The Constant Gardener
The Constant Gardener The Constant Gardener BY ROGER EBERT / September 1, 2005 They meet as strangers who plunge at once into sudden sex. They catch their breath, marry, and begin to learn about each other. Justin is an official in the British government. Tessa is an activist. She goes to Africa with Justin, her motives unclear in his mind, and witnesses what she thinks is murder in an African hospital. Then she is murdered at a crossroads, along with her African driver. And a doctor named Arnold, who she works with, is found dead, too. But why, Justin needs to know, did Tessa receive an e-mail asking her, "What were you and Arnold doing in the Nairobi Hilton Friday night? Does Justin know?" The murder of Tessa takes place right at the start of "The Constant Gardener," so it is not revealing too much to mention it. The movie is a progress back into her life, and a journey of discovery for Justin, who discovers a woman he never really knew. The flashback structure, told in remembered moments, passages of dialogue, scenes that are interrupted and completed later, is typical of John Le Carre, whose novels resemble chess problems in which one solution is elegant and all of the others take too many moves. It is a style suited to the gifts of the Brazilian director Fernando Meirelles, whose great "City of God" (2002) told a story that was composed of countless tributaries that all flowed together into a mighty narrative stream. The fragmented style is the best way to tell this story, both for the novel and the movie.
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