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Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
War on Terror Partnership and Growing/Mounting/Increasing
Journal of Indian Studies Vol. 5, No. 1, January – June, 2019, pp. 119 – 130 Pakistan in the Bollywood Movies: A Discourse Analysis Nauman Sial International Islamic University, Islamabad, Pakistan. Yasar Arafat International Islamic University, Islamabad, Pakistan. Abid Zafar International Islamic University, Islamabad, Pakistan. ABSTRACT Pakistan and India had been the rival nations after the partition of Sub-continent in 1947. Both countries have fought many wars against each other including the 1948 Kashmir war, 1965 war, 1971 war and the Kargil war in 1999. But yet the relations remain on the conflicting peak. Indian government has always used the Hindi language cinema i.e. Bollywood as their main weapon. This research is being carried out to analyze the image of Pakistan that is being presented in the Bollywood Movies after the attacks on the Indian city Mumbai on November 26, 2008. Also, how the image of Pakistanis, the military forces/intelligence agencies and the religious groups of Pakistan are being shown in the Bollywood movies. Three films have been selected in this research which portrayed the image of Pakistan. Discourse analysis has been used as a research design for this study. The dialogues of all the movies have been analysed and interpreted which show that movies have portrayed a negative image of Pakistan, its people and also its military/intelligence agencies and religious groups. The five filters of propaganda model by Herman and Chomsky have also been observed and proved in this research work. Key Words: Film, Propaganda, Bollywood, A Propaganda Model, Inter-Services Intelligence (ISI), Research and Analysis Wing (RAW) Introduction Film or movie is an art that has borrowed itself from the other arts i.e. -
2 Apar Gupta New Style Complete.P65
INDIAN LAWYERS IN POPULAR HINDI CINEMA 1 TAREEK PAR TAREEK: INDIAN LAWYERS IN POPULAR HINDI CINEMA APAR GUPTA* Few would quarrel with the influence and significance of popular culture on society. However culture is vaporous, hard to capture, harder to gauge. Besides pure democracy, the arts remain one of the most effective and accepted forms of societal indicia. A song, dance or a painting may provide tremendous information on the cultural mores and practices of a society. Hence, in an agrarian community, a song may be a mundane hymn recital, the celebration of a harvest or the mourning of lost lives in a drought. Similarly placed as songs and dance, popular movies serve functions beyond mere satisfaction. A movie can reaffirm old truths and crystallize new beliefs. Hence we do not find it awkward when a movie depicts a crooked politician accepting a bribe or a television anchor disdainfully chasing TRP’s. This happens because we already hold politicians in disrepute, and have recently witnessed sensationalistic news stories which belong in a Terry Prachet book rather than on prime time news. With its power and influence Hindi cinema has often dramatized courtrooms, judges and lawyers. This article argues that these dramatic representations define to some extent an Indian lawyer’s perception in society. To identify the characteristics and the cornerstones of the archetype this article examines popular Bollywood movies which have lawyers as its lead protagonists. The article also seeks solutions to the lowering public confidence in the legal profession keeping in mind the problem of free speech and censorship. -
Reconstructing the Indian Filmography
