Prince (From the 1984 Album PURPLE RAIN) Transcribed by Twelfth-Elf Words and Music by Prince, Wendy Melvoin, Lisa Coleman, & John L

Total Page:16

File Type:pdf, Size:1020Kb

Prince (From the 1984 Album PURPLE RAIN) Transcribed by Twelfth-Elf Words and Music by Prince, Wendy Melvoin, Lisa Coleman, & John L COMPUTER BLUE (Bassline) As recorded by Prince (From the 1984 Album PURPLE RAIN) Transcribed by Twelfth-Elf Words and Music by Prince, Wendy Melvoin, Lisa Coleman, & John L. Nelson A The Wendy, The Lisa... P = 133 c c c c c c 1 e } } } } } } } } } } } } } } } } } } } } } He e 4 } } } } } } } } } } } } Gtr I ff T x x x x x x x x x x x x x x x x x x x x x A B x x x x x x x x x x x x c c c c c c 7 e } } } } } } } } } } } } } } } } } } } } } He e } } } } } } } } } } } } T x x x x x x x x x x x x x x x x x x x x x A B x x x x x x x x x x x x E`m/F b 13 e He e j k k k V V Gtr I mf T A B 6 5 c c c c e } } } } } } } } } } } } } } He e } } } } } } } } j k u Gtr I T x x x x x x x x x x x x x x A B x x x x x x x x gVV g V Heee j u k Gtr II 2 T 4 A 4 B 1984 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org COMPUTER BLUE (Bassline) - Prince Page 2 of 11 B The Groove 17 Hee j j c k e V V gV V V V V V V gV V V V V V V gV V V V V V V gV V V V Gtr I mf p mf p mf mp T A 6 4 5 6 4 6 4 6 4 5 6 4 6 6 4 5 6 4 6 4 6 4 5 6 4 B 4 4 Cb5/E ` 21 Hee j j c k e V V gV V V V V V V gV V V V V V V gV V V V V V V gV V V V p mf p mf mp T A 6 4 5 6 4 6 4 6 4 5 6 4 6 6 4 5 6 4 6 4 6 4 5 6 4 B 4 4 gV e j g V k Ie e u Gtr II 9 T 9 A 8 B C Verse 3x 25 c Heee V V V V V j V V V V V V j k gV gV V V V gV V V gV gV V V V gV V V mf p mf p mf mp T A 6 4 5 6 4 6 4 6 4 5 6 4 6 6 4 5 6 4 6 4 6 4 5 6 4 B 4 4 29 Heee V V V V V V V V V V k V k gV gV V V V gV V gV gV V V V gV V V mf p mf p mf T A 6 4 5 6 4 6 4 6 4 5 6 6 4 5 6 4 6 4 6 4 5 6 6 4 B 4 4 D Chorus 33 Heee V V V V V j V fU gU gV gV V V V gV V V p mf T A 2 4 6 4 5 6 4 6 4 6 4 5 6 4 6 B 4 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org COMPUTER BLUE (Bassline) - Prince Page 3 of 11 37 Heee V V V V V fU gV V V V V V V gV gV V V V gV V p mp mf p mf T A 2 4 4 4 4 4 4 6 4 5 6 4 6 4 6 4 5 6 B 4 41 Heee V V V V V k k V V V V V j V gV gV V V V gV V V V gV gV V V V gV V V p mf p mf p mf T A 6 4 5 6 4 6 4 6 4 5 6 4 4 6 4 5 6 4 6 4 6 4 5 6 4 6 B 4 4 E On Your Knees, Wendy E5 45 c Heee V V V V V j k X fV X V X V X V gV gV V V V gV V V fV V V V U p mf mp mf T 4 4 4 4 A 6 4 5 6 4 6 4 6 4 5 6 4 2 2 2 2 0 B 4 fU e ffU Ie e Gtr II 12 T 12 A 9 B Cb/F E5 49 Hee c k j e U gV U T A B 4 0 ffU gV ffU e fU gVV k j fU Ie e u 9 12 T 9 12 A 10 9 B Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org COMPUTER BLUE (Bassline) - Prince Page 4 of 11 Cb/F E`5 53 Hee c k j e U gV U T A B 4 6 ffU gV U e fU gVV k j U Ie e u 9 11 T 9 11 A 10 8 B B`/G Cb 57 Heee U c k j V gV V V V V V V V T A 4 4 4 4 4 4 4 4 B 3 U U V ggU eee U k j g gU I u ggU 10 9 T 11 9 12 10 A 11 B 11 9 e Ie e } } } } } } } } Gtr III mp This is a distorted guitar, not T A B x x x x x x x x Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org COMPUTER BLUE (Bassline) - Prince Page 5 of 11 Cb5 G5 B5 Fb5 61 e c He e l l l cl 2 V V gV V V V V V V V gV V V V V V V V gV V V V V V V V gV V fV gV eV fV 4 VgV T A 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 