DOCSLIB.ORG

Cover Songs Which Are Generally Assumed to Be Originals

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cover Songs Which Are Generally Assumed to Be Originals Cover songs which are generally assumed to be originals Song Title Recorded by... Originally Recorded by... A New England Kirsty MacColl Billy Bragg (1985) Agadoo Black Lace Patrick Zabé ("Agadou" 1974 France) Always On My Mind Elvis Brenda Lee (1972) Blame It On The Boogie The Jacksons Mick Jackson (no relation) (1978) Blinded By The Light Manfred Mann's Earth Band Bruce Springsteen (1973) Blue Suede Shoes Elvis Carl Perkins (1955) Brand New Cadillac The Clash Vince Taylor and his Playboys (1959) Caravan of Love The Housemartins Isley-Jasper-Isley (1985) Cats in the Cradle Ugly Kid Joe Harry Chapin (1974) China Girl David Bowie Iggy Pop (1977) Don't Let Me Be Misunderstood The Animals Nina Simone (1964) Don't Turn Around Ace Of Bass Tina Turner (1986) Fell in Love with a Boy Joss Stone The White Stripes (“Fell In Love With A Girl” 2002) Freak Like Me Sugababes Adina Howard (1995) Girls Just Want to Have Fun Cyndi Lauper Robert Hazard (1979) Go Now The Moody Blues Bessie Banks (1964) Green Green Grass of Home Tom Jones Johnny Darrell (1965) Groovy Kind of Love Phil Collins The Mindbenders (1966) He Ain't Heavy, He's My Brother The Hollies Kelly Gordon (1969) Help Yourself Tom Jones Dino and Wilma Goich ("Gli Occhi Miei" 1968) Hey Joe The Jimi Hendrix Experience Billy Roberts (1962) House Of The Rising Sun The Animals Clarence Ashley and Gwen Foster (1934) Hurt Johnny Cash Nine Inch Nails (1994) I Fought the Law The Clash Sonny Curtis (1964) I Heard It Through The Grapevine Marvin Gaye Gladys Knight & the Pips (1967) I Think We're Alone Now Tiffany Tommy James & the Shondells (1967) I Will Always Love You Whitney Houston Dolly Parton (1973) Fernando ABBA Frida (1975) I've Got My Mind Set On You George Harrison James Ray (1962) In The Army Now Status Quo Bolland & Bolland (1981) It Must Be Love Madness Labi Siffre (1971) It's All Coming Back to Me Now Celine Dion Pandora's Box (1989) Jackie Wilson Said Dexys Midnight Runners Van Morrison (1972) Killing Me Softly with His Song Roberta Flack Lori Lieberman (1971) Love Is All Around Wet Wet Wet The Troggs (1967) Mickey Toni Basil Racey ("Kitty" 1978) Money (That's What I Want) Flying Lizards Barrett Strong (1959) Mr. Tambourine Man The Byrds Bob Dylan (1964) My Baby Just Cares for Me Nina Simone Ethel Shutta (1930) No More I Love Yous Annie Lennox The Lover Speaks (1986) Nothing Compares 2 U Sinéad O'Connor The Family (1985) On A Night Like This Kylie Minogue United DJ's vs Pandora (1999) One Step Beyond Madness Prince Buster Pure And Simple Hear'Say Girl Thing (2000) Ray Of Light Madonna Curtiss Maldoon ("Sepheryn" 1971) Respect Aretha Franklin Otis Reading (1965) Ring Of Fire Johnny Cash Anita Carter (1962) Rock Around The Clock Bill Haley & His Comets Sonny Dae & the Knights (1953) Rockin' All Over the World Status Quo John Fogerty (1975) She's The One Robbie Williams World Party (1997) Shoop shoop song (It's in his kiss) Cher Merry Clayton (1963) Singin' in the Rain Gene Kelly Cliff Edwards (1929) Step On The Happy Mondays John Kongos ("He's gonna step on you again" 1971) Tainted Love Soft Cell Gloria Jones (1964) That's Life Frank Sinatra Marian Montgomery (1964) The Best Tina Turner Bonnie Tyler (1988) The Crying Game Boy George Dave Berry (1965) The Tide Is High Blondie (Or Atomic Kitten) The Paragons (1967) Torn Natalie Imbruglia Ednaswap (1995) Turn! Turn! Turn! The Byrds Pete Seeger (1962) Unchained Melody The Righteous Brothers Todd Duncan (1955 for the film "Unchained") Venus Bananarama Shocking Blue (1970) When You Say Nothing at All Ronan Keating Keith Whitley (1988) Who's Sorry Now? Connie Francis Various – the song's origins are unknown Wrong 'em Boyo The Clash The Rulars (1967) www.paulplowman.com.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Joe Louis Walker
    Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band.