ASHISH RAJADHYAKSHA Reconstructing The Indian Filmography Sitara Devi and the Indian filmographer A n apocryphal story has V.A.K. Ranga Rao, the irascible collector of music and authority on South Indian cinema, offering an open challenge. It seems he saw Mother India on his television one night and was taken aback to see Sitara Devi’s name in the acting credits. The open challenge was to anyone who could spot Sitara Devi anywhere in the film. And, he asked, if she was not in the film, to answer two questions. First, what happened? Was something filmed with her and cut out? If so, when was this cut out? Almost more important: what to do with Sitara Devi’s filmography? Should Mother India feature in that or not? Such a problem would cut deep among what I want to call the classic years of the Indian filmographers. The Encyclopaedia of Indian Cinema decided to include Sitara Devi’s name in its credits, mainly because its own key source for Hindi credits before 1970 was Firoze Rangoonwala’s iconic Indian Filmography, Silent and Hindi Film: 1897-1969, published in 1970 and Har Mandir Singh ‘Hamraaz’s somewhat different, equally legendary Hindi Film Geet Kosh which came out with the first edition of its 1951-60 listings in 1980. The Singh Geet Kosh tradition would provide bulwark support both on JOURNAL OF THE MOVING IMAGE 13 its own but also through a series of other Geet Koshes by Harish Raghuvanshi on Gujarati, Murladhar Soni on Rajasthani and many others. Like Ranga Rao, Singh and the other Geet Kosh editors have had his own variations of the Sitara Devi problem: his focus was on songs, and he was coming across major discrepancies between film titles, their publicity material and record listings. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Filmography Dilip Kumar – the Substance and the Shadow
DILIP KUMAR: THE SUBSTANCE AND THE SHADOW Filmography Year Film Heroine Music Director 1944 Jwar Bhata Mridula Anil Biswas 1945 Pratima Swarnlata Arun Kumar 1946 Milan Meera Mishra Anil Biswas 1947 Jugnu Noor Jehan Feroz Nizami 1948 Anokha Pyar Nargis Anil Biswas 1948 Ghar Ki Izzat Mumtaz Shanti Gobindram 1948 Mela Nargis Naushad 1948 Nadiya Ke Par Kamini Kaushal C Ramchandra 1948 Shaheed Kamini Kaushal Ghulam Haider 1949 Andaz Nargis Naushad 1949 Shabnam Kamini Kaushal S D Burman 1950 Arzoo Kamini Kaushal Anil Biswas 1950 Babul Nargis Naushad 1950 Jogan Nargis Bulo C Rani 1951 Deedar Nargis Naushad 1951 Hulchul Nargis Mohd. Shafi and Sajjad Hussain 1951 Tarana Madhubala Anil Biswas 1952 Aan Nimmi and Nadira Naushad 1952 Daag Usha Kiran and Nimmi Shankar Jaikishan 1952 Sangdil Madhubala Sajjad Hussain 1953 Footpath Meena Kumari Khayyam 1953 Shikast Nalini Jaywant Shankar Jaikishan 1954 Amar Madhubala Naushad 1955 Azaad Meena Kumari C Ramchandra 1955 Insaniyat Bina Rai C Ramchandra 1955 Uran Khatola Nimmi Naushad 1955 Devdas Suchitra Sen, Vyjayanti S D Burman Mala 1957 Naya Daur Vyjayantimala O P Nayyar 1957 Musafir Usha Kiran, Suchitra Salil Chaudhury Sen 1 DILIP KUMAR: THE SUBSTANCE AND THE SHADOW 1958 Madhumati Vyjayantimala Salil Chaudhury 1958 Uahudi Meena Kumari Shankar Jaikishan 1959 Paigam Vyjayantimala, B Saroja C Ramchandra Devi 1960 Kohinoor Meena Kumari Naushad 1960 Mughal-e-Azam Madhubala Naushad 1960 Kala Bazaar (Guest Appearance) 1961 Gunga Jumna Vyjayantimala Naushad 1964 Leader Vyjayantimala Naushad 1966 Dil Diya Dara Liya -
Veer–Zaara Regie: Yash Chopra
Veer–Zaara Regie: Yash Chopra Land: Indien 2004. Produktion: Yash Raj Films (Mumbai). Regie: Yash Chopra. Buch: Aditya Chopra. Regie Actionszenen: Allan Amin. Kamera: Anil Mehta. Ton: Anuj Mathur. Musik: Madan Mohan. Neueinspielung: Sanjeev Kohli. Arrangements: R.S. Mani. Liedtexte: Javed Akhtar. Sänger: Lata Mangeshkar, Udit Narayan, Sonu Nigam, Roop Kumar Rathod, Gurdas Mann, Ahmed Hussain, Mohammed Hussain, Mohammed Vakil, Javed Hussain, Pritha Majumder. Ausstattung: Sharmishta Roy. Choreographie: Saroj Khan, Vaibhavi Merchant. Kostüme: Manish Malhotra. Beratung (Drehbuch & Ausstattung): Nasreen Rehman. Schnitt: Ritesh Soni. Produzenten: Yash Chopra, Aditya Chopra. Co-Produzenten: Pamela Chopra, Uday Chopra, Payal Chopra. Aufnahmeleitung: Sanjay Shivalkar, Padam Bhushan. Darsteller: Shahrukh Khan (Veer Pratap Singh), Rani Mukerji (Saamiya Siddiqui), Preity Zinta (Zaara), Kirron Kher, Divya Dutta, Boman Irani, Anupam Kher, Amitabh Bachchan, Hema Malini, Manoj Bajpai, Zohra Segal (Bebe), S.M. Zaheer (Justice Qureshi), Tom Alter (Dr. Yusuf), Gurdas Mann (als er selbst), Arun Bali (Abdul Mallik Shirazi, Razas Vater), Akhilendra Mishra (Gefängniswärter Majid Khan), Rushad Rana (Saahil), Vinod Negi (Ranjeet), Balwant Bansal (Qazi), Rajesh Jolly (Priester), Anup Kanwal Singh (Sänger), Kanwar Jagdish (Glatzkopf im Bus), Dev K. Kantawalla (Munir), Vicky Ahuja (Vernehmungsbeamtin), Ranjeev Verma (Vernehmungsbeamter), Jas Keerat (Junger Cricket-Spieler), Sanjay Singh Bhadli (Bauer), Kulbir Baderson (Töpferin), Shivaya Singh (Kamli), Huzeifa Gadiwalla -
Prabhat Prakashan (In English)
S.No ISBN Title Author MRP Lang. Pages Year Stock Binding 1 9789352664634 Kaka Ke Thahake Kaka Hathrasi 300.00 Hindi 128 2021 10 Hardcover 2 9789352664627 Kaka Ke Golgappe Kaka Hathrasi 450.00 Hindi 184 2021 10 Hardcover 3 9789386870803 Hindu Dharma Mein Vaigyanik Manyatayen K.V. Singh 400.00 Hindi 184 2021 10 Hardcover 4 9789390366842 Ahilyabai (& udaykiran) Vrindavan Lal Verma 700.00 Hindi 352 2021 10 Hardcover 5 9789352669394 Sudha Murty Ki Lokpriya Kahaniyan Sudha Murty 350.00 Hindi 176 2021 10 Hardcover 6 9788173150500 Amarbel Vrindavan Lal Verma 400.00 Hindi 200 2021 10 Hardcover 7 9788173150999 Shreshtha Hasya Vyangya Ekanki Kaka Hatharasi 450.00 Hindi 224 2021 10 Hardcover 8 9789389982664 Mera Desh Badal Raha Hai Dr. A.P.J. Abdul Kalam 500.00 Hindi 224 2021 10 Hardcover 9 9789389982329 Netaji Subhash Ki Rahasyamaya Kahani Kingshuk Nag 350.00 Hindi 176 2021 10 Hardcover 10 9789389982022 Utho! Jago! Aage Barho Sandip Kumar Salunkhe 400.00 Hindi 160 2021 10 Hardcover 11 9789389982718 Champaran Andolan 1917 Ashutosh Partheshwar 400.00 Hindi 184 2021 10 Hardcover 12 9789389982916 Ramayan Ki Kahani, Vigyan Ki Zubani Saroj Bala 400.00 Hindi 206 2021 10 Hardcover 13 9789389982688 Vidyarthiyon Mein Avishkarak Soch Lakshman Prasad 400.00 Hindi 192 2021 10 Hardcover 14 9789390101757 Zimmedari (Responsibility) P.K. Arya 500.00 Hindi 240 2021 10 Hardcover 15 9789389982305 Samaya Prabandhan (Time Management) P.K. Arya 500.00 Hindi 232 2021 10 Hardcover 16 9789389982312 Smaran Shakti (Memory Power) P.K. Arya 400.00 Hindi 216 2021 10 Hardcover 17 9789389982695 Jannayak Atalji (Sampoorn Jeevani) Kingshuk Nag 350.00 Hindi 168 2021 10 Hardcover 18 9789389982671 Positive Thinking Napoleon Hill ; Michael J. -
The Partition of India and Pakistan in the Novels of Selected Writers in South Asian Countries
International Journal of Linguistics, Literature and Culture (Linqua- IJLLC) August 2014 edition Vol.1 No.1 THE PARTITION OF INDIA AND PAKISTAN IN THE NOVELS OF SELECTED WRITERS IN SOUTH ASIAN COUNTRIES G.Sankar Assistant Professor Department of English Vel Tech Dr.RR& Dr.SR Technical University Chennai-600062 India Abstract The partition of India and the associated bloody riots inspired many creative minds in India and Pakistan to create literary/cinematic depictions of this event.[1] While some creations depicted the massacres during the refugee migration, others concentrated on the aftermath of the partition in terms of difficulties faced by the refugees in both side of the border. Even now, more than 60 years after the partition, works of fiction and films are made that relate to the events of partition.Literature describing the human cost of independence and partition comprises Khushwant Singh's Train to Pakistan (1956), several short stories such as Toba Tek Singh (1955) by Saadat Hassan Manto, Urdu poems such as Subh-e-Azadi (Freedom’s Dawn, 1947) by Faiz Ahmad Faiz, Bhisham Sahni's Tamas (1974), Manohar Malgonkar's A Bend in the Ganges (1965), and Bapsi Sidhwa's Ice-Candy Man (1988), among others.