Ray Winstone

www.cam.co.uk Email [email protected] Address Ray 55-59 Shaftesbury Avenue London Winstone W1D 6LD Telephone +44 (0) 20 7292 0600 Film Highlights Title Role Director Production Walt Disney Studios Motion BLACK WIDOW Dreykov Cate Shortland Pictures KING OF THIEVES Danny Jones James Marsh Working Title Films JAWBONE Bill Thomas Napper Emu Films/Revolution NOAH Tubal Cain Darren Aranofsky Paramount SNOW WHITE AND THE HUNTSMAN Gort Rupert Sanders Dark Mirror Films LTD LONDON BOULEVARD Gant William Monahan GK Films INDIANA JONES & THE KINGDOM OF THE CRYSTAL SKULL Mac Steven Spielberg Lucas Films LTD/ Paramount BEOWULF Beowulf Robert Zemeckis Mead Hall Productions THE DEPARTED Mr. French Martin Scorsese Warner Bros. KING ARTHUR Bors Antoine Fuqua Disney COLD MOUNTAIN Teagh Antony Minghella Miramax RIPLEYS GAME Reeves Liliana Cavani Scala Productions SEXY BEAST Gal Joanthan Glazer 20th Century Fox / FilmFour NIL BY MOUTH Ray Gary Oldman Fox Searchlight / Luc Besson QUARDROPHENIA Kevin Franc Roddam Curbishley - Baird Television Highlights Title Role Director Production ICE Cam Rose Various Directors AT&T THE TRIALS OF JIMMY ROSE Jimmy Rose Adrian Shergold ITV MOONFLEET Elzevir Block Andy De Emmony Sky/Blackbeard Productions GREAT EXPECTATIONS Abel Magwitch Brian Kirk BBC Peter Lyndon / Terry VINCENT (Series 1 & 2) Vincent McDonough / Jeremy Granada Television Lovering HENRY VIII Henry VIII Pete Travis Granada Television LENNY BLUE Lenny Andy WIlson Granada Television BIRTHS, MARRIAGES AND DEATHS Alan Adrian Shergold Tiger Aspect for BBC Theatre Highlights Titie Role Director Production THE NIGHT HERON Grifn Ian Rickson Royal Court Theatre TO THE GREEN FIELDS BEYOND Ain Sam Mendes Donmar Warehouse PALE HORSE Charles Ian Rickson Royal Court Theatre Royal National Theatre & DEALER'S CHOICE Sweeney Patrick Marber Vaudeville Theatre SOME VOICES Pete Ian Rickson Royal Court Theatre Characteristics Height Hair Eyes 5'10" Light Brown Brown CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. [email protected] W1D6LD T. +44 (0) 20 7292 Registered in England N0. 7268144 Members of the PMA. VATNo. 993 055 733 0600.

Copy Link

Recommended publications

Movies & Languages 2012-2013 Hugo Cabret
Movies & Languages 2012-2013 Hugo Cabret About the movie (subtitled version) DIRECTOR Martin Scorsese YEAR / COUNTRY 2011 / USA GENRE Adventure ACTORS Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Moretz, Ray Winstone PLOT This film is based on the book "Welcome to the Inventions of Hugo Cabret" by Brian Selznick which is a story about the orphan, clock keeper, and thief Hugo, who lives in the walls of a busy Paris train station where his survival depends on secrets and anonymity. A gloriously heart wrenching film brilliantly epitomizing time and change displaying how very precious every moment is. The magic of this movie is about time within time. It is about how time can be suspended, but never stopping. It is also about how it remains constant, but eternal and how ideas are immortalized through dreams and making them reality. It reminds us to take the time for remembrances of things past and there is a time for happiness. Scorsese's intricacies and close attention to detail actually take us into a different time and place where we, the viewers, can actually experience a reality different than our own. The director successfully depicts a deep and meaningful, soft, tender and painfully sweet reality as seen through the eyes of a child and through actual film footage of Marie. Georges-Jean Méliès who was a French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. He was a prolific innovator in the use of special effects and hand-painted color in his work.
