Council Gets First Look At
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June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
{Download PDF} Theres a Hole in My Sidewalk: the Romance of Self
THERES A HOLE IN MY SIDEWALK: THE ROMANCE OF SELF-DISCOVERY PDF, EPUB, EBOOK Portia Nelson | 129 pages | 21 Feb 2012 | Beyond Words Publishing | 9781582703770 | English | Hillsboro, Oregon, United States Theres a Hole in My Sidewalk: The Romance of Self-Discovery PDF Book I would always write down my responses to what she said lol As if she was there listening to them. Insightful, humorous, touching, and inspiring are just a few words used to describe this well-loved collection of poems and truisms by the late Portia Nelson. Sep 08, Will Holcomb rated it really liked it. We live in an increasingly divided The show was Broadway-bound, but closed in Washington, D. I fall in. I can't believe I'm in the same place! Chapter Two I walk down the same street There is a deep hole in the sidewalk I pretend I don't see it I fall in again. Nelson sometimes performed in the front lounge, where her accompanist was William Roy , a young pianist and composer who was just beginning a fifty-year career as a musical director for many of cabaret's greatest performers. Mar 04, Laine The Librarian rated it it was amazing Shelves: lanies-fav , librarian- picks. I still fall in Portia passed away in It still takes a long time to get out. How sweet the sound That saved a wretch like me! Her accompanist was Walter Gross , a former staff pianist at CBS radio and the composer of a standard written that year, " Tenderly ". There were a couple of well-written pieces that had some substance but most of it was not very insightful. -
In the Opinion of the Editors, This Week the Following Records Arethe
record Formerly MUSIC VENDOR Vol. 19, No. 934 May 1, 1965 In the opinion of the editors, this week the following records arethe record WHO world //4 SINGLE PICKS OF THEWEEK IN THE !OPP' ENGINE Alamo n.,1,1)- ENGINE #9 5.1983 M Y61.33502 14.1075 1,66 WORLD Pred666dby 0 1965 Pu61,1.66 1161166d L Dove, JOBE TE 1061 C6..166. 1.50 A (BMI) 2,16 DM HLY.121205 45 REM Produced by SIX M.4737 hem .14my Kennel Mimm 6, .901111 NITS It 559 1011111915" BACK IN MY ARMS AGAIN 0, THE ,q EPIC',NA I /7 -4.'0W// I M 45 RPM 5-9791 JZSP 110415 196b,F660,6, (Bmn TIME: 2:24 L.Etc4-L -1°T,Y1ITI .44 ."C.:r11':,' Mo 7:;;,+, Within weeks these three singles will be vying with each other for thenumber one spot. The Supremes, Roger Miller and Bobby Vinton are unbeatable.They all show their best sides on these sides.The lucky labels are Motown (1015), Smash (1983) and Epic (5-9191). ALBUM OF THE WEEK (Morris) Levy And Jones has established himself in the (Soupy) Sales - The top rank, and this package will cement him in that lofty position.He ranges Great Duo Responsible far and wide for material and does it allimpeccably-from "The RaceIs For the Sensational On" to "I'm All Smiles." Buyers' kind Re -opening of N. Y.'s of album (Kapp KL 1433; KS 3433). Paramount. Story on Page 6. Paramount Show aRiot KHJ's 93 -Hour Cole Check BY DAVE FINKLE Disk Battle On and asso- NEW YORK-They alllaughed when Morris Levy HOLLYWOOD - KHJ radio ciates in his Phase Productionsannounced they were inaugu-has scheduled93consecutive rating their revived Paramountvaudeville -cum -movie showcasehoursofprogramming from first day of Pass- 29to 1 p.m. -
Steve Ross Press
Steve Ross Press STEVE ROSS - C'MON AND HEAR: AN IRVING BERLIN JULY 4th CELEBRATION Birdland, NY A themed evening with Steve Ross is as illuminating as it is entertaining. With cards-face-up fidelity, original embellishment, and the kind of indisputable panache that never sacrifices emotion for sophistication, Ross tonight offers a high-spirited celebration of Irving Berlin, “Russia’s best export after vodka.” As exemplified by a jaunty “Alexander’s Ragtime Band,” Ross’ lucid musicianship, aided by the excellent Jered Egan on bass, is more effective than a full band in capturing the intention of Berlin’s of-the-people oeuvre. The pianist effortlessly delivers light, tangy ragtime. Selective history and anecdotes act as bridges, not filler. Composer/lyricist Israel Isidore Baline (1888 -1989) fled a Russian pogrom, landing on New York’s Lower East Side. After stints as a singing waiter and song plugger, he began to write in earnest, catching ragtime fever. Ross describes the genre as “rhythms that came up the Mississippi to sit on marching tempo,” adroitly demonstrating with “Play a Simple Melody.” We’re treated to excerpts from several vivacious songs, including a percussive “When the Midnight Choo-Choo Leaves for Alabam”’ that appears to have fancy footwork. “I Love a Piano,” one of our host’s favorites, is as dancey as it gets. Ross is able to make exuberanceeloquent. Higher octaves arrive quiet-difficult and effective. “Mandy” is equally infectious. “...so don’t you linger...” he sings boyishly, pointing at/warning the audience. Gestures come easily tonight, drawing us in. “When I Lost You,” Berlin’s first ballad, written upon the devastating, post-honeymoon death of his bride, is melodic, yet profound in its grief: “I lost the sunshine and roses/I lost the heavens so blue/I lost the beautiful rainbow/I lost the morning dew....” “Say It Isn’t So”—moving like chiffon and marabou, and a smoky, sotto voce “How Deep Is the Ocean? (How High Is the Sky)” show mastery of melancholy ardor. -
