Racism Panel Spurs University Awareness
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12-15-16 Austin City Council Meeting Items 46, 52 & 53
12-15-16 Austin City Council Meeting Items 46, 52 & 53 Item 46. Authorize negotiation and execution of a 36-month contract with REPUBLIC SERVICES, or one of the other qualified offerors to Request For Proposals SLW0514, to provide citywide refuse, recycling, organics and special waste collections for City facilities, in an amount not to exceed $7,725,000, with three 12-month extension options in an amount not to exceed $3,090,000 per extension option, for a total contract amount not to exceed $16,995,000. Steve Adler: All right Council, I call to order our regular session of the City Council. Today is Thursday, December 15th, 2016. We are in the City Council chambers here at City Hall, 301 West Second Street. The time now is 10:44. Council, we have some changes and corrections I'm going to read into the record. On Item Number 1 the minutes we’ll be approving will be those of the work session of December 6th and the others as listed. Items 4, 5, 49, 50 and 51, noting that there was not an Electric Utility Commission meeting on December 12th of 2016, so they were not reviewed by that commission. Items 15 and 18 on December 13th were approved by the Airport Advisory Committee on a vote of 9-0, with Commissioner Leggett absent and with one vacancy. Items 29, 30, 31 and 75 are Grove matters and all related to Item Number 100 and they'll all be called up at the same time. Items 35 and 37 are withdrawn. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Seaquest DSV 4600 UEO Seaquest DSV 4600 First Appearance to Be Or Not to Be Affiliation UEO Launched Seaquest DSV 4600 (2014)
seaQuest DSV 4600 UEO seaQuest DSV 4600 First appearance To Be or Not to Be Affiliation UEO seaQuest DSV 4600 (2014) Launched seaQuest DSV 4600-II (2021) General characteristics Class seaQuest Registry DSV 4600 Maximum speed 160 knots (300 km/h) Spector Class sub-fighters Fighters Sea Speeder 3 Classes Stinger Auxiliary craft Sea Launch Shuttles Sea Crab Torpedoes: E-Plasma Torpedoes Plasma Torpedoes Armaments EMP Torpedoes Lasers SLBMs Torpedo Intercepts Flash Warheads Defenses Countermeasures Anti-ballistic missile Propulsion Aqua Return Jets Twin Fusion Reactor using Tritium extracted from Power sea water Length 1,007 feet (307 m) The UEO seaQuest DSV 4600 and the UEO seaQuest DSV 4600-II are the two titular submarines featured in the science fiction television series "seaQuest DSV", which ran for three seasons on NBC from 1993-1996. The original seaQuest was featured in the show's first season, while the second boat was featured in the second and third seasons. Design specifications The seaQuest was the brain child of Captain Nathan Bridger, who designed the boat in the early 21st century, but Bridger left the Navy three years before construction on the ship was completed. Upon its completion,seaQuest was the largest submarine and deep submergence vehicle ever constructed, measuring 307.1 m from stem to stern with a crew of 88 military and 124 science personnel. The ship could travel at speeds up to 160 knots (295 km/h) and was propelled by twin fusion reactors. The seaQuest was coated in a genetically engineered bio-skin that remained completely inert against (most) marine bacteria and organisms with a crush depth of more than 9 km of water. -
Stephen J. Cannell, 1941-2010
