NEVER CAN SAY GOODBYE: WRITERS ON THEIR UNSHAKABLE LOVE FOR NEW YORK PDF, EPUB, EBOOK

Sari Botton | 232 pages | 14 Oct 2014 | Touchstone Books | 9781476784403 | English | United States Michael Jackson: Never Can Say Good-Bye | Literature, the Humanities, & the World Many follow the formula laid out in Didion's influential essay. A young person moves to New York and is overwhelmed but also enamored by the city. They encounter personal and professional challenges, and consider moving elsewhere. Sometimes they do. But whether they stay or go, living in New York has allowed them to discover something about themselves. Yet his list of things that he loves about the city reveals little about New York or how he really feels about living there: he likes looking at the Chrysler Building and Rockefeller Center, and enjoys seeing Meryl Streep performing Mother Courage in Central Park. Hendryx, who often was dubbed a disco rebel, challenged a number of her peers to push beyond the usual Love To Love You Baby line by writing verses that addressed feminism and equality head on. Things are getting far too conservative. Those radio, television, record companies and tastemakers no longer had the control because it was happening without them—whether they liked it or not. One boogie enthusiast who is getting known for raising the roof is Andrew Butler, 29, founder and producer of the Brooklyn-based music collective known as Hercules and Love Affair. It freezes you into a youthful time where everything is glamorous. Beyond singers, songwriters and producers, disco is also doing some moving and shaking in the world of fashion and film. The famous fashion house Halston—named after its founder and head designer Roy Halston Frowick who died of AIDS complications in —was relaunched in February with the financial assistance of Hollywood czar Harvey Weinstein. His influence can be heard in so much pop music today. After scouring the earth for the most devoted discophiles, Lejeune put up his own money and self-published the page work this past February. To his surprise, a large number of bulk orders from the U. Browse Issues Search Subscribe Now. Click to View Article Pages. They acted like the bar was the bedroom and felt the need to expose their private moments and secrets. More From This Issue. More Like This. This book deserved those, to celebrate this city's diversity, struggles and triumphs, but instead gave us self assured proclamations like championing swiping a metrocard without breaking stride established unshakable membership here. Yawn, next. This book is similar in several respects to its predecessor, " Goodbye to All That: Writers on Loving and Leaving New York ", save for the fact that in the former book, the reader is treated to the perspectives in essay form of BOTH men and women writers, actors, and artists who have made New York City their home. Readers who have either - like me - spent time in New York over the years, be it as visitors or residents, OR have come to love the city from afar without having experienced it This book is similar in several respects to its predecessor, " Goodbye to All That: Writers on Loving and Leaving New York ", save for the fact that in the former book, the reader is treated to the perspectives in essay form of BOTH men and women writers, actors, and artists who have made New York City their home. Readers who have either - like me - spent time in New York over the years, be it as visitors or residents, OR have come to love the city from afar without having experienced it first-hand, will enjoy this book. View 1 comment. Dec 12, Rebecca rated it liked it Shelves: memoirs , skimmed , read-via-netgalley , essays , writers-and-writing. A motley selection of writers reflects on what New York City has meant to them and why, even if they happen to move away, it often remains an influence on their life and work. New Yorkers are all collectors, Jason Diamond observes, often of things we dont necessarily want or really need. Many collect favorite galleries or restaurants; another contributor, Colin Harrison, collects city maps from all eras; but Diamond argues that what most people amass is simply things to kvetch about. All the A motley selection of writers reflects on what New York City has meant to them and why, even if they happen to move away, it often remains an influence on their life and work. She picked up so many snatches of languages and traditions that when she first went to Europe, it all felt familiar. The reverse situation is also true: people around the world know New York through movies set there, and to some extent, these writers admit, the cinema image is true. Alexander Chee echoes Dr. Having bought into the New York dream, some end up surprised by failure. It was certainly an enjoyable one to skim. May 14, M. I don't condone stalking. It's a shitty thing to do. However, I also don't condone punishing innocent people for the actions of one guilty person. JFC, come on, really? I know people are doing that to the novels Hale wrote, but to attack an anthology on the I don't condone stalking. I know people are doing that to the novels Hale wrote, but to attack an anthology on the sole basis of the behavior of one of its contributors is a pretty dick thing to do, so I am giving this book 5 stars even though I have not read it, because hey, if others can dump 1-star reviews on this book for a shitty reason, I'll give 5 stars for a kind reason. My sympathies to everybody who were negatively impacted by Hale's actions. Feb 22, eb rated it really liked it. Rosanne Cash is a fantastic writer! Maybe everyone already knew this and I'm the last one to