Attic Sampler Newsletter 06022016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Winter Mitten Making
1 Winter Mitten Making By: Kielyn & Dave Marrone Version 2.0, October 2015 http://lureofthenorth.com 2 Note 1- This booklet is part of a series of DIY booklets published by Lure of the North. For all other publications in this series, please see our website at lureofthenorth.com. Published instructional booklets can be found under "Info Hub" in the main navigation menu. Note 2 – Lure Mitten Making Kits: These instructions are intended to be accompanied by our Mitten Making Kit, which is available through the “Store” section of our website at: http://lureofthenorth.com/shop. Of course, you can also gather all materials yourself and simply use these instructions as a guide, modifying to suit your requirements. Note 3 - Distribution: Feel free to distribute these instructions to anyone you please, with the requirement that this package be distributed in its entirety with no modifications whatsoever. These instructions are also not to be used for any commercial purpose. Thank you! Note 4 – Feedback and Further Help: Feedback is welcomed to improve clarity in future editions. For even more assistance you might consider taking a mitten making workshop with us. These workshops are run throughout Ontario, and include hands-on instructions and all materials. Go to lureofthenorth.com/calendar for an up to date schedule. Our Philosophy: This booklet describes our understanding of a traditional craft – these skills and this knowledge has traditionally been handed down from person to person and now we are attempting to do the same. We are happy to have the opportunity to share this knowledge with you, however, if you use these instructions and find them helpful, please give credit where it is due. -
Stitches and Seam Techniques
Stitches and Seam Techniques Seen on Dark Age / Medieval Garments in Various Museum Collections The following notes have been gathered while attempting to learn stitches and construction techniques in use during the Dark Ages / Medieval period. The following is in no way a complete report, but only an indication of some techniques observed on extant Dark Ages / Medieval garments. Hopefully, others who are researching “actual” garments of the period in question will also report on their findings, so that comparisons can be made and a better total understanding achieved. Jennifer Baker –New Varangian Guard – Hodegon Branch – 2009 Contents VIKING AND SAXON STITCHES 1. RUNNING STITCH 2. OVERSEWING 3. HERRINGBONE 4. BLANKET STITCH SEAMS 1. SEAMS 2. BUTTED SEAMS 3. STAND-UP SEAM 4. SEAMS SPREAD OPEN AFTER JOIN IS MADE 5. “LAPPED” FELL SEAM 6. FELL SEAM WORKED ON WRONG SIDE OF GARMENT FINISHES ON RAW EDGES OF SEAMS SEWING ON TABLET WOVEN BRAID HEMS OTHER STITCHES FOUND IN ARCHEOLOGICAL FINDS REFERENCES 1 Stitches and Seam Techniques VIKING AND SAXON STITCHES There are only four basic stitches to master: 1. RUNNING STITCH , 2. OVERSEWING, ALSO KNOWN AS OVERCAST STITCH OR WHIP STITCH 3. HERRINGBONE , ALSO KNOWN AS CATCH STITCH 4. AND BLANKET STITCH. ALSO KNOWN AS BUTTONHOLE STITCH Running stitch is probably the easiest to start with followed by oversewing. With these two stitches you can make clothing. The other two are for decorative edging. These directions are for a right handed person, if you are left handed remember to reverse all directions. 2 Stitches and Seam Techniques RUNNING STITCH A running stitch is done through one or more layers of fabric (but normally two or more), with the needle going down and up, down and up, in an essentially straight line. -
'Sublime Stitches' Aida Page 5 Patterns 62
'Sublime Stitches' Aida Page 5 Patterns 62- 74 Full Design Area: 16.07 x 29.57 inches worked on 14 count AIDA 225 x 414 stitches Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 14 count Aida, white, antique white or cream The sample was worked on Zweigart 14 count Aida, white Over dyed or space dyed fabrics may detract from the design - select carefully! There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown above. Please follow the main chart carefully to place and work the different patterns. The embroidery may differ slightly. Where patterns overlap between the pages do not start the pattern. The part patterns are there to help in the placing of the design. As additional pages are added the part patterns will be complete. Do not add beads to the design until all 12 pages have been worked. The sample was worked in DMC and Anchor floss in four shades including DMC 310 as the base colour. Cross stitch is worked in TWO strands over two threads, back stitch is worked in ONE strand over two threads. Threads used: DMC 310 Black, three skeins Anchor 1206 variegated, or DMC 815 Garnet, three skeins DMC 415 Pearl grey, one skein DMC 414 Steel grey, one skein Metallic threads used: Rainbow Gallery Petite Treasure Braid PB01, one card or DMC Lights Effects E3852 Dark Gold, one skein DMC Lights Effects E317 DMC 996 electric blue is used on the chart to show ONE strand of 415 and ONE strand 414 together to make two strands for pulled thread work stitches. -
