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RANDY BRICKER EDITOR TELEVISION THE 100 (Season 6) The CW Prod: Jason Rothenberg, Leslie Morgenstein, Dir: Various Gina Girolamo, Elizabeth Craft SHADOWHUNTERS ABC Family Prod: Ed Decter, Micahel Reisz Dir: Various (Season 1) HELIX (Seasons 1 & 2) SyFy Prod: Lynda Obst, Jeffrey Reiner, Dir: Various Steve Maeda, Ron Moore THE UNSETTLING Awesomeness TV Prod: Brin Lukens Dir: Chris Grismer (Season 1) FEATURES – THRILLER/ACTION NO GOOD DEED Sony Screen Gems Prod: Glenn Gainor, William Packer Dir: Sam Miller THE ROOMMATE Sony Screen Gems Prod: Doug Davison, Richard Robertson, Dir: Christian E. Beau Marks, Roy Lee Christiansen SPEED KILLS Hannibal Classics Prod: Cam Cannon, John Travolta Dir: John Luessenhop TAKERS Sony Screen Gems Prod: Glenn Gainor, William Packer, Dir: John Luessenhop (Additional Editor) Jason Geter, Nicolas Stern ARMORED Sony Screen Gems Prod: Chris Lemos, Joshua Donen, Dir: Nimrod Antel (Additional Editor) Dan Farah CHARLIE’S ANGELS: Columbia Pictures Prod: Drew Barrymore, Nancy Juvonen, Dir: McG FULL THROTTLE Stephanie Savage (Associate Editor) FEATURES – HORROR THE DARKNESS OF THE Treehouse Pictures Prod: Justin Nappi, Juliet Berman, Dir: Eduardo Rodriguez ROAD David Lawson Jr. BRIDE OF CHUCKY Universal Pictures Prod: Grace Gilroy, David Kirschner, Dir: Ronny Yu (Co-Editor) Don Mancini CULT OF CHUCKY Universal Studios Prod: Ogden Gavanski, David Kirschner Dir: Don Mancini TEXAS CHAINSAW 3D Lionsgate Films Prod: Avi Lerner, Robert Ortiz, Dir: John Luessenhop Mark Burg, Carl Mazzocone PHANTOMS Dimension Films / Miramax Prod: Michael Leahy, Richard Potter, Dir: Joe Chapelle Robert Pringle WHISPER Gold Circle Films Prod: Paul Brooks, Damon Lee, Jeff Levine, Dir: Stewart Hendler (Additional Editor) Shawn Williamson CONSTANTINE Warner Brothers Prod: Gilbert Adler, Erwin Stoff, Dir: Francis Lawrence (VFX Editor) Lorenzo di Bonaventura FEATURES – SUNDANCE URBANIA Lionsgate Films Prod: J. Todd Harris, Jon Shear Dir: Jon Shear (Co-Editor) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Guión Y Dirección De Un Cortometraje
Clase magistral "Creando un icono del terror" con George Donald “Don” Mancini Madrid, 24 de octubre de 2018 Organizado por: Actividad promovida por el Consejo Territorial de SGAE en Madrid DESTINATARIOS: Guionistas, directores, escritores y profesionales del audiovisual que estén interesados en conocer el nacimiento, evolución y desarrollo del personaje de la saga de películas de terror Child's Play: Chucky. 1 CONTENIDOS: George Donald expondrá en una charla abierta los aspectos más relevantes de la construcción del personaje Chucky. Chucky, que debutó en el cine hace treinta años, es uno de los iconos más importantes del cine de terror del siglo XX y durante esta clase tendremos la oportunidad de entender cómo se creó un personaje que, a día de hoy, es capaz de reinventarse para no dejar de sorprender y asustar al espectador. El nacimiento, la evolución, el desarrollo o el proceso de caracterización serán algunos de los aspectos a tratar por su creador además de compartir con los asistentes su experiencia profesional tanto en el ámbito cinematográfico como televisivo. PROFESOR: Don Mancini Es un guionista, productor y director de cine. Conocido internacionalmente por ser el creador de Chucky y guionista de toda su saga, integrada por un total de siete películas. La franquicia nació en 1988 con Muñeco diabólico (Child's Play) seguida de Muñeco diabólico 2 (1990), Muñeco diabólico 3 (1991), La novia de Chucky (Bride of Chucky. 1998), La semilla de Chucky (Seed of Chucky. 2004), La maldición de Chucky (Curse of Chucky. 2013) y Cult of Chucky (2017). Ha sido director además de sus últimas secuelas; La semilla de Chucky, La maldición de Chucky y Cult of Chucky.