figure it out. Oct 06, Lisa rated it liked it. Heres the thing about New York: It touches you. Its really that simple and basic. Whether its touch compels you to spend a lifetime in its grip or the touch results in a momentary- lapse-of-logic-temporary sojourn, it doesnt matter. Once you have set foot on its gum-sticky concrete, you have been affected. While there are a few prevailing similarities in some of these essays think: Woody Allen movies, the ever-changing dining establishments , for the most part each writer contributes their own voice and New York experience to this anthology. These 25 essays read equally as love letters and break up letters, writers in love with the New York embedded in their memories, the New York that shaped them from childhood, the New York that offered itself up for school field trips, the New York that held promises of THE only college experience that mattered, the New York where working and living and essentially being an adult was the holy grail and the New York that could not hold them forever. But much like any relationship, the one we have with New York is gripping and lifelong. You can leave for a weekend, a year, the rest of your life, but once you have been there it stays with you forever. Disclaimer: I received an advanced copy of this book for review. The opinions stated within this review were my own and were provided without compensation. View all 3 comments. Oct 29, Annette Chidzey rated it really liked it. This book was a revelation for me as it enabled me to discover why so many writers found themselves inextricably linked to the vibrant but demanding city of New York. I am not sure if my engagement was also because I could so readily visualise the East Village, Soho, the West Village, the Upper West and other specific locations that I had just visited while based in this city for a week or so. The writing was compelling and captivating to me and reminded me why so many find it difficult to get This book was a revelation for me as it enabled me to discover why so many writers found themselves inextricably linked to the vibrant but demanding city of New York. The writing was compelling and captivating to me and reminded me why so many find it difficult to get this city out of their system no matter how challenging it is to live with its many demands and vagaries. How influential it is to be in the very place where the writing is based! Oct 26, Jenn Estepp rated it liked it Shelves: memoirish , kindling , essays-short-pieces-and-slants. Hit or miss, as most collections tend to be. Overall, as someone who lives in New York, constantly thinks about leaving and hasn't managed it yet, there was a lot that I could relate to. Hale's presence, I understand where you're coming from, but she's one of almost thirty contributors and it's kind of shitty to everyone Hit or miss, as most collections tend to be. Hale's presence, I understand where you're coming from, but she's one of almost thirty contributors and it's kind of shitty to everyone else involved. Jan 02, Allan rated it it was amazing. This book is more diverse in its writers both male and female , and again has the common theme of the writers' experiences of the city, either at specific points or during the whole time they have lived there. Naturally right up my street! Aug 03, Katie rated it it was amazing. Apr 01, Richa rated it did not like it. I bought this book when after 2 years of living in the city, I was feeling the city growing on me. But the book is a disappointment, to say the least. Completing this book was an almost year long drag. I did like the probably the only thing I liked in this book one-liners interspersed here and there about life in New York City. There was clarity inside when there was I bought this book when after 2 years of living in the city, I was feeling the city growing on me. There was clarity inside when there was chaos outside 2. NYC is the one puddle where I would happily drown 3. We always thought she was kind of strange, but it turns out she's just a New Yorker. I know one of the secrets the rest of the country hasn't figured out yet: It's not the New yorkers who are rude, it's the tourists who've seen a movie about rude New Yorkers and think they have to act the same way when they come to New York who are rude. There are those who come to New York to try it on, to burn fast and furious in the workplace, deplete their need for the city and the city's need for them, and move on. And then there are those who to paraphrase the poet Rumi have New York in them all along. It's like there's cocaine in the air 7. To paraphrase Winston Churchill's famous observation about democracy: New York City is the worst place in the world to live, except for all others 8. I am starting to love the willful ignorance of New Yorkers, the ability to look at the epic and beautiful and quickly put it into context. Become towers. Jan 03, Izzy Senechal rated it liked it. The essays that resonated the most with me were the ones involving ambitious, starry-eyed city transplants who grew up romanticizing the Big Apple from afar as a glamorous, cosmopolitan oasis where anything could happen, only to realize that New York can be hard, overwhelming andyessometimes unbelievably boring. At the same time, however, the hardships and disappointments some of these writers experienced primed them to look for beauty in unexpected places, to start appreciating the city for The essays that resonated the most with me were the ones involving ambitious, starry-eyed city transplants who grew up romanticizing the Big Apple from afar as a glamorous, cosmopolitan oasis where anything could happen, only