Major-General Charles Guinand Blackader 20Th September 1869

Total Page:16

File Type:pdf, Size:1020Kb

Major-General Charles Guinand Blackader 20Th September 1869 The Real Blackadder Major-General Charles Guinand Blackader 20th September 1869 – 2nd April 1921 Whenever the name Blackadder is Blackader was an efficient administrator and mentioned we all automatically rose to the command of the 2nd Leicesters by 1912. On the outbreak of the First World think of the highly entertaining War, his battalion, as a part of the Indian comedy series written by Ben Corps, was sent from India to the Western Elton and Rowan Atkinson. The Front, first seeing action near Neuve series, Blackadder Goes Forth, Chapelle on the 29th October 1914. By early set in the trenches of WW1 has 1915 he had succeeded to the command of the Garwhal Brigade as a Brigadier-General however, conditioned how many and he led it through the battles of Neuve people view the Great War and Chapelle and Loos. whilst in the terminology of the After the Indian Corps was withdrawn from The 38th Division had been raised in 1914 day is spiffing entertainment, France in late 1915, Blackader was posted to and many of its officers had been personally unfortunately perpetuates the command the 177th Brigade of the 59th appointed by Lloyd George; as a result, political convenience had often taken erroneous “lions led by donkeys” Division training in the United Kingdom. In April 1916, the 59th Division was sent to priority over military competence when school of thought. So, was Ireland to assist in quelling the Easter Rising. selecting officers. Under Blackader, the Blackadder real? Following the Rising, Blackader presided division's standard improved significantly and it saw service at Pilkem Ridge in the The name Blackadder, whilst not common, is over a number of the resulting early stages of the Third Battle of Ypres. certainly not fictional. The Commonwealth courts-martial, including those of Eamonn From September 1917 onwards the Division War Graves Commission list 13 Blackadders Ceannt, Thomas Clarke, Thomas Mac was kept on relatively quiet defensive and 2 Blackaders, one of whom being Donagh, Patrick Pearse and Joseph Plunkett, sectors. The division trained through this Major-General Charles Guinand Blackader five of the seven signatories to the period, and in April 1918 was able to mount a CB, DSO, the subject of this article. Proclamation of the Irish Republic. It appears that Blackader found this task difficult; after limited brigade-size attack, which whilst it So far from being the down-trodden Pearse's trial, he is reported to have involved heavy losses was a clear success in a scheming, but war-weary Captain of the TV commented that: "I have just done one of way that would not have been possible two sitcom, Charles Blackader was actually a the hardest tasks I have ever had to do. I years earlier. competent career soldier who rose to have had to condemn to death one of the In late May 1918, Blackader was relieved of command an infantry division on the finest characters I have ever come across. command of the 38th Division due to Western Front. There must be something very wrong in the illness; apparently after "being licked by a He was commissioned into the Army in 1888 state of things that makes a man like that rabid dog". as a 2nd Lieutenant in the 1st Battalion of a rebel. I don't wonder that his pupils Following his return to the UK, in November the Leicestershire Regiment. Blackader's adored him." 1918, he was appointed to command the first active service posting was in the late In June 1916 Blackader was sent to France Southern District in Ireland. For his service in 1890s, when he served on attachment to the and shortly afterwards - with the rank of the war, he was appointed an aide-de-camp West African Frontier Force. He was Major-General - was given command of the to the King in 1916, and made a Companion mentioned in despatches for his part in 38th Welsh Division. This Division had of the Order of the Bath in 1917. He was also operations against local slave-traders. suffered heavy casualties on the Somme made a Commander of the Belgian Order of He subsequently served during the in the battle for Mametz Wood and its Leopold and awarded both the Belgian and Boer War where he commanded General Officer Commanding (Ivor French Croix de Guerre. Blackader died of a company of the 1st Leicesters Phillips) had been sacked. liver cancer and heart failure on the 2nd April at the Defence of Ladysmith and 1921 at Queen Alexandra’s Military Hospital, was awarded the DSO in 1902. Millbank. There is a memorial to him in the regimental chapel in Leicester Cathedral. So perhaps next time we watch Blackadder Goes Forth, we should transpose Melchett (who in the guise of Stephen Fry bears an uncanny resemblance to Charles Blackader) and Captain Edmund Blackadder and view the General as the intelligent organiser and effective leader of men! And yes – there was a Captain Darling – an artillery officer in the 50th Division – reportedly last seen in May 1918 advancing towards the enemy with his revolver in his hand! Andy Tonge www.thewarandpeacerevival.co.uk 61.
