ANDREW COHEN, ACE Editor

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ANDREW COHEN, ACE Editor Film & Television (select) PROJECT DIRECTOR STUDIO/PRODUCTION CO. DEVIL IN OHIO (limited series) Emma Tammi Netflix DEBRIS (season 1) Various NBC / Legendary Television AWAKEN Don FauntLeRoy Independent THE LAST SHIP (seasons 2-5) Various TNT / Platinum Dunes CSI: IMMORTALITY (series finale, part 1) Louis Milito CBS STATE OF AFFAIRS (series) Various NBC / Universal Television UNSULLIED Simeon Rice Dreamline Pictures FRACTURED* Adam Gierasch 7Arts Pictures CHRISTMAS ON THE BAYOU (mow) Leslie Hope Lifetime STEPHEN KING’S BAG OF BONES (miniseries) Mick Garris A+E / Sony Pictures Entertainment + Main Title Designer DJINN Tobe Hooper ImageNation Abu Dhabi PERFECTLY PRUDENCE (mow) Paul Schneider Hallmark / ITV America FERTILE GROUND Adam Gierasch IM Global / After Dark Films NIGHT OF THE DEMONS* Adam Gierasch Entertainment One / 7Arts Pictures THE BLACK WATERS OF ECHO’S POND**** Gabriel Bologna Parallel Media JACK AND THE BEANSTALK Gary J. Tunnicliffe Avalon Family Entertainment TRAILER PARK OF TERROR*** + Post Supervisor Steven Goldmann Summit / Lightening Entertainment AUTOPSY Adam Gierasch 7Arts Pictures LEGEND OF THE BOG Brendan Foley Spotlight Pictures MASTERS OF HORROR (series) Showtime / IDT Entertainment “The Damned Thing,” “Dance of the Dead” Tobe Hooper “Valerie on the Stairs,” “Chocolate” Mick Garris “Sounds Like” Brad Anderson “Sick Girl” Lucky McKee “Haeckel’s Tale” John McNaughton “Right to Die” Rob Schmidt BEHIND THE MASK: THE RISE OF LESLIE VERNON (recut) Scott Glosserman Anchor Bay / Glen Echo Entertainment MORTUARY** Tobe Hooper Echo Bridge Entertainment TOOLBOX MURDERS Tobe Hooper Lionsgate CRUEL WORLD Kelsey Howard Primetime Pictures ENCRYPT (mow) Oscar Costo Syfy HANSEL & GRETEL** Gary J. Tunnicliffe Tag Entertainment THE RETREIVERS (mow)** Paul Schneider Animal Planet / Tag Entertainment LETHAL VOWS (mow) Paul Schneider CBS / Braun Entertainment Group CAN OF WORMS (mow) Paul Schneider Disney Channel WHEN THE CRADLE FALLS (mow) Paul Schneider CBS DARK SKIES (pilot) Tobe Hooper NBC THE PERFECT WEAPON*** Mark Disalle Paramount Pictures YOUNG HEARTS UNLIMITED (mow) Don E. FauntLeRoy Tomorrow Films NOWHERE MAN (pilot/season 1) Tobe Hooper UPN / Touchstone Television HONOR THY FATHER AND MOTHER: Paul Schneider Fox / Saban Entertainment THE TRUE STORY OF THE MENENDEZ MURDERS (mow) FOR THE LOVE OF NANCY (mow) Paul Schneider ABC / Vin Di Bona Productions HART TO HART RETURNS (mow) Peter Hunt NBC / Columbia Pictures Television HART TO HART: HOME IS WHERE THE HART IS (mow) Peter Hunt NBC / Columbia Pictures Television * Editor + 2nd Unit Director ** Editor + Post-Supervisor *** Additional Editor **** Co-Editor 1645 Vine Street #402, Los Angeles, CA 90028 | p 323.856.3000 | [email protected] | www.easterntalent.net .

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Common Horror Elements 2.Pages
Common Horror Elements 1) “Elements of Aversion” by Elizabeth Barrette - All horror has motifs in common - Elements of absence = Takes away certitudes (constant things in our lives) - The Unknown = primal fear, anything can happen, limitless potential, endless power - The Unexpected = reversal of expectation, confuses what we expect from reality - The Unbelievable = places beyond belief, boundaries of everyday reality - The Unseen = something new and strange, only become visible when something goes seriously wrong - The Unconscious = we fear ourselves, we can neither control nor escape it - The Unstoppable = we can not avoid or control it, confront the inevitable - Elements of Presence = Puts in certitudes, adds an intrusion to our comfort - Helplessness = lack of control, relate to the feeling - Urgency = the feeling that something has to be done, variables that place pressure on it - Pressure = build up of tension adding to urgency, slow build of tension, we connect to it in terms of the pressure in our own life, but is diﬀerent then reality as it always reaches a resolution - Intensity = heightened awareness and senses, enhances all emotions, drowns out common sense, so all consuming, everything else becomes heightened, drowns out rational thinking of brain. - Rhythm = rise and fall of tension, pattern of action or lack of, comforting or disruptive, playing on our innate desire for the world to make sense - Release = comes to a conclusion, uncertainty keeps us waiting, redemption or disaster oﬀer completion, balance restored or altered, its over, allows us to let the story go - What you get out of it largely depends on how you go into it - Your own fears will sustain you even as they threaten to drive you mad - Come out more powerful then when you went in 2) “The Evolution of American Horror Film” - Major Hollywood Figures in the Horror Genre - Larry Cohen: sophisticated, physiological.
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Montclair Film Announces October 2017 Lineup at Cinema505
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Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man.
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A Cinema of Confrontation
A CINEMA OF CONFRONTATION: USING A MATERIAL-SEMIOTIC APPROACH TO BETTER ACCOUNT FOR THE HISTORY AND THEORIZATION OF 1970S INDEPENDENT AMERICAN HORROR _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by COURT MONTGOMERY Dr. Nancy West, Thesis Supervisor DECEMBER 2015 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled A CINEMA OF CONFRONTATION: USING A MATERIAL-SEMIOTIC APPROACH TO BETTER ACCOUNT FOR THE HISTORY AND THEORIZATION OF 1970S INDEPENDENT AMERICAN HORROR presented by Court Montgomery, a candidate for the degree of master of English, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________ Professor Nancy West _________________________________ Professor Joanna Hearne _________________________________ Professor Roger F. Cook ii ACKNOWLEDGEMENTS I would like to express my deepest appreciation to my committee chair, Dr. Nancy West, for her endless enthusiasm, continued encouragement, and excellent feedback throughout the drafting process and beyond. The final version of this thesis and my defense of it were made possible by Dr. West’s critique. I would like to thank my committee members, Dr. Joanna Hearne and Dr. Roger F. Cook, for their insights and thought-provoking questions and comments during my thesis defense. That experience renewed my appreciation for the ongoing conversations between scholars and how such conversations can lead to novel insights and new directions in research. In addition, I would like to thank Victoria Thorp, the Graduate Studies Secretary for the Department of English, for her invaluable assistance with navigating the administrative process of my thesis writing and defense, as well as Dr.
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26-30 October 2017 Ifi Horrorthon
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S P O O K Y Oct
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WILLIAM YEH Editor
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