2 Offerings 1

Total Page:16

File Type:pdf, Size:1020Kb

2 Offerings 1 Scott Ainslie Concert Offerings "Blessed with an expressive baritone and nimble fingers...Ainslie is a master of American acoustic Blues..he is also among the most highly regarded Blues historians, a veritable walking encyclopedia of Blues and Jazz." - Dan Bolles, SoundBites, Seven Days Scott Ainslie is known for his ability to sing, play and speak the Blues into life. Concerts filled with stories as well as song from the lives of the traditional players, the culture of the songs and the history that brought about the music. Scott performs concerts of traditional Blues and some Blues-inspired originals. Multi-media Concerts: Delta Blues Pilgrimage concerts are available with projections of original photography from Ainslie’s Delta Blues Pilgrimage collection. These multi-media concerts can be tailored for public general audience Blues concerts and educational concerts with older youth. Give your audience a visual experience of Blues history with Scott's moving original prints. The exhibit includes 25 matted images taken in April 2010 as he walked some of the very same Mississippi Delta ground on which the original Bluesmen stood and played: the railroad tracks where W.C. Handy, 'the Father of the Blues,’ first heard a slide guitarist in 1902, the full moon over the black river town of Friars Point in Blues legend Robert Johnson’s Travelin’ Riverside Blues; Johnson's gravestone, the towns of his birth and death...and much more. One Hundred Years at the Crossroads, Dedicated to the Work of Robert Johnson: In this special solo show, singer and multi-instrumentalist Scott Ainslie explores the first Blues music and the times that gave birth to it, with soaring acoustic performances of the songs that electrified Robert Johnson's contemporaries and went on to make music history. Robert Johnson scholar and author of a groundbreaking book on the legendary Bluesman, Ainslie celebrates Johnson's influence on 20th and 21st century music as he takes the audience along Johnson's own path in history and song. Born in Mississippi in 1911 and making his first recordings in 1936, Robert Johnson's music eventually had a huge impact decades after his untimely death - through the work of Muddy Waters, Elmore James and legendary rockers and guitarists such as Eric Clapton, Keith Richards, Robert Plant and Jimmy Page. Johnson’s 29-recorded songs would ultimately change the course of rock and roll history. “Performed before a near-capacity audience Saturday night at the Carnegie Lecture Hall, Ainslie's music touched on everyone from Piedmont blues legend John Jackson and Delta bluesman David "Honeyboy" Edwards to the great Robert Johnson.”–Pittsburgh Post- Gazette Pre-concert talks and presentations, some with slide images, are an option frequently taken by presenters who want a separate pre-concert talk/illustrative tour of the history and musical territory in advance of a scheduled concert, whether a teaching concert or a regular performance. Teaching Performance Programs Peppered with humor and stories, Ainslie's teaching concerts help students and teachers learn to listen for the musical building blocks that continue to influence the music they hear all around them today - contemporary Rock, Bluegrass, Country, Gospel, Metal, R & B, and Hip-Hop. Question and answer periods are welcome at the end of each performance, as time allows. All teaching programs are graduated to suit the experience and educational reach of the students, often in consultation with local administrators and teachers. Call & Response: African and American Musical Traditions - In a program of spoken words and live musical performances, diverse audiences of all ages will sing and clap with Scott Ainslie through a survey of the hidden history and the dynamic interplay of more than a century of American and African musical traditions. This interactive presentation encourages students and teachers to find African retentions in whatever form of pop music they most enjoy and provides a strong object lesson in the cross-cultural exchanges that have come to define the leadership role of American music and culture. Across the Color Line: The African South - In this varied program featuring the calabash gourd banjo, diddley bow, and guitar, Ainslie tours the music of the American South where European and African musical traditions cross-pollinated to make the powerful hybrids that have long dominated popular music in our nation and, subsequently, the world. Suitable for all ages, this is a tour-de-force in Southern musical traditions that exposes their roots from the Scots-Irish fiddle tunes of the Appalachians to the musical traditions of West Africa. Before Rock ‘n’ Roll - Where did our music of today come from? This program will help teachers and students explore the music that came before today's Rock 'n' Roll. With interactive call & response singing and syncopated hand clapping, Ainslie leads a fast-moving tour of early spirituals, work songs, East Coast Ragtime, and Delta Blues. Playing fretless gourd banjo, one- string diddley bow, acoustic and slide guitars, he encourages guided, appropriate participation and makes the learning fun. Workshops Scott Ainslie offers a wide range of workshop for teachers, students and master classes for guitar players of all levels and full weeks of instruction for music camps. “Science and Sound” - Ainslie offers a three-hour arts integration workshop for teachers. .
