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Copyright By Christin Essin Yannacci 2006 The Dissertation Committee for Christin Essin Yannacci certifies that this is the approved version of the following dissertation: Landscapes of American Modernity: A Cultural History of Theatrical Design, 1912-1951 Committee: _______________________________ Charlotte Canning, Supervisor _______________________________ Jill Dolan _______________________________ Stacy Wolf _______________________________ Linda Henderson _______________________________ Arnold Aronson Landscapes of American Modernity: A Cultural History of Theatrical Design, 1912-1951 by Christin Essin Yannacci, B.A.; M.A. Dissertation Presented to the faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2006 Acknowledgements There are many individuals to whom I am grateful for navigating me through the processes of this dissertation, from the start of my graduate course work to the various stages of research, writing, and editing. First, I would like to acknowledge the support of my committee members. I appreciate Dr. Arnold Aronson’s advice on conference papers exploring my early research; his theoretically engaged scholarship on scenography also provided inspiration for this project. Dr. Linda Henderson took an early interest in my research, helping me uncover the interdisciplinary connections between theatre and art history. Dr. Jill Dolan and Dr. Stacy Wolf provided exceptional mentorship throughout my course work, stimulating my interest in the theoretical and historical complexities of performance scholarship; I have also appreciated their insights and generous feedback on beginning research drafts. Finally, I have been most fortunate to work with my supervisor Dr. Charlotte Canning. From seminar papers to the final drafts of this project, her patience, humor, honesty, and overall excellence as an editor has pushed me to explore the cultural implications of my research and produce better scholarship. -
OAC July 2010:Footlights Master
OACOCONOMOWOC AREA SCHOOL DISTRICT N THE A R T Photo by Tricia Shay INSIDE: • Tyne Daly Takes the Stage • 2010-2011 Mainstage Series • Family Series S • Coffee House Cabaret Series • Special Events JULY • Ticket/Box Office Information 2010 • OASD Events Experience our Lifestyle Opportunities OCONOMOWOC AREA SCHOOL DISTRICT Exceeding your expectations in: 641 East Forest Street Oconomowoc, WI 53066 24 hour skilled care and rehabilitation Box Office 262.560.3172 Assisted living www.theoac.net Independent living Services to keep you independent and at home: Staff Arts Center Manager Lake Country Life Enrichment Michael Duncan Shorehaven Adult Day Center Mobile Meals Box Office/Marketing Robin Krakauer, Connie Rizzo, Helping Hands Ginni Hicks Lutheran Homes@Home Photo Credit: Joe Kohen, New York Times See page 5 House Managers Lynne Carlstein, Mark Carlstein, Deborah Duncan, Lindsay contents Duncan, Megan Elftman, Angie Harrison, David Harrison, Davey District Officers/Community Support ..............................4 Harrison, Dan Holzmiller, Adrianna Nowak The Second Time Around..........................................................5 by Michael Duncan OAC Technicians Calendar of Events....................................................................8 Marisa Abbot, Dillon Cooper, Nick DaVia, Sean Floeter, Aary Mainstage Series ..............................................................10-14 The Specialists in Serving Seniors Gariss, John Kyle, Michael Nicolai, Andrew Zietlow, Joe Zack John McDaniel Is Living His Dream..............................15-16 -
For Calendar Editors
FOR IMMEDIATE RELEASE CONTACT: Kevin Kopjak | Charles Zukow Associates 415.296.0677 | [email protected] FEINSTEIN’S AT THE NIKKO WELCOMES TONY AND GRAMMY AWARD-WINNER, BILLY PORTER, FOR THREE PERFORMANCES ONLY! JANUARY 30 – FEBRUARY 1, 2015 SAN FRANCISCO (January 7, 2015) – Hotel Nikko San Francisco and Michael Feinstein are honored to welcome Tony® and Grammy® Award-winning singer, composer, actor, playwright and director Billy Porter to Feinstein’s at the Nikko for three performances only – Friday, January 30 (8 p.m.); Saturday, January 31 (7 p.m.) and Sunday, February 1 (7 p.m.). Porter will perform songs from his new critically acclaimed album, “Billy’s Back on Broadway,” as well some of his other favorites! Tickets for Billy Porter range in price from $45–$60 and are available now by calling 866.663.1063 