1 2 3 4 5 6 B 3 2 ggU U U eeg gU U U l l cl cl 2 I egU U U gV V gV 4 V V gU U U g V V f V gV eV fV VgV (9) (9) T (9) (9) (10) (10) A (11) (11) 6 4 B (11) (11) 4 5 2 4 1 2 3 4 5 6 (9) (9) 3 2 e 2 Ie e } } } } } } } } } } } } } } } } } } } } } } } } 4 T A B x x x x x x x x x x x x x x x x x x x x x x x x F Father's Song Interlude D/B 66 gg gg V V V V H 4 45 4 V u T 4 2 4 2 A B 2 g g V V I g 4 45 g 4 V V u Gtr III mp p let ring T 12 11 A 9 9 B g g V I g 4 45 g 4 j k V j Gtr II mp 2 T 3 A 4 B Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org COMPUTER BLUE (Bassline) - Prince Page 6 of 11 Cbm/B D/B Cbm/B D/B 70 Hgg W V V k V V V V W V V k V V V V u V u u V u T 4 2 4 2 (2) 4 2 4 2 A B 2 2 g V W V V V W V I g V V u V V V V u V V V V u u u u u u mp p mp let ring T 12 12 12 11 11 A 9 9 9 9 9 11 12 12 B g U V U V I g UU j k V j UU j k V j 0 2 0 2 T 2 3 2 3 A 4 4 4 4 B Cbm/B D/B Cbm/B D/B 74 Hgg W V V k V V V V W V V V V V u V u } V V u T 4 2 4 2 (2) 4 2 4 2 A B 2 x 4 2 V V gg V V u } V V V V V V V V j k } V V V V V I u u u u u u u T 12 11 A 11 x 11 9 11 12 12 12 x 11 9 11 12 12 B g U V U V I g UU j k V j UU j k V j mp 0 2 0 2 T 2 3 2 3 A 4 4 4 4 B Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org COMPUTER BLUE (Bassline) - Prince Page 7 of 11 Cbm/B D/B Cbm/B D/B 78 Hgg W V V k V V V V W V V k V V V V u V u u V u T 4 2 4 2 (2) 4 2 4 2 A B 2 0 g g V V j k } V V V V V V V k V V V V I u u u u u u T 6 7 7 A 11 x 11 9 11 12 12 11 7 B sl.
Recommended publications
  • Partyman by Title
    Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Lyric Acknowledgments
    Lyric Acknowledgments Biography, Volume 41, Number 1, Winter 2018, pp. vii-ix (Article) Published by University of Hawai'i Press DOI: https://doi.org/10.1353/bio.2018.0001 For additional information about this article https://muse.jhu.edu/article/690271 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] LYRIC ACKNOWLEDGMENTS Biography would like to thank Alfred Music and Hal Leonard for the permis- sion to reprint Prince lyrics in this issue. See below for titles, writer credits, and copyright notices. ALFRED MUSIC Sexy M. F. Composed by PRINCE with LEVI SEACER, JR. and TONY M. Copyright © 1992 NPG PUBLISHING and MICHAEL ANTHONY MUSIC All Rights for MICHAEL ANTHONY MUSIC Administered by WB MUSIC CORP. All Rights for NPG PUBLISHING Administered by UNIVERSAL MUSIC GROUP All Rights Reserved Used by Permission of ALFRED MUSIC HAL LEONARD I Would Die 4 U Words and Music by Prince Copyright © 1984 NPG PUBLISHING All Rights Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard LLC Computer Blue Words and Music by Prince, Lisa Coleman, Matthew Fink, Wendy Melvoin and John Nelson Copyright © 1984 NPG PUBLISHING All Rights Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard LLC Sexy M. F. Words and Music by Prince, Anthony Mosley and Levi Seacer, Jr. Copyright © 1992 NPG PUBLISHING and MICHAEL ANTHONY MUSIC All Rights for NPG PUBLISHING Controlled and Administered by UNIVERSAL MUSIC COR P. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard LLC vii Life Can Be So Nice Words and Music by Prince Rogers Nelson Copyright © 1986 WARNER-OLIVE MUSIC LLC and NPG PUBLISHING All Rights for WARNER-OLIVE MUSIC LLC Administered by UNIVERSAL MUSIC COR P.