    [Show full text]
  • P36-37Spe Layout 1
    lifestyle WEDNESDAY, JUNE 25, 2014 Gossip Former ‘GMA’ host Lunden has breast cancer ormer “Good Morning America” host Joan Lunden says she has breast chemotherapy. She said after the initial shock of the diagnosis, she cancer. She disclosed her diagnosis on yesterday’s edition of the ABC resolved to learn everything she can about the illness and go into what Fmorning show, which she co-anchored from 1980 through 1997. She she called “warrior mode.” She said she expects to make a full recovery. The spoke with “GMA” host Robin Roberts, who has also been treated for breast 63-year-old Lunden is now a health and wellness advocate. She has writ- cancer recently, as has “GMA” co-host Amy Robach. Lunden said her treat- ten eight books. ment will include surgery and radiation. She said she’s already started Sting: My kids won’t inherit my fortune ith every step they take and every move they make, Sting’s kids will have to make their own Wfinancial way. The singer-songwriter says he does- n’t plan to leave anything for his three daughters and three sons, and that they’re fine with that. “I told them there won’t be much money left because we are spending it! We have a lot of commitments. What comes in, we spend, and there isn’t much left,” he said in an interview with The Daily Mail. “I certainly don’t want to leave them trust funds that are albatrosses round their necks,” added the singer-song- writer, whose semi-autobiographical musical “The Last Ship” premiered last week in Chicago.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • 80S 697 Songs, 2 Days, 3.53 GB
    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
    [Show full text]
  • Rejecting the De Minimis Defense to Infringement of Sound Recording Copyrights Michael G
    Notre Dame Law Review Volume 93 | Issue 4 Article 12 3-2018 Rejecting the De Minimis Defense to Infringement of Sound Recording Copyrights Michael G. Kubik University of Notre Dame Law School Follow this and additional works at: https://scholarship.law.nd.edu/ndlr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Michael G. Kubik, Rejecting the De Minimis Defense to Infringement of Sound Recording Copyrights, 93 Notre Dame L. Rev. 1699 (2018). Available at: https://scholarship.law.nd.edu/ndlr/vol93/iss4/12 This Note is brought to you for free and open access by the Notre Dame Law Review at NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized editor of NDLScholarship. For more information, please contact [email protected]. \\jciprod01\productn\N\NDL\93-4\NDL412.txt unknown Seq: 1 31-MAY-18 11:29 NOTES REJECTING THE DE MINIMIS DEFENSE TO INFRINGEMENT OF SOUND RECORDING COPYRIGHTS Michael G. Kubik* INTRODUCTION “Get a license or do not sample.”1 The Sixth Circuit’s terse ultimatum in the 2005 Bridgeport Music, Inc. v. Dimension Films decision rejected the com- mon law de minimis2 exception to copying as applied to sound recordings, and for eleven years, Bridgeport stood unchallenged by the courts of appeals, the Supreme Court, and Congress.3 This changed in June 2016 with the Ninth Circuit’s decision in VMG Salsoul, LLC v. Ciccone.4 Confronted with the question of whether the de minimis defense applies to the unauthorized copying of sound recordings, the court openly rejected the Sixth Circuit’s reasoning and held that the de minimis defense applies.5 In doing so, the Ninth Circuit created a circuit split subjecting two centers of the American music industry, Nashville (Sixth Circuit) and Los Angeles (Ninth Circuit), to * Candidate for Juris Doctor, Notre Dame Law School, 2019; Bachelor of Arts, Honors in Philosophy, University of Michigan, 2016.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • The Uk's Top 200 Most Requested Songs in 1980'S
