Executive Committee for the International Campaign
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Life in Egypt During the Coptic Period
Paper Abstracts of the First International Coptic Studies Conference Life in Egypt during the Coptic Period From Coptic to Arabic in the Christian Literature of Egypt Adel Y. Sidarus Evora, Portugal After having made the point on multilingualism in Egypt under Graeco- Roman domination (2008/2009), I intend to investigate the situation in the early centuries of Arab Islamic rule (7th–10th centuries). I will look for the shift from Coptic to Arabic in the Christian literature: the last period of literary expression in Coptic, with the decline of Sahidic and the rise of Bohairic, and the beginning of the new Arabic stage. I will try in particular to discover the reasons for the tardiness in the emergence of Copto-Arabic literature in comparison with Graeco-Arabic or Syro-Arabic, not without examining the literary output of the Melkite community of Egypt and of the other minority groups represented by the Jews, but also of Islamic literature in general. Was There a Coptic Community in Greece? Reading in the Text of Evliya Çelebi Ahmed M. M. Amin Fayoum University Evliya Çelebi (1611–1682) is a well-known Turkish traveler who was visiting Greece during 1667–71 and described the Greek cities in his interesting work "Seyahatname". Çelebi mentioned that there was an Egyptian community called "Pharaohs" in the city of Komotini; located in northern Greece, and they spoke their own language; the "Coptic dialect". Çelebi wrote around five pages about this subject and mentioned many incredible stories relating the Prophets Moses, Youssef and Mohamed with Egypt, and other stories about Coptic traditions, ethics and language as well. -
The Newsletter of the Friends of the Egypt Centre, Swansea
Price 50p INSCRIPTIONS The Newsletter of the Friends of the Egypt Centre, Swansea Whatever else you do this Issue 28 Christmas… December 2008 In this issue: Re-discovery of the Re-discovery of the South Asasif Necropolis 1 South Asasif Necropolis Fakes Case in the Egypt Centre 2 by Carolyn Graves-Brown ELENA PISCHIKOVA is the Director of the South Introducing Ashleigh 2 Asasif Conservation Project and a Research by Ashleigh Taylor Scholar at the American University in Cairo. On Editorial 3 7 January 2009, she will visit Swansea to speak Introducing Kenneth Griffin 3 on three decorated Late Period tombs that were by Kenneth Griffin recently rediscovered by her team on the West A visit to Highclere Castle 4 Bank at Thebes. by Sheila Nowell Life After Death on the Nile: A Described by travellers of the 19th century as Journey of the Rekhyt to Aswan 5 among the most beautiful of Theban tombs, by L. S. J. Howells these tombs were gradually falling into a state X-raying the Animal Mummies at of destruction. Even in their ruined condition the Egypt Centre: Part One 7 by Kenneth Griffin they have proved capable of offering incredible Objects in the Egypt Centre: surprises. An entire intact wall with an Pottery cones 8 exquisitely carved offering scene in the tomb of by Carolyn Graves-Brown Karakhamun, and the beautifully painted ceiling of the tomb of Irtieru are among them. This promises to be a fascinating talk from a very distinguished speaker. Please do your best to attend and let’s give Dr Pischikova a decent audience! Wednesday 7 January 7 p.m. -
1 Egypt Nov 18 to Dec 7 2019 Nov 18 to 19 a Long Flight from Chicago To
