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The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Padgett Powell Curriculum Vitae
Padgett Powell Curriculum vitae 3620 se 27th Street Department of English Gainesville, FL 32641 Box 117310 Phone (352) 338-7533 University of Florida Gainesville FL 32611 Phone 352 294 2880 Fax 352 392 0860 Email [email protected] EDUCATION University of Houston, TX English M.A. 1982 College of Charleston, SC Chemistry B.A. 1975 TEACHING Disquiet Literary Seminar, Lisbon, Faculty, 2014, 2016 University of Alaska Residency, 2014 S ewanee Writers' Conference, Faculty, 2010 Summer Literary Seminars, Montreal, Canada, Faculty, 2010 Summer Literary Seminars, Nairobi, Kenya, Faculty, 2006 Summer Literary Seminars, St. Petersburg, Russia, Faculty, 2002, 2003, 2004, 2006 Kittredge Visiting Professor, University of Montana, Fall 2001 Sewanee Writers' Conference, Faculty, 1999, 2000, 2001 Professor, Department of English, University of Florida, 1993 to present Senior Fulbright Lecturer, Istanbul University, Istanbul, Turkey, 1989-90 Associate Professor, University of Florida, 1988-1993 Assistant Professor, University of Florida, 1984-1988 HONORS 2012 James Tait Black Memorial Prize 2011 Fellowship of Southern Writers 2002 Honorary Doctorate of Letters, College of Charleston, SC 2002 Mary Hobson Prize for Distinguished Achievement in Arts and Letters 1999 Marjorie Kinnan Rawlings Term Professorship, University of Florida 1998 Foundation William Faulkner, University of Rennes, France, writer in residence 1996 Teaching Improvement Award, State of Florida 1993 Teaching Improvement Award, State of Florida 1991 Paris Review John Train Humor Prize 1990 Pushcart -
Sprawozdanie Roczne Z Działalności Instytutu Książki Za Rok 2014
Sprawozdanie z działalności Instytutu Książki w 2014 roku A. Promowanie i wspieranie działań z zakresu czytelnictwa, twórczości literackiej i czasopiśmiennictwa I. Działania realizowane w ramach Narodowego Programu Rozwoju Czytelnictwa 1. Dyskusyjne Kluby Książki a) Program dotacyjny W 2014 roku, w związku z koniecznością dostosowania regulaminu DKK do regulaminów programów ministra (w kontekście włączenia DKK do Narodowego Programu Rozwoju Czytelnictwa) i długim czasem oczekiwania na akceptację regulaminu, program Dyskusyjne Kluby Książki ruszył z opóźnieniem. Umowy zostały podpisane dopiero 14 maja br., zaś pierwsza transza została wypłacona bibliotekom wojewódzkim z początkiem czerwca br. Do końca roku liczba klubów wzrosła do 1295, tj. o 108 w stosunku do końca 2013 roku. Przyrost o ok. 100 klubów rocznie utrzymuje się zresztą na stałym poziomie od kilku lat. Działa 419 klubów dla dzieci i młodzieży, 876 dla dorosłych. Istnieją kluby dla osób niepełnosprawnych intelektualnie, 7 klubów w zakładach karnych. W 2014 roku kluby spotkały się 11 296 razy, skupiają obecnie 13 153 stałych członków. Do końca roku odbyło się 943 spotkań autorskich z takimi autorami jak m.in.: Sylwia Chutnik, Roma Ligocka, Grzegorz Kasdepke, Paweł Beręsewicz, Olga Rudnicka, Barbara Kosmowska, Agata Tuszyńska, Mariusz Szczygieł, Filip Springer, Anna Czerwińska– Rydel, Katarzyna Enerlich, Małgorzata Kalicińska, Angelika Kuźniak, Wojciech Kuczok, Ziemowit Szczerek, Dorota Gellner, Agata Tyszka, Magdalena Grzebałkowska, Anna Onichimowska, Ewa Lipska, Wojciech Widłak, Joanna Olech, Jacek Dehnel, Marcin Wroński, Krzysztof Varga, Adam Zagajewski, Jacek Żakowski, Zygmunt Miłoszewski, Beata Ostrowicka, Michał Rusinek, Izabela Sowa, Małgorzata Gutowska– Adamczyk, Janusz Leon Wiśniewski, Jacek Hugo– Bader, Grażyna Jagielska, Hanna Cygler, Andrzej Stasiuk, Magdalena Tulli, Małgorzata Szejnert. Mniejsza niż w ubiegłym roku liczba spotkań autorskich w stosunku np. -
Oxford Bookstore Opens in the Heart of Coimbatore ~ Booksellers Since 1920S Finds a Strategic Location in the Commercial Hub of the Textile City ~