RCA Victor Gets in the Gruve .. Cast of Phoenix Theatre Production: Has Been Reproved, Ever Quite Enough for Perfect Protection
RECORDS Sound is no better than fair. Therr'are the stories of the Iliad and Odyssey and build Mr. Lucas), and, of course, Jaye Ballard's extensive liner notes, and English lyrics up an elaborate parallel fable of doings in superheated Lazy Afternoon - stand up very are supplied, but these are of little help the state of Washington around the turn of well indeed; and so do the revue lampoons when trying to follow the Chevalier argot, the century. The combination of Homer of the second act, especially Calypso and Bibi which is not always pure Parisian. J. F. I. with contemporary spice on the musical Osterwald's wonderful Goona- Goona. All stage is certainly a well- tested one, but in told, good representation of an unusual, and The Golden Apple the parallelism is some- unusually fine, musical. Engineering: GLOCKENSPIELS, TRAPS AND times relentlessly pursued, sometimes vir- Clean, resonant, roomy- studio sound. Re- PLENTY OF PIPES tually forgotten in favor of topical (and not commended. J. H., Jr. infrequently anachronistic) verbal and musi- Leon Berry at the organ the Hub, of cal conceits. The book and lyrics are always THE CIMBALOM Chicago. intelligent and often keenly witty, occasion- Brahms: Hungarian Dance No. 8; Rou- REPLICA 33X501. to -in. 23 min. moving, but the elaboration ally genuinely manian Rhapsody; Traditional Czardas is with The kaleidoscopic sound of the modern sometimes just stickily Intellectual Group. a capital "I." theater-organ is reproduced with startling Dick Marta, cimbalom. engineered record. But if the allusive, convoluted plotting realism on this beautifully CooK 1032. to -in. -
Gretchen Cryer and Nancy Ford
GRETCHEN CRYER AND NANCY FORD: ELEVATING THE FEMALE VOICE IN AMERICAN MUSICAL THEATER A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC DECEMBER 2018 By Nancy Jane Kerns Thesis Committee: Katherine McQuiston, Chairperson Abigail Fine Laurence Paxton DEDICATION For my parents, Ellen Louise (Denzer) Kerns and Charles Fredric Kerns i ACKNOWLEDGMENTS I am grateful for the support of so many people as I wrote my thesis. My Ohio visits with my sister, Pat, and my brother, Mike, and their families were filled with days of research, writing, and editing. They understood, and have continuously nurtured and cheered me on. My friends (and I wish I could name them all) have listened to, consoled, and encouraged me through many challenging moments, and celebrated with me in the happiest ones. My thesis committee generously provided the guidance I needed to see this project through. My patient and compassionate advisor, Dr. Kate McQuiston, spent countless hours wading through drafts, and consulting in person. Through her wisdom and writing expertise I was able to achieve far better results than I could have accomplished on my own. Dr. Abigail Fine provided perspectives, from the initial proposal through the final product, which changed the nature of my thesis, and greatly aided my writing process in general. In addition to his assistance with this project, Professor Laurence Paxton has guided me through two vocal performance degrees, and, as department chairperson, constantly looked after me during my thirteen years of learning. -
The Harp in Jazz and American Pop Music Megan A. Bledsoe A
The Harp in Jazz and American Pop Music Megan A. Bledsoe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2012 Reading Committee: Donna Shin, Chair Valerie Muzzolini Gordon Áine Heneghan Program Authorized to Offer Degree: Harp Performance Bledsoe - DMA Harp Performance ©Copyright 2012 Megan A. Bledsoe 2 Bledsoe - DMA Harp Performance University of Washington Abstract The Harp in Jazz and American Pop Music Megan A. Bledsoe Chair of the Supervisory Committee: Assistant Professor of Flute Donna Shin, Chair Instrumental Performance, School of Music The harp has endured a tenuous relationship with the genres of jazz and American popular music throughout history. While a few harpists have enjoyed successful and significant careers in these fields, the harp is largely absent from mainstream jazz and American pop. The purpose of this dissertation is to ascertain a definitive cause for such exclusion and use this information to identify a feasible path toward further integration of the harp in jazz and American pop music. This paper examines the state of the harp in jazz and American pop from various angles, including historical perspective, analytical assessment, and a study which compares harpists’ improvisational abilities to those of their mainstream jazz instrumentalist counterparts. These evaluations yield an encompassing view of the harp’s specific advantages and detriments in the areas of jazz and American pop. The result of this research points to a need for specialization among harpists, particularly in defining new styles. It is evident that harpists’ careers generally necessitate a working knowledge of various styles of music. -