STEPHEN J. CANNELL, 1941-2010 Stephen J(oseph) Cannell was born February 5, 1941 to Joseph Cannell, a Pasadena, California entrepreneur. Cannell struggled through his early school years, flunking three different grades of elementary, junior or senior high school, and regularly failing his English classes. Years later, when having one of his own children tested for dyslexia, he discovered that he had suffered from it his entire life. Never the less, he had a passionate love for writing, despite his difficulties with the written word, and set a goal for himself to become a best-selling author. After attending the University of Oregon on a football scholarship and meeting creative writing teachers that bolstered his confidence, Cannell married his high school sweetheart and went to work for his family’s business – driving a furniture truck all day. In the evenings, he set a rigorous writing schedule for himself – writing 5 hours a day, 7 days a week, on spec. He decided that his target market would be the burgeoning television scene, and after 6 years without a sale, he finally sold a script – to the series Ironside. After a few more sales, he caught the eye of the legendary writer/producer Jack Webb, who first hired him to be story editor and ultimately head writer for Adam-12. Cannell was contracted to Universal Television, writing and producing shows for that studio during the early-to-mid 1970s. While there, he produced Chase and wrote for and produced Toma, about real-life New York City detective David Toma. While producing Toma, Cannell and his mentor Roy Huggins (creator of Maverick, and many other tv series) wrote an episode that ended up getting rewritten to serve as a pilot for a series about an unorthodox Southern California P.I. -
Trinkets and Trips
Project1:Layout 1 6/10/2014 1:13 PM Page 1 NHL: Lightning beat Red Wings, close in on division lead /B1 MONDAY TODAY CITRUSCOUNTY & next morning HIGH 92 Mostly sunny; LOW breezy. Cooler near the coast. 69 PAGE A4 www.chronicleonline.com MAY 3, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 207 NEWS BRIEFS Board OKs mobile panic alarm Citrus County COVID-19 requirements of Alyssa’s Law, Safety system will be utilized on public school campuses which came into effect for Florida cases on rise in July 2020. According to the BUSTER THOMPSON gave them a demonstration of the Raptor already acts as the Named after Alyssa Alhadeff, Florida Department of Staff writer CrisisAlert device during a work- school district’s visitor check-in who was killed in the Feb. 14, shop Tuesday, April 27, school system, and helps with emergency 2018, shooting massacre at Mar- Health, 16 positive Citrus County School District board members supported having drill management and the reunifi- jory Stoneman Douglas High cases were reported leaders are close to installing a it supplement the district’s cur- cation of students with parents School in Parkland, the law re- in Citrus County since mandated panic alarm system on rent emergency management sys- following an emergency. quires every public and charter the latest update. their campuses to help staff and tem from Raptor Technologies. Dave Vincent, the school dis- school to implement a mobile No new deaths were authorities better locate and re- Board members and district of- trict’s police chief and school panic alarm system to better coor- reported, for a total of spond to emergencies — big and ficials plan to mull over the price safety specialist, told board mem- dinate emergency responses. -
Seaquest on the Planet of the Apes
