{TEXTBOOK} He Rode with Butch and Sundance : the Story Of
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Butch Cassidy Roamed Incognito in Southwest New Mexico
Nancy Coggeshall I For The New Mexican Hideout in the Gila Butch Cassidy roamed incognito in southwest New Mexico. Hideout in the Gila utch Cassidy’s presence in southwestern New Mexico is barely noted today. Notorious for his successful bank Butch Cassidy roamed and train robberies at the turn of the 20th century, incognito in southwest Cassidy was idealized and idolized as a “gentleman out- New Mexico wilderness Blaw” and leader of the Wild Bunch. He and various members of the • gang worked incognito at the WS Ranch — set between Arizona’s Blue Range and San Carlos Apache Reservation to the west and the Nancy Coggeshall rugged Mogollon Mountains to the east — from February 1899 For The New Mexican until May 1900. Descendants of pioneers and ranchers acquainted with Cassidy tell stories about the man their ancestors knew as “Jim Lowe.” Nancy Thomas grew up hearing from her grandfather Clarence Tipton and others that Cassidy was a “man of his word.” Tipton was the foreman at the WS immediately before Cassidy’s arrival. The ranch sits at the southern end of the Outlaw Trail, a string of accommodating ranches and Wild Bunch hideouts stretching from Montana and the Canadian border into Mexico. The country surrounding the WS Ranch is forbidding; volcanic terrain cleft with precipitously angled, crenelated canyon walls defies access. A “pretty hard layout,” local old-timer Robert Bell told Lou Blachly, whose collection of interviews with pioneers — conducted PROMIENT PLACES - between 1942 and 1953 — are housed at the University of New OUTLAW TRAIL Mexico. What better place to dodge the law? 1. -
Hill's Butch Cassidy and the Sundance
1 Butch Cassidy and the Sundance Kid Poster by Tom Beauvais Courtesy Wikipedia Reviewed by Garry Victor Hill Directed by George Roy Hill. Produced by John Foreman. Screenplay by William Goldman. Cinematography by Conrad Hall. Art Direction by Jack Martin Smith & Philip M. Jefferies. Music by Burt Bacharach. Edited by John C. Howard & Richard C. Meyer. Sound George R. Edmondson. Costume designs: Edith Head. Cinematic length: 110 minutes. Distributed by 20TH Century Fox. Companies: Campanile Productions and the Newman–Foreman Company. Cinematic release: October 1969. DVD release 2006 2 disc edition. Check for ratings. Rating 90%. 2 All images are taken from the Public Domain, The Red List, Wikimedia Commons and Wiki derivatives with permission. Written Without Prejudice Cast Paul Newman as Butch Cassidy Robert Redford as the Sundance Kid Katharine Ross as Etta Place Strother Martin as Percy Garris Henry Jones as Bike Salesman Jeff Corey as Sheriff Ray Bledsoe George Furth as Woodcock Cloris Leachman as Agnes Ted Cassidy as Harvey Logan Kenneth Mars as the town marshal Donnelly Rhodes as Macon Timothy Scott as News Carver Jody Gilbert as the Large Woman on the train Don Keefer as a Fireman Charles Dierkop as Flat Nose Curry Pancho Córdova as a Bank Manager Paul Bryar as Card Player No. 1 Sam Elliott as Card Player No. 2 Charles Akins as a Bank Teller Percy Helton as Sweetface Review In the second half of the 1960s westerns about the twilight of the Wild West suddenly became popular, as if both filmmakers and audiences wanted to keep the West within living memory. -
Bears Ears National Monument Proclamation
THE WHITE HOUSE Office of the Press Secretary For Immediate Release December 28, 2016 ESTABLISHMENT OF THE BEARS EARS NATIONAL MONUMENT - - - - - - - BY THE PRESIDENT OF THE UNITED STATES OF AMERICA A PROCLAMATION Rising from the center of the southeastern Utah landscape and visible from every direction are twin buttes so distinctive that in each of the native languages of the region their name is the same: Hoon'Naqvut, Shash Jáa, Kwiyagatu Nukavachi, Ansh An Lashokdiwe, or "Bears Ears." For hundreds of generations, native peoples lived in the surrounding deep sandstone canyons, desert mesas, and meadow mountaintops, which constitute one of the densest and most significant cultural landscapes in the United States. Abundant rock art, ancient cliff dwellings, ceremonial sites, and countless other artifacts provide an extraordinary archaeological and cultural record that is important to us all, but most notably the land is profoundly sacred to many Native American tribes, including the Ute Mountain Ute