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Universidade Federal Do Paraná Gabriela Müller
UNIVERSIDADE FEDERAL DO PARANÁ GABRIELA MÜLLER LAROCCA REPRESENTAÇÃO E CRÍTICA SOCIAL NO CINEMA DE HORROR: O CAPITALISMO E A FAMÍLIA NORTE-AMERICANA EM O MASSACRE DA SERRA ELÉTRICA (1973 – 1979) CURITIBA 2013 GABRIELA MÜLLER LAROCCA REPRESENTAÇÃO E CRÍTICA SOCIAL NO CINEMA DE HORROR: O CAPITALISMO E A FAMÍLIA NORTE-AMERICANA EM O MASSACRE DA SERRA ELÉTRICA (1973 – 1979) Monografia apresentada à disciplina de Estágio Supervisionado em Pesquisa Histórica como requisito para a conclusão do Curso de História, Setor de Ciências Humanas, Letras e Artes, Universidade Federal do Paraná. Orientador responsável: Prof. Dr. Dennison de Oliveira. CURITIBA 2013 À minha bisavó, Fany, que sempre cuidou de mim e me deixou as melhores memórias que tenho. Ao meu avô, Alceu, meu herói e jogador de futebol preferido. AGRADECIMENTOS Ao professor e orientador, Dennison de Oliveira, pela ajuda e paciência ao longo destes três anos de pesquisa e por ter aceitado e ajudado a desenvolver esta proposta um pouco diferente e fora do convencional. Meu muito obrigada por ter acreditado em minha ideia, pelas sugestões, opiniões e pelo aprendizado. Aos meus pais, Maurício e Liliana, pelo carinho, amor, dedicação e companheirismo ao longo destes 21 anos de convivência. Por terem apoiado minhas decisões acadêmicas e mostrado que sempre existe uma luz no fim do túnel. Meu eterno agradecimento por ter vocês como família, me dando os melhores exemplos de que trabalho duro sempre recompensa e por desde cedo me permitirem alugar filmes de horror sem achar que eu tivesse algum problema. Sem vocês realmente nada disso seria possível. Ao grupo PET-História e a tutora, professora Renata Senna Garraffoni, que me acompanharam ao longo destes quatro anos de graduação, me ajudando a crescer como estudante, historiadora e pessoa.
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GOSSIP GIRL HERE: Your One and Only Source Into the Scandalous Lives of Manhattan’S Elite
GOSSIP GIRL HERE: your one and only source into the scandalous lives of Manhattan’s elite The sixth episode of the series is now available. GOSSIP GIRL, will return this November for the second part of the first season with six new episodes. Halloween is one of my favorite celebrations: it’s the perfect occasion to pretend to be something different, hiding behind our best mask and only worrying about having a good time.Although what began as a promising - and compromising - friendship between Zoya and a certain Simon, apparently ended in a typical Halloween joke: what appeared to be prince charming turned out to be an impostor who was only trying to discover who is behind the Manhattan elite’s best gossip. Beware of those who approach you, Z! This time you were lucky, but nothing guarantees that there aren’t more masked people around you.And although we thought that Constance Billard's most well-known sisters would get all the attention at the "Legends of New York" costume party, apparently they have considerable competition: Pippa and Bianca, managed to ally with Monet to steal the throne from JC and Z but ... will they achieve their goal?Who definitely didn’t achieve his goal during these past few days was Aki, who despite his insistence on getting Max out of Rafa's clutches, can’t seem to reason with his friend. How far can that forbidden and oh so problematic crush go?However, if anyone is in trouble right now, it's Audrey. Some sources have told us that our poor almost-perfect blonde friend is about to leave Constance Billard at her mother's behest… Ah, family drama, an everyday thing on the Upper East Side! However, that may be the least of her problems at the moment… We hope Max and Aki will smooth things over and give our girl some support.