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VHE EVENING STAR, Washington, D. C. - on A-16 WIMMT, AUGUST IS, ISS4 Tonight 8 P.M. Stag# A Somi-Finoh of "Mist Washington" Contort The Passing Show 11 i© NOW . Open 12:30 i usr Q© CMTMUQK KiFMMMKES ||a L GREATER THAN EVER w&jß lOSKIeii!? That Apple Really Golden ON WIDE SCREEN! PAYS* In Rock Creek Musical 1 s±°^ By Jay Carmody | That long dreamed of dlrect-from-Broadway musical arrived 11 KW-12:30-2:20 night GONE I last at Carter Barron Amphitheater. I 4}lo-6:00»7:50-4:40 A prise Indeed It turns out to be, this “Golden Apple” which , WITH THE 1 "BEST MUSICAL OF 1954" earned its creators, John Latouche and Jerome Moross, all of last | season’s garlands. LDfmBO.SOZMCK’S ItIs inescapable, of course, that the transplanting of any apple, a WIND' or musical, presents perils. This-*• DAYS ¦ 1 **72cAetcco&t MG S-1326 1 aba is especially true of one as inti- “THX QOLDKN APPLE,” « musical mate leanly produced as in, two acta with book and lyrics by and John Latouche and muaic by Jerome 'Vive U this one, a freely fancied para- Moross. produced by Alfred De Liaarle difference!.. Wf Jr., and Roger L. Stevens in association phrase of the Trojan war era T. Hambleton and Norris Houghton,with Edwarddirected by Norman Lloyd, legends in ~ from which relocates the chorography by Hanva Holm, and get- direct I Washington State at the close of tings by William and Jean Eckhart. At K *“iT. the Spanish-American War. -
NEW YORK SHEET MUSIC SOCIETY DECEMBER, 2012 President’S Message
New New York Sheet Music Societsy lette VOLUME 34, NUMBER 3 SINCwwwE.NY S1MS.o9rg 80 DECEMBER, 2012 r DEDICATED TO THE PRESERVATION OF CLASSIC POPULAR MUSIC The Magic of Dain and Mathis Manhattan Frank Dain Sings the Piano Rooms Songs of Johnny Mathis in the 1960’s By Ronny Whyte By Jerry Osterberg Mathis. The long-time to be fortuitous, as he became In the 1960’s, Manhattan musical partners presented an an overnight star on the very had a plethora of piano bars, inspired collection of many of cusp of Rock & Roll. and restaurants with pianos, his greatest hits; Johnny was Frank Dain performed especially on the Upper East the first singer to release a many of the tunes that have Side. Almost every restaurant “Greatest Hits” album in the always been a key part of the had at least a piano in a early years of his career. Mathis catalog, including corner, and many had small Arguably Mitch Miller’s best “Misty,” “Chances Are,” “It’s piano bars, where about six or idea ever, this was the top Not for Me to Say” (Johnny eight people could stand or sit. selling recording for three made his film debut as a Many of them were owned by weeks, remaining on the nightclub singer singing this the Mafia, or so we suspected, though we were generally charts for an incredible 490 song), “A Certain Smile,” treated well by the weeks (!), bringing back to “The Twelfth of Never,” management. Chief among listeners memories of a time “Wonderful, Wonderful” and them were The Ali Baba, The that seemed to be simpler. -
W Ho in the World
record ServingDelicated The To Needs 01 The Music & Record wol Industry Vol. 22, N. 1089 April 20, 1968 W HO In the opii .s. this week the following records are the SING 'KS OF THE W EEK IN THE W ORLD "Mrs. Robinson" (Charing Otis Redding has a new "May I Take a Giant Step Jack Jones' "Follow Me" Cross, BMI) is that hard one out to brighten things (Into Your Heart)" (Kaskat, (Cherrybell, ASCAP) should problematic Mom in "The up at the dock of the bay. BMI) will take a giant step acquire a following. It's Graduate" and also Simon It's called "The Happy up the chart as segued by a breezy ditty with a chirp- and Garfunkel's cousin ti Song (Dum-Dum)" (East- hit-making 1910 Fruitgum ing gal chorus along for "Eleanor Rigby." A scather Time-Redwal, BMI) (Volt Co. (Buddah 39). tre ride (FCA Victor 47- (Columbia 4-44511). 163). 9510). NA NGIM . 0ki YOU. LOY . T M I'M IN CRO WD 0 The In Crowd sing a song Neil Diamond's "Brooklyn The Delfonics are back to Gene Pitney gets low down called "Hangin' From Your Roads" (Stonebridge, BMI) follow "La La Means I and funky on "She's a Lovin' Tree" (Adam Sean, is a stirring, autobiograph- Love You" with another Heartbreaker" (Catalogue BM!) and the teens will ical song with Thomas big R/Ballad they'll click Cee & I, BMI). It's a want to hang around the Wolfe overtones the kids with. "I'm Sorry" (Nickel change of pace for Gene steady beat (Abnak 129).