Recommended publications
  • A Fighting Force for Mental Health
    SANE: A fighting force for mental health Famous personalities who are friends and Vice Patrons of SANE are speaking up for those whose voices are so often not heard. We are delighted that they give their time and talent for greater public understanding. Jane Asher: “Where SANE is so invaluable is in not only providing someone to talk to who understands and can offer encouragement, but also in giving the kind of practical information that is needed.” Fellow Vice Patrons: The Rt Hon the Lord Kinnock Lynda Bellingham: Professor Colin Blakemore FRS Hon FRCP “SANE is vital to sanity in the way society Rowan Atkinson deals with mental health.” Cherie Booth QC Frank Bruno MBE Michael Buerk Stephanie Cole OBE Barry Cryer OBE Dame Judi Dench CH DBE Alastair Stewart OBE: Edward Fox OBE Sir David Frost OBE “Ignorance and prejudice are terrifying Barry Humphries AO CBE partners. SANE has always bravely and Virginia Ironside consistently battled against both and held high Sir Jeremy Isaacs the banners of care and compassion.” Gary Kemp Ross Kemp Nick Mason Ian McShane Carole Stone: Anna Massey CBE “As someone whose brother suffered from paranoid Sir Jonathan Miller CBE schizophrenia, I am very pleased to be a patron of David Mitchell SANE. I only wish it had been available to me and my James Naughtie family in those days.” Trevor Phillips Tim Pigott-Smith Griff Rhys Jones Barry Cryer: Nick Ross Timothy Spall OBE “The crazier the world gets, the more we need SANE. They are completely Juliet Stevenson CBE involved with the people they help.
    [Show full text]
  • Mr Bean in Town
    LEVEL 2 Teacher’s notes Teacher Support Programme Mr Bean in Town Rowan Atkinson, Richard Curtis, Steak Tartare, pages 1–6: Mr Bean rarely goes to EASYSTARTS Robin Driscoll and Andrew Clifford restaurants. Yet on his birthday, he decides to spend a special evening at a very nice one. In his best clothes, he asks for a table for one and sits at a very elegant table. As soon as he reads the menu he realises he can barely LEVEL 2 afford any meal there. So he orders steak tartare, not knowing what it is. In the meantime, he writes a birthday card for himself and leaves it on the table. Then he reads LEVEL 3 it pretending somebody has remembered his birthday. Mr Bean knows nothing about behaving mannerly at a restaurant. He does not understand why the manager LEVEL 4 pulls the chair away from the table for him or why the wine is to be tasted. He does not know why he should not play with the cutlery at the table or play the birthday LEVEL 5 About the authors song on the restaurant’s glasses. When he is served his food, he gives it a try and finds it revolting. He tries Rowan Atkinson was born in Consett, County Durham, to hide it: in a mustard pot, in a vase of flowers, and England in 1955. He went to public school, then took a elsewhere. LEVEL 6 degree in electrical engineering at Newcastle University before going to Oxford in 1975. It was at Oxford that he Steak Tartare, pages 7–12: Mr Bean continues to hide the met screenwriter Richard Curtis, with whom he wrote rest of the steak tartare inside the bread rolls, under the and performed comedy revues at the Oxford Playhouse.
    [Show full text]
  • Mr Bean in Town 4 5 by Rowan Atkinson, Richard Curti S, Robin Driscoll and Andr Ew Cliffor D 6
    Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 Mr Bean in Town 4 5 by Rowan Atkinson, Richard Curti s, Robin Driscoll and Andr ew Cliffor d 6 ELEMENTARY S U M M A R Y Mr Bean in Town contains two very funny stories. recorded hugely successful albums, released several best-selling books, won an International Emmy Award, ‘Steak Tartare’ and the British Academy Award for ‘Best Light Mr Bean goes to a restaurant for a birthday dinner. He Entertainment Program of 1980’. In 1983, Atkinson co- orders a steak tartare but he doesn’t like it. He tries to wrote (with Richard Curtis) and starred in the television hide it: in a mustard pot, in a vase of flowers, and show ‘Black Adder’. Atkinson and Curtis co-created Mr elsewhere. A man with a violin comes and Mr Bean puts Bean for television in 1990. Atkinson himself starred as some meat down the back of the man’s trousers! The Mr Bean. After an extremely successful two-year run of waiter drops some plates on to Mr Bean’s table. The the series, there followed a series of videos, cassettes manager takes him to a clean table. Mr Bean smiles and and books and, in 1997, a feature-film version. Atkinson is happy again. The waiter brings him a plate of food. it is is a very private person. He lives in Oxfordshire with his a large plate of steak tartare! wife and two children.