    [Show full text]
  • Prince in the Early 80S: Considerations on the Structural Functions of Performative Gestures
    Prince in the early 80s: considerations on the structural functions of performative gestures. Jacopo Costa To cite this version: Jacopo Costa. Prince in the early 80s: considerations on the structural functions of performative gestures.. colloque ”New Perspectives on Popular Music Resarch”, Université d’Agder (Kristiansand, Norvège), 5-6 décembre 2019, Dec 2019, Agder, Norway. hal-03049637 HAL Id: hal-03049637 https://hal.archives-ouvertes.fr/hal-03049637 Submitted on 14 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Jacopo Costa Prince in the early 80s: considerations on the structural functions of performative gestures. Transcribing Prince's music can be a very frustrating exercise, as the notes that are put on a score (often quite ordinary) do no justice to the expressive richness we perceive when we listen to his songs. In my intervention, I will propose an analysis of the performative gestures in Prince's music, focusing on a few excerpts from his production of the years 1980-1984 (in terms of albums, from Dirty Mind to Purple Rain). The hypothesis to be tested is that in Prince's music a certain gestural approach to the performance (both instrumental and vocal) has an authentic structural function for the music: in other words, this gestural approach is not simply related to the field of musical interpretation, but has a constitutive function at the formal level of composition.
    [Show full text]
  • The Purple Xperience - Biography
    THE PURPLE XPERIENCE - BIOGRAPHY Hailing from Minneapolis, Minnesota, The Purple Xperience has been bringing the memories of Prince and The Revolution to audiences of all generations. Led by Matt Fink (a/k/a Doctor Fink, 3x Grammy Award Winner and original member of Prince and The Revolution from 1978 to 1991), The Purple Xperience imaginatively styles the magic of Prince’s talent in an uncannily unmatched fashion through its appearance, vocal imitation and multi-instrumental capacity on guitar and piano. Backed by the best session players in the Twin Cities, Matt Fink and Marshall Charloff have undoubtedly produced the most authentic re-creation of Prince and The Revolution in the world, leaving no attendee disappointed. MATT “DOCTOR” FINK Keyboardist, record producer, and songwriter Doctor Fink won two Grammy Awards in 1985 for the motion picture soundtrack album for “Purple Rain”, in which he appeared. He received another Grammy in 1986 for the album “Parade: Music from the Motion Picture ‘Under the Cherry Moon'”, the eighth studio album by Prince and The Revolution. Matt also has two American Music Awards for “Purple Rain”, which has sold over 25 million copies worldwide since its release. Doctor Fink continued working with Prince until 1991 as an early member of the New Power Generation. He was also a member of the jazz-fusion band, Madhouse, which was produced by Prince and Eric Leeds, Prince’s saxophonist. Notable work with Prince includes co-writing credits on the songs “Dirty Mind”, “Computer Blue”, “17 Days”, “America”, and “It’s Gonna Be a Beautiful Night,” as well as performing credits on the albums “Dirty Mind”, “Controversy”, “1999”, “Purple Rain”, “Around the World in a Day”, “Parade”, “Sign ‘O’ the Times”, “The Black Album”, and “Lovesexy”.