[2][3] Salman Rushdie's novel Midnight's Children (1980), which won the Booker Prize and the Booker of Bookers, weaved its narrative based on the children born with magical abilities on midnight of 14 August 1947.[3] Freedom at Midnight (1975) is a non-fiction work by Larry Collinsand Dominique Lapierre that chronicled the events surrounding the first Independence Day celebrations in 1947. -
Primo.Qxd (Page 1)
DAILY EXCELSIOR, JAMMU THURSDAY, NOVEMBER 13, 2014 (PAGE 15) 'Baghbaan' director Ravi Chopra passes away EDUCATION MISCELLANEOUS PLACEMENT MUMBAI, Nov 12: Breach Candy hospital here as he was not keeping well for some CALL CENTRE Veteran film and TV director Direct Joining (without interviews) time, passed away in the after- Salary 7000 to 25000 + Ravi Chopra, best known for his noon, family sources said. AMENDMENT NO. 2 TO TENDER NO. FRESH E-NIT NO. 149 OF 2014-15 DT 18-10-2014 Amitabh Bachchan starrer family Pick-n-drop free (Weekly Off) He is survived by his wife and Morning, afternoon, Please refer tender No. Fresh e-NIT No. 149 of 2014-15 Dt: 18-10-2014 issued vide No. drama 'Baghbaan' and TV series three children. evening & night shifts DGM/E/J/1316-21 Dt: 18-10-2014 titled “Design, manufacture & supply of L.T Panels at Indira 'Mahabharat', died today at the Ravi came from an illustrious Qual :- 10th, 12th, Grad & above Gandhi Dental Hospital, Jammu”. age of 68 following a lung ail- family of filmmakers like B R Reappear & Freshers can also apply Salary & Pick-n-drop during training also available Following amendments mentioned hereunder are notified in the tender document in the list of ment. Chopra (his father) and Yash Contact - 99060-97572 (ANIKA) approved makes at Page No. 12/28. Chopra, admitted to the Chopra (uncle). S.No. List of item For Read Though his journey in cinema STAFF REQUIRED in NIT PHOTO CAPTION was not that smooth as that of his HOME TUITION AVAILABLE HERE 1. -
S. No. Name of the Project Anganwadi Centre No. Name of The
ICDS Projects S. No. Name of the Anganwadi Name of the Name of the Address of the Anganwadi Project Centre No. Anganwadi Anganwadi Centre Worker Helper Babarpur 1 Neetu Lalita Gali Number - 49, D Block, Janta Mazdoor Colony 2 Pavitra Chetna D - 362, Janta Mazdoor Colony 3 Virendri Vimlesh D - 282, Janta Mazdoor Colony 4 Chandresh Pal Geeta Sharma L - 392, Janta Mazdoor Colony 5 Archana Raj Kumari A - 49, B - 383, Janta Mazdoor Colony 6 Bharti Pandey Meena B - 334, Janta Mazdoor Colony 7 Vijay Laxmi Deepali Jamshed Anwar - 49 / L - Jaidev 350, Janta Mazdoor Colony 8 Vijay Laxmi Devki Aklota L - 132, Gali Number - 27, Janta Mazdoor Colony 9 Rajni Anju Sharma K - 97, Janta Mazdoor Colony, Gali Number - 5 10 Manju Sharma Vimlesh Deva K - 336, Chaman Panwali, Sushil Gali Number - 4 11 Babita Sonia F - 555, Nazta, Mazdoor Colony 12 Manju Sharma Geeta Vikas F - 179, Janta Mazdoor Devender Colony 1 13 Bharti Vandarna I - 30, Janta Mazdoor Maheswari Colony 14 Akshma Sharma Sunita Om I - 58, Block Khazoor Wali Gali, Janta Mazdoor Colony 15 Sangeeta Poonam Goyal A - 338, Idgah Road, Janta Mazdoor Colony 16 Jayshree Poonam Pawan J - 160, Janta Mazdoor Colony 17 Anjana Kaushik Shradha E - 49, B - 60, Janta Mazdoor Colony 18 Pooja Kaushik Sarvesh E - 49, D - 265, Janta Mazdoor Colony 19 Neetu Singh Rita Sharma E - 49, E - 11, Janta Mazdoor Colony 20 Konika Sharma Sunita Anil E - 49 / 128, Janta Mazdoor Colony 21 Monika Sharma Prem Lata D - 96, Gali Number - 3, Janta Mazdoor Colony 22 Rajeshwari Poonam Manoj W - 586, Gali Number - 3 / 8, Sudama Puri -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full