Recommended publications
  • Elmore James Rollin' and Tumblin' Mp3, Flac, Wma
    Elmore James Rollin' And Tumblin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Rollin' And Tumblin' Country: UK Released: 1999 Style: Chicago Blues, Delta Blues MP3 version RAR size: 1258 mb FLAC version RAR size: 1129 mb WMA version RAR size: 1317 mb Rating: 4.4 Votes: 918 Other Formats: DMF MIDI VOC WAV ADX TTA VOX Tracklist 1-1 Comin' Home 1-2 The Twelve Year OId Boy 1-3 It Hurts Me Too 1-4 Knocking At Your Door 1-5 Elmore's Contribution To Jazz 1-6 Cry For Me Baby 1-7 Take Me Where You Go 1-8 Dust My Broom 1-9 The Sky Is Crying 1-10 Baby Please Set A Date 1-11 Hold My Baby Last Night 1-12 Rollin' And Tumblin' 1-13 Done Somebody Wrong 1-14 Fine Little Mama 1-15 I Can't Stop Lovin' You 1-16 Early One Morning 1-17 I Need You 1-18 Strange Angels 2-1 Stranger Blues 2-2 Bleeding Heart 2-3 Standing At The Crossroads 2-4 One Way Out 2-5 Got To Move 2-6 My Baby's Gone 2-7 Find My Kinda Woman 2-8 Look On Yonder Wall 2-9 Shake Your Moneymaker 2-10 Mean Mistreatin' Mama 2-11 Sunnyland Train 2-12 I Have A Right To Love My Baby 2-13 Everyday I Have The Blues 2-14 So Unkind 2-15 Make My Dreams Come True 2-16 Talk To My Baby 2-17 It Hurts Me Too 2-18 I Gotta Go Now Companies, etc.
    [Show full text]
  • EXTENSIONS of REMARKS, Vol
    October 19, 2012 EXTENSIONS OF REMARKS, Vol. 158, Pt. 11 15025 EXTENSIONS OF REMARKS HONORING MR. WILLIE ‘‘SONNY and cotton picking in Tallahatchie County and the owners. In 1955, he began recording for BOY’’ WILLIAMSON started becoming a familiar voice and blues Chess Records in Chicago, Illinois after Trum- artist on the local circuits. He played on the pet Records went bankrupt. His years at HON. BENNIE G. THOMPSON street corners, at church socials, fish fry’s, and Chess Records were his most successful in OF MISSISSIPPI anywhere he could attract a crowd, sometimes his career as a blues artist. In fact, he re- IN THE HOUSE OF REPRESENTATIVES getting paid. Sonny Boy made friends with corded about 70 songs from 1955 to 1964 for other blues artists like Big Joe Williams, Checker Records, a subsidiary of Chess Friday, October 19, 2012 Elmore James, Joe Willie ‘‘Pinetop’’ Perkins, Records. In 1959 he finally got the opportunity Mr. THOMPSON of Mississippi. Mr. Speak- Robert Lockwood, Jr., and Robert Johnson. to record a compilation of stories about the er, I rise today to honor a blues musician and He was always looking for ways to entertain blues with his first LP record titled Down and legend of the Mississippi Delta, Mr. Willie besides just singing, so he started doing what Out Blues. It featured such hits as Dissatis- ‘‘Sonny Boy’’ Williamson. some might call impossible until they saw him fied, Your Funeral and My Trial, Don’t Start Mr. Speaker, the ‘‘Blues’’ is not just a song, do it—he would put his entire harmonica in his Me to Talkin, and All My Love in Vain.