    [Show full text]
  • Got Me Wrong
    Jaykob Kendrick Artist - Title Artist - Title Artist - Title 3 Doors Down - Kryptonite CSN&Y - Change Partners James Taylor - Blossom Alabama – Dixieland Delight CSN&Y - Haven't We Lost Enough James Taylor - Carolina in My Mind A. Morissette – You Oughta Know CSN&Y - Helplessly Hoping James Taylor - Fire and Rain Alice in Chains - Down in a Hole CSN&Y - Lady of the Island James Taylor - Lo & Behold Alice in Chains - Got Me Wrong CSN&Y - Simple Man James Taylor - Machine Gun Kelly Alice in Chains - Man in the Box CSN&Y - Southern Cross James Taylor - Millworker Alice in Chains - Rooster CSN&Y - The Lee Shore JT - Something in the Way She Moves America – Horse w/ No Name ($20) D’Angelo – Brown Sugar James Taylor - Sweet Baby James Amy Winehouse – Valerie D’Angelo – Untitled (How does it JT - You Can Close Your Eyes AW – You Know That I’m No Good feel?) Jane's Addiction - Been Caught Babyface - When Can I See You Dave Loggins - Please Come to Stealing Arctic Monkeys - Arabella Boston Jason Isbell – Cover Me Up Audioslave - I Am the Highway D. Allan Coe - Call Me By My Name Jason Isbell – Super 8 Audioslave - Like a Stone D.A. Coe - Long-Haired Redneck Jaykob Kendrick - About You Avril Lavigne - Complicated David Bowie - Space Oddity Jaykob Kendrick - Barrelhouse Band of Horses - No One's Gonna Death Cab for Cutie – I’ll Follow Jaykob Kendrick - Fall Love You You into the Dark Jaykob Kendrick - Firefly Barenaked Ladies – If I had $1M Des’Ree – You Gotta Be Jaykob Kendrick - Kissing You Barenaked Ladies - One Week Destiny’s Child – Say My Name Jaykob Kendrick - Map Ben E King – Stand By Me Dire Straits - Romeo & Juliet Jaykob Kendrick - Medicine Ben Erickson - The BBQ Song DBT – Decoration Day Jaykob Kendrick - Muse Ben Harper - Burn One Down Drive-By Truckers - Outfit Jaykob Kendrick - Nuckin' Futs Ben Harper - Steal My Kisses DBT - Self-Destructive Zones Jaykob Kendrick – On the Good Foot Ben Harper - Waiting on an Angel D.
    [Show full text]
  • The Ultimate Listening-Retrospect
    PRINCE June 7, 1958 — Third Thursday in April The Ultimate Listening-Retrospect 70s 2000s 1. For You (1978) 24. The Rainbow Children (2001) 2. Prince (1979) 25. One Nite Alone... (2002) 26. Xpectation (2003) 80s 27. N.E.W.S. (2003) 3. Dirty Mind (1980) 28. Musicology (2004) 4. Controversy (1981) 29. The Chocolate Invasion (2004) 5. 1999 (1982) 30. The Slaughterhouse (2004) 6. Purple Rain (1984) 31. 3121 (2006) 7. Around the World in a Day (1985) 32. Planet Earth (2007) 8. Parade (1986) 33. Lotusflow3r (2009) 9. Sign o’ the Times (1987) 34. MPLSound (2009) 10. Lovesexy (1988) 11. Batman (1989) 10s 35. 20Ten (2010) I’VE BEEN 90s 36. Plectrumelectrum (2014) REFERRING TO 12. Graffiti Bridge (1990) 37. Art Official Age (2014) P’S SONGS AS: 13. Diamonds and Pearls (1991) 38. HITnRUN, Phase One (2015) ALBUM : SONG 14. (Love Symbol Album) (1992) 39. HITnRUN, Phase Two (2015) P 28:11 15. Come (1994) IS MY SONG OF 16. The Black Album (1994) THE MOMENT: 17. The Gold Experience (1995) “DEAR MR. MAN” 18. Chaos and Disorder (1996) 19. Emancipation (1996) 20. Crystal Ball (1998) 21. The Truth (1998) 22. The Vault: Old Friends 4 Sale (1999) 23. Rave Un2 the Joy Fantastic (1999) DONATE TO MUSIC EDUCATION #HonorPRN PRINCE JUNE 7, 1958 — THIRD THURSDAY IN APRIL THE ULTIMATE LISTENING-RETROSPECT 051916-031617 1 1 FOR YOU You’re breakin’ my heart and takin’ me away 1 For You 2. In Love (In love) April 7, 1978 Ever since I met you, baby I’m fallin’ baby, girl, what can I do? I’ve been wantin’ to lay you down I just can’t be without you But it’s so hard to get ytou Baby, when you never come I’m fallin’ in love around I’m fallin’ baby, deeper everyday Every day that you keep it away (In love) It only makes me want it more You’re breakin’ my heart and takin’ Ooh baby, just say the word me away And I’ll be at your door (In love) And I’m fallin’ baby.
