A Study Guide by Marguerite O'hara

Total Page:16

File Type:pdf, Size:1020Kb

A Study Guide by Marguerite O'hara © ATOM A STUDY GUIDE BY MARGUERITE O’HARA http://www.metromagazine.com.au ISBN: 978-1-74295-025-9 http://www.theeducationshop.com.au ‘The apology will acknowledge that what happened in the past was both real and wrong. It will make sure that a largely invisible part of our history is put firmly on the record. And it will remind the community of what happened to many of these children – the loss of family, the loss of identity and, in the case of child migrants, the loss of their country.’ – JENNY MACKLIN, Minister for Families, Housing, Community Services and Indigenous Affairs, October 2009 Introduction n 16 November 2009, former prime minister Kevin Rudd offered a national apology to Othe ‘forgotten Australians’, including an estimated 7000 former child migrants who were sent Synopsis to Australia from the United Kingdom between the 1920s and 1967. Oranges and Sunshine tells the Oranges and Sunshine tells the stories of some of these children. It is also the story story of Margaret of Margaret Humphreys, an English social worker Humphreys, a who uncovered the truth about these schemes. social worker from Nottingham who There are many ways of telling true stories uncovered one of such as this one – in print; through personal the most significant accounts, whether in memoirs or interviews; social scandals through photographs; through statistics; and in of recent times: documentaries and feature films where the story the deportation may be dramatised and concentrated and the of thousands of roles of the principals played by actors. This film children from the United Kingdom to is based on the stories of real people and actual Australia and other events. It dramatises several of their stories to Commonwealth create a powerful and moving account of events countries. from our past, showing how the persistence and resilience of individuals like Margaret Humphreys Above: Emily Watson as Margaret Humphreys Almost single- handedly, against brought this often hidden history to light. overwhelming odds and with little regard Curriculum guidelines for her own well- earlier times, places and attitudes are represented being, Margaret Oranges and Sunshine would be an excellent film in the film. In some ways the recent past looks like reunited thousands to show middle and senior secondary students of a foreign country, though this film is set in the late of families, brought the following subject areas: 1980s. authorities to account and drew • Australian History and Society Oranges and Sunshine explores the meaning of worldwide attention • Civics and Citizenship identity and the importance of personal history to an extraordinary • Health and Personal Development in establishing identity. Television programs such miscarriage of justice. Children as • Early Childhood and Family Studies as the Australian and overseas versions of Who young as four had • Film and Media Studies Do You Think You Are? have led to an increased been told that their interest in genealogy and in individuals exploring parents were dead. The story told in the film is moving and absorb- their family history. ‘Where do I come from and They were sent to ing for what it reveals about changing attitudes to who are my forebears?’ have become increasingly children’s homes on SCREEN EDUCATION © ATOM © ATOM SCREEN EDUCATION children and their welfare, as well as for the inspira- important questions in our lives. They are the other side of the tional portrait it offers of Margaret Humphreys. The fundamental to establishing a strong identity and world; many were way this material is presented is equally interesting. secure sense of belonging. subjected to appalling Students could be encouraged to consider what a abuse. They were feature film such as this one, based on true events, While some of the background to this story is promised oranges and is able to do that is different to either a documentary shown in the film, it may be helpful to read through sunshine: they got hard labour and life or written accounts of the period and the people. At the background material presented here to gain a in institutions. the same time they could look at how convincingly more detailed context for what we see in the film. 2 Background to the story Source B At a time when empty cra- Empty Cradles is the story of English social worker dles are contributing woefully Margaret Humphreys’ campaign to bring to light to empty spaces, it is necessary the hidden truths about the child migrant program. to look for external sources of Her book, published in 1994, details her work, supply. And if we do not sup- beginning in 1986, to assist many former child mi- ply from our own stock we are grants seeking answers to the following questions: leaving ourselves all the more exposed to the menace of the ‘Who are my parents?’ teeming millions of our neigh- ‘Why was I sent away from home?’ bouring Asiatic races. ‘Who am I?’ In no part of Australia is settlement more vital than for Western Australia, which while it contributes Empty Cradles provides the principal source only one-twelfth of the total population, occupies one material for Oranges and Sunshine. third of the whole commonwealth … The policy at present adopted of bringing out Sources A, B and C offer some further background young boys and girls and training them from the information about the Child Migration Scheme and beginning in agricultural and domestic methods... the Child Migrants Trust established by Humphreys has the additional advantage of acclimatising them in 1987 to help adults who had been sent overseas from the outset to Australian conditions and imbu- as children. ing them with Australian sentiments and Australian ideals – the essential marks of true citizenship. Source A – His Grace the Archbishop of Perth, Under the Empire Settlement Act of 1922 and welcoming British boys arriving 1937, the British Government assisted private or- on the SS Strathaird, August 19382 ganisations to help people who wanted to settle in ‘His Majesty’s Overseas Dominions’. Although not Source C specifically aimed at assisting child migrants, this The Child Migrants Trust legislation allowed non-government organisations In 1987 a specialist social work agency, the to send child migrants to various parts of the British Child Migrants Trust, was established with branch- Empire. The scheme intensified after the war when es in Perth, Melbourne and the United Kingdom. child migrants were sent under the Children’s Act The Trust contributed to public awareness of 1948. the history of child migrants and the mental and Although non-government organisations had physical abuses suffered by many of the children. direct charge of most of the children at the recruit- It continues to provide counselling services to child ment stage, during their passage, or after their migrants, helps with reuniting families and acts as arrival in the receiving countries, they received a lobby group. Although not all children claim mis- encouragement and financial backing from Brit- treatment, the Trust points out that ‘little attention ish governments and governments in receiving was given to the long-term implications of separat- countries. About 150,000 children with an average ing children from their families, their friends, their age of eight years and nine months emigrated from social context and their country on a permanent the United Kingdom, the majority to Canada, until basis’. the scheme ended in 1967. A key motivation for In 1990 the Australian Government announced child migration was to maintain the racial unity of it would provide $120,000 over three years to the the Empire and populate the Dominions of Canada, Child Migrant Trust to fund a case worker and Rhodesia (Zimbabwe), New Zealand and Australia, counselling services in Australia. Similar amounts with ‘good white stock’. were provided each year by the Government until The exact number of child migrants to Australia funding ceased in June 2008. is not known, but estimates suggest that from 1947 Awareness of the history of the scheme and to 1967, between 7000 and 10,000 children were its legacy also resulted from the work of Margaret sent to Australia. A feature of the scheme was the Humphreys, founder of the Child Migrants Trust. care of children in residential institutions rather than Humphreys visited Australia a number of times in by foster care or adoption. Most were placed in the 1980s and assisted in establishing the Aus- the care of Barnardo’s, the Fairbridge Society, the tralian branches. She was awarded an Order of Church of England and the Christian Brothers. The Australia in 1993 for her work with child migrants in © ATOM SCREEN EDUCATION House of Commons Health Committee concluded Australia. that ‘children were placed in large, often isolated, Humphreys’ book Empty Cradles, along with institutions and were often subjected to harsh, a number of other books and television series, sometimes intentionally brutal, regimes of work notably Lost Children of the Empire, broadcast in and discipline, unmodified by any real nurturing or 1989, helped in the successful campaign to have encouragement. The institutions were inadequately the British government inquire into the scheme and supervised, monitored and inspected’.1 the welfare of former migrants.3 3 past, e.g. the Australian government’s apology to Australia’s Indigenous people, particularly to the Stolen Generations, and the apology to the ‘forgotten Australians’, which included child migrants? Should future generations and governments take responsibility for redressing harm committed in the past by governments and institutions such as religious organisations and charities? STUDENT ACTIVITY WATCHING THE FILM There are several strands in this film. It may be useful to focus your attention on a particular aspect of the film and later to share your impressions with other members of your group.
Recommended publications
  • Gentle Extermination » of the Mentally III in Psychiatrie Hospitals in France
    Violence in the Blind Spot Xavier Godinot Xavier Godinot has been a full-time member of the International Movement A TD Fourth World volunteer corps since 1974. With a Ph.D. in Labour Economies, he has tirelessly fought for the poorest people's rightfully place in the world of work. After leading a pilot project on professional insertion and qualification in the Rhone-Alps region of France, he wrote, in partnership with Fourth World activists, scholars and members of the business community, a book evaluating this project and giving proposais for further action. This book, On voudrait connaitre le secret du travail has been summarised in English under the title, Finding Worke : Tell Us the Secret. Currently in Brussels, Mr. Godinot now heads the International Movement A TD Fourth World's Institute for Research and Training in Human Relations Long-term acts of violence against very poor population groups are occasionally reported in newspapers. They are the culmination of everyday acts of violence against the poor, and are more serious than often acknowledged. ln the recent Final Report on Human Rights and Extreme poverty1, Leandro Despouy writes, « Extreme poverty involves the denial, not of a single right or a category of rights, but of human rights as a whole. [...It] is a violation not only of economic and social rig, hts as is generally assumed from an economic standpoint, but also, and to an equal degree, of civil, political and cultural rights... » The effect on the lives of those stricken by extreme poverty « has a precise and clearly defined name in standard legal terminology: absolute denial of the most fundamental human rights.