Oxford Bookstore opens in the heart of Coimbatore ~ Booksellers since 1920s finds a strategic location in the commercial hub of the textile city ~ Coimbatore, 25 May 2007: Oxford Bookstore, a chain of premium bookstores, opened its doors for booklovers in the city today. Mrs. Vanitha Mohan, Managing Director, Siruthuli and Mrs. Nandini Rangaswamy, Managing Director, Chandra Group of Concerns, inaugurated the new bookstore in Coimbatore before a select audience of writers and booklovers in the evening. The other stores of the chain are in Kolkata (Established 1920), Mumbai, Bangalore, New Delhi, Chennai, Goa and Shillong. Located at Red Rose Chambers in the heart of city’s commercial and entertainment district, Trichy Road, the bookstore is committed to bringing the best in Indian and international publishing and book retailing to the city. CHA BAR, a space that narrates the complete tea story and offers a range of teas from the world over, is a part of the store experience. Speaking on the occasion, Ms. Priti Paul, Director, Apeejay Surrendra Group, said,” I am delighted to bring Oxford Bookstore to Coimbatore. From a vast range of books for all ages and interests to exciting interactive literary sessions to the rejuvenating Cha Bar – we will provide the city with another chapter of the Oxford story, a story that started many years ago in 1920 in Kolkata continues to enthrall booklovers all over India”. In addition to the popular sections of Fiction, Literature, Travel, Cookery, there are well- researched sections dealing with Health, Yoga, Tantra and Reiki. The New Age section is an important addition and section on Religion, Children, Art & Architecture are also well stocked. -
The Letters of George Santayana Book Two, 1910—1920
The Letters of George Santayana Book Two, 1910—1920 To Josephine Preston Peabody Marks [1910 or 1911] • Cambridge, Massachusetts (MS: Houghton) COLONIAL CLUB CAMBRIDGE Dear Mrs Marks1 Do you believe in this “Poetry Society”? Poetry = solitude, Society = prose, witness my friend Mr. Reginald Robbins!2 I may still go to the dinner, if it comes during the holidays. In that case, I shall hope to see you there. Yours sincerely GSantayana 1Josephine Preston Peabody (1874–1922) was a poet and dramatist whose plays kept alive the tradition of poetic drama in America. Her play, The Piper, was produced in 1909. She was married to Lionel Simeon Marks, a Harvard mechanical engineering professor. 2Reginald Chauncey Robbins (1871–1955) was a writer who took his A.B. from Harvard in 1892 and then did graduate work there. To William Bayard Cutting Sr. [January 1910] • [Cambridge, Massachusetts] (MS: Unknown) His intellectual life was, without question, the most intense, many-sided and sane that I have ever known in any young man,1 and his talk, when he was in college, brought out whatever corresponding vivacity there was in me in those days, before the routine of teaching had had time to dull it as much as it has now … I always felt I got more from him than I had to give, not only in enthu- siasm—which goes without saying—but also in a sort of multitudinousness and quickness of ideas. [Unsigned] 1William Bayard Cutting Jr. (1878–1910) was a member of the Harvard class of 1900. He served as secretary of the vice consul in the American consulate in Milan (1908–9) and Secretary of the American Legation, Tangier, Morocco (1909). -
Literary Agent Michael Larsen
10 Commandments That Guarantee Your Success Handouts for a Keynote/Seminar Michael Larsen Michael Larsen-Elizabeth Pomada Literary Agents Co-director, San Francisco Writers Conference San Francisco Writing for Change Conference Author of How to Write a Book Proposal and How to Get a Literary Agent From which many of the handouts were adapted Coauthor of Guerrilla Marketing for Writers: 100 Weapons for Selling Your Work With Jay Conrad Levinson, Rick Frishman, and David Hancock Michael Larsen Michael Larsen. The commandments are the outline of a keynote and seminar. Michael Larsen-Elizabeth Pomada Literary Agents/ AAR / Helping Writers