    [Show full text]
  • The Blues Dogs Band Has Been Helping Him Discover Wisconsin, So Be Sure to Welcome Him
    .After over 40 years playing blues in bars, these guys got it down. Dues have been paid and paid again. The Chippewa Valley Blues Society presents Harvey Fields started playing drums as a boy at the Checkerboard Lounge in Chicago with his mentors, Howlin' Wolf and Muddy Waters. His Uncle, Lucky Evans was an alumnus of the Howlin' Wolf band and took Harvey all around the world, playin' blues and payin dues. Steve John Meyer, lead vocalist, guitarist and harp player, is a graduate of thousands of smoky nights. He's led the 'dream life'... jammin' blues in every bar in Minnesota and Wisconsin, then spending the night on the road, in an old beat up van, usually cold, and snowing. Steve started blowin harp in '68, playin on the lakeshore, in laundry rooms and culverts to find 'the sound.' One night he was jamming with some guys he just met in an old roadhouse down by Cedar Lake and the place was packed. At one point the hot, sweaty crowd just stopped dancing to watch, and he never looked back. He knew he'd finally found it. Dean Wolfson plays bass. He's been jammin' round the twin cities since the 70's. Dean also plays for folk June 16, 2009 rocker Geno LaFond. The Blues Dogs band has been helping him discover Wisconsin, so be sure to welcome him. Kenny Danielson, from LacDuFlambeau, native American blues guitarist, singer and "long time blues enthusiast" rounds out the quartet for the evening. The Blues Dogs Next Week Upcoming Schedule The Pumps The Pumps If you haven't been to one of their June 20th Barnacles on Mille Lacs shows, you're missing out on a trio of cool cats, all June27th Smalley’s in Stillwater veterans of the local and national scene - Tom Brill July 4th Brewski's in Balsam Lake on guitar and vocals, Buck Barrickman on bass and July 11th Noon at the Harbor Bar Blues Fest vocals and Frank Juodis on drums and vocals.
    [Show full text]
  • THE PON ENT Our Support for Law Enforce­ Have a Larger Amount Or Have N1ent," Strozzi Continued
    By Donna Thompson dragovich, county attorney you legalize it, it's like saying, movement. We're not after the from Missoula County; and it's okay if you want to use common user - we want the The pros and cons of Tom Rolfe, a state legislator it. I have four boys in school. pusher. marijuana were discussed by for Gallatin County. You're old enough to know "We're all a five man panel Wednesday for trained Goetz opened the dis­ what you're doing, but leave people to help the user," in Reid Hall. Laws, search and he Grass cussion of the panel by stating my kids alone! noted. "We will help fund it - seizure, and undercover that he was in favor of the "In Dillon we concerned but in one year a guy made agents were just a few aspects legalization of marijuana, a parents are going to trials of $18,000 pushing drugs. Hell of the issue discussed by the - I statement m et by applause. those charged on marijuana work every panel and the audience. day don't make He went on to say it wasn't cases," he stated. "We want that much!" The panel consisted of Bob nearly as harmful as cigar­ something done about the According to Mr. Milodra­ Under Campbell, lawyer, delegate to ettes or alcohol. Mr. Strozzi distributors who are running govich, the narcotic the Constitutional Convention teams he counteracted later by saying around selling this to our kids. is associated with ge and director of Montana's nerally do that just because cigarettes Two years ago in Dillon there not go after the common American Civil Liberty's user.
