Grace, Country, and #1 By: Sam Davidson
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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Vtorld ALBUM CHART
toTHE COUNTRY COUNTRY HOT UNE vtoRLDALBUM CHART By MARIE RATLIFF and CHUCK NEESE AUGUST 5, 1912 THIS LAST WKS. ON WK. WK. CHART 1 WI'S WHY I UWE 10U LIKEI DO SONNY JAMES-Capitol 11067 9 Station Check List 2 4 THE REAL McCOY CHARLIE McCOY-Monument 31329 17 3 3 THE BEST OF CHARLEY PRIDE, VOL. 2-RCA LSP 4082 19 WUBE, Cincinnati (Jack Reno) WENO, Nashville (Johnny K) 4 2 THIS IS JERRY WALLACE-Decca 75294 17 KENR, Houston (Bruce Nelson) WQYK, Tampa (Bob Hudson) 5 6 A THING CALLED LOVE JOHNNY CASH-Columbia 31332 15 WWVA, Wheeling (Bob Ward) WGBG, Greensboro (Tim Rowe) HANK WILLIAMS JR. GREATEST HITS, VOL. 2-MGM 4822 8 WXCL, Peoria (Lee Ransom) WAME, Charlotte (Ed Robinson) U 7 WGMA, H'wood, Fla. (K. C. Jones) KFDI, Wichita (Don Powell) 8 BEST OF JERRY REEO-RCA 4729 7 WUNI, Mobile (Johnny Barr) KBOX, Dallas, (Art Keller) WYDE, Birmingham (Don Parden) WCNW, Fairfield (Fred Slezak) II 9 SOMEONE TO GIVE MY LOVE TO JOHNNY PAYCHECK-Epic 31449 9 WCMS, Norfolk (Earle Faulk) WMNI. Columbus, 0. (0. R. Moore) 9 5 THE KILLER ROCKS ON JERRY LEE LEWIS-Mercury 1-637 14 KLAC, Los Angeles (Carson Schreiber) 10 12 BLESS YOUR HEART FREDDIE HART-Capitol 11073 5 III 14TO GET TO YOU JERRY WALLACE-Decca 75349 5 12 10 GEORGE JONES-Epic 31321 10 The "Crystal Chandelier Situation" still rages in 21 THE HAPPIEST GIRL IN THE WHOLE USA DONNA FARGO-Dot 26000 3 as of this writing. The Charley Pride RCA Gold Standard release began at several stations and MI 17 CONWAY TWITTY'S GREATEST HITS, VOL. -
Detta Är En Dokumentmall För Examensarbeten
EXAMENSARBETE Höstterminen 2009 Lärarutbildningen i musik Elisabet Johansson Vilken roll spelar pianot i countrymusiken? En undersökning riktad till pianister, pianopedagoger och klasslärare i musik Handledare: Astrid Boström och Ulrika Bohlin Förord Jag vill börja med att tacka min informant för att han så generöst delat med sig av sina egna erfarenheter och sin kunskap. Jag vill även tacka familj, vänner och kurskamrater för tjänstvil- lighet och stöd. Slutligen vill jag tacka mina handledare Astrid Boström och Ulrika Bohlin för er hjälp och era tydliga direktiv genom hela processen. Studien har varit mycket givande och innehållit både glada och mindre glada stunder. Jag är mycket glad och stolt över att arbetet blivit klart och är övertygad om att arbetet kan ge både mig och andra musikpedagoger tips och hjälp i undervisningen framöver. Abstract Title: What part does the piano play in country music? – A study intended for pianists, piano pedagogues and class teachers in music Author: Elisabet Johansson The purpose of this essay is to find out what part the piano play in country music. The re- search includes an interview with an artist from Texas and an analysis of five chosen music examples. The research question is: What part does the piano play in country music and how can that knowledge influence my teaching as a piano pedagogue and class teacher in music? Four result areas appear and they are Piano as a rhythmic instrument, Piano as a lead-instrument, The piano’s interaction with the singer and The influences of the piano from other genres. The study concludes that there are different parts for the piano in country music. -
MCA-500 Reissue Series
MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366. -
American Square Dance Vol. 44, No. 4