Launch Careers Since 1972 [email protected] / www.larsenpomada.com / 415-673-0939 /1029 Jones Street / San Francisco, 94109 The 12th San Francisco Writers Conference / A Celebration of Craft, Commerce & Community February 12-16, 2015 / www.sfwriters.org / [email protected] / Mike’s blog: http://sfwriters.info/blog Keynotes: Judith Curr, Yiyun Li @SFWC / www.facebook.com/SanFranciscoWritersConference The 7th San Francisco Writing for Change Conference / Changing the World One Book at a Time September, 12th, 2015 / www.sfwritingforchange.org / [email protected] Mike’s blog: http://sfwriters.info/blog / @SFWC / www.facebook.com/SanFranciscoWritersConference 0 A Golden Age for Writers: 10 Truths You Need to Know About Writing and Publishing To be a successful, you need a positive but realistic perspective about writing and publishing. These ten observations form the basis for “10 Commandments that, with Luck, Guarantee Your Success as a Writer.” 1. Because the Web empowers you to reach readers, control and profit more from your work, collaborate on monetizing and publicizing your work, and change the world faster and more easily than ever, now is the best time ever to be a writer. -
BJP Challenge “Mills Respondedposi- and Malaysia —And Is Negoti- Seeking Enforcement of Other Tively to the Scheme
DAILY FROM: AHMEDABAD, CHANDIGARH, DELHI, JAIPUR, KOLKATA, LUCKNOW, MUMBAI, NAGPUR, PUNE, VADODARA JOURNALISM OF COURAGE TUESDAY, NOVEMBER 17, 2020, KOLKATA, LATE CITY, 12 PAGES SINCE 1932 `5.00/EX-KOLKATA `6.00 (`12 IN NORTH EAST STATES &ANDAMAN) WWW.INDIANEXPRESS.COM THE EDITORIAL PAGE INTERROGATION BY ENFORCEMENT DIRECTORATE WARAGAINSTTHE VIRUS Statement of key accused BY RAJIB DASGUPTA PAGE 6 mentions Kamal Nath’s Bail pleas of son, Khurshid, Patel, journalist, another: SC web of offshore firms says why Kamal Nath says son (Bakul Nath) NRI, no records to show not go to HC links; Khurshid says no connection with anyofthe accused APURVAVISHWANATH NEWDELHI,NOVEMBER16 AGUSTA OBSERVINGTHATitis“trying to WESTLAND DEAL discourage” individuals from fil- ing petitions under Article 32 of the Constitution —whichgrants GRIEF individuals the right to approach the topcourtseeking enforce- Familymembers at the funeral of 20-year-old jawanRushikesh Jondhale, who waskilledinfiring from across the Line of Control at ment of fundamental rights—a Gurez in Jammu and Kashmir on Friday, at Bahirewadi villageinKolhapur on Monday. PTI Supreme Courtbenchheadedby Chief Justice of India SABobde sought responses from the CONFESSIONS RajivSaxena told ED about the weboftransactions between Centreand the Uttar Pradesh PM ASSURES ‘ALL POSSIBLE HELP’ TO BIHAR his firm and that of Christian Michel (left) with entities government in aplea seeking the OFKEYACCUSED ownedbyKamal Nath’s nephewRatul Puri (right) release of Kerala-basedjournal- PART1 istSiddique Kappan. “Whycan’t yougotothe high Nitishswornin,BJPpickstwo extradited from Dubai in January These showseveral alleged court?” the benchremarked RITUSARIN 2019 and wasinterrogatedby hawala transactions and acom- while hearing aplea filedbythe NEWDELHI,NOVEMBER16 the Enforcement Directorate, plexweb of offshorestructures Kerala Union of Working whichattachedhis assets worth that Saxena admitted to setting Journalists challenging the jour- NOT JUSTformer Madhya Rs 385crore.The ED is nowbe- up forthe co-accused. -
The NWU Literary Agent Agreement” 6/19/08 10:57 PM