    [Show full text]
  • Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
    Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
    [Show full text]
  • 2010-2020 Judgments Updated 7-19-21
    Certified Judgment Demand Year Parcel Number Amount Fee Owner 7/19/21 Address City/State/Zip Reason Date 2020 79-104-55608-20 $315.18 $5.00 10 THOUSAND PERCENT CO COMPLETE NUTRITION 100 S CREASY LN #1220 LAFAYETTE IN 47905 2017 79-130-55608-52 $45.58 $5.00 3 DEZ DESIGNS STEPHANIE FERNANDEZ 4663 E COMMODORES LN LAFAYETTE IN 47909 2010 79-022-70760-13 $65.23 $8.00 4 SONS CUSTOM BUILDERS PO BOX 2736 WEST LAFAYETTE IN 47906 2010 79-022-99643-60 $314.96 $8.00 4 SONS LAWN CARE INC PO BOX 2736 WEST LAFAYETTE IN 47996-2736 2010 79-104-79495-00 $35.28 $8.00 42ND ROYAL HIGHLANDERS INC 2043 S 9TH ST LAFAYETTE IN 47909 2010 79-105-32818-00 $6,647.75 $8.00 A & B DEVELOPMENT LLC EASTSIDE MAGIC SPRAY 98 BOX 5723 LAFAYETTE IN 47903 2012 79-105-32818-00 $15,570.39 $8.00 A & B DEVELOPMENT LLC EASTSIDE MAGIC SPRAY 98 BOX 5723 LAFAYETTE IN 47903 2010 79-127-10978-00 $61.60 $8.00 A & J SIGNS ANDREW CORBIN 5306 N COUNTY LINE RD E LAFAYETTE IN 47905 PAID IN FULL 7/11/2011 2010 79-104-28604-00 $67,640.46 $8.00 A & K CONSTRUCTION INC 540 MORLAND DR LAFAYETTE IN 47905 2012 79-104-28604-00 $57,729.43 $8.00 A & K CONSTRUCTION INC 540 MORLAND DR LAFAYETTE IN 47905 2012 79-004-67386-45 $107.86 $8.00 A 1 REAL ESTATE INSPECTION UNIT A 659 N 36TH ST LAFAYETTE IN 47905 2013 79-004-67386-45 $32.00 $8.00 A 1 REAL ESTATE INSPECTION A1 REAL ESTATE INSPECTION2616 SOUTH RIVER RD WEST LAFAYETTE IN 47906 2014 79-004-67386-45 $32.00 $5.00 A 1 REAL ESTATE INSPECTION A1 REAL ESTATE INSPECTION2616 SOUTH RIVER RD WEST LAFAYETTE IN 47906 2010 79-007-59378-54 $27.22 $8.00 A BEAUTIFUL
    [Show full text]
  • The Roots and Branches Courtesy Of
    ! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
    [Show full text]
  • Essential Blues Discography
    ESSENTIAL BLUES DISCOGRAPHY ESSENTIAL BLUES DISCOGRAPHY Edited by Francesco Piccolo First Edition July2015 Second Edition May 2016 Third Edition October 2016 Reference Book Francesco Piccolo - STORIA DEL BLUES - Gli Eventi, gli Stili, i Protagonisti Web Site www.thesixstrings.com This Book is available for free download at www.thesixstrings.com Contents 1 PREFACE .......................................................................................... 3 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS ..... 5 3 COUNTRY BLUES ............................................................................ 7 4 CLASSIC BLUES ERA .................................................................... 13 5 URBAN BLUES ............................................................................... 15 6 RHYTHM AND BLUES, ROCK 'N' ROLL ,SOUL, FUNK ................ 25 7 ROCK BLUES ................................................................................. 33 1 PREFACE The following discography has no pretensions of completeness but just wants to be a guide providing suggestions to understand the various styles of Blues. For a more complete discography please refer to the discographies of individual artists, sites and specialized publications. 3 4 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS BALLADS Ol'Riley Frankie and Albert "Ballad of John Henry Midnight Special SPIRITUALS Go down Moses Steal Away to Jeasus Nobody knows the trouble I've seen Deep River Swing Low, Sweet Chariot Shout for Joy Joshua Fit the Battle of Jerico The Great Camp
    [Show full text]
  • The R&B Pioneers Series
    The Great R&B Files (# 11 of 12) Updated March 1, 2019 The R&B Pioneers Series Compiled by Claus Röhnisch Special Supplement: Top 30 Favorites - featuring the Super Legends’ Ultimate CD compilations, their very first albums, * and ± .. plus their most classic singles. Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s THE Top Ten Vocal Groups of the Golden ‘50s Ten Sepia Super Stars of Rock ‘n’ Roll Transitions from Rhythm to Soul – Twelve Original Soul Icons The True R&B Pioneers – Twelve Hit-Makers of the Early Years Predecessors of the Soul Explosion in the 1960s Clyde McPhatter – The Original Soul Star The John Lee Hooker Session Discography The Clown Princes of Rock and Roll: The Coasters Those Hoodlum Friends – The Coasters Page 1 (94) THE R&B PIONEERS Series - Volume Eleven of twelve Compiled by Claus Röhnisch The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info (try the links her on the next page for youtube) Vol 1. Top Rhythm & Blues Records The Top R&B Hits from 30 classic years of Rhythm & Blues Vol 2. The John Lee Hooker Session Discography Complete discography, year-by-year recap, CD-Guide, and more John Lee Hooker – The World’s Greatest Blues Singer Vol 3. The Clown Princes of Rock and Roll Todd Baptista’s great Essay on The Coasters, completed with Singles Discography, Chart Hits, Session Discography, and much more Vol 4.