Tribe, Navajo Nation, Ute Indian Tribe of the Uintah Ouray, Hopi Nation, and Zuni Tribe. The area's human history is as vibrant and diverse as the ruggedly beautiful landscape. From the earliest occupation, native peoples left traces of their presence. Clovis people hunted among the cliffs and canyons of Cedar Mesa as early as 13,000 years ago, leaving behind tools and projectile points in places like the Lime Ridge Clovis Site, one of the oldest known archaeological sites in Utah. Archaeologists believe that these early people hunted mammoths, ground sloths, and other now-extinct megafauna, a narrative echoed by native creation stories. Hunters and gatherers continued to live in this region in the Archaic Period, with sites dating as far back as 8,500 years ago. -
Cowboy Up: the American Cowboy in Fact and Fiction Syllabus
FSEM 100 Cowboy Up: The American Cowboy in Fact and Fiction Syllabus Semester Spring 2011 Lecturer Dr. Ron Scheer Email [email protected] Section 34604 Office JEF 261 Phone 213-740-1980 Time Mon 2:00 Office hours TTh 2:00 Fax 213-740-4100 Classroom WPH 201 and by appointment Course description The western has been a genre of American movies and popular literature for over a century. The stories told in this genre reflect values that are embedded in American culture. They are typically about men of strong character who represent a certain kind of moral order, and the story being told is about how they confront and overcome villains, outlaws, and other “bad guys” who are enemies of that order. It can be a black-and-white world of good vs. evil, or it can be a world where there are many shades of gray, so that it’s less easy to tell the difference. This conflict is typically played out on the American frontier, in the late 19th century (1865-1900), during the decades after the American Civil War. It is the era of cowboys, the growth of the cattle industry, the fencing of the open range, the demise of the buffalo herds, the final displacement of the Native American tribes, the building of cross- continental railroads, and rapid settlement of the frontier territories fed by waves of immigration and the availability of free land made possible by the Homestead Acts. The conflict in a western typically involves and is eventually resolved by violence – fistfights, gunfire, sometimes even explosives. -
GOVERNMENTAL UNIT REFERENCE MAP (2015): Mohave County, AZ 113.928198W
34.641664N 34.644342N 114.087545W GOVERNMENTAL UNIT REFERENCE MAP (2015): Mohave County, AZ 113.928198W B u c k LEGEND d M R n o o u s n r ta a SYMBOL DESCRIPTION SYMBOL LABEL STYLE i C n t Pipeline Rd d i W R K a s s n a h S Geronimo Rd v E Federal American Indian S Calamity Jane Rd e L'ANSE RESERVATION (TA 1880) S Butch Cassidy Rd S Gene Autry Rd l n a o Reservation Caboose s D r a S S Cisco Kid Rd C t i K Off-Reservation Trust Land T1880 Cholla Dr American Indian Tribal W Cholla Dr Cholla Dr SHONTO (620) E Cholla Dr Cholla Dr Geronimo Rd Subdivision E C Pipeline Rd holla Dr S Jesse James Rd Cholla Dr holla Alaska Native Regional C Cholla Rd E Cholla Rd NANA ANRC 52120 Dr Cholla Rd Corporation (ANRC) Cholla Dr Pipeline Rd State (or statistically equivalent entity) NEW YORK 36 Wyatt Earp Rd Roy Rogers Rd County (or statistically John Wayne Rd Wild Bill Rd equivalent entity) ERIE 029 Tom Mix Rd Butch Cassidy Rd Minor Civil Division 1 Lee town 41460 Doc Holiday Rd (MCD) S Trigger Rd Dale Evans Rd Census County Division Horseshoe Rd (CCD) 2 Jemez CCD 91650 Consolidated City MILFORD 47500 Incorporated Place 3 Davis 18100 Juniper Dr Juniper Dr Census Designated Place Lone Ranger Rd W Juniper Dr 2 Juniper Dr (CDP) Cochiti 16560 Kid Rd Sundance DESCRIPTION SYMBOL DESCRIPTION SYMBOL Interstate 3 Caboose Rd Water Body Pleasant Lake Gene Autry Rd Billy the Kid Rd U.S. -
Wild Bunch Bibliography