to realize that New York can be hard, overwhelming and—yes—sometimes unbelievably boring. As someone who has only lived in NYC for a few months, I identified a lot with these writers and found their honesty and their wisdom refreshing. I also enjoyed the essays that invited readers into unique scenes and different locales around the city, places that seem only accessible to those in- the-know. However, other essays were a little lackluster and too generic for my taste. You can definitely tell which authors took their time crafting great essays about their love for New York and which ones tried to whip something up quickly. Oct 28, Stephanie Ellis rated it it was amazing. This is a great read - a variety of excellent writers on one of the most interesting places on earth. I found myself flipping around to different essays depending on my mood. There is a great emotional range in the various essays. I highly recommend this book for any NYC lover! Jul 06, Jennifer rated it really liked it Shelves: adult-books. A solid read for NYC lifers and transplants alike. The good, the bad and the ugly, it's all here and I love it anyway. Dec 25, Therese rated it liked it Shelves: non-fiction. I read the majority of these stories just before heading out to church on Christmas Day. Oddly enough, these stories put me in an even more holiday mood. One, because I grew up on Long Island and spent many months after college hitting the pavement going on one job interview after another that badly run employment agencies sent me on. Two, because looking back, I was proud of knowing the East side from the West side anything below 20th street baffled me and i got freaked out when Fifth Avenue I read the majority of these stories just before heading out to church on Christmas Day. Two, because looking back, I was proud of knowing the East side from the West side anything below 20th street baffled me and i got freaked out when Fifth Avenue changed names, but i digress and which subway lines to take for that next potential job offer, made me proud. As difficult as it was interviewing in the endless heat from each block, I also felt accomplished, doing what most had to do when starting their career. I realized there was so much to see, smell and learn, that no job interview prep could teach you. I had two jobs in Manhattan in my career to date. But I will never regret taking a chance to getting a job in New York. I felt the energy and love of the city that can give you the world and crush it faster than you can blink, like many of these writers. Jul 15, Victoria rated it liked it Shelves: reviews. Like any collection of short stories: there are good, and there are bad some in this book fall under very, very bad. The stories I loved were filled with all of the things about New York that I already know, learned from novels and music and TV shows. Stories of Standards: “Never Can Say Goodbye” - KUVO

Sign up and get a free eBook! Table of Contents Rave and Reviews. About The Book. Product Details. Raves and Reviews. A collective valentine to the city. Resources and Downloads. Get a FREE e-book by joining our mailing list today! You may also like: Thriller and Mystery Staff Picks. Thank you for signing up, fellow book lover! See More Categories. Your First Name. Zip Code. Thank you! Add to Wish List. Fort Greene. Prospect L Gardens. These essays made me laugh out loud with recognition. These essays take place in dive bars and museums, cinemas and old restaurants, horse-drawn carriages and subway cars, capturing the true essence of life in New York. Never Can Say Goodbye is ultimately a love letter to the Big Apple and a must-have for every lover of New York— regardless of whether or not you call the city home. Botton lives in upstate New York, where she still keeps a MetroCard in her wallet. Praise For… A collective valentine to the city. There may be no better read to pass your wait for that next damned G train. They kvetch as much as they kvell. They lament the indignities even as they lionize the perks. New York is over. Never Can Say Goodbye: Writers on Their Unshakable Love for New York |

My sympathies to everybody who were negatively impacted by Hale's actions. Feb 22, eb rated it really liked it. Rosanne Cash is a fantastic writer! Maybe everyone already knew this and I'm the last one to figure it out. Oct 06, Lisa rated it liked it. Heres the thing about New York: It touches you. Its really that simple and basic. Whether its touch compels you to spend a lifetime in its grip or the touch results in a momentary- lapse-of-logic-temporary sojourn, it doesnt matter. Once you have set foot on its gum-sticky concrete, you have been affected. While there are a few prevailing similarities in some of these essays think: Woody Allen movies, the ever-changing dining establishments , for the most part each writer contributes their own voice and New York experience to this anthology. These 25 essays read equally as love letters and break up letters, writers in love with the New York embedded in their memories, the New York that shaped them from childhood, the New York that offered itself up for school field trips, the New York that held promises of THE only college experience that mattered, the New York where working and living and essentially being an adult was the holy grail and the New York that could not hold them forever. But much like any relationship, the one we have with New York is gripping and lifelong. You can leave for a weekend, a year, the rest of your life, but once you have been there it stays with you forever. Disclaimer: I received an advanced copy of this book for review. The opinions stated