ARTS-UG 1568 | JANUARY 2019 CLASS : MON - TUE - WED - THURS, 2:00 PM - 5:30 PM 1 WASHINGTON PLACE, ROOM 501 instructor Pedro Cristiani 1 Washington Pl, Room 431 office hours : Wednesdays, 5:30 - 6:30 PM
[email protected] “The most corrosive piece of technology that I've ever seen is called television - but then, again, television, at its best, is magnificent.” - Steve Jobs course description This arts workshop studies the current forms and genres of television storytelling by analyzing the creative process through which an original series makes its way to the screen. Participants will have access to the original proposals developed by show creators, used to pitch and map out the narrative arcs and character profiles, as well as the full pilot episode in screenplay format. These documents will be paired with the in-class screenings of such produced series in order to analyze the creative process that starts with a raw idea, and ends up with a fully fleshed television show. As part of the narrative exploration, students will be guided through the stages of an original outline— which covers pitching a pilot episode, planning a first season arc, and establishing the visual and narrative tone of an original or pre-existing series. In-class screenings and hand-ins of original material will include True Detective [“The Long Red Dark” - Pilot, by Nic Pizzolatto], The Handmaid’s Tale [the Emmy Winner Pilot, by Ilene Chaiken], Black Mirror [the Emmy Winner “San Junipero” episode, by Charlie Brooker], New Girl [original pitch + pilot, by Elizabeth Meriwether], Fargo [series bible + pilot, by Noah Hawley], Breaking Bad [written by Vince Gilligan], Mr Robot [written by Sam Esmail], and Stranger Things [series bible + pilot, by The Duffer Brothers].