SSSSSSEEEEEEAAAAAAQQQQQQUUUUUUEEEEEESSSSSSTTTTTT OOOOOONNNNNN TTTTTTHHHHHHEEEEEE PPPPPPLLLLLLAAAAAANNNNNNEEEEEETTTTTT OOOOOOFFFFFF TTTTTTHHHHHHEEEEEE AAAAAAPPPPPPEEEEEESSSSSS PPPPPPEEEEEETTTTTTEEEEEERRRRRR KKKKKKAAAAAARRRRRRSSSSSSTTTTTTEEEEEENNNNNN SSSSSSEEEEEEAAAAAAQQQQQQUUUUUUEEEEEESSSSSSTTTTTT OOOOOONNNNNN TTTTTTHHHHHHEEEEEE PPPPPPLLLLLLAAAAAANNNNNNEEEEEETTTTTT OOOOOOFFFFFF TTTTTTHHHHHHEEEEEE AAAAAAPPPPPPEEEEEESSSSSS 222222000000000000999999 The text within this book is copyrighted by the author, with the exception of the wording from ‘The Planet of the Apes’, ‘seaQuest DSV’ and the names of characters used from the two TV-Series of the same name. Including the ‘Planet of the Apes’ films, copyrighted by 20 t h Century Fox, and ‘seaQuest DSV’ TV-Series, copyrighted by Universal. No part of this book may be reproduced by any process and/or by any means or method without written permission from the author. This book may not be sold, traded or auctioned. The author does give permission to reproduce this book for personal/private use: as part of a review and/or as reading material. seaQuest Character Biographies, UEO and seaQuest logos: Retrieved from seaQuest DSV Vault. www.angelfire.com/tv2/seaQuestDSV2032 seaQuest History & Design Specs: Retrieved from www.wikipedia.org Picture of seaQuest DSV ship: Retrieved from www.minimodelmadness.com Picture of seaQuest Crew: Retrieved from www.tv.com Pictures of Virdon, Burke, Galen, Zaius & Urko: Retrieved from www.potatv.kassidyrae.co Drawing of the Orang-utan (Lawgiver) from production art of Planet of the Apes. Reference material of the Mariana Trench: Retrieved from www.wikipedia.org Reference material of Sliders the TV Series: Retrieved from www.imdb.com Excerpt from ‘The Holiness of Sleep’ by Rudolf Steiner from “Verses and Meditations” 1993. ‘Elegy’ by Quasimodo from “Selected Poems” 1965 “The Sons of Horus” by P.S. Karbowski. Selected transcript of the play by permission from a private collection. -
To Explain Link's
-- THETu DAILYVolume XXXVI, Number 6 [Where You Read It First Tuesday, Januarys 27,1998 Men’s group Se to explain Link’s new set to tackle rates in response to students by ANDREW FREEDMAN Schnirman summarizedthe feelings of non-violence Daily Editorial Board many senators when he said, “I don’t GyDAMDPUJVIOSE After voting 26- 1 last week to ap- know; I am just confused.” Daily Editorial Board prove the new CampusLink rate Freshman senator Neil Farbman, Asthe YearofNon-Violence commences, onegroup changes, at this Sunday’s meeting the who was the only senator to vote of TuAs students is working together to increase the Tufts Community Union Senate heard against the new rate structure, echoed peace. complaints about the changes from Schnirman’ssentiments. “Everyone is The recently-formedTufb Men Against Violence students and vowed to take action to basically confused about this.” held a general interest meeting yesterday to recruit clear up students’ confusion about “If you did not completely under- members and promote their cause, the issue. stand it, how could you possibly have Accordmg to groupmember Hal Ersner-Hershfield, The senate passed a motion to con- voted on it?” Harris asked. Tufts Men Against Violence desires to tell the commu- struct a detailed CampusLink certified “I understood it last week when I nity that there are many men outside their group who chart explaining the new rates. The had the task force report right in front actively advocate non-vioIence. senate also will hold information ses- of me. I will admit it is a complicated Tufts Men Against Violence was founded by sions both uphill and downhill in the policy,” Senator David Rosenberg Armand Mickune-Santos, the Director ofAlcohol and near future to clear up any questions said. -
Managing the Content of Malaysian Television Drama