Egypt Nov 18 to Dec 7 2019 Nov 18 to 19 A long flight from Chicago to Amman, then a short flight to Cairo. We were met inside security by the Egitalloyd representative who, with the driver, took us to the Ramses Hilton on the Nile. Our minibus had to pass the soccer stadium, where a big game was about to start, so the roads were jammed. The representative had been with us briefly in 2018, and seemed really happy to see us. At the hotel, we were given a refurbished room with a Nile view, which we love, and non-smoking, but with a shower instead of a tub. Nov. 20 After a short night (from jetlag) and a nice breakfast, we walked the few blocks to the old Egyptian Museum and spent several hours there. A large number of artifacts had been moved out to the new Grand Egyptian Museum, in Giza, for conservation and eventual display, and they were painting and refurbishing the old Egyptian Museum so a lot of sculpture was wrapped and covered in drop cloths. They had done a good job of introducing new areas, in particular the exhibit of artifacts from Yuya and Thuyu’s tomb (which was already set up when we were there in 2018). A special exhibition space had a good exhibit of the El-Gusus Cachette, a tomb of 153 elites, mostly priests and priestesses of Amun, discovered in 1891. We managed to spend time in the protodynastic exhibit, as well. Not surprisingly, we ran into someone we know who was not on our group tour...Tom Hardwick, the curator of Ancient Egyptian art at the Houston Museum of Natural History. -
Varieties and Sources of Sandstone Used in Ancient Egyptian Temples
The Journal of Ancient Egyptian Architecture vol. 1, 2016 Varieties and sources of sandstone used in Ancient Egyptian temples James A. Harrell Cite this article: J. A. Harrell, ‘Varieties and sources of sandstone used in Ancient Egyptian temples’, JAEA 1, 2016, pp. 11-37. JAEA www.egyptian-architecture.com ISSN 2472-999X Published under Creative Commons CC-BY-NC 2.0 JAEA 1, 2016, pp. 11-37. www.egyptian-architecture.com Varieties and sources of sandstone used in Ancient Egyptian temples J. A. Harrell1 From Early Dynastic times onward, limestone was the construction material of choice for An- cient Egyptian temples, pyramids, and mastabas wherever limestone bedrock occurred, that is, along the Mediterranean coast, in the northern parts of the Western and Eastern Deserts, and in the Nile Valley between Cairo and Esna (fig. 1). Sandstone bedrock is present in the Nile Valley from Esna south into Sudan as well as in the adjacent deserts, and within this region it was the only building stone employed.2 Sandstone was also imported into the Nile Valley’s limestone region as far north as el-‘Sheikh Ibada and nearby el-‘Amarna, where it was used for New Kingdom tem- ples. There are sandstone temples further north in the Bahariya and Faiyum depressions, but these were built with local materials. The first large-scale use of sandstone occurred near Edfu in Upper Egypt, where it was employed for interior pavement and wall veneer in an Early Dynastic tomb at Hierakonpolis3 and also for a small 3rd Dynasty pyramid at Naga el-Goneima.4 Apart from this latter structure, the earliest use of sandstone in monumental architecture was for Middle Kingdom temples in the Abydos-Thebes region with the outstanding example the 11th Dynasty mortuary temple of Mentuhotep II (Nebhepetre) at Deir el-Bahri. -
DISCOVER EGYPT Including Alexandria • December 1-14, 2021
2021 Planetary Society Adventures DISCOVER EGYPT Including Alexandria • December 1-14, 2021 Including the knowledge and use of astronomy in Ancient Egypt! Dear Travelers: The expedition offers an excellent Join us!... as we discover the introduction to astronomy and life extraordinary antiquities and of ancient Egypt and to the ultimate colossal monuments of Egypt, monuments of the Old Kingdom, the December 1-14, 2021. Great Pyramids and Sphinx! It is a great time to go to Egypt as Discover the great stone ramparts the world reawakens after the of the Temple of Ramses II at Abu COVID-19 crisis. Egypt is simply Simbel, built during the New not to be missed. Kingdom, on the Abu Simbel extension. This program will include exciting recent discoveries in Egypt in The trip will be led by an excellent addition to the wonders of the Egyptologist guide, Amr Salem, and pyramids and astronomy in ancient an Egyptologist scholar, Dr. Bojana Egypt. Visits will include the Mojsov fabulous new Alexandria Library Join us!... for a treasured holiday (once the site of the greatest library in Egypt! in antiquity) and the new Alexandria National Museum which includes artifacts from Cleopatra’s Palace beneath the waters of Alexandria Harbor. Mediterranean Sea Alexandria Cairo Suez Giza Bawiti a y i ar is Bah s Oa Hurghada F arafra O asis Valley of Red the Kings Luxor Sea Esna Edfu Aswan EGYPT Lake Nasser Abu Simbel on the edge of the Nile Delta en route. We will first visit the COSTS & CONDITIONS Alexandria National Museum, to see recent discoveries from excavations in the city and its ancient harbors. -