within this review were my own and were provided without compensation. View all 3 comments. Oct 29, Annette Chidzey rated it really liked it. This book was a revelation for me as it enabled me to discover why so many writers found themselves inextricably linked to the vibrant but demanding city of New York. I am not sure if my engagement was also because I could so readily visualise the East Village, Soho, the West Village, the Upper West and other specific locations that I had just visited while based in this city for a week or so. The writing was compelling and captivating to me and reminded me why so many find it difficult to get This book was a revelation for me as it enabled me to discover why so many writers found themselves inextricably linked to the vibrant but demanding city of New York. The writing was compelling and captivating to me and reminded me why so many find it difficult to get this city out of their system no matter how challenging it is to live with its many demands and vagaries. How influential it is to be in the very place where the writing is based! Oct 26, Jenn Estepp rated it liked it Shelves: memoirish , kindling , essays-short-pieces-and-slants. Hit or miss, as most collections tend to be. Overall, as someone who lives in New York, constantly thinks about leaving and hasn't managed it yet, there was a lot that I could relate to. Hale's presence, I understand where you're coming from, but she's one of almost thirty contributors and it's kind of shitty to everyone Hit or miss, as most collections tend to be. Hale's presence, I understand where you're coming from, but she's one of almost thirty contributors and it's kind of shitty to everyone else involved. Jan 02, Allan rated it it was amazing. This book is more diverse in its writers both male and female , and again has the common theme of the writers' experiences of the city, either at specific points or during the whole time they have lived there. Naturally right up my street! Aug 03, Katie rated it it was amazing. Apr 01, Richa rated it did not like it. I bought this book when after 2 years of living in the city, I was feeling the city growing on me. But the book is a disappointment, to say the least. Completing this book was an almost year long drag. I did like the probably the only thing I liked in this book one-liners interspersed here and there about life in New York City. There was clarity inside when there was I bought this book when after 2 years of living in the city, I was feeling the city growing on me. There was clarity inside when there was chaos outside 2. NYC is the one puddle where I would happily drown 3. We always thought she was kind of strange, but it turns out she's just a New Yorker. I know one of the secrets the rest of the country hasn't figured out yet: It's not the New yorkers who are rude, it's the tourists who've seen a movie about rude New Yorkers and think they have to act the same way when they come to New York who are rude. There are those who come to New York to try it on, to burn fast and furious in the workplace, deplete their need for the city and the city's need for them, and move on. And then there are those who to paraphrase the poet Rumi have New York in them all along. It's like there's cocaine in the air 7. To paraphrase Winston Churchill's famous observation about democracy: New York City is the worst place in the world to live, except for all others 8. I am starting to love the willful ignorance of New Yorkers, the ability to look at the epic and beautiful and quickly put it into context. Become towers. Jan 03, Izzy Senechal rated it liked it. The essays that resonated the most with me were the ones involving ambitious, starry-eyed city transplants who grew up romanticizing the Big Apple from afar as a glamorous, cosmopolitan oasis where anything could happen, only to realize that New York can be hard, overwhelming andyessometimes unbelievably boring. At the same time, however, the hardships and disappointments some of these writers experienced primed them to look for beauty in unexpected places, to start appreciating the city for The essays that resonated the most with me were the ones involving ambitious, starry-eyed city transplants who grew up romanticizing the Big Apple from afar as a glamorous, cosmopolitan oasis where anything could happen, only to realize that New York can be hard, overwhelming and—yes—sometimes unbelievably boring. As someone who has only lived in NYC for a few months, I identified a lot with these writers and found their honesty and their wisdom refreshing. I also enjoyed the essays that invited readers into unique scenes and different locales around the city, places that seem only accessible to those in-the-know. However, other essays were a little lackluster and too generic for my taste. You can definitely tell which authors took their time crafting great essays about their love for New York and which ones tried to whip something up quickly. Oct 28, Stephanie Ellis rated it it was amazing. This is a great read - a variety of excellent writers on one of the most interesting places on earth. I found myself flipping around to different essays depending on my mood. There is a great emotional range in the various essays. I highly recommend this book for any NYC lover! Jul 06, Jennifer rated it really liked it Shelves: adult-books. A solid read for NYC lifers and transplants alike. The good, the bad and the ugly, it's all here and I love it anyway. Dec 25, Therese rated it liked it Shelves: non-fiction. I read the majority of these stories just before heading out to church on Christmas Day. Oddly enough, these stories put me in