Managing the Content of Malaysian Television Drama: Producers, Gatekeepers and the Barisan Nasional Government A dissertation presented to the faculty of the College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Tee-Tuan Foo August 2004 © 2004 Tee-Tuan Foo All Rights Reserved This dissertation entitled MANAGING THE CONTENT OF MALAYSIAN TELEVISION DRAMA: PRODUCERS, GATEKEEPERS AND THE BARISAN NASIONAL GOVERNMENT BY TEE-TUAN FOO has been approved for the School of Telecommunications and the College of Communications by Drew McDaniel Professor of School of Telecommunications Kathy Krendl Dean, College of Communication FOO, TEE-TUAN. Ph.D. August 2004. Telecommunications Managing the Content of Malaysian Television Drama: Producers, Gatekeepers and the Barisan Nasional Government (303 pp.) Director of Dissertation: Drew McDaniel Abstract: The purpose of this dissertation is to describe and analyze how drama television content is managed in Malaysia. By looking at the production process of local drama television programming, this study examines the interactions among the three major players – the Barisan Nasional regime, the major television networks and independent producers – who are responsible for shaping its content. Three research methods are used for this study: in-depth interviewing, the informal conversational interview and documentary research. Between June 2001 and November 2002, 32 interviewees participated in this research. The research finds that the Malaysian drama television producer’s ability to generate program content is constrained by the Barisan Nasional regime. Three observations are made to outline the power relationship between the government and the television industry. First, the government often encourages television producers to make drama programs with the theme of friendship and goodwill (muhibah) among different ethnic communities in order to nurture racial harmony. -
3Rd QUARTER 2018 EFFECTIVE 8/3/18
EFFECTIVE 8/3/18 3rd QUARTER 2018 MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Adventures of Superman 6:00a Maverick Tarzan 6:30a Adventures of Superman 6:30a 7:00a Wanted: Dead or Alive Batman 7:00a Tarzan 7:30a Wanted: Dead or Alive Batman 7:30a 8:00a Have Gun, Will Travel 8:00a Tarzan Daniel Boone 8:30a Have Gun, Will Travel 8:30a 9:00a Travel Thru History (E/I) 9:00a Rawhide Tarzan 9:30a The Coolest Places on Earth (E/I) 9:30a 10:00a Zoo Clues (E/I) 10:00a The High Chaparral The Greatest American Hero 10:30a Walking Wild (E/I) 10:30a 11:00a Real Stories of the Highway Patrol Safari (E/I) 11:00a The Greatest American Hero 11:30a Real Stories of the Highway Patrol Safari (E/I) 11:30a 12:00p Swamp Thing 12:00p The Incredible Hulk 12:30p Swamp Thing 12:30p 1:00p 1:00p Sheena The Incredible Hulk 1:30p 1:30p 2:00p 2:00p Xena: Warrior Princess The Greatest American Hero 2:30p 2:30p 3:00p 3:00p Xena: Warrior Princess Relic Hunter 3:30p 3:30p 4:00p 4:00p Hercules: The Legendary Journeys Relic Hunter 4:30p 4:30p 5:00p 5:00p Hercules: The Legendary Journeys BeastMaster 5:30p 5:30p 6:00p 6:00p Renegade BeastMaster 6:30p 6:30p 7:00p 7:00p Black Sheep Squadron Black Sheep Squadron 7:30p 7:30p 8:00p 8:00p Star Trek: Original Black Sheep Squadron Star Trek: Original 8:30p 8:30p 9:00p 9:00p Star Trek: The Next Generation Hunter Star Trek: The Next Generation 9:30p 9:30p 10:00p 10:00p Star Trek: Deep Space Nine Hunter Star Trek: Deep Space Nine 10:30p 10:30p 11:00p 11:00p Star Trek: Voyager Wiseguy Star Trek: Voyager 11:30p 11:30p 12:00a 12:00a Star Trek: Enterprise Wiseguy Star Trek: Enterprise 12:30a 12:30a 1:00a 1:00a Xena: Warrior Princess The Commish The Incredible Hulk 1:30a 1:30a 2:00a 2:00a Xena: Warrior Princess The Commish The Incredible Hulk 2:30a 2:30a 3:00a Swamp Thing 3:00a Hercules: The Legendary Journeys 21 Jump Street 3:30a Swamp Thing 3:30a 4:00a 4:00a Hercules: The Legendary Journeys 21 Jump Street Tarzan 4:30a 4:30a 5:00a The Cisco Kid 5:00a Cheyenne Tarzan 5:30a Trackdown 5:30a ALL TIMES EASTERN/PACIFIC • SUBJECT TO CHANGE COLOR INDICATES CHANGE TO SCHEDULE . -