Egypt: the Royal Tour | October 24 – November 6, 2021 Optional Pre-Trip Extensions: Alexandria, October 21 – 24 Optional Post-Trip Extension: Petra, November 6 - 10
HOUSTON MUSEUM OF NATURAL SCIENCE Egypt: The Royal Tour | October 24 – November 6, 2021 Optional Pre-Trip Extensions: Alexandria, October 21 – 24 Optional Post-Trip Extension: Petra, November 6 - 10 Join the Houston Museum of Natural Science on a journey of a lifetime to tour the magical sites of ancient Egypt. Our Royal Tour includes the must-see monuments, temples and tombs necessary for a quintessential trip to Egypt, plus locations with restricted access. We will begin in Aswan near the infamous cataracts of the River Nile. After visiting Elephantine Island and the Isle of Philae, we will experience Nubian history and culture and the colossal temples of Ramses II and Queen Nefertari at Abu Simbel. Our three-night Nile cruise will stop at the intriguing sites of Kom Ombo, Edfu and Esna on the way to Luxor. We will spend a few days in Egypt 2021: The Royal Tour Luxor to enjoy the Temples of $8,880 HMNS Members Early Bird Luxor and Karnak, the Valley of $9,130 HMNS Members per person the Kings, Queens and Nobles $9,300 non-members per person and the massive Temple of $1,090 single supplement Hatshepsut. Optional Alexandria Extension In Cairo we will enjoy the $1,350 per person double occupancy historic markets and neighborhoods of the vibrant modern city. $550 single supplement Outside of Cairo we will visit the Red Pyramid and Bent Pyramid in Dahshur Optional Petra Extension and the Step Pyramid in Saqqara, the oldest stone-built complex in the $2,630 per person double occupancy world. Our hotel has spectacular views of the Giza plateau where we will $850 single supplement receive the royal treatment of special admittance to stand in front of the Registration Requirements (p. -
Characterized of Nubian Architecture and Folk Art to Discover Creativity of the Designer
SJIF IMPACT FACTOR: 2.996 CRDEEPJournals International Journal of Social Sciences Arts and Humanities Asmaa Abd-E Elsebae Vol.2 No. 4 ISSN: 2321 – 4147 International Journal of Social Sciences Arts and Humanities Vol. 2 No. 4. 2015. Pp. 89-99 ©Copyright by CRDEEP. All Rights Reserved. Full Length Research Paper Characterized of Nubian Architecture and Folk Art to Discover Creativity of the Designer Asmaa Abd-Elgawad Elsebae Interior Design and Furniture Department, Faculty of Applied Arts, Helwan University, Egypt. Abstract Folk art has a great value stems from the sincerity and originality, it is the formation of people conscience that could not ended by time. Originality flowing into the people consciousness and passed between generations. There are multiple methods of understanding the folk art creative .The study focused on changes in lifestyles in Nubian community, the way of people life, the impact of environmental, social and economic values on the Nubian architecture and folk art, study of color in the external and internal spaces, study of Nubian art elements and the values of decorative geometrical and plant elements. Keywords: Built environment. Folk art, Nubian Character. Introduction The first major archaeological surveys and excavations within Nubia were conducted during the early years of the twentieth century. These were instigated by the construction of the Aswan Dam (AD. 1898-1902) and its subsequent expansions in AD. 1907-1 1 and AD. 1929-34. little archaeological work was done when the dam was initially constructed. However, the following two dam enlargements sparked two archaeological salvage campaigns, the First Archaeological Survey of Nubia and the Second Archaeological Survey. -