Advanced Silk Shading
ROYAL SCHOOL OF NEEDLEWORK 2019-2020 ACADEMIC YEAR DIPLOMA ADVANCED SILK SHADING Traditionally worked with silk thread on silk or linen fabric, but now more usually worked in stranded cotton thread. Silk is still the most usual background fabric but a variety of other fabrics may be used. For Advanced Silk Shading you may work EITHER an animal, bird, fish or reptile; OR a tapestry shaded human figure. SILK SHADED ANIMAL OR BIRD AIM – To demonstrate an advanced level of technical skill by working a realistic and naturally shaded embroidery of an animal, fish, reptile or bird using Long and Short Stitch with one strand of stranded cotton (or fine silk thread). To utilise shading and stitch direction to accurately depict musculature, fur, scales and clearly defined feathers as appropriate. Please note: All preparatory work (e.g. outlines, drawings, stitch plans, original source material) MUST be handed in for assessment or the work will not be marked. DESIGN Try to come with some ideas for a design and bring along some photographs. The photograph must be printed a similar size to the embroidery size otherwise it is very difficult to work. It is essential to work from a crisp, clear, well-focused photograph where you can see the individual colours and changes from dark to light. Illustrations can sometimes be harder to follow, and you should be wary of images from the Internet, which are often poor quality and may not print sufficiently well. However there are many places online from which you can purchase high quality images. The tutor will be able to make suggestions and help you bring your ideas together. -
Stitch Setting Chart
STITCH SETTING CHART STITCH SETTING CHART The following chart shows information for each utility stitch concerning applications, stitch lengths, stitch widths, and whether or not the twin needle mode can be used. Stitch width Stitch length Presser foot [mm (inch.)] [mm (inch.)] Twin Stitch Stitch name Applications needle Auto. Manual Auto. Manual Straight stitch General sewing, gather, pintuck, (Left) etc. Reverse stitch is sewn while 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Left) etc. Reinforcement stitch is sewn 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reverse stitch is sewn while 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reinforcement stitch is sewn 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Triple stretch General sewing for 0.0 0.0 - 7.0 2.5 1.5 - 4.0 OK stitch reinforcement and decorative (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) topstitching Stem stitch Reinforced stitching, sewing and 1.0 1.0 - 3.0 2.5 1.0 - 4.0 OK decorative applications (1/16) (1/16 - 1/8) (3/32) (1/16 - 3/16) ( J ) Decorative Decorative stitching, top 0.0 0.0 - 7.0 2.5 1.0 - 4.0 OK stitch stitching (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) Basting stitch Basting 0.0 0.0 - 7.0 20.0 5.0 - 30.0 NO (0) (0 - 1/4) (3/4) (3/16 - 1-3/16) Zigzag stitch For overcasting, mending. -
Altar Guild Handbook, Rev
HANDBOOK FOR ALTAR GUILDS Revised 2014 (Former versions entitled “Altar Guild Manual”) The Episcopal Diocese of Texas i The National Altar Guild Association (NAGA) The purpose of the National Altar Guild Association (NAGA) is to assist parish, diocesan, and provincial altar guilds through information, resources, and communication, including a quarterly newsletter—the EPISTLE www.nationalaltarguildassociation.org National Altar Guild Prayer Most gracious Father Who has called me Your child to serve in the preparation of Your Altar, so that it may be a suitable place for the offering of Your Body and Blood; Sanctify my life and consecrate my hands so that I may worthily handle Those Sacred Gifts which are being offered to You. As I handle holy things, grant that my whole life may be illuminated and blessed by You, in whose honor I prepare them, and grant that the people who shall be blessed by their use, May find their lives drawn closer to Him Whose Body and Blood is our hope and our strength, Jesus Christ our Lord. AMEN. Oh Padre bondadosa, que has llamado a tu hija(o) a sevir en la preparación de Tu Altar, para que sea un lugar digno para la Ofrenda de Tu Cuerpo y de Tu Sangre; Santifica mi vida y consagra mis manos para que de esta manera yo pueda encargarme dignamente de estos Dones Sagrados que te ofrecemos. Mientras sujeto estos santos objetos, concede que mi vida sea iluminada y santificada por Ti, en cuyo honor los preparo, y permite también que el pueblo bendecido por su participación, se una más a Él, Cuyo Cuerpo y Sangre son nuestra esperanza y nuestra fortaleza, Jesucristo nuestro Señor. -
How to Needlepoint