    [Show full text]
  • Ilan Eshkeri
    ILAN ESHKERI AWARDS AND NOMINATIONS BRITISH ACADEMY GAMES AWARDS Ghost of Tsushima NOMINATION (2021) Music DICE AWARDS NOMINATION (2021) Ghost of Tsushima Outstanding Achievement in Original Music Composition INTERNATIONAL FILM-MUSIC Ghost of Tsushima CRITICS ASSOCIATION NOMINATION (2020) Best Original Score for a Video Game or Interactive Media SCL AWARDS NOMINATION (2021) Ghost of Tsushima Outstanding Original Score for Interactive Media MUSIC IN VISUAL MEDIA AWARD Ghost of Tsushima (2020) Outstanding Score – Video Game MUSIC IN VISUAL MEDIA AWARD “The Way of the Ghost" from Ghost of (2020) Tsushima Outstanding Song – Video Game HOLLYWOOD MUSIC IN MEDIA “Feels Like Summer” from SHAUN THE NOMINATION (2015) SHEEP Song-Animated Film *shared INTERNATIONAL FILM MUSIC STARDUST CRITICS ASSOCIATION AWARD (2007) Breakout Composer of the Year INTERNATIONAL FILM MUSIC STARDUST CRITICS ASSOCIATION NOMINATION (2007) Best Original Score-Fantasy/Science Fiction WORLD SOUNDTRACK AWARD HANNIBAL RISING NOMINATION (2007) Discovery Of The Year WORLD SOUNDTRACK AWARD LAYER CAKE NOMINATION (2004) Discovery Of The Year The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 ILAN ESHKERI FEATURE FILM FARMING Francois Ivernel, Andrew Levitas, Miranda Groundswell Productions Ballestros, Michael London, Charles de Rosen, Charles Steel, Janice Williams, James Wilson, prods. Adewale Akinnouoye-Agbaje, dir. THE WHITE CROW Carolyn Marks Blackwood, Ralph Fiennes, Sony Pictures Classics Francois Ivernel, Andrew Levitas, Gabrielle Tana, prods. Ralph Fiennes, dir. SWALLOWS AND AMAZONS Nick Barton, Nick O’Hagan, Joe Oppenheimer, Orion Pictures prod. Philippa Lowthorpe dir. THE EXCEPTION Judith Tossell, Bill Haber, Jim Seibel, prods. Egoli Tossell Film David Leveaux, dir. MEASURE OF A MAN Christian Taylor, prod. Great Point Media Jim Loach, dir.
    [Show full text]
  • Ex-Gratia Payment Scheme for Former British Child Migrants
    EX-GRATIA PAYMENT SCHEME FOR FORMER BRITISH CHILD MIGRANTS: Introduction The Independent Inquiry into Child Sexual Abuse (IICSA) Interim Report and its report on Child Migration Programmes were both published in Spring 2018. The Inquiry recommended that the UK Government establish a financial redress scheme for surviving former British child migrants on the basis that they were exposed to the risk of sexual abuse. On 19th December the Government published its response to the Inquiry. The response announced that the Government would establish an ex-gratia payment scheme for former British child migrants, in recognition of the fundamentally flawed nature of the historic child migration policy. This note provides further detail of the payment scheme. Aim: The payment is being made in recognition of the exceptional and specific nature of the historic Child Migration Policy. It is payable to all former British child migrants, regardless of whether they suffered abuse, in recognition of the fundamentally flawed nature of the historic Child Migration Programmes and in line with the recommendation in IICSA’s report. Eligibility: The scheme is open to any former British child migrant who was alive on 1 March 2018, or the beneficiaries of any former child migrant who was alive on 1 March 2018 and has since passed away. The ex-gratia payment will be payable to all applicants regardless of their individual circumstances, including the receipt of payments received from other Governments or through private legal action. Conditions: The claimant must have been a child migrant sent from the United Kingdom and Crown Dependencies (England, Wales, Northern Ireland, Scotland, Channel Islands and the Isle of Man).
