Amended Timetable.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Amended Timetable.Pdf air competitions are given to lst and 2nd prizewinneni in the l2 - l5 and INI.'ORNI,\'I'I0N IIOR QUAI,II.'IIiRS: 15 - l8 age groups in the tbllowing competitions: fiddle, concen tlute, 2-rorv accordion, rvhisrle, uilleann pipes, concertina, piano accordion, l lr'itrlit ( lrtlrl tli lrl rrerrrtrr $lll l)r ltr'l(l irr I rrrls Itrrl harp, banjo ond traditional singing in Irish and English. Scholarships are \rrrrrrt l,)tlt lo ll:1 trir' ()\r,rlt'rl l\ tll( ( r,ntl)('ltlt(,il | ilrr.l:rhle also given lo five qualifiers in each of the ll-13, 13-15, l5-lE age r ( lilr \nlr, groups in Comhrd Gaeilge. Scholarships arc not transferable betrveen lsl. -lrrrl rrrnl lrrrrrlrlr' irtl l,r'rl( \\utlcl\.tt tll( .1 l'tr'\ilr(till categories or persons. Where a person is successful in more than one cat- I lerr,illurnrrrrr lrclirrttl. I't. lrr,l;rltl 1r,.'rlrlr' ir,l lltlzrt \\lln(t\ irt egory, only one can be chosen when applying. \ tl)r'l'rr\lllL( ol llritart l lelr,llr. I'r. -1il,1 irr(l I!rr.llrl. lrtl Irrzr' \\rrinrl\ irl lll( \ll.i \\(rt irn(l \liil \lliilrlir'l lcirrlit;rrrn;r irr tltr. Scoil 6igse atso c&ters for Non-scholarship applicants. Gradcd classes ('\.\ (iIrit 'l)" I,ltr' lr.l tr';rt ' \ll ln'l,rrrrl \\ilrrrr\ ill l,,rrlr, are offered in fiddle, flute, whistle, button-accordion, piirno accordion. !ltlillrl\ l() (ilrrl)(l( r\i'(' I Lrr,llr rtrlr'.i concertina, banjo, harp, uilleann-pipes, piano-acconlpaniment, tradition- Fleadh \ll !r',ltlr(lit,'l\ ;uc ;nlt trctl lo rt'Potl l)tr)illl)ll) rrl lllf ul singing, amhrdnafocht. Cornhrd Gaeilge, dancing and a mixed instru- ,rrlrutltrr'ri llill(\. l(r Ilrr \l.rlt ol lll(I \il[ll)(ltltotr' ll r. llre Ilrenl cl&ss tirr adults. Cheoil na lrEireann t{ \lrIl\rtlrltt\ Lrl i;rr Il .olill)r'tilot lI rrp|r,.rt I)rr)ilrl)ll\ .rl llri Application forms are availahle ol: lrtllllt\llc(l liln( rrl (rrIrl)('lrlrilil ll r\ ilr'l il!(r'\\iil\ li) r(':'i\tcr http:/icomhaltas.ie ( )llrrc rr ( .rl I lcrrrlll I ll( 'rt:.uu\( t' rll l(!l ,tr r'ltl ri \J)('I\!l)lllt\ lrI (rttl[(lrlor\ rilr\!nrr' r(rilll](llll(,,t\ llu( 10 hy cmail from solas(qcomhalaas.ie or by calling (01 280 0295) lill( .1[r\irl I \r'r\ (llorl $tll lrr' rrlrrlu l() lirrrlllitlr. ll)o\(' Accommodation: generul enquiries about accommodation including rr\rrl\!il ut lrilrt tlr,il tril( (oilll)r'ltlltIl. lll{)\t(ld(l lltrt li,ttr( campsile provision lbr the period of the Scoil Eigse should be directed $rlll llt( ( lrll \tr'u.rt,lt rl Ilr!' \( ru.r !,rt)\'.ll((l to the F'leadh Hcadquarters in Ennis. rit \(rr)rtlill!, t,, I lcirllr l(ulrr .r \'rItlIlrlt,r[ ,.rtr $trl_r lr. lrt.hl Sec: hnp://fleadhcheoil.ie or email accommtxlation(4i'leadhcheoil.ie ,,lrrt lr! l5 rttittttttr. lol \rtrlt (,lul\'tltrl\ :rrrtl tlls rrrle rrrll Early brxrking of accommodation is advised. ll' .ttrr.tlr ll{i(r r'rlot(r'rl lt I(,.rrlltr'rr'lrr llrr' I lrrrrllr 'tlrr'rlrrlr. F'urther details fronr: Ph: +353t0) 65 684 59I8. \ll rlrr|r'lrtor. t. r.e1rl \l,rrrlrrr,f llirnrl .lnrl \r'll(,t ('( iir lirrtt,l rtrr'trtlrr'rrt wtll lre rr'rlLtrrt'(l I(r lltl!ll.r\r'tlrL t)ltrLr;rl C omdrtais C omhrd Gaeilge \\il\ll!.