How to Needlepoint A quick guide for the on the go learner to get started stitching By Casey Sheahan What is needlepoint? Needlepoint is a type of embroidery where wool, cotton or silk is threaded through an open weave canvas. Needlepoint can be used to create many different objects, crafts or art canvases. Sources : Colorsheets, Viviva, and Shovava. “What Is Needlepoint? Learn the DIY Basics to Begin This Fun and Colorful Craft.” My Modern Met, 9 Sept. 2018, https://mymodernmet.com/what-is-needlepoint/. The Editors of Encyclopaedia Britannica. “Needlepoint.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 4 Sept. 2019, https://www.britannica.com/art/needlepoint#:~:targetText=Needlepoint as it is known,the foundation for the embroidery Needlework has been around for centuries. Throughout history we have seen a variety of different types History of of stitching. Tapestries have been found dating back to the 15th century Needlepoint and needlepoint was even found in the cave of a Pharaoh. In the 17th century when upholstered furniture became pooular. Source: “The English Needlepoint.” Ghorbany, https://ghorbany.com/inspiration/the-english-needlepoint. Getting Started Now that you know a little more about the history of needlepoint, you will start collecting your materials to begin stitching. Getting Started Material Options: Threads and Yarns Althea DeBrule outlines some of the most common types of threads used in needlepoint. Persian Yarn: By far the most popular yarn used for needlepoint. Persian wool can be be purchased in hundreds of colors from delicate hues to bold shades. Tapestry Yarn: Tapestry wool is a single strand thread that cannot be separated for fine stitching. -
A Hole New Story Jumper & Socks Edition
Workshop no.1 A hole new story jumper & socks edition Don’t let your textiles go to waste workshop series Contents 1. Who are we? 3 2. Mending, a story of tradition and care 7 3. Fabrics 101 11 4. Material kit explained 16 5. Visible mending techniques 18 6. Basic sewing skills 23 7. Step-by-step mending techniques 25 2 1. Who are we? 3 TextileLab Amsterdam TextileLab Amsterdam is a group of people that researches, questions and Pictured above (from left to right): speculates how we can help transition the textile and clothing industry towards a more sustainable and value driven approach. From a holistic Cecilia Raspanti approach we look at materials, tools/instruments, processes, culture and Co-founder TextileLab Amsterdam, systems and how these are related. Co-founder Fabricademy: textile academy The research always has a collaborative and value driven nature, where Ista Boszhard findings are shared in a fully open source fashion to create knowledge Co-founder TextileLab Amsterdam, exchange and foster collaboration with a range of diverse stakeholders. Lecturer Amfi Circular economy, sustainable value flows and networks, as well as material Margherita Soldati research and innovation are at the core of the TextileLab operations, going Concept and design TextileLab Amsterdam, hand in hand with exploring informal hands-on alternatives for design, Independent Designer fabrication and production. This wide range of operations and outcomes all feed into education innovation, supporting the change of this field starting Beatriz Sandini from existing educational structures. Concept and design TextileLab Amsterdam, Independent Designer 4 REFLOW Textiles have been a critical and polluting industry since the Industrial Revolution – each year, 14,000 tons of textiles are thrown away in Amsterdam only. -
De Laudibus Legum Angliae
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com UNIVE NFORD UBRAR School of Law ह பல UL PREMY . JSN LFO XKD 1874 DE LAUDIBUS LEGUM ANGLIÆ A TREATISE IN COMMENDATION OF THE LAWS OF ENGLAND BY CHANCELLOR SIR JOHN FORTESCUE WITH TRANSLATION BY FRANCIS GREGOR NOTES BY ANDREW AMOS AND A LIFE OF THE AUTHOR BY THOMAS ( FORTESCUE ) LORD CLERMONT . CINCINNATI : ROBERT CLARKE & CO . 1874 Entered , according to act of Congress , in the year 1874 , By ROBERT CLARKE & CO . , In the office of the Librarian of Congress , at Washington . Stereotyped by OGDEN , CAMPBELL & Co. , Cin . , o . 93144 PUBLISHERS ' NOTICE . In carrying out our plans for the republication of some of the most noted “ Legal Classics , ” Sir John Fortescue's “ De Laudibus Legum Angliæ ” was selected as the third of our series , and the edition by Amos , published in 1825 , was fixed upon for republication . Just as we were about putting it into the printers ' hands , we fortunately heard of Lord Clermont's privately printed edition of Fortescue's Life and Works , in 2 vols . royal 4to , printed in 1869 , a detailed description of which will be found on page liv . After some correspondence we learned that the edition was a limited one - 120 copies — designed for family friends and important public libraries . On being informed of our in tended republication , and of our desire to refer to it for comparison , Lord Clermont generously sent to us a copy of this sumptuous work , for our use in the preparation of this edition , and then to be presented to the Public Library of Cincinnati . -
Sewing Fun! Feather