or visiting www.ticketweb.com. Located within Hotel Nikko (222 Mason Street, San Francisco), Feinstein’s at the Nikko presents a wide range of entertainers from stage and screen all within an intimate 140-seat cabaret setting. There is a $20 food and beverage minimum per person inside the showroom which guests can use towards cocktails as well as a variety of small plates crafted exclusively for Feinstein’s at the Nikko by Executive Chef Philippe Striffeler, through Restaurant Anzu. Cheese and dessert platters will also be available in the showroom. Porter currently stars as “Lola” in the smash hit Broadway musical Kinky Boots, for which he won the 2013 Drama Desk and Tony Awards for Best Actor in a Musical. Other Broadway acting credits include Miss Saigon, Five Guys Named Moe, Grease (all original cast), Smokey Joe’s Café and Dreamgirls (20th Anniversary Broadway Concert and LA Ovation Award). -
Oscar®-Nominated Production Designer Jim Bissell to Receive Lifetime Achievement Award at 19Th Annual Art Directors Guild Awards on January 31, 2015
FOR IMMEDIATE RELEASE OSCAR®-NOMINATED PRODUCTION DESIGNER JIM BISSELL TO RECEIVE LIFETIME ACHIEVEMENT AWARD AT 19TH ANNUAL ART DIRECTORS GUILD AWARDS ON JANUARY 31, 2015 LOS ANGELES, July 15, 2014 — Emmy®-winning and Oscar®-nominated Production Designer Jim Bissell will receive the Art Directors Guild’s Lifetime Achievement Award at the 19th Annual Excellence in Production Design Awards on January 31, 2015 at a black- tie ceremony at the Beverly Hilton Hotel. The announcement was made today by John Shaffner, ADG Council Chairman, and ADG Award Producers Dave Blass and James Pearse Connelly. “Jim Bissell’s work as a Production Designer is legendary and we are proud to rank him among the best in the history of our profession. He is an extraordinary artist and accomplished leader in the industry and it is our pleasure to name him as this year’s Lifetime Achievement Award recipient,” said Shaffner. A veteran leader of the ADG, Bissell was a past Vice President and a Board member for more than 15 years. He also chaired the Guild’s Awards Committee for the first three years of its existence. Bissell’s distinguished work can be seen on such notable films as E.T. the Extra- Terrestrial (1982), which took home four Oscars® with an additional five Oscar® nominations in 1983; The Rocketeer (1991), Jumanji (1995), 300 (2006), Mission: Impossible – Ghost Protocol (2011) and most recently The Monuments Men (2014), directed by and starring George Clooney. Monuments Men is Jim’s fourth collaboration with Clooney, which began with Confessions of a Dangerous Mind (2002), followed with Oscar®-nominated Good Night, and Good Luck (2005) and continuing with Leatherheads (2007). -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
Gp-Cabaretseries-Feb2021-Full-Playbill
Experience, Knowledge, Proven Results. FROM OLD NAPLES TO NAPLES SQUARE TO THE ISLES OF COLLIER PRESERVE Whether you are selling your home or condo or buying a home or condo, call me and let’s get started! BRUCE MILLER (239) 206-0868 720 5th Avenue South, Suite 201, Naples, FL 34102 [email protected] www.NaplesBeachesRealEstate.com CERTIFIED LUXURY HOME MARKETING SPECIALIST®, REALTOR® Welcome to Gulfshore Playhouse. On behalf of the law firm Denton’s Cohen & Grigsby, we are honored to serve once again as a corporate partner of Gulfshore Playhouse and to play a supporting role in bringing first class, professional theatre to Naples. For more than a decade, Denton’s Cohen & Grigsby has been practicing A Culture of Performance in Southwest Florida, representing clients with sound business counsel, innovative legal thinking, and a powerful understanding of the dynamics that shape our world. We are particularly proud of our collaboration with Gulfshore Playhouse which assists with bringing the arts and education to area schools, including the ThinkTheatre cross-curricular program, the STAR Academy afterschool and summer programs, the community partnerships, and more. Our partnership with Gulfshore Playhouse is a way of extending our firm’s high level of commitment to the arts, enriching the communities in which we serve. We hope you enjoy tonight’s performance and continue to support Gulfshore Playhouse, an exceptional cultural resource and treasure for our community. Sincerely, Jason Hunter Korn Managing Director, Denton’s Cohen & Grigsby, Florida A Letter from the Founder elcome home. I am sure I need not tell you how unspeakably thrilled I am that after EIGHT WMONTHS of darkness we are able to safely gather and present you with a season filled with a variety of unique opportunities created expressly with the safety of our actors, staff, and of course YOU in mind. -