    [Show full text]
  • David Pimm Director of Photography
    David Pimm Director of Photography www.davidpimm.com Film & Television Director Production Co Producers RAGDOLL Toby Macdonald Sid Gentle Films Lizzie Rusbridger MY NAME IS LEON Lynette Linton Douglas Road Carol Harding Productions BOXING DAY Aml Ameen Film 4 Joy Gharoro-Akpojotor BFI Damian Jones PANDEMONIUM Ella Jones BBC Studios Tom Jordan Pilot SAVE ME TOO Jim Loach World Productions Lizzie Rusbridger Winner: BAFTA, Best Drama, 2021 Coky Giedroyc Sky Atlantic GET HAPPY Simon Amstell Tiger Aspect Katie Churchill Taster Pippa Brown URBAN MYTH: MADONNA & BASQUIAT Adam Wimpenny Wild Card Films Adam Morane-Griffiths Sarah Solemani Joe Hill BENJAMIN Simon Amstell Open Palm Pictures Louise Simpson Official Selection: London Film Festival, 2018 Alexandra Breede LOVE ME NOT Alexandros Avranas Faliro House Productions Christos V. Official Selection: San Sebastian, 2017 Les Films Du Lendemain Konstantakopoulos Lelia Andronikou LADY MACBETH William Oldroyd Sixty Six Pictures Fodhla Cronin O'Reilly Additional Photography IFeatures SHIELD 5 Anthony Wilcox Lorton Entertainment Mark Hopkins Web Series Declan Reddington Choice Award, Raindance, 2016 Selected Short Films TONI WITH AN I Marco Alessi BBC Films Ksenia Harwood Nomination, BAFTA, Short Film, 2020 Official selection: Berlin, 2020 SARAH CHONG IS GOING TO KILL HERSELF Ella Jones Creative England Alexandra Blue Official Selection: Loco Film Festival, 2016 Big Talk Productions PATRIOT Eva Riley NFTS Michelangelo Fano Nomination: Cannes Film Festival, 2015 Official Selection: Telluride Film Festival, 2015 OUT OF SIGHT Nick Rowland NFTS Nick Rowland Official Selection: Sundance, 2015 Commercial credits include: SNAPPY SHOPPER/Greenroom/Richard Pengelly SCOTTISH POWER GOGGLEBOX IDENTS/Greenroom/Richard Pengelly KIA/Recipe/Michael O Kelly AXA/Recipe/Michael O Kelly Xero/Brave Spark/Michal J.
    [Show full text]
  • To Stick Distinct Tranquillity
    0123456789 THE EMPIRE INTERVIEW IN CONVERSATION WITH explosion and you’re the director, you get special effects in and they make it explode and you just choose the camera positions. It’s much harder to do a good scene in a council flat than it is to blow up a car — from the director’s point of view. Ken EMPIRE: Because in a flat you don’t have anything to rely on but faces and emotion? LOACH: And quite a constricting location. From the directing point of view, the endless chases and Loach technical stuff are quite tedious, because they all take a hugely long time. showed the ’60s could be sour as well as Swinging — EMPIRE: So that wasn’t the part that was the most to the Palme d’Or-winning The Wind That Shakes The engaging for you… Barley (2006), which deals with the sensitive politics LOACH: It was the easiest part, in some ways. of Ireland’s partition within a gripping combat The difficult part was deciding whether this was context and a touching family tragedy. Even in his the right film to make about war, and about this Words: Nev Pierce Portrait: Mitch Jenkins lesser features it’s rare to find moments that don’t particular war. feel true. Famously, he films everything in sequence, EMPIRE: Why difficult? handing screenplay pages to actors only a day or so in LOACH: Well, because we’re still quite close to advance, so they discover their character’s journey as the actual event of it. And to do something about HE PENSIONER WITH THE the production progresses.