    [Show full text]
  • The Man Who Invented Christmas Film Adaptations of Dickens’ a Christmas Carol Dr Christine Corton
    10TH DECEMBER 2019 The Man Who Invented Christmas Film Adaptations of Dickens’ A Christmas Carol Dr Christine Corton A Christmas Carol is now over 175 years old. Written in 1843, it is certainly the most televised of Dickens’s works and equals if not beats, its closest rival, Oliver Twist (1837-39) for cinema releases. It’s had a huge influence on the way we understand the Christmas festival. It was written at a time when the festival was being revived after centuries of neglect. And its impact was almost immediate. A Christmas Carol quickly achieved iconic status, far more so than any of Dickens’s other Christmas stories. You have to have been living on some far-off planet not to have heard of the story – the word ‘Scrooge’ has come to represent miserliness and ‘Bah, Humbug’ is a phrase often resorted to when indicating someone is a curmudgeon. Even, Field Marshall Montgomery concluded his Christmas Eve message to the Eighth Army on the battlefield with Tiny Tim’s blessing. In 1836 Dickens described Christmas at Dingley Dell in The Pickwick Papers in which of course one of the most famous of the interpolated tales appears, The Story of the Goblins who Stole a Sexton and for those who know the tale, the miserable and mean Gabriel Grub is not a million miles away from Scrooge. Both Mr Pickwick’s Christmas at Wardle’s (1901) and Gabriel Grub: The Surly Sexton (1904) were used as the basis for silent films at around the same time as the first silent version of the 11 minute long: Scrooge: Or Marley’s Ghost which was released in 1901.
    [Show full text]
  • +\Shu Dqg Plvxqghuvwdqglqj Lq Lqwhudfwlrqdo
    1 +\SHUDQGPLVXQGHUVWDQGLQJLQLQWHUDFWLRQDOKXPRU Geert Brône University of Leuven Department of Linguistics Research Unit &UHDWLYLW\+XPRUDQG,PDJHU\LQ/DQJXDJH (CHIL) E-mail address: [email protected] $ ¢¡¤£¦¥¢§©¨ £ This paper explores two related types of interactional humor. The two phenomena under scrutiny, K\SHUXQGHUVWDQGLQJ and PLVXQGHUVWDQGLQJ, categorize as responsive conversational turns as they connect to a previously made utterance. Whereas hyper-understanding revolves around a speaker’s ability to exploit potential weak spots in a previous speaker’s utterance by playfully echoing that utterance while simultaneously reversing the initially intended interpretation, misunderstanding involves a genuine misinterpretation of a previous utterance by a character in the fictional world. Both cases, however, hinge on the differentiation of viewpoints, yielding a layered discourse representation. A corpus study based on the British television series %ODFNDGGHU reveals which pivot elements can serve as a trigger for hyper- and misunderstanding. Common to all instances, it is argued, is a mechanism ofILJXUHJURXQG UHYHUVDO. Key words: interactional humor, hyper-understanding, misunderstanding, layering, mental spaces, figure-ground reversal 2 ,QWURGXFWLRQ Recent studies in pragmatics (see e.g. Attardo 2003) have shown a renewed interest in humor as a valuable topic of interdisciplinary research. More specifically, these studies have extended the traditional focus of humor research on jokes to include longer narrative texts (Attardo 2001a, Triezenberg 2004) and conversational data (Boxer and Cortés-Conde 1997, Hay 2001, Kotthoff 2003, Norrick 2003, Antonopoulou and Sifianou 2003, Archakis and Tsakona 2005). New data from conversation analysis, text linguistics and discourse psychology present significant challenges to linguistic humor theories like the General Theory of Verbal Humor (Attardo 1994, 2001a), and call for (sometimes major) revisions.