[Show full text]
Brokeback and Outback
[CINEMA] ROKEBACK AND OUTBACK BRIAN MCFARLANE WELCOMES THE LATEST COMEBACK OF THE WESTERN IN TWO DISPARATE GUISES FROM time to time someone pronounces 'The Western is dead.' Most often, the only appropriate reply is 'Long live the Western!' for in the cinema's history of more than a century no genre has shown greater longevity or resilience. If it was not present at the birth of the movies, it was there shortly after the midwife left and, every time it has seemed headed for the doldrums, for instance in the late 1930s or the 1960s, someone—such as John Ford with Stagecoach (1939) or Sergio Leone and, later, Clint Eastwood—comes along and rescues it for art as well as box office. Western film historian and scholar Edward Buscombe, writing in The BFI Companion to the Western in 1988, not a prolific period for the Western, wrote: 'So far the genre has always managed to renew itself ... The Western may surprise us yet.' And so it is currently doing on our screens in two major inflections of the genre: the Australian/UK co-production, John Hillcoat's The Proposition, set in [65] BRIAN MCFARLANE outback Australia in the 1880s; and the US film, Ang Lee's Brokeback Mountain, set largely in Wyoming in 1963, lurching forwards to the 1980s. It was ever a char acteristic of the Western, and a truism of writing about it, that it reflected more about its time of production than of the period in which it was set, that it was a matter of America dreaming about its agrarian past.
[Show full text]
(1997:793) Obsessions Are Defined As “Instructive, Repe
CHAPTER 1 INTRODUCTION A. Background of the Study According to Rachman (1997:793) obsessions are defined as “instructive, repetitive thoughts, images or impulses that are unacceptable and unwanted and give rise to subjective resistance the necessary and sufficient conditions are intrusiveness, internal attribution, unwanted and difficulty of control” (Rachman & Hodgson, 1980:251). Typical obsessions include fear of contamination as from handshakes, worry about leaving things in their proper order, persistent doubts about one's responsible behavior, scary images involving violent acts, and images of sexual acts. People with obsessions may find themselves acting in compulsive ways in largely useless efforts to relieve the anxiety associated with their persistent, unpleasant thoughts. Others suffering from obsessions may try very hard to control or ignore them. It is important to note that worries about daily concerns paying bills, studying for exams, keeping a job, interpersonal relationships are not obsessions. Although they can occasionally be carried to obsessive lengths, these concerns can change with circumstances and, in most cases be controlled, with planning, effort, and action. Obsessions relate to problems that most 1 2 people would consider far removed from normal, daily events and concerns. A literary work can be defined as a branch of literature dealing with words as raw material to create a picture, an idea or a story in a meaningful pattern. Yet words, being the backbone of the pattern, are not really of great importance if they aren’t carefully manipulated into good syntactically structured sentences so can deliver the target idea in an artistic way. It is meant that the work is valued as work of art with a literary style which is, of course, different from that we use in colloquy.
[Show full text]
Annotated Bibliography Example
The Social Studies (2010) 101, 103–104 Copyright C Taylor & Francis Group, LLC ISSN: 0037-7996 print / 2152-405X online DOI: 10.1080/00377996.2010.483671 An Ever-So-Brief Bibliography RON PAHL Department of Secondary Education, California State University, Fullerton, Fullerton, California, USA The following is an ever-so-brief bibliography of the Portraits: Images of Henry VIII thousands of books, ﬁlms, artifacts, and Web sites available on King Henry VIII. The best source of images of Henry VIII on the web site is Tudor England Images: Portraits of King. Henry VIII, Books born 1491, ruled 1509–1547. http://www.marileecody.com/henry8images.html. Most A local university library lists 263 books on Henry VIII, important of these images of the king are the famous including the recent following ones: ones by Hans Holbein the Younger who became the Campbell, T. 2007. Henry VIII and the art of majesty: artist whom all other artists copied when they wanted Tapestries at the Tudor Court. New Haven: Yale an image of Henry VIII. Unfortunately, Holbein’s University Press / Paul Mellon Centre for Studies in images, however magniﬁcent, only show Henry in his British Art. fat and melancholy later years. Rex, R. 2006. Henry VIII and the English Reformation. New York: Palgrave Macmillan. Hutchinson, R. 2005. The last days of Henry VIII: Poetry and Love Letters Conspiracies, treason, and heresy at the court of the dying tyrant. New York: William Morrow. Luminarium Anthology of English Literature: Henry VIII. Garnet, R., and E. Gosse, eds. 1903. English literature: An http://www.luminarium.org/renlit/ illustrated record.