[r(l 1,, l,.ilI.klrilr\\lrIr lo (oltirr'lllr(]il\ ( orrrpttiliorr l'.rrrguiris shoukl llr.rliru'ltrl lo:- Rachaidh ctiigear cfilitheoirf, as gach aois ghnipa, direach ar aghaidh j.l ( ttmhullut. ll, lrt;rre \(lllillr. \lr,nL\torrrt { r, I)rtlrlrtr chuig Flcadh Cheoil na h6iroann. Cheobhuidh cdilitheoiri faoi l5 agus lrL.lrrr,l l,l, liilIrl,,rl)il,,t. I I r 'ril \ '.,, laoi 18 ag an bhFlcadh Criigeach, Scoldireachi chuig an Scoil Eigse. - c-msil - colas(acomhahas.ie t?ebslte wwlv.comhahBs.ie l'ive qaalifun fiom euch age group, Bo Jbrr'erd lron, the Pruvinciul Accommodslion l),nquiries should be directed to:- Fleudh ro the All-lreland l'leadh. Quulifiers in the Under l5 and Under f Uaan CAeol Oga, Fltdh Cheoil na hlinann Ennis 20t6, l8 a74c groups from Proyincial F'leodluuua a,? entitled to a sdnlarship The Mad<ct, Enais, C a. Cbrz. to Scoil Eigse,which tukes ploce during tlte *'eek prior la the F-leuih. T:M5&5918 ** t* ** f * f,******* ********** ** * ** t ++* + t+**+ * * +* ***$*i*+ +* t + Scoil Eigse IN: +353 65 fi4 5918 Completed Scoil Eigsc lbmrs with lull lees must be in Hcad Com6rtais Rince August 14th - {gth OlTice (see No.6 above) on or trelbre, 3rd August. l\No rcgisiration 'on lhe day' at Scoil 6igse. except in l. All compctiton are advised to repon pronptly at the advcniscd ( \r('l)llrrl)irl {'1r!tlill\li[]!L'\ I rl(rirllr! lrrtl,.rtttrltirll:r:.rr' times, lbr the :iun of their competitions. It is the rcsponsibility of cach Fleadh Gheoil \ ( (,iltlr(l,l()l\ ilr lll('lr)llrr\\il1,!r (r!illJr'(rlioI\ \lt SI rorttlrtlr' competitor to &ppear proulptly at the published time of comJrelition. ('iili 'fhe ir tlrr'(n(l(r lrLrlrlrrlrerl rr tlr( l'ror,rrrr r( lrir r llarrrlr organiseni rvill not accept respnsibility lbr conrpetilors missing August 19r 2Or 21 tnd (;rupxi ('toil, l-i-llt {t ()-lti: l)rrctr lt lrios ()-lt{. competilions due to late arrival. Every eflbrt will be made to facilitate .( \l-1. llitrching llandr. l.rtltn.- trr rlo 'o. .t,tiril' those involvcd in more thln one competition, provided they liaise with lllsQl \t.lt.'l("1'l t()\ the Call Steward itt thc venues conccmed. () Seachtain (','llt lJrttLl. \,L t(r,lljlrti()ti\ 2. lf conrpetitors are competing in more than one cotnpetition, they na hEigse 2Ol6 should advise each call steward in writing by outlining the prccise details of the time, number, etc. of the competitions they are involved 14th - 21st August Sutil tligse in. Advice Slips are available lbr this purpose at venues 3 All danccrs' niuncs, as received, are listed on Souvcuir Cldr. Any S.,,rl I rr',',( ( lr r lrttrtltl rtt(ltirllrlltirl \unllr('t \rll(x'l llrkr'' pltr.c irt chtnges nrust be notified to the Call Steward/Clerk at the venue befbre "The World of Traditional Music" I rttti'. \ttgtnl l-lllr trr lt)tli \lu(l(nl\ rrl .rll trrr'r t(rl\lr,t lrJl ll)('\irfl team pcrforrnance. ()u\ rr\tIlilr('illirl iltu\l!. \Il!ilt!. rllilr.iltl lrttrl lil.lt l:rtrrtrrrc rlir'sc.. The Catl Stervard shall terminate a competition alter the completion of ( lirrrr'r lxrirrt rr Ir\ ltrr;trl trrtrr tillr() iilrrl irr( lril(l lrt lr ttirrtr rrl irrlur the performmce by the last available competitor, unless he./she has been nlllt()t)ill lulr)l! \\llo ilre irl\o tl.l\lcr l!tllr!!Itctr. I ltrsc lulr)r\ llit\(' previously notified that the missing competitor is detained while com- CouHALTAS Ir{)\('lr lriraL l'(!'()r(l\ lu)rl litcr lrrrrt,, il \\r'iillll rrt Pr'rlirrrltrillr,;rtrrl p€ting in arurther competition, in rvhich cass the compctition shall be O l('lr(llItr,(\l)r'n(il1('l() Srrrl lriL.r'. rr'llL'Ltrrt- tlrr'ttntltrlritrrt r'rltreir held open lbr a maximunr of tifleen minutes". R 37. www.fleadhcheoil.ie ItIt[rl PlttLrr,rlrlll ol ( ( lr l{ettrtlitlr0o :rl\,r ill! lu(le\ illlcil(liiltrt' .ll irltcrr(\rn re(rtrl\. ( lul) I:igrc rrr tlre trcrrrrrr .lttl tlrc elrrrrrl lrrtrl Competitions need not remain open until the time of next competition. ((,il(frl \l)rar'l)t'il[lllilrr rrlltr't ltrtttrlr rrrcrtthut. rrtc ttcle0lllc lr, Refer to Rules 21.22.!3. Rialacha Fleadhanna Ceoil in reladon to all :tllr'rr(l dancing competitions. Cl6r Ama Timetable (over) Schollrrhips t(' tllr' S(r)rl I irrr' lrri ltLrtlr rrr;irrr !r)nrl)r'trl0r\ rrrrrl .lrrrr Full rules available: http://comhaltas.ie/press_room/detail/tleudh,rules ( De hAOINE 19 u Lunasa Venue 1pm 3pm 4pm Gom6rtais Rince Domc 2 Crirl, ilaf cs l.l I I ;rjl)ai Ceor iJ12 .F Drrr"rs 12 I5 lll,ir! lai lli 1l) /', 1l; Rir:e Colleqr lB f ia(i 1 ;- iliriI S i: FR'DAY !.,,,h j.i Colarste i!1r,iro .iA !r.,q15trr'1e 11 11i s11,qri 1 ! D6 Domhnaigh 21 u L0nasa Venue: Wesl Counly Hofel (A) (lolarstt lr,!urri:,18 i fii'j 1l l: i ll rril ":) I l' j0 C0 ulr r\lirecl ['uli Sct l7 I.r ColArslc lvlLrrr: 4C Dl,1)is i5 tt T|rrs lfr 1ll ) I L.l0on' icrd cs Frll Scr l? lr C(r;irstc lulu (r 4[) Arri,,ri:: li: li. ;ir!arfntr lx l:l I .00r-rrtr Mixed Full Set l5 il i r1 1./ I'. Lr.lr1[' l]) Darrlann 4[: ?llc S,r\ 1.)- 2.()[)prl Lodies Full Se1 lj) il"l Co,I (l0ilcq0 lr itrrln,,)il i;'l:, N .i 00or:r Holi Set l(, . ,r. ,\ ,, lL/" 9"L-q-o-rtfba i I o St. Flannan's 11A il.lrr,'2'i i.1,[1'l ]l | 1. ii, Venue: Wesl Counfy Hofel {B} Sl Iian,r;t,:r r!tj i'rrrslir i:, A il 1i r.'i,f,,5lii. /1 ':) ]0.00 om I Hond Ceili Lodies r2 r5 lil []rrr.,'.ril,r ll(l i rili: l;) rr, I r,ii,:; A i/ li I l.00om 4 Hond Ceiii Lodies r 2,15 lll l.rrrrriitrr lJl) Llr,r:,rr'rr l) i,r r 1,) 1l i,].,.)','t Ii i)a'l i'i i il l: I l.30om 8 Hand CeiiiMixed t2 t5 il ll,trlr,lr'! l1l: li I:',i{r,t..1, 1r ft,,.
