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©2019 Disney Enterprises, Inc. All Rights Reserved. DISNEY Tony
©2019 Disney Enterprises, Inc. All Rights Reserved. DISNEY Tony . F. MURRAY ABRAHAM presents Joe . .ARTURO CASTRO Doctor . KEN JEONG Foreman . .CURTIS LYONS Jock’s Owner . KATE KNEELAND Trusty’s Owner . DARRYL HANDY Lady . ROSE Tramp . MONTE Train Worker . ROBERT WALKER-BRANCHAUD A Dock Worker . ROGER PAYANO TAYLOR MADE Park Bench Lady . DENITRA ISLER Production Park Bench Gentleman . .CHARLES ORR Shopkeeper . .ALLEN EARLS Directed by . CHARLIE BEAN Poodle Owner . .KELLEY BROOKS Screenplay by . .ANDREW BUJALSKI Truck Driver . CAL JOHNSON and KARI GRANLUND Riverboat Jazz Musicians . TEDDY ADAMS Produced by . BRIGHAM TAYLOR, p.g.a. MELVIN JONES Executive Producer . .DIANE L. SABATINI CORDELL HALL Director of Photography . ENRIQUE CHEDIAK, ASC DAVID HAYES Production Designer . JOHN MYHRE STEFAN KLEIN Film Editor . MELISSA BRETHERTON TANNER HAMILTON Costume Designers . .COLLEEN ATWOOD BILLY HOFFMAN TIMOTHY A. WONZIK Jim’s Buddy #1 . .JASON BURKEY Visual Eff ects Supervisor . ROBERT WEAVER Jim’s Buddy #2 . .SWIFT RICE Visual Eff ects Producer . CHRISTOPHER RAIMO Shower Guest . .MICHAELA CRONAN Original Score Composed by . JOSEPH TRAPANESE Pet Shop Owner . .PARVESH CHEENA Casting by . .RICHARD HICKS Pet Shop Customer . INGA EISS Peg & Bull’s Owner . .MATT MERCURIO Unit Production Manager . DIANE L. SABATINI Ticket Attendant . MICHAEL TOUREK First Assistant Director . JODY SPILKOMAN Tony’s Patron . JENNIFER CHRISTA PALMER First Assistant Director . .ALEX GAYNER Tramp’s Owner #1 . MICHAEL SHENEFELT Second Assistant Director . .STEPHANIE TULL Tramp’s Owner #2 . .ALEXA STAUDT Riverboat Lady . .VIRGINIA KIRBY Drummer Boy . BRAELYN RANKINS Nighttime Train Worker #1 . ALAN BOELL Nighttime Train Worker #2 . DAVID JACKSON Harmonica Man . .PATRICK “LIPS” WILLIAMS Gentleman On Street . .KALVIN KOSKELA Brakeman . TERRY KOLLER VOICE CAST Riverboat Captain . -
FOX SEARCHLIGHT PICTURES and PATHÉ Present in Association with EVEREST ENTERTAINMENT a CLOUD EIGHT / DECIBEL FILMS / DARLOW SMITHSON Production a DANNY BOYLE Film
FOX SEARCHLIGHT PICTURES And PATHÉ Present In Association With EVEREST ENTERTAINMENT A CLOUD EIGHT / DECIBEL FILMS / DARLOW SMITHSON Production A DANNY BOYLE Film JAMES FRANCO AMBER TAMBLYN KATE MARA CLÉMENCE POÉSY KATE BURTON LIZZY CAPLAN DIRECTED BY.............................................................. DANNY BOYLE SCREENPLAY BY........................................................ DANNY BOYLE & ........................................................................................ SIMON BEAUFOY BASED ON THE BOOK “BETWEEN A ROCK AND A HARD PLACE” BY.... ARON RALSTON PRODUCED BY ............................................................ CHRISTIAN COLSON ........................................................................................ DANNY BOYLE ........................................................................................ JOHN SMITHSON EXECUTIVE PRODUCERS ......................................... BERNARD BELLEW ........................................................................................ JOHN J. KELLY ........................................................................................ FRANÇOIS IVERNEL ........................................................................................ CAMERON MCCRACKEN ........................................................................................ LISA MARIA FALCONE ........................................................................................ TESSA ROSS DIRECTORS OF PHOTOGRAPHY ............................. ANTHONY DOD MANTLE, B.S.C., -
The Post- 9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre Alan Edward Green, Jr
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 the post- 9/11 aesthetic: repositioning the zombie film in the horror genre Alan Edward Green, Jr. University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Film and Media Studies Commons Scholar Commons Citation Green, Jr., Alan Edward, "the post- 9/11 aesthetic: repositioning the zombie film in the horror genre" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4798 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Post-9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre by Alan Edward Green, Jr. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Victor Peppard, Ph.D. Elizabeth Metzger, Ph.D. Amy Rust, Ph.D. Date of Approval: May 1, 2013 Keywords: Film Studies, Post-9/11 Cinema, Zombie Films, Non-Zombie Cinema Copyright © 2013, Alan Edward Green, Jr. Dedication I dedicate this scholarly enterprise to my daughter, Tousey Green; I love you always and forever. To my parents, Tom and Judy Trowbridge, all my love; your belief in me was immeasurable in seeing me through completion of this project. -
Runners' Code: Never Stop Running
RUNNERS’ CODE: NEVER STOP RUNNING ALWAYS BE ALERT BRING BACK HOPE Thomas wakes up in a lift, moving slowly upward. As the box grinds to a halt and the doors open, he s finds himself among a colony of boys who welcome him to the Glade – a large open expanse surrounded by enormous concrete walls. Thomas’ mind is blank. He has no knowledge of where he is, doesn’t know where he came from, and he can’t remember his parents, his past, or even his own name. Thomas and his fellow “Gladers” don’t know how or why they got to the Glade. They only know that each morning, giant concrete doors that lead to the Maze open. Every night at sunset they close. And every thirty days, a new boy arrives in the lift. The predictable behavior of the Maze made Thomas’ arrival expected. What’s not expected is having the box appear again, less than a week later, carrying Teresa, the first girl to arrive in the Glade. Thomas learns that each resident of the Glade has a role to play, from gardening to construction to being one of the elite runners who map the walls of the Maze that keep them captive and change configurations every night. Maze Runners race the clock to cover as much ground as possible before the end of the day when the Maze locks down and the deadly biomechanical Grievers roam the corridors of the concrete structure. Even as a newcomer or “greenie,” Thomas feels an unsettling familiarity about the Glade and the Maze.