    [Show full text]
  • Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law
    Kahleen Crawford Casting: As casting directors (selected credits) True Things About Me (2020) Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law. Feature film. Cast inc: Ruth Wilson, Tom Brooke and Hayley Squires Vigil (2020) Directors: James Strong, Isabelle Sieb Producer: Angie Daniell, Simon Heath and Jake Lushington, World Productions. 6 part Television series. Cast inc: Suranne Jones, Rose Leslie, Shaun Evans, Paterson Joseph and Gary Lewis His Dark Materials S1 and S2 (2019-Present) Directors inc: Tom Hooper. Producers: Jane Tranter and Julie Gardner, Bad Wolf, Dan McCulloch and Laurie Borg. BBC TV series based upon the Philip Pullman books, adapted by Jack Thorne. Currently casting. Cast inc: Ruth Wilson, James McAvoy, Dafne Keen, Amir Wilson, Andrew Scott, Simone Kirby and Lin-Manuel Miranda The Nest (2020) Directors: Andy De Emmony, Simen Elsvick Producers: Clare Kerr, Susan Hogg, Simon Lewis, Studio Lambert Television series Cast inc: Martin Compston, Sophie Rundle and Mirren Mack The North Water (2020) Director: Andrew Haigh Producers: Iain Canning, Jamie Laurenson and Kate Ogborn, See-Saw. BBC Television. Cast inc: Colin Farrell, Jack O’Connell, Stephen Graham and Tom Courtenay I Hate Suzie (2020) Directors: Georgi Banks-Davies and Anthony Neilson Produces: Andrea Dewsbery and Julie Gardner. 8-part Television series for Sky Atlantic created by Billie Piper and Lucy Prebble, written by Lucy Prebble. Cast inc: Billie Piper, Laila Farzad, Dan Ings, and introducing Matthew
    [Show full text]
  • FT Prog 27:FT Prog Print
    Thu 26 May (1 day only) 7.45pm Booking The Box Office is open at 7pm on days when there is a charge for (PG) BENDA BILILI! admission. A joyous documentary giving insight into the story Seat prices are now £5 (full price) and £3.50 (concessions). Numbered of Staff Benda Bilili, a group seats may be reserved in advance but they may not be collected or of seven Congolese paid for in advance. musicians, most of whom Season tickets for the films in this programme are £40.00 (full price) have physical disabilities. and £30.00 (concessions). Renaud Barret and Florent de La Tullaye’s film follows Carers accompanying disabled customers to the Film Theatre will be the band’s progress over admitted free of charge. Stoke on Trent’s Independent Cinema four years, from the poverty Telephone reservations may be made at any time on our answering stricken streets of Kinshasa machine 01782 411188. Please call before 2pm for same day to international tours. Benda Bilili! is a truly reservations. Please speak clearly, stating the film title, date and time, heartwarming celebration your name and a phone number in case there is any query. We will of triumph over adversity, reserve the best available seats. If you prefer to speak to us in person, accompanied by their exuberant blend of blues and African rumba. phone between 12.30 and 1.30 pm, Mon, Tue, Thu and Fri (not Wed). Democratic Republic of Congo/France (subtitled), 2010, 88 mins Reserved tickets must be claimed 20 minutes before the performance.
    [Show full text]
  • Brown to Apologise to Care Home Children Sent to Australia and Canada
    UNIVERSITÉ MONTPELLIER III – PAUL-VALÉRY DÉPARTEMENT D’ÉTUDES ANGLOPHONES MARDI 24 NOVEMBRE 2009 – F108 – 15h15 Enseignant : Frédéric Delord ÉPREUVE D’ANGLAIS POUR NON-SPÉCIALISTES W19AN1 – MASTER 1 – OPTION 2 EXAMEN FINAL Aucun document autorisé (Sauf étudiants étrangers : dictionnaire bilingue langue maternelle-français) Durée de l’épreuve : 2 heures Sujet : RÉDIGEZ EN FRANÇAIS UNE SYNTHÈSE DES 3 TEXTES SUIVANTS : (450 à 550 mots) TEXT 1: Brown to apologise to care home children sent to Australia and Canada Children were cut off from families and some falsely told they were orphans in programme that sent 150,000 abroad between 1920 and 1967. Peter Walker, The Guardian , Monday 16 November 2009 Gordon Brown is to offer a formal apology to tens of thousands of British children forcibly sent to Commonwealth countries during the last century, many of whom faced abuse and a regime of unpaid labour rather than the better life they were promised. The prime minister plans to make the apology in the new year after discussions with charities representing former child migrants and their families, a Downing Street spokeswoman said today. In a letter to a Labour MP who has campaigned on the issue, Brown said that the "time is now right" for an apology, adding: "It is important that we take the time to listen to the voices of the survivors and victims of these misguided policies."Government records show that at least 150,000 children aged between three and 14 were taken abroad, mainly to Australia and Canada, in a programme that began in the 1920s and did not stop until 1967.