AMERICAN SQUARE DANCE Annual $12 APRIL 1989 Single $1.25 HANHURST'S TAPE & RECORD SERVICE THE "ORIGINAL" z SUBSCRIPTION z dS3 cc L TAPE SERVICE a Have you heard all the 75-80 releases that Y 1VdVH3 TR 1: 1 have come out in the 1: OUN 1V last 3 months? C Since 1971 GO OH CHICA 1VA "I think you and your staff are doing a great I— job with the record service. You have pro- vided very responsive service when it comes )IOONIHO to record ordering. Having both the tape and record service you provide, is well worth the 33 expense." -- S.H., APO, New York Er cr —4 a. ❑ 1 1: "l am quite impressed with the quality of the reproduction of the monthly Hanhurst tape." B.B., Alberta, Canada cc 009 03 1 SE HOU 139 0 The Continuing Choice of 1,300 Callers! 0 CH CALL TOLL FREE NOW RAN t - FOR FREE SAMPLE TAPE VISA' UV9 - 1-800-445-7398 9 (In N.J. 201-445-7398) HANHURST'S TAPE & RECORD SERVICE STAR P.O. BOX 687 z RIDGEWOOD, N.J. 07451-0687 —1 BLUE EUREKA STING SNOW LOU MAC BIG MAC AMERICAN [--71 SaURRE ORNCE VOLUME 44, No. 4 THE INTERNATIONAL MAGAZINE APRIL 1989 WITH THE SWINGING LINES ASD FEATURES FOR ALL OUR READERS SPEAK 4 Co-Editorial 6 Grand Zip 5 bly-Line 41 Straight Talk 7 Meandering with Stan 43 Feedback 11 Get Out Of Step 13 April Fool Fun SQUARE DANCE SCENE 14 Dancing Daffy-nitions 20 Late Callerlab News 15 The Anaria Sheikdom 58 A/C Lines (Advanced & Challenge) 19 The Late Great Square Dance 70 Callerlab News 21 Name A Day—Or A Club 72 International News 23 Vacation '89 (Events) 93 S/D Mastercard 29 Encore 101 LSF Institute 31 Hem-Line 104 Run To Oklahoma 35 Dandy Idea 36 Product Line ROUNDS 37 Best Club Trick 33 Cue Tips 39 On Line 63 R/D Pulse Poll 45 Party Line 47 Dancing Tips 79 Facing the L.O.D. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Matisyahu One Day Mp3 Song Free Download
Matisyahu one day mp3 song free download Continue The first day is the decision to remember the best moments of life. It's a logging app. With an elegant and sleek interface, you'll be writing the events of the day for some time. Day one is your first step in running a magazine about everything you've experienced, from life changes to casual ones. Journaling is a soulful process that offers you the opportunity to understand and remember. Day One is the perfect app to start with. The only failure is that several features are withheld from free users and require you to spend money in the app. Using the first day in the magazine can help you build stronger habits. You can use tools in the app such as reminders, notifications, and calendar options. With these, you will never forget the task you have to accomplish. You will eventually form a habit that doesn't require a reminder. After a while, you'll notice useful tools that it advertises. These include memories and notes in the app, the memory enhancement section, and the way you print magazine entries in book format. You can save points with the premium using unlimited options to log in and store photos. Day One also interfaces similarly to social media websites such as Facebook and Twitter. With this built-in channel, your memories are just a click away. Buying a premium expands the user experience of the app with a variety of features. Writing without distractions and having your personal record kept private are two important factors that day one performs. -
T T LJ I Republic/Universal's Flaw Sees C R E a T O R O F a L
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw a zW MA!' THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT, JUNE 22, 2002 BMG's Zomba Buy Sets Calder Free As BMG Absorbs Mandatory Deal, Industry Ponders Zomba Co- Founder's Plans BY GORDON MASSON Calder for more than 30 years, corn- ness," one former Calder associate LONDON-While the music industry ments, "I've always found it ex- notes. "Whatever he does next, I'm comes to terms with Zomba chair - tremely difficult to think of Clive not sure it'll be a phenomenal success." man/CEO Clive Calder's decision to sell doing anything. Having known him Calder was unavailable for com- out to BMG and the resulting mam- since the 1960s and having worked ment, but in a statement he said: moth payout, the most intrigu- "With its outstanding execu- ing part of the news for many tives and creative talent, Zom- lies in what the reclusive South SMG ba should add a lot of value to African plans to do next. With a Bertelsmann's music division, reputed $2.8 billion check soon BMG. While the exercise of heading his way from Bertelsmann's with him all those years, I can't this option will undoubtedly be a German headquarters in Gütersloh, believe he'll do nothing. But I don't surprise to many in the music Calder is not exactly in need of a job. have any idea what would be in his industry, this is a natural culmina- But those who know the man do not mind -I guess that's going to exer- tion of many years of close business believe he is about to simply retire. -