    The Uk’s top 200 most requested songs in 1980’s 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Super Freak Part I - Rick James 4. Beat It - Michael Jackson 5. Funkytown - Lipps Inc. 6. Sweet Dreams (Are Made of This) - Eurythmics 7. Don't You Want Me? - Human League 8. Tainted Love - Soft Cell 9. Like a Virgin - Madonna 10. Blue Monday - New Order 11. When Doves Cry - Prince 12. What I Like About You - The Romantics 13. Push It - Salt N Pepa 14. Celebration - Kool and The Gang 15. Flashdance...What a Feeling - Irene Cara 16. It's Raining Men - The Weather Girls 17. Holiday - Madonna 18. Thriller - Michael Jackson 19. Bad - Michael Jackson 20. 1999 - Prince 21. The Way You Make Me Feel - Michael Jackson 22. I'm So Excited - The Pointer Sisters 23. Electric Slide - Marcia Griffiths 24. Mony Mony - Billy Idol 25. I'm Coming Out - Diana Ross 26. Girls Just Wanna Have Fun - Cyndi Lauper 27. Take Your Time (Do It Right) - The S.O.S. Band 28. Let the Music Play - Shannon 29. Pump Up the Jam - Technotronic feat. Felly 30. Planet Rock - Afrika Bambaataa and The Soul Sonic Force 31. Jump (For My Love) - The Pointer Sisters 32. Fame (I Want To Live Forever) - Irene Cara 33. Let's Groove - Earth, Wind, and Fire 34. It Takes Two (To Make a Thing Go Right) - Rob Base and DJ EZ Rock 35. Pump Up the Volume - M/A/R/R/S 36. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 37.
    [Show full text]
  • CODE BLEU Thank You for Joining Us at Our Showcase This Evening
    PRESENTS… CODE BLEU Thank you for joining us at our showcase this evening. Tonight, we are featuring Code Bleu, led by Sean and Faith Gillen. Performing together for over twenty years, Code Bleu has become one of the most sought – after orchestras in New York. Code Bleu possesses a unique blend of fun, excitement and elegance that will leave your guests endlessly raving about your wedding. Featuring eight powerful lead vocalists, horns, keyboards, guitar, bass, drums and percussion, they can reproduce virtually any musical style. Code Bleu Members: • ELECTRIC, ACOUSTIC GUITARS, VOCALS………………………..………SEAN GILLEN • VOCALS AND MASTER OF CEREMONIES……..………………………….FAITH GILLEN • VOCALS AND KEYBOARDS..…………………………….……………………..RICH RIZZO • VOCALS AND PERCUSSION…………………………………......................SHELL LYNCH • KEYBOARDS AND VOCALS………………………………………..………….…DREW HILL • BASS……………………………………………………………………….….......DAVE ANTON • DRUMS AND SEQUENCING………………………………………………..JIM MANSFIELD • SAXOPHONE, VOCALS, FLUTE, AND GUITAR….……………ANTHONY POLICASTRO • VOCALS………………………………………………………………….…….PAMELA LEWIS • TRUMPET AND VOCALS……………….…………….………………….ALYSON GORDON www.skylineorchestras.com (631) 277 – 7777 #Skylineorchestras DANCE : BURNING DOWN THE HOUSE – Talking Heads BUST A MOVE – Young MC A GOOD NIGHT – John Legend CAKE BY THE OCEAN – DNCE A LITTLE LESS CONVERSATION – Elvis CALL ME MAYBE – Carly Rae Jepsen A LITTLE PARTY NEVER KILLED NOBODY – Fergie CAN’T FEEL MY FACE – The Weekend A LITTLE RESPECT – Erasure CAN’T GET ENOUGH OF YOUR LOVE – Barry White A PIRATE LOOKS AT 40 – Jimmy Buffet CAN’T GET YOU OUT OF MY HEAD – Kylie Minogue ABC – Jackson Five CAN’T HOLD US – Macklemore & Ryan Lewis ACCIDENTALLY IN LOVE – Counting Crows CAN’T HURRY LOVE – Supremes ACHY BREAKY HEART – Billy Ray Cyrus CAN’T STOP THE FEELING – Justin Timberlake ADDICTED TO YOU – Avicii CAR WASH – Rose Royce AEROPLANE – Red Hot Chili Peppers CASTLES IN THE SKY – Ian Van Dahl AIN’T IT FUN – Paramore CHEAP THRILLS – Sia feat.