    [Show full text]
  • ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt.
    [Show full text]
  • Albert King – Born Under a Bad Sign – Stax/Speakers Corner
    Albert King - Born Under A Bad Sign - Stax/Speakers Corner - Audiophile Audition 11.04.18, 0922 AUDIOPHILE AUDITION is a free international online magazine for audio buffs, record collectors and music lovers, publishing up to 100 disc reviews monthly of classical, jazz, pop, movies, documentaries, and operas on Blu-ray and DVD, vinyl, CDs and hi-res formats. Audio Reviews # More Audio Reviews # HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site Albert King – Born Under A Click on the category Bad Sign – Stax/Speakers below to see that genre of Corner reviews. by Audiophile Audition / April 10, 2018 / Jazz CD Reviews SACD & Other Hi- Res Reviews Albert King – Born Under A Bad Sign – Stax S Audio News 723 (1967)/Speakers Corner (2018) 180-gram Classical CD stereo vinyl, 34:19 ****1/2: Reviews Classical Reissue A wonderful analog re-mastering of vintage blues! Reviews DVD & Blu-ray (Albert King – guitar, vocals; Steve Cropper – rhythm Video Reviews guitar; Booker T – piano, organ; Isaac Hayes – piano; JazzJazz CDCD ReviewsReviews Donald “Duck” Dunn – bass; Al Jackson Jr. – drums; Pop/Rock/World Wayne Jackson – trumpet; Andrew Love – tenor saxophone; Joe Arnold – CD Reviews baritone saxophone, flute) Special Features http://www.audaud.com/albert-king-born-under-a-bad-sign-speakers-corner-robbie-gerson/ Seite 1 von 6 Albert King - Born Under A Bad Sign - Stax/Speakers Corner - Audiophile Audition 11.04.18, 0922 There are many blues icons. Robert Johnson, Howlin’ Wolf, Muddy Waters, Component Elmore James, B.B. King, Willie Dixon, Little Walter, and the list is Reviews extensive. Each of these American culture heroes has a unique background Editorial story and musical contribution.
    [Show full text]
  • Elmore James 1992 0.Pdf
    EARLY INFLUENC ES Elmore James Some blues musicians carve out their own stylistic trade­ McMurry added only Leonard Ware’s bass to create this classic marks: Bo Diddley has his syncopated rhythm riff, Howling rendition of the Robert Johnson composition. She mistook the Wolf his full-bodied falsetto swoop, Jimmy Reed his repetitive song for an Elmore original, and asked him to come up with a walking bass lines. Elmore James’ signature was his thundering flip side. James had nothing else ready; he and Sonny Boy soon full-octave slide guitar opening. Though borrowed from fellow hit the road, and Elmore James never recorded for Trumpet Mississippi bluesman Robert Johnson, that “Dust My Broom” again. Lillian McMurry released “Dust My Broom” by “Elmo riff laid the foundation for an eleven-year recording career, with James” with a flip side performed by Bobo Thomas and Sonny nearly 80 titles released on some seven different labels. Boy, and the record was moving into the R&B Top Ten as The influence of Elmore James’ playing and singing rever­ 1952 arrived. berated far beyond his own time. Chicago slide players J.B. James went on to cut several different versions of that tune Hutto, Homesick James (a cousin of Elmore’s) and Hound Dog and riff, most notably as “I Believe (My Time Ain’t Long),” a Taylor all recorded at least one version of an Elmore James #9 hit for Meteor in 1953. But Elmore James was no one-hit tune. Future Rolling Stone Brian Jones billed himself as wonder, and he brought his impassioned singing and playing “Elmo James” on some of his earliest public performances.
    [Show full text]