    [Show full text]
  • Prince Talks and with the Release of 'Graffiti Bridge,' the Soundtrack to His Forthcoming Movie Musical, the Critics Are Listening
    Prince Talks And with the release of 'Graffiti Bridge,' the soundtrack to his forthcoming movie musical, the critics are listening. But don't even try to take notes. Prince performing at Wembley, London, August 22nd, 1990. Graham Wiltshire/Hulton Archive/Getty By Neal Karlen October 18, 1990 The phone rings at 4:48 in the morning. "Hi, it's Prince," says the wide-awake voice calling from a room several yards down the hallway of this London hotel. "Did I wake you up?" Though it's assumed that Prince does in fact sleep, no one on his summer European Nude Tour can pinpoint precisely when. Prince seems to relish the aura of night stalker; his vampire hours have been a part of his mad-genius myth ever since he was waging junior-high-school band battles on Minneapolis's mostly black North Side. "Anyone who was around back then knew what was happening," Prince had said two days earlier, reminiscing. "I was working. When they were sleeping, I was jamming. When they woke up, I had another groove. I'm as insane that way now as I was back then." For proof, he'd produced a crinkled dime-store notebook that he carries with him like Linus's blanket. Empty when his tour started in May, the book is nearly full, with twenty-one new songs scripted in perfect grammar-school penmanship. He has also been laboring on the road over his movie musical Graffiti Bridge, which was supposed to be out this past summer and is now set for release in November.
    [Show full text]
  • Music Censorship and the American Culture Wars
    Parental Advisory, Explicit Content: Music Censorship and the American Culture Wars Gavin Ratcliffe Candidate for Senior Honors in History Oberlin College Thesis Advisor: Clayton Koppes Spring Semester 2016 Table of Contents Acknowledgments…………………………………………………………….…………….Page II Introduction……………………………………………………………………………….....Page 1 Chapter 1: Censorship and Morality……………………………………………………… Page 10 Chapter 2: Rockin’ and Rollin’ with the PMRC…………………………………………...Page 20 Chapter 3: Killing the Dead Kennedys…………………………………………………….Page 31 Chapter 4: As Legally Nasty as they Wanna Be…………………………………...............Page 40 Conclusion………………………………………………………………………………….Page 60 Bibliography……………………………………………………………………………..…Page 63 Ratcliffe I Acknowledgements To my grandmother, Jennifer Roff, for 22 years, and counting, of love and support Ratcliffe II Introduction In December, 1984 Tipper Gore bought her 11 year old daughter, Karenna, Prince’s Purple Rain album. Like many other young children, Karenna had heard Prince’s music on the radio and wanted to hear more. Upon listening to the full album Karenna alerted her mother to the provocative nature of some of Prince’s lyrics, such as the track “Darling Nikki,” which contained the lyrics “I knew a girl named Nikki/Guess you could say she was a sex fiend/I met her in a hotel lobby/Masturbating with a magazine.”1 Tipper and Karenna Gore were embarrassed and ashamed that they were listening to such vulgar music, that they were doing so in their home. Deviance and profanity, something that one would expect to find in the street or back alleys had gotten into their home, albeit unwittingly. Tipper Gore soon realized that similar content was being broadcast into their home through other mediums, such as the new, wildly popular Music Television (MTV).