    [Show full text]
  • 4BH 1000 Best Songs 2011 Prez Final
    The 882 4BH1000BestSongsOfAlltimeCountdown(2011) Number Title Artist 1000 TakeALetterMaria RBGreaves 999 It'sMyParty LesleyGore 998 I'llNeverFallInLoveAgain BobbieGentry 997 HeavenKnows RickPrice 996 ISayALittlePrayer ArethaFranklin 995 IWannaWakeUpWithYou BorisGardiner 994 NiceToBeWithYou Gallery 993 Pasadena JohnPaulYoung 992 IfIWereACarpenter FourTops 991 CouldYouEverLoveMeAgain Gary&Dave 990 Classic AdrianGurvitz 989 ICanDreamAboutYou DanHartman 988 DifferentDrum StonePoneys/LindaRonstadt 987 ItNeverRainsInSouthernCalifornia AlbertHammond 986 Moviestar Harpo 985 BornToTry DeltaGoodrem 984 Rockin'Robin Henchmen 983 IJustWantToBeYourEverything AndyGibb 982 SpiritInTheSky NormanGreenbaum 981 WeDoIt R&JStone 980 DriftAway DobieGray 979 OrinocoFlow Enya 978 She'sLikeTheWind PatrickSwayze 977 GimmeLittleSign BrentonWood 976 ForYourEyesOnly SheenaEaston 975 WordsAreNotEnough JonEnglish 974 Perfect FairgroundAttraction 973 I'veNeverBeenToMe Charlene 972 ByeByeLove EverlyBrothers 971 YearOfTheCat AlStewart 970 IfICan'tHaveYou YvonneElliman 969 KnockOnWood AmiiStewart 968 Don'tPullYourLove Hamilton,JoeFrank&Reynolds 967 You'veGotYourTroubles Fortunes 966 Romeo'sTune SteveForbert 965 Blowin'InTheWind PeterPaul&Mary 964 Zoom FatLarry'sBand 963 TheTwist ChubbyChecker 962 KissYouAllOver Exile 961 MiracleOfLove Eurythmics 960 SongForGuy EltonJohn 959 LilyWasHere DavidAStewart/CandyDulfer 958 HoldMeClose DavidEssex 957 LadyWhat'sYourName Swanee 956 ForeverAutumn JustinHayward 955 LottaLove NicoletteLarson 954 Celebration Kool&TheGang 953 UpWhereWeBelong
    [Show full text]
  • “Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
    “Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve.
    [Show full text]
  • Sarah Class Biography
    SARAH CLASS BIOGRAPHY “ Sarah Class is one of Britain’s brightest musical stars. Her style is both hauntingly ethereal and sensual, mingling folky influences and a powerfully romantic blend of orchestral and electronic sonorities…..” HMV Classical Reviews Magazine Emmy and Brit nominated Sarah Class has become one of Britains most sought after composers and is described as having ‘the midas touch’ when it comes to creating music. An award winning, accomplished musician, scoring for films, television and the concert arena, producer, songwriter, and singer, Sarah brings a special array of talents to every commission. A classically trained pianist from an early age, Sarah developed a huge love of jazz and improvisation. At 18 she started in the recording studio at Chichester University creating her own compositions and studying jazz piano. She gained a high (B,A Hons.) degree in Music with Related Arts. After graduating she went straight into the music business travelling extensively through Europe and the USA writing and performing with other artists developing her own unique style. Her ability as a composer was soon recognised, and as the attached credits show she quickly started to make her mark in the world of television and subsequently the film in- dustry.Sarah’s first major break was when she was asked to compose the score for an in- dependent feature film titled ‘The Weekend’ starring Gina Rowlands and Brooke Shields. This production brought Sarah to the attention of legendary producer Sir George Martin who subsequently took her under the wing of George Martin Music to help and guide her career.
    [Show full text]