    [Show full text]
  • Bald and Bold for St. Baldrick's
    Wednesday, February 26, 2014 VOLUME 33 / NUMBER 22 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews NEWS UIC youtube.com/uicmedia For the community of the University of Illinois at Chicago Photo: S.K. Vemmer Carly Harte and Andrea Heath check each other’s new look after their heads were shaved in a fundraiser for St. Baldrick’s Foundation Thursday. The roommates drove from Milwaukee to Children’s Hospital University of Illinois for the event, which benefits pediatric cancer research at UIC and elsewhere. More on page 3; watch the video atyoutube.com/uicmedia Bald and bold for St. Baldrick’s INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 12 | Student Voice 13 | Police 14 | Sports 16 Composer Steve Everett finds the Honoring UIC’s Researchers of Cai O’Connell’s once-in-a-lifetime Women’s basketball gets ready to right notes the Year Olympics assignment break the record More on page 2 More on page 7 More on page 11 More on page 16 2 UIC NEWS I www.uicnews.uic.edu I FEBRUARY 26, 2014 profile Send profile ideas to Gary Wisby,[email protected] Composer Steve Everett hits right notes with technology By Gary Wisby Princeton and a guest composer at Eastman School of Music, Conservatoire National Supérieur de Mu- Epilepsy. sique de Paris, Conservatoire de Musique de Genève The chemical origins of life. in Switzerland, Rotterdam Conservatory of Music A young prostitute who lived in and Utrecht School of the Arts in the Netherlands. New Orleans’ notorious Storyville His compositions have been performed in Paris, 100 years ago.
    [Show full text]
  • Li4j'lsl!=I 2 Leeds Student Ma Aj Rnutidoo ®~1 the Bulk of Landlords .Trc \.\Ith News Ump,.'11
    THE REVOLT T F TH HT --FULL STORY PAGE NINE -----li4J'lSl!=I 2 www.leedsstudentorg.uk Leeds Student ma aJ rnutIDoo ®~1 the bulk of landlords .trc \.\ith News Ump,.'11. 20 per ce n1 uren ·1 and LIBERAL Democnil MP in the ..crabbl c 10 find holbm,1: S0%of Simon llu~ht-s has helped in LS6. .., ,uden~ forgc1 11t.11 kick-start a new student the) have nghl\." students have hou."iing crlCMJdc. Jame:; Blake, pre,;idenJ ot taken drugs lhc ·m1111 campaign . Ll'l I\ Lib Dem pan), said but they want wluch I\ be ing c;pearheadc<l h) ·-rm so plc:t5cd thut Simon the:" J~ll:, LT111vcr-.U) L1h rkm Hughe!. could launt:h th 1.:. stricter laws part). •~ .ummg In _maJ..i: c:1mpa1~.n· i1 ,hows YrC an• pt.-<1ple more aware. ol 1he1r ',C.."OOU!, nglu .. :L, IC/M Ii t.. Hu~hC!-i. \\ ho was narmwl} pages TennnL!- can dl!m.Jnd 1h i 11 w, hct11cn by Charles Kenned)- in like ',llltllu: de1cc1or... gu~ a le..ader.; lup contest. ~ id: {ee:-. for appl i,mcc\ and '"StuJcn1 .-. olten fc.el 1hat Uni of Leeds found wanting by aik-qualc 101.;b. filling,. becau~ they mm,e around 11 \ government watchdogs Greg Mulholland. a t.-01111 not '-"Onh \. Otmg. We wam 10 tell lhem lh:it ii I\, nnd lhat pages 6 · 7 cillur for l.ttJs ~fonh \\'1....,1 who i.. .il!.O baekm!! the wc · n: n:lc\'an1 ...chcme. ,,;md: ··1t\ the ... mall "If ~IUdent.,;.