Weissman/Markovitz Communications 4605 LANKERSHIM BLVD
Weissman/Markovitz Communications 4605 LANKERSHIM BLVD. SUITE 413, NORTH HOLLYWOOD, CA 91602 t 818-760-8995 f 818-760-4847 www.publicity4all.com ART DIRECTORS GUILD ANNOUNCES NOMINATIONS FOR ITS 2011 EXCELLENCE IN PRODUCTION DESIGN AWARDS; CEREMONY TO TAKE PLACE FEBRUARY 4 AT BEVERLY HILTON HOTEL LOS ANGELES, January 3 -- The Art Directors Guild (ADG) today announced nominations in nine categories of Production Design for theatrical motion pictures, television, commercials and music videos competing in the ADG’s 16th Annual Excellence in Production Design Awards for 2011. The nominations were announced by ADG Council President Thomas A. Walsh and Awards co-producers Tom Wilkins and Greg Grande. Deadline for final voting, which is done online, is February 2. The black-tie ceremony announcing winners will take place Saturday, February 4, 2012 at the International Ballroom of the Beverly Hilton Hotel in Beverly Hills with Paula Poundstone serving as host for the third consecutive year. A Lifetime Achievement Award will go to Emmy Award® winning Production Designer Tony Walton. In addition, the ADG will induct the following legendary Production Designers from the past into its Hall of Fame: Robert Boyle, William Darling and Alfred Junge. This year's Art Directors Guild Cinematic Imagery Award will be presented to the principal team behind the Harry Potter films including Producers David Heyman and David Barron; Director David Yates; creator and author J.K. Rowling; Screenwriter Steve Kloves; Production Designer Stuart Craig; Art Director Neil Lamont; and Set Decorator Stephenie McMillan. Filmmaker Cindy Peters will present a special 75th Anniversary film in eight chapters that celebrates inspirational achievements in design. -
Designedinthe
Designedinthe USA The United States of America Exhibition at the 1995 Prague Quadrennial Designed in the USA The United States of America Exhibition at the 1995 Prague Quadrennial Exhibit Producer Arnold Aronson Associate Producer Sarah ash Gates Exhibit Designer Eric Fielding Architecture Exhibit Coordinator Timothy Hartung Student Exhibit Coordinators Sarah ash Gates, Timothy Saternow, William Forrester U.S. Delegation Tour Coordinator Leon Brauner Ass~tanttotheProducer Patrick Kelsey Catalog Text Arnold Aronson Catalog Design Eric Fielding Exhibit Staff Timothy Saternow, Tee/mical Director Patrick Kelsey Judy Pfeifer MirenaRada Joan Schlafer Merope Vachliotif Steering Committee Richard Durst, Eric Fielding, Sarah ash Gates, Patricia MacKay, Dr. Joel E. Rubin, Samuel Scripps Our thanks and appreciation to the following for their help and support: Christine Kaiser, Debora Kingston, Dr. Joel E. Rubin, Valerie dilorenzo, ~onnand Bouchard, and Joan Vick (USITT), Rex loser (Arts America). Martha Coigney (ITUfiS), Barbara Stral}ner (Lincoln Center Libra/J'for tbe Pe/forming Arts), Roberta Fotia (Rosco Laboratories), Ralph Pine (Drama Book Specialists), WiLlianl Bent (U.S. Illformatioll r1geIlC)~, Deb Styer,Josh Rothenberg, Blake Seidel, and Ernie Barbarash (Columbia {;lIiL'ersiM. Chris Boneau (BolleaulBryan-Broll'lI), Marcia McDonald and Tom Reiter (Grace Cos/umes), Brigid Milchell (Dislley Art Editions), Joseph Clark (Metropolitall Opera). Susan lee (League ofProfessiollal Tbeatres), Paul Arianas, Vito Zingarelli and Anita Gaffney (Stratford FestiL'fll), Tanya Grubich, MaJ)' HUDter (Seattle Rep), Ruth Rorak (Zenitb Travel), PalIick Costin (RCLAgenC)~, Takashi Mizuta (.\'HK), Dan Kuchar, Joan Schlafer Galena Tsypin, Angela Wendt, and Joseph Yossoupoff Published bylilc "niled Slales lnSlilUlc for The,nrc Technology. Inc. 10 \\'CSI 191h Sl. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
2018 Season Sponsor Addison Wolfe Real Estate a BOUTIQUE REAL ESTATE FIRM with GLOB AL CONNECTIONS