Te Deum the Church and Music 1St Edition Pdf Free
TE DEUM THE CHURCH AND MUSIC 1ST EDITION PDF, EPUB, EBOOK Paul Westermeyer | 9780800631468 | | | | | Te Deum The Church and Music 1st edition PDF Book It was also featured in the film The Wicker Man. At first, there was no break with the Jewish faith; Christians still attended synagogues and the Second Temple in Jerusalem just as Jesus Christ had done, and presumably still carried on the same musical traditions in their separate Christian meetings. Enlarge cover. Reference Reviews. Basil the Great. Westermeyer is professor of church music at Luther Seminary, St. You could see the text on song 5 — this is old Bulgarian since 18th century,under Russian political pressure, incorrectly called Church Slavonic language, written on Cyrillic, which means that this particular text is written not earlier than 9 century AD. Save for Later. This setting of the Ordinary of the Mass spawned a tradition of Mass composition to which many famous composers of the standard concert repertory made contributions, including Bach , Haydn , Mozart and Beethoven. Related Articles. This article needs additional citations for verification. The hymn follows the outline of the Apostles' Creed , mixing a poetic vision of the heavenly liturgy with its declaration of faith. Original Title. Views Read Edit View history. Spread the loveMarching bands are a fundamental part of sporting events, parades, and other festive activities. Catholic Encyclopedia. No trivia or quizzes yet. Return to Book Page. James, which is the oldest complete form of the Divine Liturgy still in existence. Other editions. Help Learn to edit Community portal Recent changes Upload file. At a time when Christianity was competing for prominence with other religions, the music and chants were often beautiful and elaborate to attract new members to the Church. -
Kosher Country: Success and Survival on Nashville's Music Row V
Kosher Country: Success and Survival on Nashville's Music Row V Stacy Harris uring the last few years, Nashville's country music in- dustry has been mourning a larger number of its citizens Dthan usual. These losses included two, Norma Gerson ("makeup artist to the stars") and Rainbow Room owner/- erstwhile "Hee Haw" bit-player David "Skull" Schulman ("the mayor of Printers' Alley"), that underscore the little-known range and diversity of roles Jews have played in Nashville and country- music history. According to Karen B. Fine, Nashville's Jewish music indus- try population numbers "about 60 or 70."1 Few would characterize this minority as a vocal one. Indeed, when Life staff writer Charles Hirshberg wrote about the relationship between Jews and country music in the Forward, he titled the article "Nashville's Jewish Newcomers Assert Themselves (Softly)."2 Likening the reluctance of Jewish country-music industry participants to medieval Marranos who, Hirshberg believed, kept "their Jewishness private to protect their livelihoods," Hirshberg's observations of five years ago seem equally as dire in 1999.3 There would well be a justification for this. Country music's heritage is rooted in traditions of a Protestant-Christian America. Six years ago, this author wrote, "Most country artists have re- corded at least one album of sacred songs; indeed it is almost expected."4 112 SOUTHERN JEWISH HISTORY Nonetheless change may be imminent. With many more new artists and a younger listener base, this expectation no longer exists. While it still looks good for a country singer to have a press kit containing biographical information noting that the subject's earliest memories are of "hymns or more fervent gospel songs" and of his/her own performances in church, whether true or not, such references are increasingly less mandatory. -