Sewing Fun! Feather. Blanket. Straight. Cross. Satin. Zig-zag. Chain. Running. Back. Whip. Slip. Knotting. These are not yoga poses! These are stitches that you can learn as you become a sewing master! Sewing is an essential skill that is practical and fun! Lose a button? No need to ask mom for help! You can fix it yourself! Want to create a personalized gift for someone? Sew it! Make your own bedroom accessories, stuffed animals, pencil cases, tote bags, blankets, pillows, doll clothes, design your own fashion. Dream it! Sew it! How to earn the Summer Reading patch the Girl Scout way: Steps: 1. Discover—Gather the materials you need and practice a few stitches. 2. Connect—Complete your first sewing project. 3. Take Action—Put your new skill to use! Materials Needed: In order to complete this patch, you’ll need a few things: • basic sewing supplies (See Step 1 for list or purchase an embroidery kit) • fabric: scraps or embroidery cloth • sewing resources: You can either go online with an adult, ask a professional, or visit your public library • a box or basket to use as your sewing kit • a quilting hoop • buttons STEP 1 Discover the basics of sewing. Before you start a project, it’s important to have all the tools you may need on hand. An easy way to gather everything is to create a sewing kit. Here are some items that you might want to have before you begin: • needles • thread • embroidery floss • needle threader • scissors • seam ripper • pins Optional: • measuring tools 800-248-3355 • marking tools gswpa.org • painter’s tape/colored tape (This is great for learning to sew straight lines!) Use your resources wisely to learn about hand sewing—you can find books about different kinds of stitches at your local library, or with the help of an adult, go online! There are websites and videos that can show you how to do easy, intermediate, and complicated stitches. -
PDF Download Stumpwork
STUMPWORK PDF, EPUB, EBOOK Kate Sinton | 96 pages | 01 Aug 2011 | Search Press Ltd | 9781844485864 | English | Tunbridge Wells, United Kingdom Stumpwork PDF Book Many times the designs are used to portray company logos or team mascots. Ad 7: Haystack. What do you use for backing? You will get a good feel for the complete Class content by reviewing these various elements. Fig 4 - Felt padding for basket and head. You can have any embroidery pattern as the main design, or you can use the ones that come with the stumpwork kits. One of my favorites is the needlewoven picot. Let expert needlework instructor Celeste Chalasani be your guide as you learn how to add texture and dimensionality to your work. Do keep in mind, however, that as a benefit of Craftsy Premium Membership, you would have access to all Classes on the Craftsy site as long as your Membership is valid. I used my little mermaid figure on a crazy quilt block , which sadly went out for a "Round Robin" and never returned to me. Fig 12 - Needlelace mermaid. Buttonhole over this wire and then fill the area with your chosen stitch. Privacy Policy. Review the Class Preview video, and the various written descriptions of the Class and each Lesson before you purchase, so you have a good understanding of the Class content. As an Embroidery Guild of America teacher, she often leads workshops at chapter and national events around the United States. As with the Class video, you can access the Bonus Materials as many times as you like — or you can print them out also. -
From the Sun Region of the Embroiderers' Guild of America, Inc
from The Sun Region of The Embroiderers’ Guild of America, Inc. website: www.sunregionega.org RD’s Letter Hello to everyone in Sun Region. I imagine that most of you are looking forward to some cooler weather just like I am. Lets hope it comes soon and we don’t have any more hurricanes or big storms. The fall board meeting is the 17th and 18th of September in Safety Harbor. At that meeting we will talk about next year’s review of the bylaws for Sun Region. 2017 is our scheduled year for this review and this involves every chapter’s bylaws and the region’s. The chapter reps will come back from the meeting with information on how this process will work. That should make it easier for everyone to get their bylaws reviewed and accepted by the end of 2017. The nominating committee is struggling to find candidates for positions. I strongly urge you to think about what will happen if the region can not find officers to serve. We’d all like to sit back and just enjoy the benefits of being part of Sun Region but that just doesn’t work. And I have to say that the best part of being on the board and committees for me has been meeting region members and getting to know them. I’ve gotten to know many peo- ple that I never would have known and have had experiences that would never have happened. And yes, those are good things. Please help the nominating committee by reaching out to those in your chapters that may never have considered serving at the region level but that you think would do a great job.