[Show full text]
The Artist This February 'Love Is in the Air' in the Library. What Better Way To
This February ‘love is in the air’ in the library. What better way to enjoy Valentine’s Day than curled up on your couch watching a movie? From modern favourites to timeless classics, there are countless movies in the romance genre, so here at the Learning Curve we’re here to help you narrow them down. Get ready to laugh, cry, swoon, and everything in between with your favourite hunks, lovers, and heroines. Whether you're taking some ‘me time’ or cuddled up with that special someone, here at the library we have a great selection of DVDs. These can all be found on popular streaming services or borrowed from the library using our Click & Collect Service once lockdown is over. Be sure to have popcorn and tissues at the ready! The Artist Director: Michel Hazanavicius Actors: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller The Artist is a love letter and homage to classic black-and-white silent films. The film is enormously likable and is anchored by a charming performance from Jean Dujardin, as silent movie star George Valentin. In late-1920s Hollywood, as Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he makes an intense connection with Peppy Miller, a young dancer set for a big break. As one career declines, another flourishes, and by channelling elements of A Star Is Born and Singing in the Rain, The Artist tells the engaging story with humour, melodrama, romance, and--most importantly--silence. As wonderful as the performances by Dujardin and Bérénice Bejo (Miller) are, the real star of The Artist is cinematographer Guillaume Schiffman.
[Show full text]
British Film Institute Annual Review 2001 2002
British Film Institute Annual Review 2001_2002 Contents 04 bfi Chair’s Foreword 05 bfi Chief Executive Officer’s Foreword 06 About the British Film Institute 08 Developing our film and television material 16 Helping raise standards of teaching and learning 20 Getting the best value out of what we do Foreword Joan Bakewell,bfi Chair This is my last full year in the Asian film, which runs from April to As my time as Chair comes to an position of bfi Chair. My tenure will November 2002.This nationwide end, I would like to thank my fellow be completed at the end of 2002. project does not simply cover the governors for their staunch and However, I can proudly look back familiar Bollywood tradition, but sustained support as the bfi confronts on a year in which much sound engages with the great diversity of changing times.Two governors – work has been accomplished by film-making from that part of the Barry Norman and Brian Winston – the British Film Institute. world. Staff have been busy planning departed, and two arrived – film- around 300 events in collaboration maker John Akomfrah and film I would particularly like to highlight with over 60 partner organisations educationalist Elan Closs Stephens. the excellent work being carried out and venues across the UK. All have been generous with their time by the bfi’s National Film and Television and professional expertise. Most Archive to restore the Mitchell and The bfi is also planning to celebrate particularly, I have depended on the Kenyon Collection.These 800 rolls the 50th anniversary of the National wise counsel of my Vice Chair Rick of nitrate film, which depict ordinary Film Theatre.
[Show full text]
British Film Institute Annual Review 1999-2000
British Film Institute Annual Review 1999-2000 www.bfi.org.uk 1999-2000 Review Annual Institute Film British British Film Institute bfi Fellows Fellowships at 31 March 2000 bfi Fellowships are Michelangelo Antonioni given to individuals Dame Peggy Ashcroft from around the world Lord Attenborough CBE in recognition of their Lord Bernstein outstanding contribution Bernardo Bertolucci to film or television Sir Dirk Bogarde culture. Lord Brabourne Sir Michael Caine A total of 50 bfi Marcel Carné Fellowships have been Bette Davis presented since this Gérard Depardieu award was initiated in Clint Eastwood 1983, the bfi’s silver David Francis OBE jubilee year; none was Sir J Paul Getty bestowed during 1999- Graham Greene 2000. New Fellowships Sir Alec Guinness will be awarded in Leslie Hardcastle OBE 2000-2001 and beyond. Sir Jeremy Issacs Derek Jarman Deborah Kerr CBE Krzysztof Kieslowski Elem Klimov Akira Kurosawa Verity Lambert Lynda La Plante Sir David Lean Ken Loach Sir John Mills Jeanne Moreau Maureen O’Hara Lord Olivier Michael Parkinson CBE Dilys Powell CBE Michael Powell Emeric Pressburger Lord Puttnam CBE Satyajit Ray Vanessa Redgrave CBE Nicolas Roeg CBE Sir Sydney Samuelson CBE Thelma Schoonmaker Powell Martin Scorsese Jean Simmons Anthony Smith CBE Dame Maggie Smith Jeremy Thomas Orson Welles Robert Wise British Film Institute www.bfi.org.uk Alan Yentob 21 Stephen Street Telephone +44 (0)20 7255 1444 Fred Zinnemann London Fax +44 (0)20 7436 0439 W1T 1LN E-mail [email protected] UK 24-hour bfi events line 0870 240 40 50 British Film Institute Annual Review 1 April 1999 – 31 March 2000 Contents 2 4 10 40 Introduction by bfi Chair, Joan Bakewell CBE Director’s report by Jon Teckman Departmental reviews: Education Exhibition 18 26 36 Collections Production Financial statements bfi Fellows 2 bfi mission statement In October 1999 I was delighted to succeed Another key initiative is underway to develop an Alan Parker CBE as Chair of the British Film Internet outlet for our unique collection of film The British Film Institute (bfi).