Recommended publications
  • Communication No. 37
    THE LIVING TRADITION CEARNÓG BELGRAVE, BAILE NA MANACH, CO. ÁTHA CLIATH Phone: 01-2800295. Fax: 01-2803759 Email:[email protected] Website:http://www.comhaltas.ie COMHALTAS – CORONAVIRUS Communication No. 37 The dictionary definition of ‘Think-Tank’ is ‘a group of people expert in some field, regarded as a source of ideas and solutions to problems’. Never was this more appropriate than on the 19th June. Here we had the leadership of our cultural movement bringing their experience and vision to the table. The Comhaltas Think-Tank na nGael didn’t disappoint. It was focused, positive and energising. The combined experience and responses to challenges was a lighthouse in these troubled times. Well done to all concerned. • FLEADHFEST ‘ A BRILLIANT IDEA’…. It is nostalgic, uplifting and inspirational. Here is how Comhaltas stalwart Joannie O’ Leary of San Francisco Comhaltas puts it: ‘I cannot tell you how excited we are at the release of the FLEADHFEST videos for our West Region this week. We sincerely appreciate the opportunity to present our story, which was greatly enhanced by our West Region Vice-Chair Mary Carey and her daughter Diana in Oregon…What a brilliant idea which has enticed us to start our own branch archives. Congratulations on a wonderfully successful project and thank you.’ • SCOIL ÉIGSE…Briseann an dúchas…. We are delighted to announce that this year the Comhaltas Scoil Éigse will be delivered online via Zoom from Monday August 2nd to Thursday August 5th. The Director again is Kieran Hanrahan and Administrator Liza O'Shea. We were accepting online applications only from 10am, Monday 5th July.
    [Show full text]
  • Milwaukee Irish Fest School of Music Classes & Instructors Enrollment
    Milwaukee Irish Fest Enrollment and Fees School of Music Private lessons, group classes, samplers and workshops are offered for Irish music students of Milwaukee Irish Fest School of Music classes are varying ability levels and ages. a great way to get musicians of all ages excited about learning music for a lifetime of enjoyment, Small group 45 minute lessons are offered for building self-esteem, and making friends with $15 per lesson. There is also a $12 class fee for Classes people who play Irish music across the globe. the 12 week session. Private lessons in all 12-week sessions beginning Tin whistle and bodhrán (Irish frame drum) are instruments are subject to teacher availability. January & September great starter instruments for kids. Do you have Students are responsible for supplying their own children who play in school orchestra or band? instruments. Contact teachers for instrument Samplers and Workshops Or did you play yourself? Our teachers can teach rental or purchase information. you to play a different style of music. Please visit website for current offerings The school opened in the fall of 2002 at the Most classes are held in the evenings. Class historic Milwaukee Irish Fest Center. schedules are arranged on the basis of individual student interest and teacher availability. Please Classes & Instructors contact instructors directly to arrange your class. For general school information, please contact Bodhrán (Irish drum) Kristina Paris at [email protected] or call John Ceszynski, Amy Richter, Patrick Roe 414-372-3060 in the evening. Cello Heather Lewin Fiddle Play a part…in Milwaukee Irish Fest Kaitlin Hahn, Heather Lewin, Maria Terres Irish Fest School Flute of Music students Jeff Ksiazek, Brett Lipshutz will have an opportunity to Guitar participate at Randy Gosa, John Nicholson Harp Milwaukee Irish Dorothy Walsh Fest, the Domes Mandolin and other Randy Gosa community events.