    [Show full text]
  • Pop Stars and Idolatry: an Investigation of the Worship of Popular Music Icons, and the Music and Cult of Prince R. Till
    University of Huddersfield Repository Till, Rupert Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince. Original Citation Till, Rupert (2010) Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince. Journal of Beliefs and Values: Studies in Religion and Education, 31 (1). pp. 69-80. ISSN 1361-7672 This version is available at http://eprints.hud.ac.uk/id/eprint/13251/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince R. Till Department of Music and Drama, University of Huddersfield, Huddersfield, England Email: [email protected] Abstract: Prince is an artist who integrates elements from the sacred into his work.
    [Show full text]
  • Dig If You Will the Picture
    Barrelhouse Magazine Dig if You Will the Picture Writers Reflect on Prince First published by Barrelhouse Magazine in 2016. Copyright © Barrelhouse Magazine, 2016. All rights reserved. No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise without written permission from the publisher. It is illegal to copy this book, post it to a website, or distribute it by any others means without permission. This book was professionally typeset on Reedsy. Find out more at reedsy.com Contents Prince Rogers Nelson v The Beautiful Ones 7 The Birthday Suit 9 Freak 13 When the Cicadas Were Out of Their Fucking Minds 16 Two Poems After Prince 19 Try to Imagine What Silence Looks Like 24 And This Brings Us Back to Pharoah 27 Chant for a New Poet Generation 29 Trickster 31 Let's Go Crazy 36 Seventeen in '84 39 Elegy 41 Could Have Sworn It Was Judgement Day 43 Prince Called Me Up Onstage at the Pontiac Silverdome 47 Backing Up 49 The King of Purple 54 What It Is 55 I Shall Grow Purple 59 Group Therapy: Writers Remember Prince 61 Anthem for Paisley Park 77 Liner Notes 78 Nothing Compares 2 U 83 3 Because They Was Purple 88 Reign 90 Contributors 91 About Barrelhouse 101 Barrelhouse Editors 103 Prince Rogers Nelson June 7, 1958 – April 21, 2016 (art by Shannon Wright) In this life, things are much harder than in the afterworld. In this life, you're on your own. v 1 The Beautiful Ones by Sheila Squillante We used to buy roasted chickens at the Grand Union after school and take them back to Jen’s house.
    [Show full text]
  • American Popular Music
    Whole package entertainer ▪ guitarist, singer, dancer, keyboardist, drummer Controversial public image ▪ Explicitly sexual First recording to receive PMRC warning Changed named to in 1993 “Kiss”- 1986 Parents Music Resource Center (PMRC) ▪ 1985- Founded by Tipper Gore ▪ Fought for recording industry rating system ▪ Prince’s “Darling Nikki” was first recording to receive Parental Advisory warning from PMRC ▪ “pornographic and satanic” Roots based rock sound Concerned with adult working-class Americans Legendary live performances “Born in the USA”- 1984 ▪ Tells story of returning Vietnam vet ▪ Unable to rebuild life Emerged in South Bronx ▪ Economic hardship ▪ Lack of jobs, drug industry ▪ Gang violence ▪ Diminished affordable housing Cultural form of expression ▪ Fashion ▪ Graffiti ▪ Breakdancing ▪ DJ-ing, MC-ing Early 70s: DJs in Harlem and the Bronx play at discos and block parties ▪ DJ Kool Herc ▪ Play percussion breaks from funk/disco songs on turntables ▪ Masters of ceremony (MCs) speak over “sound world” “Disco was in, everybody was hustling, and the disco deejays were taking over. Well, what happened, the kids just rebelled. They wanted something that they couldn’t hear on the radio and everything. They wanted something else.” – Jazzy Jay Sugar Hill Gang ▪ “Rapper’s Delight”- 1979 ▪ First generation rap ▪ Commercial potential of new style ▪ Disco as foundation ▪ CHIC “Good Times” Grandmaster Flash and the Furious Five ▪ “The Message”- 1982 ▪ Takes hip hop in a new direction ▪ Rap as social commentary ▪ Harsh realities of ghetto life in South Bronx ▪ Arrest at end of track East coast, middle-class college-educated rap group Teamed up with Aerosmith for remake of “Walk This Way”- 1986 ▪ Crossover to White mainstream Raising Hell tour drew gang riots and violence “There’s a lot of admirable qualities in gang membership.
    [Show full text]