Bakalářská Práce
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra zpěvu Gospelová hudba Magisterská práce Autor práce: BcA. Jana Melišková Vedoucí práce: odb. as. MgA. Jan Dalecký Oponent práce: PhDr. Alena Borková Brno 2015 „A potom hovoril: Mužovia izraelskí, dobre si rozvážte, čo urobiť s týmito ľuďmi. Lebo pred nedávnom povstal Teudas, ktorý sa vydával za nejakého veľkého, a pripojilo sa k nemu asi štyristo mužov. Ale ho zabili a všetci, ktorí ho poslúchali, sa rozpŕchli a vyšli navnivoč. Po ňom, v dňoch popisu, povstal Judáš Galilejský a strhol so sebou ľud; aj on zahynul a všetci, ktorí ho poslúchali, boli rozprášení. Preto vám teraz hovorím: Dajte pokoj týmto ľuďom a nechajte ich. Lebo ak je z ľudí táto rada alebo toto dielo, rozpadne sa;ak je však z Boha, nebudete ich môcť zahubiť. Aby sa nedokázalo, že bojujete aj proti Bohu.“ Sk 5, 35-39 Bibliografický záznam MELIŠKOVÁ, Jana. Gospelová hudba [Gospel Music]. Brno. Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra zpěvu, 2015. s. 98. Vedoucí Magisterské práce odb. as. MgA. Jan Dalecký. Anotácia Magisterská práca „Gospelová hudba“ pojednáva o vzniku, histórii a vývoji gospelovej hudby na území Ameriky a jej rozšírení do ostatných oblastí sveta. V kontexte krátko predstavuje dôležité osobnosti gospelu a ich význam pre vývoj a bohatosť gospelovej hudby. Stručne se zaoberá hudobne-teoretickými špecifikami a žánrovým rozdelením tejto hudby. Annotation Diploma thesis „Gospel Music” deals with the origin, history and evolution of gospel music in America and its expansion to other areas of the world. Presents important figures of gospel and their importance for the development and richness of gospel music and deals briefly with musical-theoretical specifics and genre division of this music. -
CHAPTER 11 Gospel Versus Profane Music in Slovakia1
CHAPTER 11 Gospel versus profane music in Slovakia1 Yvetta Kajanová Abstract This study provides a historical perspective on the establishment of church music as a market segment. The political changes after 1989 meant that sacred music became a regular part of Central Europe culture, and the previously homogenous market became divided between secular and sacred segments. 11Due to the communist ideology and strong atheist propaganda in the former communist countries of Central Europe, the separation processes followed a different path than in the western world. The research has shown that, during the communist regime, illegal recording studios and secretive distribution of sacred music were the basis for the later character of music market. Up to the present time, the music industry still maintains the secular‐sacred segmentation even though the two music streams are tending towards convergence. The author uses historical, analytical, and statistical methods to explain the particular case of the winners of the 2009 Eurovision Song Contest in Slovakia, in which both gospel and profane music singers participated and where the gospel music supporters outvoted the profane audience. From numerous historical facts obtained during a 2005–2008 study of oral tradition, those relevant for the formation of the Slovak audience, its self‐confidence, and transformation have been selected to support this paper. 1. Beginnings Contrary to the traditional idea of cultural identity, which spoke of a solid and fixed self, umbilically related to a territory and collective history, nowadays we must take in account the volatility of these identities. Crane’s perspective on this is of course of the utmost importance (2002).