    [Show full text]
  • Réalta Carry on the Bothy Band Tradition of Taking Tunes By the Scruff of the Neck and Firing Excitement Through Them Like Hot Flames!” - Herald Scotland
    www.realtamusic.com “Réalta carry on the Bothy Band tradition of taking tunes by the scruff of the neck and firing excitement through them like hot flames!” - Herald Scotland Hailing from the Ulster city of Belfast, this award winning multi- instrumentalist group present an enchanting programme of Irish traditional dance music interspersed with the occasional air and song. Performing on duelling uilleann pipes, whistles, bodhrán, guitar, bouzouki, banjo, double bass and vocals, their unique sound and masterful musicianship has secured Réalta’s position as one of the most exciting acts on the Celtic music scene today. For more information see: www.realtamusic.com / RealtaMusic [email protected] Biography Described by Irish Music Magazine as “a full bodied pipe and whistle extravaganza”, Réalta carry on the Bothy Band tradition of taking tunes by the scruff of the neck and firing excitement through them like hot flames! Hailing from the Ulster city of Belfast, this award winning multi-instrumentalist group present an enchanting programme of dance music interspersed with the occasional story, air and song. While Conor Lamb and Aaron O’Hagan pursue the melody on uilleann pipes and whistles, guitarist and vocalist Deirdre Galway explores the harmony and rhythms within the tunes. All-Ireland champions Dermot Mulholland and Dermot Moynagh complete the line-up with dynamic accompaniments on double bass, bouzouki, banjo, voice and bodhrán, making this one of the most exciting acts on the Irish music scene today. The release of their second album, Clear Skies, has brought Réalta widespread critical acclaim, with the Irish Music Magazine summing things up by writing “Réalta have grown bigger, bolder and braver and this is one of the best CDs to have come out of Ireland this year!”.
    [Show full text]
  • Céilí Bands: the Word “Céilí” Means “A Gathering of People for Dance”
    Céilí Bands: The word “Céilí” means “a gathering of people for dance”. Céilí bands play solely for dancing. A céilí band must play loud enough so it can be heard by everyone in a large hall over the noise from dancing feet. All the instruments that play the melody play in unison. A standard céili band consists of ten players. Instruments used include, accordion, concertina, harmonica, uilleann pipes, banjo, fiddle, mandolin, flute, tin whistle, drums and piano. The position of the instruments on the stage is important for balance. Generally the fiddles and flutes are in the front with the banjo a little behind them and the accordion and concertina further back as they are the loudest. Drums and piano are always furthest from the dancers. Well known bands include the Kilfenora and Ballinakill Céilí Bands. The first céilí was organised in 1897 in London by the Gaelic League. It included music for jigs, quadrille sets and waltzes. There was long rows of dancers facing each other which is a practice that still continues today. Fr Tom Larkin set up the Ballinakill Céilí band in 1926/27 as at that time the clergy wished to get rid of jazz music. They played tunes which were suited to a blend of flute, fiddle and piano. The band was very influential and remained active until the 1960s. They inspired many others who heard them play on radio or live at céilís and feiseanna such as their 1930 recordings of The pipe on the hob, Queen of the Rushes, The old bush reel and the copperplate reel.