[Show full text]
Filmography for Beowulf (2007) Directed By: Robert Zemeckis
Audrey Crawford and Tynisha Ferguson Dr. Koster Engl 510 May 23, 2011 Filmography for Beowulf (2007) Directed by: Robert Zemeckis Screenplay by: Neil Gaiman and Roger Avary Featuring: Angelina Jolie, Crispin Hellion Glover, and Ray Winstone. DVD: Paramount Pictures, 2007. 115 mins. IMDB SITE http://www.imdb.com/title/tt0442933/ Cast: Ray Winstone Beowulf Anthony Hopkins Hrothgar John Malkovich Unferth Robin Wright Penn Wealthrow Brendan Gleesson Wiglaf Crispin Hellion Glover Grendel Alison Lohman Ursula Angelina Jolie Grendel’s Mother Script: No Script Available Major Reviews: New York Times, http://movies.nytimes.com/2007/11/16/movies/16beow.html CNN, http://www.cnn.com/2007/SHOWBIZ/Movies/11/16/review.beowulf/index.html?iref=allsearch Beowulf Website: http://www.beowulfmovie.com/ Video Link (youtube.com): How it should have ended: Beowulf Synopsis: (from Artist Direct) Audrey Crawford and Tynisha Ferguson Dr. Koster Engl 510 May 23, 2011 Inspired by the epic Old English poem of the same name, director Robert Zemeckis’ digitally rendered film follows the Scandinavian hero Beowulf (Ray Winstone) as he fights to protect the Danes from a ferocious beast named Grendel (Crispin Glover). Though at first Grendel seems invincible, Beowulf eventually manages to defeat him in a desperate battle to the death. Devastated by her son’s violent demise at the hands of Beowulf, Grendel’s mother (Angelina Jolie,) sets out in search of revenge. Later, Beowulf faces the biggest challenge of his life when he attempts to slay a powerful dragon. Anthony Hopkins, Robin Wright Penn, Alison Lohman, John Malkovich and Brendan Gleeson co-star in an epic fantasy adventure penned by Roger Avary.
[Show full text]
Movie Data Analysis.Pdf
FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.
[Show full text]
Films & Major TV Dramas Shot (In Part Or Entirely) in Wales
Films & Major TV Dramas shot (in part or entirely) in Wales Feature films in black text TV Drama in blue text Historical Productions (before the Wales Screen Commission began) Dates refer to when the production was released / broadcast. 1935 The Phantom Light - Ffestiniog Railway and Lleyn Peninsula, Gwynedd; Holyhead, Anglesey; South Stack Gainsborough Pictures Director: Michael Powell Cast: Binnie Hale, Gordon Harker, Donald Calthrop 1938 The Citadel - Abertillery, Blaenau Gwent; Monmouthshire Metro-Goldwyn-Mayer British Studios Director: King Vidor Cast: Robert Donat, Rosalind Russell, Ralph Richardson 1940 The Thief of Bagdad - Freshwater West, Pembrokeshire (Abu & Djinn on the beach) Directors: Ludwig Berger, Michael Powell The Proud Valley – Neath Port Talbot; Rhondda Valley, Rhondda Cynon Taff Director: Pen Tennyson Cast: Paul Robeson, Edward Chapman 1943 Nine Men - Margam Sands, Neath, Neath Port Talbot Ealing Studios Director: Harry Watt Cast: Jack Lambert, Grant Sutherland, Gordon Jackson 1953 The Red Beret – Trawsfynydd, Gwynedd Director: Terence Young Cast: Alan Ladd, Leo Genn, Susan Stephen 1956 Moby Dick - Ceibwr Bay, Fishguard, Pembrokeshire Director: John Huston Cast: Gregory Peck, Richard Basehart 1958 The Inn of the Sixth Happiness – Snowdonia National Park, Portmeirion, Beddgelert, Capel Curig, Cwm Bychan, Lake Ogwen, Llanbedr, Morfa Bychan Cast: Ingrid Bergman, Robert Donat, Curd Jürgens 1959 Tiger Bay - Newport; Cardiff; Tal-y-bont, Cardigan The Rank Organisation / Independent Artists Director: J. Lee Thompson Cast:
[Show full text]
For Immediate Release GET YOUR ADVANCE TICKETS for INDIANA