2018 Season Sponsor Addison Wolfe Real Estate A BOUTIQUE REAL ESTATE FIRM WITH GLOB AL CONNECTIONS There are only so many seats in first class ... Main Office: 550 Union Square, New Hope, PA 18938 Addison Wolfe by the Canal: 30 West Bridge Street, New Hope, PA 18938 www.AddisonWolfe.com • 215- 862-5500 FROM THE PRODUCERS Dear Playhouse Friends, We are still reeling over the great success of 42nd Street, and grateful beyond measure to the terrific creative team led by Director Hunter Foster and Choreographer Jeremy Dumont and the fabulous cast for delivering our biggest production to date. Of the more than 13,000 who saw the production, we welcomed 4,500 guests for their first time to the Playhouse! Now we are thrilled to present a famous day in rock and roll history, as told in Million Dollar Quartet. Hunter Foster played legendary music producer Sam Phillips in the original Broadway production, and has directed the show many times around the country. He’s assembled a terrific cast from those productions, including returning Playhouse artists James Ludwig (Ebenezer Scrooge’s Big Playhouse Christmas Show), Zach Cossman (Buddy) and Ryah Nixon (The Rocky Horror Show). We’re gearing up for our big fundraiser for the year, the fourth Galavant in the Garden, to be held at Barbara and Jay Belding’s beautiful home on Saturday, September 22. Speaking of rock and roll history, our headliner this year is none other than the original girl group star herself, Darlene Love. We first saw Darlene on Broadway in 1985’s Leader of the Pack, and her rendition of “River Deep, Mountain High” became an instant classic. -
Nightmare (Re)Visions: the Failure of Dystopian Literary Adaptations?
Nightmare (Re)visions: The failure of dystopian literary adaptations? MA in English by Independent Study Nic Felton January 2010 *Front cover image from Fahrenheit 451 (1966) Nightmare (Re)visions: The failure of dystopian literary adaptations? It’s funny how the colours of the like real world only seem really real when you viddy them on the screen.1 And like children, you will only swallow all the bitter stuff I have to give you if it is carefully coated in a thick syrup of adventure.2 Literary adaptation theorists believe that we should look beyond the failure or success within adaptation studies but this seemingly cannot be ignored in the case of dystopian literary adaptations. The dystopian text should result in an outstanding and enlightening filmic adaptation, encompassing the cultural and historical points of view of both the author and adapter. However, many dystopian adaptations fail, not only to attract a large audience attendance, but to adequately portray the major themes and narrative evident within the precursor text. As Leitch states “Adaptations imitate novels, novels imitate life” but what happens when this “life” is projected into the future?3 Why do adapters choose to abandon the true dystopian vision? Why do many dystopian literary adaptations fail so spectacularly? This essay will seek to examine the potential reasons for the failure of the dystopian literary adaptation with regards to both audience expectations of the film adaptation and attendance at the cinema The issue of fidelity will be discussed to some extent but I will not seek to justify that the text is far superior to the film (or vice versa). -
Camilla Huey
CAMILLA HUEY FILM Sex and the City 2 Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon Confessions of a Shopaholic Special Projects & Costume Construction Touchstone Pictures Director: P.J. Hogan Producer: Jerry Bruckheimer Designer: Patricia Field & Molly Rogers, Asst. Cast: Isla Fisher, Krysten Ritter, Joan Cusack Sex and the City Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon The Devil Wears Prada Special Couture Projects & Costume Construction 20th Centruy Fox Director: David Frankel Producer: Wendy Finerman Designer: Patricia Field & Molly Rogers, Asst. Cast: Meryl Streep, Anne Hathaway, Emily Blunt Day On Fire Costume Designer Lodestar Director: Jay Anania Producer: William Fisch, Larry Rattner, Susan P Rosgers, Ten Travis Cast: Carmen Chaplin, Olympia Dukakis, Judy Kuhn, Alyssa Sutherland Issaquena Costume Designer Alluvial Films Director: Lance Hammer Producers: Lance Hammer, Emily Lundin Cast: Katie Allen, Oriana Carpenter, Biana Chapman The Guru Marisa Tomei’s Wardrobe & Turbans Universal Pictures Director: Daisy von Scherler Mayer Producer: Tim Bevan, Eric Fellner, Michael London Designer: Michael Clancey & Pilar Limosner, Asst. Cast: Heather Graham, Marisa Tomei, Christine Baranski My Best Friend’s Wedding Lobster & Waitress Costumes Tristan Pictures Director: P.J. Hogan Producer: Ronald Bass & Jerry Zucker Designer: Jeffrey Kurland Cast: Julia Roberts, Dermot Mulroney, Cameron Diaz, Rupert Everrett.