19:00 Concerto

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New Concepts of Harmony in Musical Composition 1945-1975 28–29 June 2019 | Fondazione Giorgio Cini | Istituto per la Musica New Concepts of Harmony in Musical 28 June 29 June Composition 1945-1975 Sala del Consiglio Sala del Consiglio

A symposium organized by 9:30 – 10:00 Opening 15:00 – 18:00 Chair: Pascal Decroupet 9:30 – 12.30 Chair: Gianmario Borio Gianmario Borio, Pascal Decroupet Gianmario Borio, Université Côte d’Azur, Nice Università di Pavia and Fondazione and Christoph Neidhöfer Pascal Decroupet and Giorgio Cini Christoph Neidhöfer David Bernstein Mills College of Oakland, California C. Catherine Losada on University of Cincinnati This symposium, which represents the first stage 10:00 – 13:00 Chair: Christoph Neidhöfer on of a three-year research project, cross-examines McGill University, Montréal Susanna Pasticci different concepts of harmony in selected Università di Cassino Ingrid Pustijanac instrumental, vocal and electroacoustic music Jonathan W. Bernard on Università di Pavia composed in the first three postwar decades. University of Washington on György Ligeti The program features individual presentations on Elliott Carter Imke Misch on the construction and historical context of Hochschule für Musik, Theater Anne-Sylvie Barthel-Calvet the harmonic language of particular Christopher Brent Murray und Medien Hannover Université de Lorraine composers, and concludes with a plenary Université Libre de Bruxelles on on roundtable discussion. Each presenter will on respond to a catalog of questions that serves Discussant: Federica Di Gasbarro Discussant: Paolo Dal Molin as point of reference towards the larger goal Oliver Korte Swiss National Science Foundation / Università di Cagliari of the symposium. Our objective is (1) to Musikhochschule Lübeck Université Côte d’Azur, Nice understand harmony in its many manifestations on Bernd Alois Zimmermann across stylistic boundaries, (2) to tease out 14:30 – 17:00 Discussion commonalities and differences in the harmonic Discussant: Massimiliano Locanto languages of composers representing a shared Università di Salerno school or common aesthetic, (3) to uncover harmonic concepts shared by music of different styles and aesthetics, (4) to review and coordinate the terminology on harmonic concepts to facilitate comparative study, and (5) to test the hypothesis of a history of musical composition along the lines of harmonic concepts.