Loading “The NWU Literary Agent Agreement” 6/19/08 10:57 PM The NWU Literary Agent Agreement (Confidential: For NWU members only) Understanding the Author-Agent Relationship A Guide to the NWU Preferred Literary Agent Agreement Introduction This guide is an educational tool for authors who are considering entering into a relationship with a literary agent, or who need help in understanding an existing author- agent agreement. It should be read in conjunction with the National Writers Union Preferred Literary Agent Agreement and used to evaluate or improve any agent agreement you may be asked to sign. Both documents are available to National Writers Union (NWU) members. Deciding to retain an agent is a major decision in any author\'s career. An agent will agree to represent your work because she believes she can sell it to a publisher or publishers. The agent is your representative, whom you hire to market your work, to negotiate your publishing contracts, and to oversee your royalty accounts. In exchange for an agent\'s representation, an author agrees to pay the agent a commission; a commission is a percentage of all income earned from those rights that the agent is able to license. Every author\'s work includes a bundle of individual rights that may be exploited: e.g., hardcover print rights; paperback print rights; electronic database rights; interactive software rights; foreign translation rights; television adaptation rights; audio cassette rights, and so forth. In addition, as new forms of media are created, new rights (e.g., CD-ROM rights) emerge and become valuable. Collectively, these individual rights form the copyright to one\'s work. -
PW Show Daily the World Within Reach
PW Show Daily The World Within Reach The consummate guide to all leading international trade shows, Show Dailies are unique opportunities to optimize your investment and stand out in a crowded marketplace. Distributed on-site throughout each venue, Show Dailies are the most potent tool for increasing visibility, driving traffic and boosting sales on the spot. And awareness extends far beyond a single event with supplements circulated to PW’s loyal print and digital readership of 68K, ensuring you never get lost in the crowd. Bologna MARCH 26, 2018 VISIT PW AT HALL 26 B38 Big, Bold Moves London Book Fair The Bologna Children’s Book Fair is updating its facilities and reaching out to new audiences, including, for the March 12–14 first time, booksellers BY ED NAWOTKA This year’s Bologna Children’s Book Fair has a different look for the 1,300 exhibitors and other industry members expected for the 2018 event. The biggest change is the new construction to the fairgrounds. As part of the process halls 29 and 30 have been dismantled, and the exhibitors who usually exhibit there have been moved to halls 21, 22, and 32. “It was a challenge to move everyone, largely because the shape of the halls is different,” says Elena Pasoli, group product manager of the fair. “But it is only for one year.” She notes that halls 29 and 30 will reopen next year, which Silvana Sola, curator of the Children’s Books on Art project will again require another move. “It is a challenge for some and professor of history of illustration at Istituto Superiore publishers, but we really think they are going to love the per le Industrie Artistiche in Urbino, Italy; and others. -
The Swetky Agency
THE SWETKY AGENCY LITERARY AGENCY AGREEMENT http://amsaw.org/index-agency.html Faye M. Swetky, Representative/Owner : [email protected] ___________________________________________________________________ AGREEMENT (hereinafter, "Agreement"), dated ________, sets forth the relationship between the literary agent, The Swetky Agency, 2150 Balboa Way No. 29, St. George, UT 84770 (hereinafter, "Literary Agent"), and the author, _____________, of ____________________________________________ (hereinafter, "Author"). 1. LITERARY AGENT REPRESENTS AUTHOR For the term of this agreement, Author hereby retains Literary Agent: (a) To represent Author for the sale of all of the following works (hereinafter, "Represented Works"), written or to be written by Author and not covered by a prior un-agented sale or prior agency agreement: (1) all book-length fiction and/or non-fiction; (2) all full-length feature screenplays and/or full-length or series-length television scripts, and (3) any other writings that Author and Literary Agent may agree upon and specifically stipulate in writing, unless the agency deems the property