Revised 3/1/12 Wild Bunch Articles in Western Magazines $4.00 per issue (unless otherwise indicated) To order magazines, go to our website http://www.magazinehouse.us/ Parker, Robert Leroy (“Butch Cassidy”) Berk, Lee. Butch Cassidy Didn't Do It--Winnemucca. Old West, Fall 1983, p. 22. *Betensen, Lulu Parker, and Bill Kelly. Butch Cassidy and When He Came Home. Real West Sept. 1977, p. 14. Boren, Kerry. Grandpa Knew Butch Cassidy. Frontier Times, Mar. 1966, p. 18. Boren, Kerry. Proof: Butch Cassidy Came Back. Westerner, May-June 1973, p. 38. Breihan, Carl. Butch Cassidy and Company: Long Riders of the Outlaw Trail. Part 1, Real West, May 1971, p. 6. Breihan, Carl. Butch Cassidy and Company: Long Riders of the Outlaw Trail. Part 2, Jun 1971, p. 46. Bristow, Allen P. A Rude Awakening. True West, June 1996, p. 38. Buck, Daniel, and Anne Meadows. Where Lies Butch Cassidy? Old West, Fall 1991, p. 29. Buck, Daniel, and Anne Meadows. Skulduggery: Three Men and a Shovel. True West, Dec. 1993, p. 28. Buck, Daniel, and Anne Meadows. Leaving Cholila: Butch and Sundance Documents Surface in Argentina. True West, Jan. 1996, p. 20. Buck, Daniel, and Anne Meadows. New Wild Bunch Documents Surface. True West, Aug. 1997, p. 7. Carson, John. Butch Cassidy. True West, Dec. 1962, p. 45. Coleman, Max. Cassidy of Wyoming. Hunter's Frontier Times, Mar. 1933, p. 249. Conant, Lora M. Butch Tangled with the Pinkertons. Wild West, Sept. 1970, p.26. Dullenty, Jim. He Was a Stranger in Globe, Arizona. True West, Sept. 1983, p. -
Cajon Advocate 042007
Editor: Pasture Patti Cajon Cowboy Monthly—March 2007 SURVEY RESULTS IN As some of you have been them pulled in closer!! We pretty RESULTS aware, we have been running a sur- much have decided that the pistol tar- 1. Satisfied vey at the range and on-line regard- gets will be placed at 7 yards. We with target ing some of our operations. This be- could have a liability issue with them placement. ing with the aim of giving the shoot- if they are closer since the SASS YES 89 — NO 12 ers more bang for their buck. The Shooters Handbook has suggested tar- results are shown below. It should get distances in it. We don’t have a 2. Start Earlier? YES 34 — NO 67 be pointed out that only about 17.5% clear legal definition how the words of our total membership or 101 “suggested” may hold up in court in 3. Happy with Shoot and Scoot members responded to the survey. A the event of an accident. Back to the at 2nd Sat. Shoot? not real good showing to say the survey, you will see that within each YES 78 — NO 16 least. In my opinion, not enough question, folks failed to answer all of 4. Serve food on the run at the response to make any serious them, either because they didn’t care 2nd Sat. Shoot? changes to our operations. The com- or had no opinion. Anyhow the re- YES 48 — NO 40 ments section basically said “keep sponse was marginal to the survey at doing what you are doing with the best because I know that more than 5. -
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers. -
Essential Trailer Tips Cross-Country
YOUR ANNUAL TRAIL-RIDING GUIDE THE TRAIL RIDER SPECIAL ISSUE! APRIL 2014 P Camp Canada! Essential P Blue Ridge Getaway 29 Trailer Tips SP P Northwest Guest Ranches E C ial Cross-Country I SS P New Mexico Gem ue P Hauling Guide 2014 2014 P Civil War Battlefield Rides trail - riding Top Travel guide Gear Trail-Riding Resources SPONSORED BY STRAIGHT ARROW P Handy Checklists P On-Trail First-Aid Kit P Riding-Helmet Tips A P ril P More! 2014 Plus: Our Exclusive Where-to-Ride Guide! Land of Enchantment BY CYNTHIA MCFARLAND I grew up in Tucson, Arizona. But, “world’s first designated wilderness” at the these areas comprise more than three mil- I’m sorry to say, I’ve never spent time in urging of conservationist Aldo Leopold, the lion acres. neighboring New Mexico. Gila National Forest contains more federal There are no roads and motorized ve- So, when my good friend and riding land than any other national forest outside hicles aren’t permitted. The only way to buddy, Mary McDuffie, and I started plan- Alaska. It includes the aptly named Aldo explore these areas is by horse or by foot. ning a riding vacation last year, I began It’s remarkable to ride for an entire day and Leopold Wilderness, Blue Range Wilder- looking at ranches in that beautiful state. encounter only wildlife and scattered small I ness, and the Gila Wilderness. Together, While online, I came upon groups of cattle — the land is Geronimo Trail Guest Ranch in open range for grazing. Winston, in the southwest por- “We feel like there’s no bet- tion of the state. -
I Ain't the Sundance