Journal of Egyptian Archaeology
Journal of Egyptian Archaeology Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Naville in JEA I (1914), pl. I cf. 5-8 Abydos. Osireion. vi.29 View. Naville in JEA I (1914), pl. ii [1] Abydos. Osireion. Sloping Passage. vi.30(17)-(18) Osiris and benu-bird from frieze. see Peet in JEA i (1914), 37-39 Abydos. Necropolis. v.61 Account of Cemetery D. see Peet in JEA i (1914), 39 Abydos. Necropolis. Ibis Cemetery. v.77 Description. see Loat in JEA i (1914), 40 and pl. iv Abydos. Necropolis. Ibis Cemetery. v.77 Description and view. Blackman in JEA i (1914), pl. v [1] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.254 View. Blackman in JEA i (1914), pl. v [2] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.255(16) Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 Group with calf from 2nd register. Petrie in JEA i (1914), pl. vi cf. 44 El-Riqqa. Finds. iv.87 Part of jewellery, temp. -
ITP+ Museum Interpretation Report
International Training Programme Museum interpretation ITP+ Course, 23 – 26 October 2018 Summary Philanthropic support for the International Training Programme (ITP) has enabled the British Museum (BM) to plan with added confidence, as we determine how to best provide for the programme's growing network of culture and heritage professionals. In October 2018, with the generous support of the Marie-Louise von Motesiczky Charitable Trust, the Ministry of Antiquities, Egypt and the Nubia Museum, the BM was able to deliver its third ITP+ course, on Museum interpretation. This report provides a narrative description of both the background research and analysis and the planning and delivery of a four-day workshop held at the Nubia Museum between 23 and 26 October 2018. Background The British Museum’s International Training Programme seeks to develop a sustainable global network of inspired museum and heritage professionals, through sharing knowledge, skills and experiences. Working with countries and institutions integral to the Museum’s international strategy and those particularly in need of support in building capacity, the summer programme aims to provide a platform for the exchange of ideas through the staff and collections of the BM and our programme partners. “Through the programme, friendships are formed, ideas exchanged and collaborations conceived. Preconceptions are dispelled and connections revealed.” Hartwig Fischer, Director, British Museum ITP alumni now total 276 fellows from 43 countries spanning the world and the Museum aims to develop and deliver a wide range of projects and programmes to ensure the Programme thrives in the years ahead. ITP+ courses are short workshops on selected themes that focus on specific parts of the current summer programme, responding to our alumni’s stated areas of interest and development needs and helping to address identified challenges at their home institutions. -
Liste Der Museen Und Sammlungen
Museen mit Dauerausstellungen zum Thema Ägypten/Orient Schweiz Antikenmuseum und Sammlung Ludwig Öffnungszeiten: Basel DI-SO jeweils 10:00-17:00 Uhr St.-Alban Graben 5 Eintritt: 10 CHF CH-4010 Basel Weitere Information: Ägyptische Objekte im unterirdischen Saal http://www.antikenmuseumbasel.ch/ ab sofort wieder ausgestellt Bibel & Orient Museum Fribourg Öffnungszeiten: September – Juni: DI-FR: 15:00-17:00 Uhr Universität Miséricorde SO: 14:00-17:00 Uhr Avenue de l’Europe 20 Eintritt: frei CH-1700 Fribourg Weitere Information: http://www.bible-orient-museum.ch/ Musée d’Art et d’Histoire Genève Öffnungszeiten: DI-SO jeweils 11:00-18:00 Uhr Rue Charles-Galland 2 Eintritt: Dauerausstellung gratis, Sonderausstellungen zwischen 5 und 20 CHF CH-1206 Genève Weitere Information: http://institutions.ville-geneve.ch/fr/mah/collections- publications/collections/domaines/archeologie/ Archäologische Sammlung der Universität Öffnungszeiten: Zürich DI-FR jeweils 13:00-18:00 Uhr SA-SO jeweils 11:00-17:00 Uhr Rämistrasse 73 Eintritt: frei CH-8006 Zürich Weitere Information: http://www.archaeologie.uzh.ch/de/sammlung/Originalsammlung.html 3 Deutschland Ägyptisches Museum und Papyrussammlung Öffnungszeiten: im Neuen Museum Berlin MO-SO jeweils 10:00-18:00 Uhr Eintritt: 12 Euro Museumsinsel, Bodestrasse D-10178 Berlin Weitere Information: http://www.smb.museum/museen-und-einrichtungen/aegyptisches-museum-und- papyrussammlung/home.html Roemer- und Pelizaeus-Museum Hildesheim Öffnungszeiten: DI-SO jeweils 10:00-18:00 Uhr Am Steine 1-2 Eintritt: 10 Euro D-31134 -
556 INDE X INDE X 1973 War 43 a Abdeen Palace 117 Abu Ghorab
© Lonely Planet Publications 556 Index (B-C) 557 bargaining 514 bus travel to/from Egypt 524-5 Cairo International Film Festival 510 INDEX Baring, Sir Evelyn 40 bus travel within Egypt 529, 532 Cairo Tower 142 Baris 336 business hours 503 Cairo Zoo 156-7 INDEX Index Bashendi 342 Cambyses 346 Bastet 52 C camel markets 1973 War 43 attractions 373-85 rock art 298 bathrooms 516 Cairo 107-84, 110-11 Birqash 212-13 beaches 384-5 rock carvings 341 Battle of the Pyramids 38 accommodation 157-62 Daraw 299 A Central Alexandria 378-9, art galleries Bawiti 349-53, 350 activities 153-5 camel rides Abdeen Palace 117 380-1 Cairo 153 beaches Agouza 142, 144-5 Dakhla Oases 341 Abu Ghorab 199 courses 385 Gezira Art Center 141 Alexandria 384-5 ahwas 169-70 Giza Plateau 147 Abu Giffa Pass 493 drinking 389-91 Hanager Arts Centre 141 Hurghada 424 attractions 116-53 Luxor 276 Abu Mina 395 Eastern Suburbs 381-4 Palace of Arts 141 Ismailia 413 bookshops 109-12 Sharm el-Sheikh 466 Abu Qir 394-5 entertainment 391-2 arts 69-76 Mediterranean Coast 403 Central Cairo 116-23, 118-19 camel safaris Abu Simbel 22, 323-6, 12 food 387-9 Aswan 83-4, 299-315, 302, 9 Moon Beach 459 children, travel with 156-7 Nuweiba 481-3 Abu Sir 196-9, 199 history 369-70 accommodation 309-12 Ras Mohammed National Park cinemas 171-3 Sinai 475 Abydos 233-4, 233 internet access 371 activities 308-9 461-2 Coptic Cairo 123-5 camping 500 accommodation 19, 158, 500-2, see itineraries 24, 28, 371 attractions 301-8 Bedouin people 65 cultural centres 112-13 Canyon, the 445, 475 also individual locations -
Mitteilungen Der Sudanarchäologischen Gesellschaft Zu Berlin Mitteilungen Der Sudanarchäologischen A
Der Antike Sudan 2014 Der • Antike Sudan Heft 25 Colour fig. 6: The eastern section of the southeastern square of trench 224.14 with pit [224.14-015] (photograph: Claudia Näser) Heft 25 • 2014 Colour fig. 7: The workplace of the pottery project in the dighouse (photograph: Stephanie Bruck) Mitteilungen der Sudanarchäologischen Gesellschaft zu Berlin e.V. Titelbild: Das Nordprofil des Schnittes 102.20 (Foto: Thomas Scheibner) Colour fig. 3: Plane 3 of the northeastern square of trench 2014.14 with Colour fig. 4: The packing of unfired clay [context 224.14- the mudbrick wall [224.14-004] and the lower layer with traces of cir- 003] drawing over the mudbrick wall [224.14-004] (photo- cumscribed burning [224.14-009] (photograph: Claudia Näser) graph: Claudia Näser) Colour fig. 1: Results of the geomagnetic survey in the monastery Colour fig. 5: Selected samples representing seven MGRgroups. Five samples made of wadi clay: AD095 and AD098 (local), AD076 Colour fig. 2: The Musawwarat mosaic 'flower’ bead from the upper foundation layer of wall 120/122 in trench 122.17 and AD105 (local or regional) and AD087 (import). Two samples made of alluvial clay: AD077 and AD081. Samples after refiring at (photograph: Jens Weschenfelder) 1200°C (macrophotos of cross-sections: M. Baranowski) Mitteilungen der Sudanarchäologischen Gesellschaft zu Berlin e.V. Heft 25 2014 2014 Inhaltsverzeichnis Editorial .............................................................................................................................................................