For Immediate Release GET YOUR ADVANCE TICKETS FOR INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL AND SEX AND THE CITY: THE MOVIE AT CINEPLEX ENTERTAINMENT THEATRES Sex and the City: The Movie Special Advance Screening Thursday May 29th at 10 pm Toronto, ON (CGX.UN) May 9, 2008 – Cineplex Entertainment will begin selling advance tickets for the highly anticipated movies Indiana Jones and the Kingdom of the Crystal Skull, opening in wide release on Friday May 23rd as well as for Sex and the City: The Movie, opening in wide release on Friday May 30th. Today, Friday May 9th, guests will be able to purchase advance tickets for Indiana Jones and the Kingdom of the Crystal Skull and on Friday May 16th, guests will be able to purchase tickets for Sex and the City: The Movie. Advance tickets can be purchased online at www.cineplex.com as well as at participating Cineplex Entertainment theatre box offices. Ladies, grab your Manolos and Louboutins and be the first to see the highly anticipated Sex and the City: The Movie. A special advance screening will be shown at select Cineplex Entertainment theatres across the country on Thursday May 29th at 10 pm local time. Advance tickets can be purchased online at www.cineplex.com as well as at participating Cineplex Entertainment theatre box offices. “Cineplex Entertainment is very pleased to provide the special advance screening of Sex and the City: The Movie to our guests across the country,” said Pat Marshall, Vice-President Communications and Investor Relations for Cineplex Entertainment. ”Offering advance tickets to both Indiana Jones and the Kingdom of the Crystal Skull and Sex and the City: The Movie offers our guests the opportunity to be amongst the very first to experience these two highly anticipated movies.” SCENE members get an added bonus for Sex and the City, with a chance to win a trip for four to New York City and a $5000 shopping spree.
[Show full text]
Stuart Renfrew +44 (0) 7860 210112 Second Unit Director [email protected] Assistant Director
Stuart Renfrew +44 (0) 7860 210112 Second Unit Director [email protected] Assistant Director FILM The Hot Potato (2010) Tim Lewiston Ray Winstone, Colm Meaney Wardour Pictures (first assistant director) Jack Huston, David Harewood Late Bloomers (2010) Julie Gavras William Hurt, Isabella Rossellini Gaumont (first assistant director) Joanna Lumley, Simon Callow Tamara Drewe (2009) Stephen Gemma Arterton, Dominic Cooper Ruby Films (first assistant director) Frears Luke Evans, Tamsin Greig Sony Pictures Cheri (2008) Stephen Michelle Pfeiffer, Rupert Friend Pathe, Miramax (first assistant director) Frears Kathy Bates Dean Spanley (2007) Toa Fraser Sam Neil, Peter O'Toole Miramax (first assistant director) Jeremy Northam, Bryan Brown Free Agents (2007) Richard Laxton Stephen Mangan, Anthony Head Big Talk (first assistant director) Flick (2007) David Howard Fay Dunaway Monster Films (first assistant director) Grow Your Own (2006) Richard Laxton Eddie Marsan Warp Films (first assistant director) I Really Hate My Job (2006) Oliver Parker Neve Campbell, Danny Huston 3DD Productions (first assistant director) Shirley Henderson, Barnholtz Entertainment I Want Candy (2007) Stephen Surjik Carmen Electra, Eddie Marsan Magnolia Home Ent. (first assistant director) Tom Riley Celebration (2006) John Crowley Colin Firth, Michael Gambon Parallel Films (first assistant director) Stephen Rea, James Fox The Queen (2006) Stephen Helen Mirren, James Cromwell Pathe, Miramax (first assistant director) Frears Michael Sheen Mrs Henderson Presents (2005) Stephen Judy Dench, Bob Hoskins Heyman/Hoskins (first assistant director) Frears Christopher Guest, Kelly Riley Pathe, Weinstein Co. The Truth About Love (2004) John Hay Jennifer Love Hewitt, Lex Filmed Ent. (first assistant director) Dougray Scott, Jimi Mistry First Look Vanity Fair (2004) Mira Nair Reese Witherspoon Mirabal Films (first assistant director: India) Gabriel Byrne, Rhys Ifans Focus Features Spartan (2003) David Mamet Tia Texada, Derek Luke Warner Bros.
[Show full text]