an even more holiday mood. One, because I grew up on Long Island and spent many months after college hitting the pavement going on one job interview after another that badly run employment agencies sent me on. Two, because looking back, I was proud of knowing the East side from the West side anything below 20th street baffled me and i got freaked out when Fifth Avenue I read the majority of these stories just before heading out to church on Christmas Day. Two, because looking back, I was proud of knowing the East side from the West side anything below 20th street baffled me and i got freaked out when Fifth Avenue changed names, but i digress and which subway lines to take for that next potential job offer, made me proud. As difficult as it was interviewing in the endless heat from each block, I also felt accomplished, doing what most had to do when starting their career. I realized there was so much to see, smell and learn, that no job interview prep could teach you. I had two jobs in Manhattan in my career to date. But I will never regret taking a chance to getting a job in New York. I felt the energy and love of the city that can give you the world and crush it faster than you can blink, like many of these writers. Jul 15, Victoria rated it liked it Shelves: reviews. Like any collection of short stories: there are good, and there are bad some in this book fall under very, very bad. The stories I loved were filled with all of the things about New York that I already know, learned from novels and music and TV shows. It's nice to hear the confirmation that yes it is hard but it is still dazzling. I am eagerly awaiting my first real snowfall in the city, the characters on the subway, coming to the realization that I may be a fast walker in my hometown, but I Like any collection of short stories: there are good, and there are bad some in this book fall under very, very bad. I am eagerly awaiting my first real snowfall in the city, the characters on the subway, coming to the realization that I may be a fast walker in my hometown, but I am nothing compared to the speed at which New Yorkers go about their days. The stories I didn't like often had so little to do with New York itself and more to do with the author in New York. In an anthology about New York, I expected the city to stand out as a main character, the best friend, the sidekick. Some of the others were just weird, filled with gross innuendoes and references that must be before my time as a Millennial? Gen Z? Some of these people were moving to New York before I was born, that says all you need to know. All in all I think this has something for everyone, which, at the end of the day, is what an anthology should have. A kitchen sink type book. I made sure to dog-ear some of my favorite stories and lines, and I'll go back and read them over and over again until I have my own New York stories to write. Totally hit or miss. Few essays were great and touching and some were obnoxious and stupid. I wish the collection was more diverse. It was lacking in that area. Aug 20, Rachel Brown rated it it was amazing Shelves: favorites. I loved this book and its sentiments for New York. The writing was rich and thoughtful and beautiful, and I really liked that each essay stood aloneit made it easy to pick up a few chapters here and there in between reading a novel. I liked savoring the chapters bit by bit, really letting them soak in. I will definitely snagging a copy of this book for my personal library so I can reread these essays I loved this book and its sentiments for New York. The writing was rich and thoughtful and beautiful, and I really liked that each essay stood alone—it made it easy to pick up a few chapters here and there in between reading a novel. I will definitely snagging a copy of this book for my personal library so I can reread these essays again and again! Oct 21, Kristelle Batchelor rated it it was amazing. It took me two years to finish this book because there was a time when I was conflicted about my love for New York. I moved outside the state and it felt so near to me yet so distant given I was always away because of work. I finally picked it up again, ironically living farther away now from the city but with a more accepting heart that I can still love New York City from a distance. This book could not be any more perfect for me. It is penned by writers who have an unshakable love for New York It took me two years to finish this book because there was a time when I was conflicted about my love for New York. The city irreversibly changes you and I could relate to that. There were many times I cried while reading the anthology, especially in the first few stories. Even the most mundane mentions of streets and experiences you can only get in New York stirred up emotions in me. I feel like New Yorkers share the same language nobody else outside the realm understands and they spoke so deeply to my heart. Most stories were recollections from many years ago—decades even. It was interesting to learn about how New York was before I knew it. View 2 comments. Mar 29, Steve Peacock rated it really liked it. As a native New Yorker "untimely ripped" from the NYC experience prior to high school -- who then moved back and lived the city life as an adult -- I can appreciate the unique perspectives shared by the various contributors to this book. If you live or are simply fascinated by New York City, you'll enjoy most of this work. I look forward to reading the other Sari Botton-edited text about New Yorkers who couldn't wait to leave the Big Apple and fled when necessary. Aug 27, Kris rated it really liked it Shelves: read-write-think , books-owned. Lovely little anthology with some very good writing. I loved being able to say that I read this while on the subway, riding to my publishing job. Some good quotes: "That first apartment I lived in on Berry Street is now probably six to ten thousand dollars a month. We passed the new restaurants that had Lovely little anthology with some very good writing. We passed the new restaurants that had opened in the months she was away. She had her dog and couldn't peek in. I did. It looked beautiful and shabby and old, as if something new had been born on top of something old without getting rid of all of it. It looked like New York. That hot new play? Already sold out. That enticing MoMA exhibit? At last report, the wait is over twelve hours. How about something simple, like a blanket, a bottle of wine, and a nightfall screening of Paper Moon in Bryant Park? Sure, if you don't mind homesteading a coffin-sized plot of grass at around four in the afternoon, then fending off claim jumpers for the next five hours until sundown. That's assuming, of course, you have any time left over to do any of this when you're not either working or drinking to work off the edge from the working or trying to do regular-life kinds of stuff like buying groceries and picking up dry cleaning. They don't have time, regularly, to be warm and friendly with everyone who crosses their path. Nothing would ever get done. But when the chips are down, when it matters, they drop their cool exteriors and become unabashedly human. Feb 13, Jonathan Tennis rated it liked it. Collection of essays about NY writers and their love for NY. Nicely put together and an enjoyable read. Hemingway wrote about Paris being a moveable feast, the kind of place that stays with you for the rest of your days once youve truly experienced it. Thats what this place feels like to me. No single city truly affects a person like New York does. Its one of those undisputed truths the world over; you either hate it for your own reasons, or you cant ever shake the feeling of being there. And once you do it, you will definitely feel proud that you have achieved this accomplishment, and others, who are not dating that girl or boy , may well look upon you with envy. But there is a trade-off, and the trade-off is this: You will get to see—nay, will be forced to see, every single day—just exactly what that girl or boy is made of. All the annoying tics and flaws that can only really grate on you once you experience them intimately and repeatedly. My point being, what seemed so alluring in theory can often be tiresome and troubling in practice. Sep 21, Lauryn rated it really liked it Shelves: books-i-own. My junior year of undergrad, the year that I started falling in love with New York and the time I spent living there, I read Botton's other anthology Goodbye to all That purchased outside the Strand bc I saw Cheryl Strayed's name on the cover, it was about NYC, and it was a dollar. At the end of every essay I'd have to exhale and grin to myself--didn't these people know what they were missing out on? I am not absolutely opposed to this latest academic fad. It can be fun to learn about smelly things. And god knows the world needs dedicated followers of fashion so that I can buy the cheaper Banana Republic version, and the humanities really needs dedicated followers, if for no other reason than to keep the money flowing in. Fads are inevitable, sometimes tiresome, but also something worth thinking about. What I think is worth thinking about is this: 1 how did this happen? I'm not entirely going to talk about that question here but I bet the answer has something to do with the internet. Instead I'm going to talk about 2 if materialism the study of stuff does not get rid of idealism, if it actually turns into idealism, what do you do with idealism? The trouble with idealism it naturalizes social inequality hasn't gone away: it many respects, it has gotten worse, especially if you believe Walter Benn Michaels. There seems to be a need for another way of talking about idealism, of dislodging its pretensions to truth, because materialism is not working. The best discussion of this problem that I know of aside from Adorno, of course is Derrida's "Specters of Marx," which in my reading insists that you can't kill idealism off because it always comes back like the ghostly odor of old breakfasts off that waffle iron. This argument seems a little funny at first coming from Derrida, our deconstructing Dad: even Habermas in The Philosophical Discourse of Modernity thought that Derrida was arguing for an endless, continual postponement of signification which led Habermas to think that Derrida was unhelpfully blurring the line between philosophy and literature. But Zizek, at least, has insisted that the lesson of deconstruction is exactly the opposite: that you can't postpone idealism aka "the question of ontology". It sort of makes sense: for deconstruction to work, there has to be something to deconstruct, and there always is: an idealism, an ontology, some logocentrism to deal with. Like ghosts, they are always coming back, these idealisms even when they are called "materialism" , and what you can do is chat with them "Thou art a scholar, speak to it Horatio! It seems clear, for instance, that the ghost of Michael Jackson isn't going anywhere. But which ghost, exactly? The ghost of the one glove and the moon walk, the material Michael Jackson? In some respects, MJ would seem to be the poster child of new materialism because his life was in part an effort, conscious or not, to live the material critique-blurring the line between black and white