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222 Tonkünstler-Versammlung Weimar, [23.] 24. – 27. [28.] Mai 1884

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222 Tonkünstler-Versammlung Weimar, [23.] 24. – 27. [28.] Mai 1884 222 Tonkünstler-Versammlung Weimar, [23.] 24. – 27. [28.] Mai 1884 1. Aufführung Weimar, Großhzgl. Hoftheater, Freitag, 23. Mai, 18:30 Uhr 1. a) musikalische Einleitung Ltg.: a) und c) Eduard Lassen Franz Liszt: Die Ideale, Symphonische Dichtung Sol.: b) Louise Hettstedt (die Musik, Rez.), Hauptthema Rosa Lüdt (die Poesie, Rez.), Hildegard b) An der Ilm, scenischer Prolog Jenicke (Nymphe der Ilm, Rez.) Text: Adolf Stern BühnGestalt.: von den Sol. bekränzte Büste c) musikalischer Beschluß Franz Liszts Franz Liszt: Die Ideale, Symphonische Dichtung Hauptthema 2. Franz Liszt: Die heilige Elisabeth, Oratorium (scenische Ltg.: Eduard Lassen Aufführung) Sol.: Ferdinand Wiedey (Landgraf), Rudolf von Milde (ungarischer Magnat), Martha Norris (die junge Elisabeth), Karl Scheidemantel (Landgraf Ludwig), Louise Schärnack (Landgräfin Sophie), von Milde jun. (Kaiser Friedrich II.), Frl. Meibauer (Elisabeth) 2. Aufführung: Erstes Concert [auch: I. Kammermusik-Concert ] Weimar, Erholung, großer Saal, Samstag, 24. Mai, 11:00 Uhr Konzertflügel: Julius Blüthner, Leipzig 1. Franz Liszt: Sonate für Pianoforte in einem Satz h-Moll, Sol.: Arthur Friedheim (Kl.) An Robert Schumann 2. Gesänge für Mezzosopran und Pianoforte Sol.: Magda Bötticher (Mez.), Aleksandr Il’ic Hermann Zopff: Ziloti (Kl.) a) Bilder des Orients Concertino op. 34 Nr. 4 Text: Heinrich Wilhelm August Stieglitz ( ≡) b) Schlummerlied op. 38 Nr. 6 Text: Heinsius ( ≡) c) Franz Liszt: „So sah ich denn auf Erden Engelsfrieden“, Sonett Text: Francesco Petrarca, Übs.: Peter Cornelius ( ≡ dt.) 3. Edvard Hagerup Grieg: Sonate für Violoncello und Sol.: Friedrich Grützmacher d. Ä. (Vc.), Pianoforte a-Moll op. 36 Margarete Stern (Kl.) 1. Allegro agitato 2. Andante molto tranquillo 3. Allegro molto e marcato 4. Hans Frhr. von Bülow: 3 Lieder Sol.: Julie Müllerhartung, Carl Müllerhartung Text: August Friedrich Oger Frhr. von Loën (≡) (Kl.) a) „Du bist für mich ein holdes Heil’genbild“ b) „Immer fühl ich deine Nähe“ c) „Wenn in des Weltmeers Klippen“ 5. August Klughardt: Quartett für 2 Violinen, Bratsche und Sol.: Adol’f Davidovi č Brodskij (V.), Ottokar Violoncello F-Dur op. 42 Eugen Nová ček (V.), Hans Sitt (Va.), Leopold 1. Allegro Grützmacher (Vc.) 2. Adagio 3. Scherzo (Allegro molto) 4. Allegro ma non troppo 6. a) Fryderyk Franciszek Chopin: Arpeggienetüde Es-Dur Sol.: Wilhelm Posse (Hf.) op. 10 Nr. 11, für Harfe eingerichtet Bearb.: Wilhelm Posse b) Franz Liszt: Liebesträume Nr. 3, für Harfe eingerichtet Bearb.: Wilhelm Posse 223 3. Aufführung: Zweites Concert [auch: I. geistliches Concert ] Weimar, Stadtkirche, Samstag, 24. Mai, 18:30 – nach 21:00 Uhr Ltg.: Carl Müllerhartung 1. Hector Berlioz: „Te Deum“ für 3 Chöre, grosses Orchester Sol.: Max Alvary (T), Bernhard Sulze (Org.) und obligate Orgel op. 22 (≡ lat. und dt.) Ch.: Chorverein, Seminarchor und 1. „Te deum laudamus“ (Hymnus, dreichörig) Singakademie Weimar, Mitglieder des 2. „Tibi omnes angeli“ (Hymnus, dreichörig) akademischen Männergesangvereins Jena, 3. „Dignare, Domine“ (Gebet, für 2 Chöre) Damen und Herren der Singakademie Erfurt 4.