    [Show full text]
  • Rialacha Fleadhanna Ceoil
    Rialacha Fleadhanna Ceoil Mission Statement: Fleadhanna Ceoil shall be held to propagate, consolidate and perpetuate our Irish traditional music, both vocal and instrumental, dance as well as An Teanga Gaeilge, by presenting it in a manner worthy of its dignity, and in accordance with the Aims and Objectives of Comhaltas Ceotóirí Éireann. It is not intended that competitions should be merely a means by which a competitor may gain a prize or defeat a rival, but rather a medium in which ‘these competitors may pace each other on the road to excellence’. All competitions shall be traditional in character and in conformity with the Bunreacht of Comhaltas Ceotóirí Éireann. Comhaltas Ceoltóirí Éireann 32 Belgrave Square, Monkstown, Co. Dublin, A94 XV02, Ireland. Tel: (+353-1) 280 0295 | Fax: (+353-1) 280 3759 E-mail: [email protected] | Webpage: http://www.comhaltas.ie INDEX General Rules and Entry Procedure 2 Competitions 1 –39: Performance Requirements 5 List of Official Fleadh Competitions 6 Competitions 40 –43: Rince Céilí / Céilí Dancing 13 Competitions 44 –47: Seit Traidisiúnta / Set Dancing 15 Competition 48: Rince ar an Sean Nós 18 Competition 49: Comhrá Gaeilge 19 Competitions 50 –51: Storytelling / Scéalaíocht 20 Fleadhanna Ceoil: Structures and General Procedures 22 Competition Procedure 23 Adjudication Procedure 24 Clerks and Stewards 26 Prizes 27 Fleadh Committee and Administrative Procedure 28 County and Regional Fleadhanna 30 Provincial Fleadhanna 31 Fleadh Cheoil na hÉireann 33 Rialacha Fleadhanna Ceoil 2020 1 General Rules and Entry Procedure 1 Mission Statement: Fleadhanna Ceoil shall be held to propagate, consolidate and perpetuate our Irish traditional music, both vocal and instrumental, dance as well as An Teanga Gaeilge, by presenting it in a manner worthy of its dignity, and in accordance with the Aims and Objectives of Comhaltas Ceoltóirí Éireann.
    [Show full text]
  • Entry Form Final-3
    F l e a d h E n t r y F o r m C O M H A L T A S C E O L T Ó I R Í É I R E A N N Fleadh Cheoil ‐ ____________________________________________________________________________ In Ireland, names of Irish Origin should be given in their Original form (Irish). Other names should also be given as Original, please. Ainm __________________________________________________D.O.B. (if U18) ______________________ Address:____________________________________________________________________________________ Email:____________________________________________________________________________________ Craobh (Branch) _______________________________________Phone ______________________________ Entries MUST be submitted, ONLY to local Comhaltas Branch Rúnaí (Secretary), on this form, to reach the County Rúnaí, not later than a minimum of ONE MONTH prior to first day of Fleadh competitions. Comórtas No.___________________________________Aois Ghrúpa (Age Group)____________ ___________________________________________________________________________________________ ___________________________________________________________________________________________ ___________________________________________________________________________________________ ___________________________________________________________________________________________ ___________________________________________________________________________________________ * Rogha Ghléas‐Miscellaneous: (Please name your instrument) ______________________________________ * Tionlacan‐Accompaniment: (Please name
    [Show full text]
  • Midwest Regional Fleadh Cheoil
    2008 Midwest Fleadh Cheoil www.MidwestFleadh.com 2008 NORTH AMERICAN Detroit, MI 48221 Detroit, 17517 Birchcrest Charlene Snow Rules For Competition Midwest Regional 1. Though all competitions are open to any competitor, qualified by 16. Practice sessions or rehearsals are not allowed in or near the age, they are aimed at those willing to travel to Fleadh Cheoil competition rooms. Entry or exit to competition rooms is not nahÉireann. Only those who have secured first or second prize at allowed during a competition. Spectators are required to be silent Fleadh Cheoil the 2008 Midwest Fleadh are eligible to compete at Fleadh Cheoil during competitions. nahÉireann in Tullamore Co. Offaly, August 17th - 24th, 2008. www.MidwestFleadh.com 17. In competitions for duets and trios, all members must at all 2. Only Irish traditional music will be accepted in all competitions. times play the melody of the tune. hosted by the 3. Each tune shall be played twice only. In the case of a reel which is 18. In duets - over 18, two different instruments and only two must Detroit IMA (Irish Musicians Association) played singly a competitor may play such a reel three times (AB AB be played, and in Trios - over 18, at least two different instruments a Branch of AB) must be played. 4. Electronic or amplified instruments are not permitted in any cate gory except electronic piano in ceili band competitions. Competition Fees 5. A satisfactory standard is necessary for awarding any prize. Solos, Duets & Trios 6. No ties for First, or Second place. Comhaltas members: $20 per entrant for first competition.