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GOSSIP GIRL by Cecily Von Ziegesar
Executive Producer Josh Schwartz Executive Producer Stephanie Savage Executive Producer Bob Levy Executive Producer Les Morgenstein Executive Producer John Stephens Co-Executive Producer Joshua Safran Producer Amy Kaufman Producer Joe Lazarov Episode 206 “New Haven Can Wait” Written by Alexandra McNally & Joshua Safran Directed by Norman Buckley Based on GOSSIP GIRL by Cecily von Ziegesar Double White Revisions 8/20/08, pg. 41 Goldenrod Revisions 8/14/08, pgs. 2, 3, 3A Green Revisions 8/12/08, pg. 16 Yellow Revisions 8/12/08, pgs. 5, 20, 20A-21, 22, 23, 31, 31A, 31B-32, 32A, 33, 36, 37, 38, 38A-39, 49A, 50, 51 Full Pink Revisions 8/11/08 Full Blue Revisions 8/8/08 Production #: 3T7606 Production Draft 8/5/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment, Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. “New Haven Can Wait” Character List CAST Serena van der Woodsen Blair Waldorf Dan Humphrey Jenny Humphrey Nate Archibald Chuck Bass Rufus Humphrey Lily Bass Eleanor Waldorf Dorota Vanessa Abrams Headmaster Prescott Headmistress Queller Assistant GUEST CAST * Dean Berube (pronounced Barraby) Jordan Steele Skull and Bones Leader Skull Bones Shirley History Professor Girl (Miss Steinberg) Yale Guy EXTRAS Constance and St. Jude’s Seniors Yale Students Serena’s Driver Yale Guys and Two Super-Hot Yale Girls Skull and Bones Members Three Masked
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GOSSIP GIRL Reboot Launches Official Trailer
The iconic series returns: “GOSSIP GIRL” reboot launches official trailer MIAMI, FL., June 10, 2021 – The iconic series returns! HBO Max has just launched the official trailer for the GOSSIP GIRL reboot, a Max Original, that premieres exclusively on the platform on July 8. Click here to watch the trailer! Eight years after the original website went dark, Gossip Girl is back as your number one source into the scandalous lives of New York’s elite, and she’s making up for lost time. A new generation of Upper East Siders will now be targeted, bringing to light their scandals, angst and gossip in the new era of social media. The cast includes performances by Whitney Peak, Emily Alyn Lind, Evan Mock, Jordan Alexander, Thomas Doherty, Eli Brown, Zión Moreno, Savannah Smith and Tavi Gevinson. GOSSIP GIRL is narrated by the original voice, Kristen Bell. GOSSIP GIRL is produced by Fake Empire and Alloy Entertainment in association with Warner Bros. Television and CBS Studios. The series is written, executive produced and developed by Joshua Safran of Random Acts. Executive producers also include Josh Schwartz and Stephanie Savage of Fake Empire, and Leslie Morgenstein and Gina Girolamo of Alloy Entertainment. Lis Rowinski of Fake Empire serves as co-executive producer. Karena Evans directs two episodes and original costume designer Eric Daman rejoins the series.All complete seasons and episodes of the original GOSSIP GIRL will also be available on HBO Max, when it launches on June 29. Posted on 2021/06/10 on hbomaxlapress.com.
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We Are All Gossip Girl”: Gossip Girl and the Promise of Interactive Television
PREVIOUSLY ON “We are all Gossip Girl”: Gossip Girl and the Promise of Interactive Television Elisa Lange In November 2010, Current TV, a cable network founded by former Vice President Al Gore, has started airing a 30 minute TV series called Bar Karma, which is created in online collaboration with fans and is thus a new step to truly participatory and interactive TV. On a website users can pitch storylines, comment on submitted entries, talk to the producers, and contribute marketing ideas. The show is co-produced by SimCity creator Will Wright and features well-known actors like William Sanderson (http://current.com/studios/about/). Of course, there is no guarantee that the fans’ story idea will find its way into the actual show since the producers and writers still hold the power to decide how and if a pitch is worked into the final product. Still, this project allows viewer to have more than an imaginary control over the televised narrative even if the project’s success still remains to be seen. Still, interactivity rarely plays out on the primary level of the TV program itself, but more commonly on the secondary level and tertiary level of the televisual text, that is network created websites that allow some contributions from fans and unregulated communications between fans (Fiske, 1983: 85). Interactivity within the TV landscape is often associated with the viewers’ ability to turn from passive consumers into active producers of content that “adds” to the televised narrative but does not change it (Hassapopoulou, 2010: 48). This distinction usually does not to take into account that even when viewers are passively sitting on their couch watching soap operas, their minds are still actively engaged in making sense of the narratives and relationships.
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Known Nursery Rhymes Residencies Fruit Eaten Remembered World
13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T.
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Polysèmes, 23 | 2020 Revamping Carmilla: the Neo-Victorian Transmedia Vlog Adaptation 2
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Friday, Jan. 1
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Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
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Canadian Television 2015 a Guide to Current Production
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