Distance Dating
TUESDAY, MAY 19, 2020 Sailing Heals sees new way to serve in Salem By David McLellan Gallagher Glesinger after both of their ITEM STAFF parents battled cancer. Since that time, the organization has hosted thousands of SALEM — Sailing Heals has always healthcare workers and cancer patients focused on saying, “Thanks,” to health- Ericka Ayube, man- care workers. Normally, that means on free sailing trips from more than 20 ager at Salem Gnu taking them out for a therapeutic day ports across the U.S. But with “social dis- Kitchen, made and on the water, but now it means getting tancing” preventing Sailing Heals from donated 60 meals them well-deserved meals during the carrying out its usual duties, the group and desserts to the COVID-19 pandemic. has shifted its mission to providing free Lynn Community The Salem-based nonpro t, Sailing meals to healthcare workers. Health Center. Heals, was launched in 2011 by sisters Trisha Gallagher Boisvert and Michele MEALS, A5 ITEM PHOTO | OLIVIA FALCIGNO Plan to reopen state met with optimism By Thor Jourgensen ITEM STAFF Distance Gov. Charlie Baker’s plan to free Mas- sachusetts’ economy from coronavirus restrictions won cautious approval on Monday from area builders, manufac- turers and business group representa- tives. dating Baker gave builders, and manufactur- ers the green light to open Monday and ITEM PHOTO | OLIVIA FALCIGNO outlined how worship places can reopen and hospitals can expand their services to a pre-coronavirus tempo. Romance is another victim of the coronavirus He warned the state will monitor this rst of four reopening steps and re- By Bill Brotherton also a father of three, in January on got a babysitter, and they met in per- evaluate the economy’s restart against ITEM FEATURES EDITOR the Plenty of Fish free online dating son for the rst time at Bertucci’s in coronavirus caseload, testing and death app. -
Danny Virtue Producer/Director/2Nd Unit Director /Stunt Coordinator / Stunt Performer
Danny Virtue Producer/Director/2nd Unit Director /Stunt Coordinator / Stunt Performer Office: 604-299-7050 Office: 604-826-7636 Cel: 604-250-1167 Website: www.stuntscanada.com Website: www.virtuestudioranch.com Email: [email protected] DGA/DGC/SAG/UBCP/ACTRA/TEAMSTERS #155/IATSE #891/ACFC Member Height: 6’1 Weight: 210 Hair: Silver Eyes: Blue Waist: 38 Inseam: 34 Sleeve: 34 Shoe: 12 Hat: 7 3/8 Neck: 16 Jacket: XL **MPPIA BC CREATES COMMUNITY AWARD - 2016 **OUTSTANDING ACHIEVEMENT AWARD – LEO AWARDS - 2015 *LEO AWARDS WINNER – BEST STUNT COORDINATION IN A FEATURE FILM – “GUNLESS” – 2010 **PETER USTINOV HUMANITARIAN AWARD – BANFF FILM FESTIVAL *GEMINI AWARD NOMINEE – BEST DRAMATIC SERIES – “NEON RIDER” – 1995 *GEMINI AWARD NOMINEE – BEST DRAMATIC SERIES – “NEON RIDER” - 1993 PRODUCING & DIRECTING SHOW ROLE MEDIA/PRODUCTION COMPANY Goodnight for Justice 2 & 3 Producer Feature Films – Hallmark Entertainment E-Quest Executive Producer Pilot Whistler – Season II Executive Producer TV Series – 13 episodes – CTV Whistler – Season I Executive Producer TV Series – 13 episodes – CTV Grizzly Director Promo- Blair Murdoch Productions Dead Man’s Gun Director TV Series Neon Rider – Seasons I, II, III, IV Executive Producer, Producer, Co-Creator, TV Series – 65 Episodes – AVR Director Productions- CTV/GLOBAL Dude Executive Producer, Co-Creator Pilot – AVR Productions The Gibbet Executive Producer Short Film – Virtue Productions Ariana’s Quest Co-Producer, Co-Director Feature Film – Forgotten Kingdom Productions The Girls From Mars Associate Producer