    [Show full text]
  • Thomas D'arcy Mcgee Summer School & All Ireland Fleadh Cheoil Tour 13Th
    Thomas D’Arcy McGee Summer School & All Ireland Fleadh Cheoil Tour 13th - 24th August 2016 SATURDAY 13TH SEPTEMBER MONDAY 22ND SEPTEMBER Morning: Arrive at Dublin airport transfer to Galway Morning: Thomas D’Arcy McGee Summer School Afternoon: Free time Afternoon: Thomas D’Arcy McGee Summer School Evening: Irish Traditional Music & Dancing Evening: Free Time TUESDAY 23RD SEPTEMBER SUNDAY 14TH SEPTEMBER Morning: Thomas D’Arcy McGee Summer School Morning: Flead Cheoil, Ennis, Co. Clare Afternoon: Thomas D’Arcy McGee Summer School Afternoon: Flead Cheoil, Ennis, Co. Clare Evening: Canadian/Irish Fok Night Evening: Flead Cheoil, Ennis, Co. Clare WEDNESDAY 24TH SEPTEMBER MONDAY 15TH SEPTEMBER Morning: Return home Morning: Burren Walking Tour Afternoon: Cliffs of Moher Evening: Music in Doolin THOMAS D’ARCY MCGEE SUMMER TUESDAY 16TH SEPTEMBER SCHOOL Morning: Galway City Afternoon: Connemara/Galway Bay Tour An engaging, entertaining academic and political programme, Evening: Music in Clare as in other years, will include animated debate, a variety of views, original drama and music in the idyllic setting of Carlingford. WEDNESDAY 17TH SEPTEMBER Thomas D’Arcy McGee 5th Annual Summer School will be held in Carlingford Heritage Centre on Aug. 22nd and 23rd. Morning: Flead Cheoil, Ennis, Co. Clare Afternoon: Flead Cheoil, Ennis, Co. Clare D’Arcy McGee, 1916 and Revolutionary Republicanism Evening: Flead Cheoil, Ennis, Co. Clare Internationally renowned historians, academics, politicians THURSDAY 18TH SEPTEMBER and political activists will debate and reflect on McGee’s relevance to the current peace process, and the changing Morning: Transfer to Carlingford via Dublin nature of revolutionary republicanism. This is a topic that is Afternoon: Kilmainham Gaol, Shopping/Sightseeing especially relevant in this decade of significant anniversaries.
    [Show full text]
  • Comhaltas Ceoltóirí Éireann North America Collection of Irish Music Materials Circa 1920-2014, Undated IM.M104.2001
    Comhaltas Ceoltóirí Éireann North America Collection of Irish Music Materials circa 1920-2014, undated IM.M104.2001 http://hdl.handle.net/2345/2876 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Historical note ................................................................................................................................................ 6 Scope and Contents ........................................................................................................................................ 6 Arrangement ................................................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 8 I: Administration and history .....................................................................................................................