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]
  • MD Program.Fm
    Doctor of Medicine Program 24 Doctor of Medicine Program Mission Statement and the Medical Curriculum The mission of the Duke University School of Medicine is: To prepare students for excellence by first assuring the demonstration of defined core competencies. To complement the core curriculum with educational opportunities and advice regarding career planning which facilitates students to diversify their careers, from the physician-scientist to the primary care physician. To develop leaders for the twenty-first century in the research, education, and clinical practice of medicine. To develop and support educational programs and select and size a student body such that every student participates in a quality and relevant educational experi- ence. Physicians are facing profound changes in the need for understanding health, dis- ease, and the delivery of medical care changes which shape the vision of the medical school. These changes include: a broader scientific base for medical practice; a national crisis in the cost of health care; an increased number of career options for physicians yet the need for more generalists; an emphasis on career-long learning in investigative and clinical medicine; the necessity that physicians work cooperatively and effectively as leaders among other health care professionals; and the emergence of ethical issues not heretofore encountered by physicians. Medical educators must prepare physicians to respond to these changes.The most successful medical schools will position their stu- dents to take the lead addressing national health needs. Duke University School of Med- icine is prepared to meet this challenge by educating outstanding practitioners, physician scientists, and leaders. Continuing at the forefront of medical education requires more than educating Duke students in basic science, clinical research, and clinical programs for meeting the health care needs of society.
    [Show full text]
  • Recommendation
    BRITISH ASSOCIATION OF SOCIAL WORKERS NOMINATION OF MARGARET HUMPHREYS FOR THE IFSW ANDREW MOURAVIEFF-APOSTOL MEDAL RECOMMENDATION BASW is pleased to nominate Margaret Humphreys, Director of the Child Migrant Trust, for the IFSW Andrew Mouravieff-Apostol Medal. This nomination is supported by the Australian and Canadian associations. 'For decades, child migrants were lost and forgotten by our countries - both old and new. We didn't belong anywhere, we had no words to explain what had happened to us, or who we were. We were truly lost in the wilderness. Margaret found our families and brought us home, one by one. She stayed beside us and gave us a voice to help governments listen, and finally to understand. National Apologies in the UK and Australia are testament to her work, and to our refusal to give in or be silenced.' John Hennessey OAM (former child migrant, 2015) MARGARET HUMPHREYS Margaret Humphreys CBE, AO is a UK social worker who founded a multi-national social work agency. I worked with her in Nottingham (UK) soon after we both qualified in the 1970s. Always looking out for creative solutions, she set up an innovative post-adoption service 'Triangle,' in her own time. Margaret launched the Child Migrants Trust after a single referral for assistance, came into the local authority office in Nottingham, UK where she was working as a social worker. This led her to investigate and then to provide active support to people who had been ‘migrated’ from the UK to other countries as children in care over a long period, not ending until the 1960s.
    [Show full text]
  • Ed Rutherford Director of Photography
    Ed Rutherford Director of Photography Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Television Production Company Notes THE SERPENT QUEEN Lionsgate Television / 3 Arts Dir: Stacie Passon 2021 Entertainment / Starz Exec Prods: Erwin Stoff, Francis Lawrence, Justin Haythe US Drama Republic / BBC Dir: Lisa Siwe 2020 Prod: Hannah Pescod LITTLE BIRDS Warp Films / Sky Atlantic Dir: Stacie Passon 2020 Exec Prods: Ruth McCance, Peter Carlton * Nominated: Best Photography - Drama & Comedy, RTS Craft & Design Awards 2020 * Nominated: Best Photography & Lighting: Fiction, BAFTA Craft Awards 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ENDEAVOUR Mammoth Screen / ITV Dir: Leanne Welham SERIES 6, EPISODE 3 - Prod: Deanne Cunningham "Confection" 2019 CHEAT Two Brothers Pictures / ITV Dir: Louise Hooper 2018 Prod: Lydia Hampson VANITY FAIR Amazon Studios / Mammoth Dir: James Strong 2018 Screen / ITV Prod: Julia Stannard VICTORIA Mammoth Screen / ITV / Dir: Jim Loach SERIES 2, EPS 5 & 6 Masterpiece Theatre Prod: Paul Frift 2017 QUACKS Lucky Giant / BBC Dir: Andy De Emmony 2017 Prod: Imogen Cooper ENDEAVOUR Mammoth Screen / ITV Dir: Jim Loach SERIES 4, EPISODE 4 - Prod: Helen Ziegler "Harvest" 2017 THE LAST HOTEL Sky Arts Dir: Enda Walsh 2016 Prod:
    [Show full text]