“Tu Christe rex gloriae“ (zweichöriger Hymnus) (ca. 200 Sänger) 5. „Te ergo, quaesumus“ (Gebet. Solotenor und 2 Chöre) Ens.: Großhzgl. Hofkapelle mit Schülern der 6. „Judex Crederis“ (Hymnus und Gebet. Dreichörig) Großhzgl. Orchesterschule (ca. 80 Musiker) 2. Joachim Raff: Welt-Ende, Gericht, Neue Welt, Oratorium Sol.: Louise Schärnack (A), Karl op. 212 Scheidemantel (Bar.) Text: nach Worten der heiligen Schrift zumal der Ch.: Chorverein, Seminarchor und Offenbarung Johannis ( ≡) Singakademie Weimar, Mitglieder des Erste Abtheilung: Welt-Ende akademischen Männergesangvereins Jena, 1. Vision des Johannes Damen und Herren der Singakademie Erfurt 2. Die apokalyptischen Reiter Ens.: Großhzgl. Hofkapelle mit Schülern der 3. Frage und Dank der Märtyrer Großhzgl. Orchesterschule 4. Letzte Zeichen in der Natur und Verzweiflung der Menschen Zweite Abtheilung: Gericht Dritte Abtheilung: Neue Welt 4. Aufführung: Drittes Concert [auch: I. weltliches Orchester-Concert ] Weimar, Großhzgl. Hoftheater, Sonntag, 25. Mai, 18:30 Uhr Ltg.: Eduard Lassen, Carl Müllerhartung I. Teil 1. Carl Müllerhartung: Fest-Ouvertüre C-Dur Ltg.: Carl Müllerhartung 2. Joachim Raff: Zweites Violinconcert in 3 Sätzen a-Moll Ltg.: Eduard Lassen op. 206 Sol.: August Kömpel (V.) Progamm: Arnold Börner ( ≡) 1. „Dein Lebensschifflein siehst du wanken“ 2. „Des Trost’s, der Hoffnung lindes Wehen“ 3. „Scheint auch der Sturm sich neu zu regen“ 3. Hans Frhr. von Bülow: Nirwana, Symphonisches Ltg.: Franz Liszt Stimmungsbild für Orchester op. 20 II. Teil 4. Felix Draeseke: Zweite Symphonie F-Dur (Ms.) Ltg.: Eduard Lassen 1. Allegro con moto 2. Allegro marciale 3. Allegro commodo 4. Presto leggiero III. Teil 5. Marie Jaëll: Concert für Pianoforte in einem Satz c-Moll Ltg.: Camille Saint-Saëns Sol: Marie Jaëll (Kl.) 6. Otto Lessmann: 3 Lieder Sol.: Emma Mathilda Engdahl a) Wie die jungen Blüthen leise träumen op. 26 Nr. 1 b) Nachtigallenlieder Die blauen Frühlingsaugen op. 21 Nr. 2 c) Du rothe Rose auf grüner Haid’ op. 24 Nr. 1 7. Franz Liszt: Stanislaus, Oratorium Salve Polonia, Orchester-Interludium 224 5. Aufführung: Viertes Concert [auch: II. weltliches Orchester-Concert ] Weimar, Großhzgl. Hoftheater, Montag, 26. Mai, 18:30 Uhr Ltg.: Eduard Lassen, Carl Müllerhartung Konzertflügel: Carl Bechstein, Berlin I. Teil 1. Eduard Lassen: Symphonie Nr. 2 C-Dur op. 78 Ltg.: Eduard Lassen 1. Allegro molto vivace 2. Larghetto 3. Presto 4. Allegro non troppo, ma con spirito 2. Arnold Krug: Concert für Violine und Orchester d-Moll Sol.: Tivadar Nachéz (V.) op. 23 1. Allegro 2. Adagio moderato 3. Finale 3. Eduard Lassen: 3 Lieder für Sopran mit Sol.: Pauline Brügelmann-Horson (S) Pianofortebegleitung a) Abendglocken b) O, Willkommen Text: Robert Eduard Prutz (≡) c) „Lass die Rose schlummern“ Text: Robert Hamerling ( ≡) II. Teil 4. Aleksandr Konstantinovi č Glazunov: Symphonie für Ltg.: Carl Müllerhartung Orchester E-Dur 1. Allegro 2. Scherzo (Im Trio ist ein polnisches Thema verwendet worden.) 