    [Show full text]
  • Comhaltas Ceoltóirí Éireann (The Irish Musicians' Association) and the Politics of Musical Community in Irish Traditional Music
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Comhaltas Ceoltóirí Éireann (The Irish Musicians' Association) and the Politics of Musical Community in Irish Traditional Music Lauren Weintraub Stoebel Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/627 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] COMHALTAS CEOLTÓIRÍ ÉIREANN (THE IRISH MUSICIANS’ ASSOCIATION) AND THE POLITICS OF MUSICAL COMMUNITY IN IRISH TRADITIONAL MUSIC By LAUREN WEINTRAUB STOEBEL A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 ii © 2015 LAUREN WEINTRAUB STOEBEL All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Peter Manuel______________________________ ________________ _________________________________________ Date Chair of Examining Committee Norman Carey_____________________________ ________________ _________________________________________ Date Executive Officer Jane Sugarman___________________________________________ Stephen Blum_____________________________________________ Sean Williams____________________________________________ Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract COMHALTAS CEOLTÓIRÍ ÉIREANN (THE IRISH MUSICIANS’ ASSOCIATION) AND THE POLITICS OF MUSICAL COMMUNITY IN IRISH TRADITIONAL MUSIC By LAUREN WEINTRAUB STOEBEL Advisor: Jane Sugarman This dissertation examines Comhaltas Ceoltóirí Éireann (The Irish Musicians’ Association) and its role in the politics of Irish traditional music communities.
    [Show full text]
  • HUP! 1 the Presence of Virtuosity in Irish Traditional Music
    HUP! 1 The Presence of Virtuosity in Irish Traditional Music Kieran McCarthy Fell University of North Carolina at Chapel Hill Faculty Mentor: Brooks de Wetter-Smith University of North Carolina at Chapel Hill ABSTRACT In April 2013, I designed a research project to explore connections between classical flute playing and Irish traditional music. I hoped to discover if learning traditional flute and under- standing its surrounding musical culture could positively affect my classical flute studies. The information I collected provided the basis for this paper, in which several parameters for the term “virtuosity” are defined and analyzed in relation to Irish traditional instrumental music. These parameters were chosen using articles from scholarly journals that examine characteris- tics of virtuosity beyond exceptional technical facility. Such characteristics include a perform- er’s emotional impact, musical creativity, and the ability to think critically about his or her music. Additional aspects of virtuosity that were considered were: recognition from others in the field of Irish traditional music; the presence of competition; the dedication necessary to be considered an authority capable of expanding the musical style; and the performance longevity as an individual or group to influence the genre for an extended period of time. irtuosity was first defined toward the end Such traits might be viewed as contradictory Vof the seventeenth century as an excess to virtuosity, if one acknowledges only the of natural proficiency that sets one apart from Merriam-Webster Dictionary definition, but others in his or her field2. A standard defini- virtuosity has been analyzed through many tion today is “great ability or skill shown by a lenses.
    [Show full text]
  • The Role of Comhaltas Ceoltóirí Éireann
    Ethnomusicology Ireland 2/3 (July 2013) 72 REGIONS, REGIONALITY AND REGIONALIZATION IN IRISH TRADITIONAL MUSIC: THE ROLE OF COMHALTAS CEOLTÓIRÍ ÉIREANN By Daithí Kearney Introduction There is a paradox in the study of regions in Irish traditional music which is relevant to CCÉ. The organization is critiqued for creating a context in which regions are subsumed within a national or canonical tradition and yet CCÉ also promotes regional traditions and stories in various ways. Previous academic studies concerning CCÉ have focused on the structures of the organisation (Henry, 1989) and debates concerning ‘old’ and ‘new’ in Irish traditional music (Henry, 1989; Fleming, 2004). Larson Sky (1997) has considered the impact of competition on regional styles and her work is complemented through the use of different methodologies in this paper. Furthermore, although Fleming (2004: 236) acknowledges a tension between local and national entities of the organisation, within this discourse, there is a limited consideration of the regional structures and impact of the organisation. This paper briefly examines the history and ideology of CCÉ, focusing on three aspects: the role of competitions and festivals (Fleadhanna Cheoil) in the development of regional identities in Irish traditional music; the promotion of local and regional identities through the summer entertainment programme (Seisiún); and an analysis of the diffusion of infrastructural projects in recent years in which further consolidate regional divisions and identities in Irish traditional music (Athnuachan). I have been a member of CCÉ for most of my life, gaining experiences that shape my understanding of the organisation and the perspective presented in this paper.
    [Show full text]