    [Show full text]
  • About Rowan Atkinson
    Reading with audio by My Online Language ( Advanced Level) 23 June 2020 ABOUT ROWAN ATKINSON Let's read a little bit about British Actor Rowan Atkinson Read 5 minutes everyday to improve Who is Rowan Atkinson ? vocabulary and understanding. Rowan Sebastian Atkinson CBE is an English actor, comedian, and writer. He is best known for his work on the sitcoms Blackadder and Mr. Bean. He attended Newcastle University and Oxford University where he earned degrees in electrical engineering. During that time, he met screenwriter Richard Curtis, with whom he wrote and performed comedy revues. Atkinson enjoys nothing better than fast cars. He has been married to Sunetra Sastry since 1990, and they have two children, named Benjamin and Lily. Advanced Level 1 Reading with audio by My Online Language ( Advanced Level) 23 June 2020 Personal Life: In March 2001, while Atkinson was on a holiday trip to Kenya, the pilot of his private plane fainted. Atkinson managed to maintain the plane in the air until the pilot recovered and was able to land the plane at Nairobi's Wilson Airport. What movies did he do? Rowan Atkinson is loved across the globe for his roles as Mr Bean, Johnny English and Edmund Blackadder. Personal quote: “People think because I can make them laugh on the stage, I'll be able to make them laugh in person. That isn't the case at all. I am essentially a rather quiet, dull person who just happens to be a performer”. -Rowan Atkinson Interesting fact about Rowan Atkison The former Prime Minister Tony Blair went To school with him, and they were in the same class.
    [Show full text]
  • Blackadder Goes Forth Audition Pack
    Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades.
    [Show full text]
  • 1 an AGE of KINGS (BBC TV, 1960) Things Have Moved on in Fifty Years
    1 AN AGE OF KINGS (BBC TV, 1960) BBC VIDEO 5 disc set; ISBN 1-4198-7901-4, Region 1 only Tom Fleming, Robert Hardy Things have moved on in fifty years. In 1960 (I was sixteen), we didn’t have a television, and I had to prevail upon my school-friends to let me cycle round to their houses every alternate Thursday to watch this series. 1 Now, I can sit in my armchair and watch it straight through on my computer on DVD, with sound coming through the headphones. I count An Age of Kings as the single most important cultural event in my entire life, more important even than being in Trevor Nunn’s first-ever Shakespeare production ( Hamlet ) the previous year. It taught me what Shakespeare was about, and I’ve never forgotten it. Over ten years ago, seeing that it was on at the NFT, I went down to see some odd bits. Approaching Michael Hayes, the director, I said, “What you did here provided me with the single most important cultural event of my life”. He looked at me suspiciously: “You seem a bit young to say that”, he said, and turned away. I went up to Peter Dews, the producer: “What you did here provided me with the single most important cultural event of my life” – “Good!” he grunted, and turned away. So much for the creative team. Were they really as boring as that in 1960? (In fact Dews died shortly after our brief chat.) Paul Daneman said in an accompanying NFT lecture that the cast spent every morning talking, and didn’t start rehearsals till after lunch.
    [Show full text]
  • Disabling Comedy: “Only When We Laugh!”
    Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people.
    [Show full text]
  • Teacher's Notes
    Popcorn ELT Readers Teacher’s Notes Mr Bean’s Guide to London Mr Bean™ and © Tiger Aspect Productions Ltd. 2002 Welcome to the Popcorn ELT Readers series, a graded readers series for low-level learners of English. These free teacher’s notes will help you and your classes get the most from your Mr Bean’s Guide to London Popcorn ELT Reader. Starter Level Popcorn ELT Readers Starter level is for children who have just started learning English at primary school. Each Starter level title is written to a 150 headword list. There are no past tenses at this level. Mr Bean’s Guide to London has a total story wordcount of 160 words. Mr Bean’s Guide to London – outline Why not try the other Come and see London with Mr Bean! Travel on the busy Mr Bean Popcorn ELT underground or on a boat on the River Thames. Visit the iconic Readers? landmarks of Big Ben and the London Eye. See the pigeons at ● Mr Bean: A Day at the Hyde Park, the waxworks at Madame Tussauds and the Queen at Beach (Starter level) Buckingham Palace! Mr Bean shows us round his home city … with ● Mr Bean: Royal Bean Teddy, of course! (level 1) ● Mr Bean: Toothache Mr Bean Animated Series (level 2) TV series: 2002 – present ● Mr Bean: The Palace of Bean (level 3) Genre: animated comedy Suitable for: all children Actors: Rowan Atkinson (voice of Mr Bean) Other Mr Bean series and films: Mr Bean (TV series,1990–1995), Bean: The Ultimate Disaster Movie (1997), Mr Bean’s Holiday (2007) For ideas on watching extracts from the DVD in class, see pages 3 and 6 of these notes.
    [Show full text]