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Happy Holidays the Page 2 December 25, 2014
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 30, Number 51 Thursday, December 25, 2014 Happy Holidays THE Page 2 December 25, 2014 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 In Case Of Emergency, Dial e-mail: News/Articles - [email protected] email: Classifieds - [email protected] http://www.thebeacher.com/ PRINTED WITH Published and Printed by TM Trademark of American Soybean Association THE BEACHER BUSINESS PRINTERS Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden 911 Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. The Beacher is also delivered to public places in Michigan City, New Buffalo, LaPorte and Sheridan Beach. Remembering “Prancer” Director, Star Look Back on Christmas Classic Amid Its 25th Anniversary by Andrew Tallackson “Usually, when you see your movies again, you see the mistakes, but not this time,” Hancock said, relaxing in his Galena Township home. “When you see it with a live au- dience, none of that matters. This was maybe one of the best screenings I’ve had.” Sam Elliott stands in front of the Old Republic House in New Carlisle during production on John Hancock’s “Prancer.” hen people meet John Hancock, one of the fi rst things he hears is that “Prancer” is one of their favorite movies. They’ve grown up with it. They watch it every Christmas. Its story of courage, de- termination and hope has lost none of its power. WUpon hearing this, the director is fl attered. Until earlier this month, though, he’d not seen the movie on the big screen, and with a full audience, since it was released 25 years ago. -
Full Beacher
Volume 18, Number 36 Thursday, September 12, 2002 September 11, 2001. .a day of terror September 11, 2002. .a year of hope and sorrow and healing Remembering the People of September 11 by Maggie Beyer The walls come alive and surround you with images as hands touch hands in “Remembering the People of September 11” Artists in the Exhibition: Charlotte Bass Halcyon Domanski We will always remember when we first saw it: the sight of the twin tow- April Fallon ers falling, the Pentagon ablaze. A year Sanford Friedman later, commemorating that fateful day Connie Kassal when the world as we knew it changed forever, a group of grass roots artists from George Kassal our community have used the sensitiv- Sarah Kassal ity of their art to express these feel- ings for us in an exhibition, Remembering Andrea Moore the People of September 11. The exhi- Andrea Peterson bition which opened on September 8, will Lynn Retson be at the Lake’s Edge Gallery in Long Beach through September, then moves Madeleine Schooley to Purdue University North Central. Marsha Stonerook Linda Weigel Original music: A steel sculpture by Sandy Friedman centers the Katie Wall room with the symbol of optimism and hope beneath the arch of the fallen. Remembering Continued on Page 2 Page 2 September 12, 2002 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 In Case Of Emergency, Dial e-mail: News/Articles - [email protected] email: Classifieds - [email protected] http://www.bbpnet.com/ Published and Printed by THE BEACHER BUSINESS PRINTERS Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden 911 Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. -
The Young and the Restless: Bringing HD to Daytime Television “The Familiar Look and Feel of HDW-F900 HDCAM 24P Cinealtaª High Definition Camcorder
I N T H I S I S S U E Suspended Animation John Hancock directs his first 24P HD feature New Suit is fashioned in 24P HD M. David Mullen gives us a look at shooting in HD A u t u m n 2 0 0 1 The Young and The Restless: Bringing HD to Daytime Television “The familiar look and feel of HDW-F900 HDCAM 24P CineAlta™ High Definition camcorder. The digital movie camera.* motion picture film are here.” — GEORGE LUCAS If you want to see a movie pro get future,” says Chuck Barbee, the We shot Star Wars: Episode II excited, ask George Lucas, Chuck director of photography. “The in 61 days in 5 countries in the Barbee, or Mike Figgis about Sony whole process was surprisingly Digital Electronic Cinematography. good. And compared to film, raw rain and desert heat averaging Each is using Sony tools to explore tape stock costs next to noth- new creative possibilities. 36 setups per day without a ing. This really lowers the cost “Star Wars: Episode II is our last giant of getting it in the can, which single camera problem. We have DVW-790WS Digital Betacam® camcorder. step toward Digital Cinema,” says means that more projects The gold standard found the picture quality of the in Widescreen George Lucas, describing his decision can get made.” Standard Definition. to shoot principal photography 24P Digital HD system to be with Panavision-modified Sony Mike Figgis challenges our most indistinguishable from film. HDCAM® 24P camcorders. “The basic conventions of narrative in familiar look and feel of motion Timecode, the movie that follows – George Lucas and picture film are present in this four simultaneous storylines in Rick McCallum digital 24P system. -
A Conversation with Actress and Screenwriter Dorothy Tristan
A conversation with actress and screenwriter Dorothy Tristan By Andrew Tallackson FilmAcres co-producer Dorothy Tristan appears deep in thought. Her chin rests in one hand, a cup of tea in the other. Her gaze drifts to the tiny drops of rain pelting her kitchen window. She's been discussing the prevailing themes in her latest screenplay. On one level, she suggests, it is about the healing power of music. On another, the story touches on a universal desire to arm ensuing generations with the power to achieve their hopes and dreams. But Tristan's silence hints at something deeper. Her attention returns to the interview at hand. At its core, she says, the movie is a love letter to the woman who had the most profound impact on her. She calls her Aunt Mabel. The woman was not a blood relative, but she may as well have been. Tristan's childhood, she admits, was an often unhappy one because she suffered from tuberculosis. When she was 10, her family, living in New York City, learned of the Herald Tribune Fresh Air Fund, which sent city children to stay with volunteer families so they could experience fresh air and sunshine. Through the fund, Tristan stayed with a family in Connecticut. There were four children, including a girl her age. But the person she connected with most was Mabel, mother to the four children. “Mabel entered my life, and a lifetime relationship began from there,” Tristan said. “She was very positive. She saw I could paint so she bought me a paintbox.