with chemicals on his skin a creepy realization of George Schuyler's creepy novel Black No More , blurring the line between male and female by making his face and nose look like Diana Ross while he grabbed his crotch there was a reason the NY Post called him Jacko , blurring the line between child and adult by watching Home Alone at Neverland, blurring the line between labor the second hardest working man in show business and the invisible hand of the market with his metonymic single glove. He was also, probably primarily, a soul singer-and I know he was a soul singer, because Genius on my iTunes puts him in a playlist with Al Greene and Curtis Mayfield. He was one of the great inheritors of Motown and the , even if he was from Indiana and recorded mostly in Los Angeles. And when you talk about soul singers, you have to talk about soul, about idealism, not stuff, or really you're not talking about anything at all. The entire point of a soul singer is that the singing hits you hard, not just in the heart a muscle, in the end but in the soul. To overstress the materialism of soul singing is really to miss the entire point. That is not to say that material stuff doesn't have a crucial role in thinking about MJ. When you see his live performance on youtube of Billie Jean at the motown 25th reunion, no doubt you could talk at interesting length about the about the clothes, about lip-syncing, about technical aspects of how the sound was recorded and the show was filmed-all of these things matter, as do MJ's Pepsi ads and the money spent on videos. Something else is driving Michael Jackson, something else that makes it worth paying attention to all the material things associated with Motown. Without that thing, MJ would be as tedious and uninteresting as Madonna, who is from the part of Detroit that thinks that the Cadillac STS is sexy and provocative. But MJ was always interesting, and he was interesting because he could actually sing. Which brings me to one of my favorite Michael Jackson moments. I got them from sing Even though the pain and heartache Seems to follow me wherever I go Though I try and try to hide my feelings They always seem to show Then you try to say you're leaving me And I always have to say no I keep thinkin' that our problems Soon are all gonna work out But there's that same unhappy feeling and there's that anguish, there's that doubt It's that same old did ya hang up Can't do with you or without Tell me why Is it so Don't wanna let you go. In the Jackson Five recording, you suspect something odd is going on right from the start. The song begins with a little A-B-D figure repeated three times, then settles into an Em9 chord that, as every barroom piano player knows, is basically the same thing as a Gmaj7 chord. The result is that the song manages to sound both assertive and major and sad and minor all at the same time, and the repetition of the opening figure makes the song sound less mechanical than haunting, not a repetition but a repetition compulsion. And this movement back and forth stays in the verse as the song moves back and forth between a Dmaj7 and a Dmin7, literally setting in motion the indecision, or the decision, of "never can say goodbye": major or minor? Is staying or going a good thing or a bad thing? That repeated indecision reveals what Richard Poirier once called in "The Renewal of Literature" a density. That density is apparent in part in the bass line, which moves a round a lot but almost always evokes a D after a lot of web searching I still can't figure out who plays bass on the recording ; indeed, the zipping around the bass does tends to reinforce the looming presence of the D that it is usually implicitly vamping on, rather than making the D go away.

The Jackson 5 - Never Can Say Goodbye Lyrics | MetroLyrics

It's a tough question, but Syme's answer gets to the heart of what so many people find alluring about the city. That idea that New York is a place you go to create yourself underpins many of the 27 essays in this collection edited by Sari Botton. This time around, Botton and her compatriots make their love for the city clear. The scope has been broadened to include male writers such as Phillip Lopate and Stephen Elliott, as well as prominent voices outside the literary world, including Whoopi Goldberg and Rosanne Cash, whose meditations on how moving to New York helped her redefine herself during a time of personal and professional crisis kicks things off. While Cash, who came to New York later in life, and Lopate, who fills the role of blunt-talking native, offer fresh perspectives on the city, too many contributors cover terrain well-trod by other writers. Many follow the formula laid out in Didion's influential essay. A young person moves to New York and is overwhelmed but also enamored by the city. They encounter personal and professional challenges, and consider moving elsewhere. Sometimes they do. But whether they stay or go, living in New York has allowed them to discover something about themselves. It sort of makes sense: for deconstruction to work, there has to be something to deconstruct, and there always is: an idealism, an ontology, some logocentrism to deal with. Like ghosts, they are always coming back, these idealisms even when they are called "materialism" , and what you can do is chat with them "Thou art a scholar, speak to it Horatio! It seems clear, for instance, that the ghost of Michael Jackson isn't going anywhere. But which ghost, exactly? The ghost of the one glove and the moon walk, the material Michael Jackson? In some respects, MJ would seem to be the poster child of new materialism because his life