to be unmarketable in its presented form. Author hereby agrees to make available to Literary Agent all above mentioned works for consideration for representation. (b) To negotiate sales (hereinafter, "Represented Sales") of (1) Represented Works in the U.S., its territories, and Canada (hereinafter, "Domestic Sales"), (2) Represented Works in non-domestic markets (hereinafter, "Foreign Sales"), and (3) derivative or secondary rights in the Represented Works (such as film, TV, recording, or other dramatic media) anywhere in the world (hereinafter, "Subsidiary Sales"). (c) To receive payments and royalties from all Represented Sales so long as the contracts for such sales remain in force. -
Curriculum Vitae Rachel Dwyer
CURRICULUM VITAE RACHEL DWYER 1 Education School of Oriental and African Studies, University of London (Part-time, 1990–5) 1995 PhD 'The Gujarati lyrics of Kavi Dayarambhai' Magdalen College, University of Oxford (1984–6) 1986 MPhil General Linguistics and Comparative Philology Major language: Greek (Mycenean, Dialect Inscriptions, Homer) Minor language: Sanskrit Thesis (25,000 words): 'Vedic Studies: a linguistic commentary on hymn XII.I of the Atharvaveda' School of Oriental and African Studies, University of London (1980–4) 1984 BA (Hons) Sanskrit (Class I) Subsidiary language: Avestan Special subject: Indo-European Philology 2 Employment 2007– Professor of Indian Cultures and Cinema, SOAS 2004–07 Reader in Indian Studies and Cinema, SOAS 2000–04 Senior Lecturer in Indian Studies, SOAS 1996–2000 Lecturer in Gujarati and Indian Studies, SOAS 1991–96 Lecturer in Gujarati, SOAS 1989–91 Training Fellow in Gujarati, SOAS 1987–89 Curator of Language and Dialect, National Sound Archive, British Library 1987 Computer Programmer, British Airways plc. Finance Division 1986–87 Extra-academic Staff (Vedic and Sanskrit literature), SOAS 3 Research and Publications 1) Books a) Singly authored 2014a Bollywood’s India: Hindi cinema as a guide to contemporary India. London and Chicago: Reaktion Books; Picture abhi baaki hai: Bollywood as a guide to modern India New Delhi: Hachette 2013 Get started in Gujarati. London: Teach yourself (Revised edition) 2008 What do Hindus believe? London: Granta. Translated into Italian, Finnish and other languages 2006a, 2007a Filming the gods: religion and Indian cinema. London, New York and Delhi: Routledge (Sections reprinted in Brent Plate and Jolyon Mitchell (eds) Religion and film: a reader. -
Electrifying Emotion
MY ROAD TO TRADITIONAL PUBLICATION David R Slayton - Author WHO AM I? Or better yet, why am I the one teaching this? I’m David R. Slayton. I live in Denver, Colorado. I’ve been writing fantasy, epic, urban, and YA for about a decade now. This year I published my debut novel, White Trash Warlock, with Blackstone Publishing. It’s been a long journey with several books, two agents, and a lot of rejection. I want to share some of what I learned about the process with you and hope that it helps. ABOUT ADVICE As you write and attend workshops, etc. you’re going to get a lot of advice. And you’re going to hear that there’s only one way to do it. This is very wrong. Take all advice, including mine, with skepticism. Keep what helps you. Discard what doesn’t. There is rarely a single solution to publishing or a path forward for your writing. Whatever advice you receive, please don’t let anyone take your writing from you. WHY TRADITIONAL PUBLISHING? First, I want to emphasize that there is nothing wrong with or inherently better or worse about indie versus traditional publishing. There are pros and cons to each. It’s about picking the right path for your work. I chose traditional publishing for specific reasons: I wanted the wider distribution possibilities. I wanted a partner in marketing, promotion, etc. I wanted editors who would make my books stronger. I didn’t want to have to produce my own audiobook. I wanted to be able to submit for a wider array of awards, etc.