So, I Ain’t the Sundance Kid As Robert Redford plays him in that great 70’s movie, “Butch Cassidy and The Sundance Kid”, the Sundance Kid is the fastest gun in the West, and the best shot. Never misses. He was awesome. In the movie, Redford/Sundance shoots the belt buckle off the bad guy’s gun belt without harming a hair, or a navel, on him. Just jerks that pistol out of his holster and fires, without aiming. Fanning the hammer of his Colt .45, Sundance shoots a silver dollar out of the air, and hits it five more times before it hits the ground. Makes it look easy. I grew up watching all the old cowboy movie stars: Roy Rogers, Gene Autry, Lash LaRue, Tim McCoy, The Lone Ranger. Any one of them was every bit as good a shot as Sundance. All those guys got their man with one shot, without aiming, generally while astride a galloping horse. And Gene, Roy, Lash, Tim - always shot the gun out of the bad guy’s hand. They almost never drew blood with a bullet. Lash was pretty good with a bullwhip too. All of them had pretty fancy rigs, wide leather gun-belts, fancy-tooled holsters. And Colt .45 pistols. Roy Rogers had a set of gold .45’s. The Lone Ranger used silver bullets for his two silver Colts with ivory handles. Old Gene carried just a simple gunmetal blue one with wooden handles. I wanted one of those “real” Cowboy guns from the time I was 8 years old. -
Download FEBRUARY 1977.Pdf
CONTENTS MESSAGE FROM THE DIRECTOR " . .. the rapidly growing role of the computer in our society has created a uniquely challenging field of criminal activity." POLICING SPECTACLES: COOPERATION, COORDI• NATION, AND OTHER CONSIDERATIONS, by John D. Swift. 3 A VIABLE POLICE RESERVE, by Paul H. Bohardt, Chief, Administrative Division, Dade County Pub• lic Safety Department, Miami, Fla. 9 RAILROAD CRIME: OLD WEST TRAIN ROBBERS TO MODERN-DAY CARGO THIEVES, by Thomas W. Gough, Staff Assistant to the General Director, Security and Special Service Department, Union Paciflc Railroad Co., Omaha, Nebr. 16 ENTRY INTO PREMISES FOR THE PURPOSE OF EX• ECUTING AN ARREST WARRANT, by J. Paul Bout• well, Special Agent, Legal Counsel Division, Fed'eral Bureau of Investigation, Washington, D.C. 27 WANTED BY THE FBI 32 THE COVER The photograph featured on this month's cover highlights the role of of• ficers who protect our railways from criminal acts. See related article begin• ning on page 16 of this issue. Message from the Director. IN THE FOREFRONT OF MAJOR technological of some administrators not to report such crimes advances has been the computer. Its uses in busi• through fears of disclosing existing vulnerabili• ness, industry, government, and other areas have ties or creating other forms of adverse publicity. dramatically expanded, generating countless ben• Based on recent studies, this type of white• efits. There is every reason to believe that this collar criminal generally appears to have several remarkable proliferation will continue in the characteristics that set him apart from other law• future and receive additional impetus with in• breakers. Typically, the offender is a highly intel• creased availability of minicomputers. -
Wild Bunch, Winter of 1889, Crow Creek Road, Half-Way House, Auburn, Telluride Bank Robbery
STAR VALLEY HISTORICAL SOCIETY HISTORICAL BOOKS INVENTORY DETAILS 1. Overview Title of Book: Butch Cassidy and the Wild bunch in Star Valley, Wyoming 1889-1896 Author: Pamela Call Johnson Subject: Star Valley Publisher: CJJ Publishing Publishing Date: 2010 Number of Pages: 32 ID#: 98 Location: Website 2. Evaluation Evaluator's Name(s): Kent Erickson Date of Evaluation: March 2014 Key Words: Wild Bunch, Winter of 1889, Crow Creek Road, Half-Way House, Auburn, Telluride Bank robbery. The Outlaw Trail. Signal Hill Included Names: Tom McCarty, Butch Cassidy, Matt Warner, Elzy Lay, Rose Morgan, Sary Lehmberg, Al Hainer 3. Svnopsis: This booklet tells of events surrounding the time Butch Cassidy and other outlaws spent in Star Valley, Wyoming, Two of the events described were the Johnson County War and the Montpelier Bank Robbery. 4. Other "^Hand drawn sketches of people and places *Poem: "Somebody's Son" by Pamela C. Johnson "^Notes ^Bibliography B/iicFi. Gassidff ami ITtc iViId B/ii/if/ in Star Valley, Wyoming 1889-1896 The rock church where outlaws courted Mormon girls. Pamela Call Johnson £tcim Valley Historic,.'.! Society Butch Cassidy and The Wild Bunch in Star Valley,Wyoming 1889-1896 Pamela Call Johnson Butch Cassidy and The Wild Bunch In Star Valley,Wyoming 1889-1896 Introduction Star Valley can officially claim Butch Cassidy, Tom McCarty, Matt Warner, and Elzy, (pronounced Elza) Lay as outlaw residents. Some believe it likely the Sundance Kid, including any who were members of the "Wild Bimch", were also among those who knew Star Valley as a useful hide-out. The Wild Bunch is defined as any outlawsassociatedwith Butch Cassidy in the North American West.