was in part an effort, conscious or not, to live the material critique-blurring the line between black and white with chemicals on his skin a creepy realization of George Schuyler's creepy novel Black No More , blurring the line between male and female by making his face and nose look like Diana Ross while he grabbed his crotch there was a reason the NY Post called him Jacko , blurring the line between child and adult by watching Home Alone at Neverland, blurring the line between labor the second hardest working man in show business and the invisible hand of the market with his metonymic single glove. He was also, probably primarily, a soul singer-and I know he was a soul singer, because Genius on my iTunes puts him in a playlist with Al Greene and Curtis Mayfield. He was one of the great inheritors of Motown and the , even if he was from Indiana and recorded mostly in Los Angeles. And when you talk about soul singers, you have to talk about soul, about idealism, not stuff, or really you're not talking about anything at all. The entire point of a soul singer is that the singing hits you hard, not just in the heart a muscle, in the end but in the soul. To overstress the materialism of soul singing is really to miss the entire point. That is not to say that material stuff doesn't have a crucial role in thinking about MJ. When you see his live performance on youtube of Billie Jean at the motown 25th reunion, no doubt you could talk at interesting length about the about the clothes, about lip-syncing, about technical aspects of how the sound was recorded and the show was filmed-all of these things matter, as do MJ's Pepsi ads and the money spent on videos. Something else is driving Michael Jackson, something else that makes it worth paying attention to all the material things associated with Motown. Without that thing, MJ would be as tedious and uninteresting as Madonna, who is from the part of Detroit that thinks that the Cadillac STS is sexy and provocative. But MJ was always interesting, and he was interesting because he could actually sing. Which brings me to one of my favorite Michael Jackson moments. I got them from sing Even though the pain and heartache Seems to follow me wherever I go Though I try and try to hide my feelings They always seem to show Then you try to say you're leaving me And I always have to say no I keep thinkin' that our problems Soon are all gonna work out But there's that same unhappy feeling and there's that anguish, there's that doubt It's that same old did ya hang up Can't do with you or without Tell me why Is it so Don't wanna let you go. In the Jackson Five recording, you suspect something odd is going on right from the start. The song begins with a little A-B-D figure repeated three times, then settles into an Em9 chord that, as every barroom piano player knows, is basically the same thing as a Gmaj7 chord. The result is that the song manages to sound both assertive and major and sad and minor all at the same time, and the repetition of the opening figure makes the song sound less mechanical than haunting, not a repetition but a repetition compulsion. And this movement back and forth stays in the verse as the song moves back and forth between a Dmaj7 and a Dmin7, literally setting in motion the indecision, or the decision, of "never can say goodbye": major or minor? Is staying or going a good thing or a bad thing? That repeated indecision reveals what Richard Poirier once called in "The Renewal of Literature" a density. That density is apparent in part in the bass line, which moves a round a lot but almost always evokes a D after a lot of web searching I still can't figure out who plays bass on the recording ; indeed, the zipping around the bass does tends to reinforce the looming presence of the D that it is usually implicitly vamping on, rather than making the D go away. Density is likewise apparent in the lyrics, where it gets a bunch of different names: the pain and heartache that follows wherever he goes, "our problems" that he hopes will soon work out, "that anguish" and "that doubt. They stay together, unhappily or happily, and so does the song, never spiraling out into bits of cliche nor turning into reified repetition. There is both a happiness and an unhappiness, a major 7 chord and a minor 7 chord, that they can never quite say good bye to. And it is this density, what Adorno would call "form," the song's immanent logic, that holds the song together and makes it amazing. Musicians call it "sitting in the pocket," the rhythmic moment inside the folds of the song that you are supposed to plunk yourself down in. That strange vibration comes through-literally as sound, a literal vibration-when a more or less twelve year old Michael Jackson sings the song. He is in the pocket. In other words, the soul of the song doesn't come from him-as the song says, it is hard to say, exactly, where the soul of it comes from. But MJ is fully locked in. And the singing matters, not because it supplies the soul but because it participates in the soul that lurks throughout the song and glues it together like the un happy couple it depicts. The soul, the density, not only holds together the song, but it holds together all the things that go into the song-MJ's voice, but also the backing musicians probably The Wrecking Crew, but I'm not sure , the recording technology, the marketing, the continual replay, the Jackson 5 cartoon, the afros: in short, all the material things that are associated with the song. These things matter literally "matter" , but they only matter in relation to the soul of the song.

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