3. Adagio 4. Finale (Allegro) III. Teil 5. Eugen d’Albert: Klavier-Concert h-Moll op. 2 (in einem Ltg.: Karl Klindworth Satze) Sol.: Eugen d’Albert (Kl.) Mässig. Langsam mit Empfindung. Erstes Zeitmaass 6. Franz Liszt: Stanislaus, Oratorium Salve Polonia, Orchester-Interludium 7. Richard Wagner: Kaisermarsch mit Volkschor Ltg.: Carl Müllerhartung Text: Richard Wagner (≡) Erläuterungen: Richard Pohl ( ≡) 6. Aufführung: Fünftes Concert [auch: II. Kammermusik-Aufführung ] Weimar, Großhzgl. Hoftheater, Dienstag, 27. Mai, 11:00 Uhr 1. Robert Volkmann: Trio für Pianoforte, Violine und Sol.: Emil Paur (Kl.), Adol’f Davidovi č Violoncello b-Moll op. 5 Brodskij (V.), Leopold Grützmacher (Vc.) 1. Largo, Andante (Ritornello) 2. Allegretto 3. Allegro con brio 4. Largo 2. Hermann Riedel: Frau Aventiure Sol.: Franz Xaver Krückl (Bar.), Wilhelm Text: Joseph Victor von Scheffel Posse (Hf.) 2 Lieder für Bariton und Harfe a) Biterolf im Lager von Akkon op. 16 Nr. 1 ( ≡) b) Reinmar der Alte, Herbstschwermuth op. 16 Nr. 4 ( ≡) c) Robert Schumann: Sängers Fluch Gesang des jungen Harfners 225 3. Johannes Brahms: Sextett für 2 Violinen, 2 Bratschen und Sol.: Adol’f Davidovi č Brodskij (V.), Ottokar 2 Violoncellos G-Dur op. 36 Eugen Nová ček (V.), Hans Sitt (Va.), Oskar 1. Allegro non troppo Pfitzner (Va.), Alwin Schröder (Vc.), Leopold 2. Scherzo (Allegro non troppo) Grützmacher (Vc.) 3. Poco adagio 4. Poco allegro 4. Franz Liszt: Sol.: Aleksandr Il’ic Ziloti (Kl.) a) Drittes Sonett, für Pianoforte Programm: Francesco Petrarca: Sonett 123 b) Erster Mephisto-Walzer (Tanz in der Bauernschenke), bearbeitet für Pianoforte Programm: nach Nikolaus Lenau: Faust 5. Robert Schumann: Spanisches Liederspiel, Cyclus von Sol.: Marie Unger-Haupt (S), Marie Gesängen für eine oder mehrere Singstimmen mit Schmidtlein (A), Georg Gustav Trautermann Pianofortebegleitung op. 74 (T), Franz Xaver Krückl (B, Bar.), Friedrich Text: aus dem Span. ( ≡ dt.) Wilhelm Stade (Kl.) 1. Erste Begegnung (S und A) 2. Intermezzo (T und B) 3. Liebesgram (S und A) 4. Robert Schumann: Spanische Liebeslieder op. 138 Ebro caudolose, Romanze für Bariton ( ≡) Robert Schumann: Spanisches Liederspiel (Forts., ≡ dt.) 5. In der Nacht (S und T) 6. Es ist verrathen! (S, A, T und B) 7. Melancholie (S) 8. Geständniss (T) 9. Botschaft (S und A) 10. Ich bin geliebt! (S, A, T und B) 7. Aufführung: Sechstes Concert [auch: II. geistliches Concert ] Weimar, Stadtkirche, Dienstag, 27. Mai, 18:30 – nach 21:00 Uhr Ltg.: Carl Müllerhartung 1. Heinrich Schulz-Beuthen: Reformations-Hymnus, Sol.: Bernhard Sulze (Org.) Sinfonie Nr. 5 in 1 Satz für grosses Orchester und Orgel Ens.: Großhzgl. Hofkapelle, Mitglieder der op. 36 (Dauer: 20 min) Großhzgl. Orchesterschule Motto: Martin Luther ( ≡) 2. Peter Martin Cornelius Rübner: „Meinen Jesum lass’ ich Sol.: Karl Dierich (T), Bernhard Sulze (Org.) nicht“, Arie für Tenor mit Orgelbegleitung op. 15, Franz Liszt gewidmet ( ≡) 3. Gottfred Matthison-Hansen: Concertstück für die Orgel Sol.: Gottfred Matthison-Hansen (Org.) op. 19, Herrn Abbé Dr. Franz Liszt hochachtungsvoll gewidmet (Dauer: 11 min) 4. a) Georg Friedrich Händel: Andante für Violoncello und Sol.: Alwin Schröder (Vc.), Bernhard Sulze Orgel f-Moll (Org.) b) Hans Sitt: Violoncello-Romanze mit Orgel 5. Franz Liszt: Graner Festmesse (Missa solemnis, zur Sol.: Marie Breidenstein, Agnes Schöler, Karl Einweihung der Basilica in Gran componirt, Dauer: 75 Dierich, Franz Xaver Krückl, Bernhard Sulze min, ≡ lat. und dt.) (Org.) 1. „Kyrie“ Ch.: Chorverein, Seminarchor
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