Tessa Evans-Campbell, Chair Cynthia Pearson Karina Walters Chuan Zhou Stevan Harrell (GSR) Program Authorized to Offer Degree: School of Social Work University of Washington Abstract Culture and History Matter: A Mixed Method Study of Historical Trauma and Protective Factors on Alcohol Use among Truku Tribal People Mei Yi Lee (Ciwang Teyra) Chair of the Supervisory Committee: Associate Professor Tessa Evans-Campbell School of Social Work Indigenous peoples of Taiwan have experienced significant health disparities in comparison with their non-indigenous counterparts, the Han population. In Taiwan, indigenous peoples have a higher mortality rate than the majority Han population. Additionally, alcohol- related chronic liver disease/cirrhosis and accidental injuries are among the 10 leading causes of death within indigenous communities. Indeed, alcohol use has become one of the highest-priority concerns for Taiwanese indigenous communities. Recent research has explored interpersonal, social, and biological determinants of alcohol use among indigenous peoples in Taiwan, but few studies have explored the influences of historical context and indigenous cultural practices on alcohol use. This dissertation extends the historical trauma framework that was initially developed for American Indian and Alaska Native (AIAN) populations to investigate the influence of historical trauma on alcohol use and the protective roles of cultural practices among Taiwanese indigenous communities, especially the Truku tribal communities. -
Westminsterresearch Music Culture and the Self-Presentation Of
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Music Culture and the Self-Presentation of Indigenous Musicians on Social Media in Contemporary Taiwan Lin, G. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Miss Guo-ting Lin, 2021. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Music Culture and the Self-Presentation of Indigenous Musicians on Social Media in Contemporary Taiwan Guo-Ting Lin A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy April 2021 Abstract The purpose of this research was to provide an indigenous perspective of popular culture in Taiwan as a means to re-examine Taiwanese contemporary identity. In-depth qualitative interviews and digital ethnography were adopted to collect data about indigenous musicians' self-presentation on social media. Being an indigenous musician in postmodern Taiwan is a highly contested phenomenon, as social media offers a double-edged sword requiring a conjunctional analysis that delves into both the past and the contemporary. This research unpacks the performance of contemporary indigenous musicians in the post-digital media age and offers five findings. Firstly, the indigenous musicians interviewed for the purpose of this research use social media to perform their indigenous identities to wider audiences, both indigenous and non- indigenous. Secondly, identity performances of indigenous musicians on social media are inspired by and reflect the richness and diversity of Taiwanese society. -
The Coming of Christianity
Durham E-Theses The Secularisation of Identity in a Religious World: A Case Study of the Atayal Bienjing Village WANG, I-CHUN How to cite: WANG, I-CHUN (2015) The Secularisation of Identity in a Religious World: A Case Study of the Atayal Bienjing Village, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11079/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract The Secularisation of Identity in a Religious World: A Case Study of the Atayal Bienjing Village I-Chun, Wang This study analysed the religious transition of the Atayal people of Bienjing village in Miaoli, Taiwan, and how it influenced the Atayals’ conceptualisation of both the ethnic and cultural identities. The study focused on the Atayal people’s mass conversion to Christianity in the early 1950s, which not only changed their worldview and cultural values but also altered their sense of belonging, as well as the idea of being an Atayal person. -
Chapter 1) and a Conclusion (Chapter 10)
Cover Page The handle http://hdl.handle.net/1887/20772 holds various files of this Leiden University dissertation. Author: Lo, Yung-Ching Title: Accessing indigenous land rights through claims in Taroko Area, Eastern Taiwan Issue Date: 2013-04-17 1 Introduction 1.1 Background to the indigenous peoples of Taiwan Taiwan is an area that hosted many colonial regimes for many centuries. The most significant political authorities in Taiwan can be divided into six distinct periods: the Dutch East India Company Period (1624-1661); the Koxinga Period (1661- 1683); the Qing Dynasty or Manchu Period (1683-1895); the Japanese Colonial Period (1895-1945); the Chinese Na- tionalist Period (1949-1996); and the current Independent or Democratic period (1996-present). Indigenous people have experienced many cultur- al, social, legal and economic encoun- ters. ‘Indigeniety’ has been contexted and contested under a range of differ- ent regimes of governance. In the early 17th century, Taiwan’s indigenous communities were divid- ed into the pingpu of the plains and the mountain aborigines. Gradually, most pingpu peoples encountered Han Chinese customs and religious beliefs and, consequently, their na- tive languages died out (Yang, Yan- jie 2000). As a result of this cultural assimilation, it is now hard to deter- mine how many pingpu tribes actu- ally settled on the plains of the island. In the Japanese period, the indige- nous peoples in the mountains were generally divided into nine major tribes, although many of these people Map 1.1 lived on the coastal plains and other Government-recognized Indigenous Peoples in Taiwan (2010) islands (Miyamoto 1985; Mori 1900, 13 Accessing indigenous land rights through claims in Taroko Area, Eastern Taiwan 1985 2000; Ogawa et al.