ODYSSEY OPERA, a New Boston-Based Opera Company, Debuts This Fall 2013
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Program Notes Hosted by the Score Board 7:00
DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum. -
Death and the Powers Release
For Immediate Release: February 23, 2011 Contact: Kati Mitchell 617-495-2668 [email protected] American Repertory Theater in association with MIT’s FAST Arts Festival presents DEATH AND THE POWERS: The Robots’ Opera by Tod Machover directed by Diane Paulus March 18-25 Cutler Majestic Theatre at Emerson College When the eccentric patriarch Simon Powers departs his physical being and downloads himself into The System, his house assumes his immortal presence around his family and friends… So begins Death and the Powers, a groundbreaking new opera created by Tod Machover and his Opera of the Future Group at the MIT Media Lab, which receives its North American premiere at the American Repertory Theater. Performances take place at the Cutler Majestic Theater in Boston on March 18 (press opening), March 20, March 22, and March 25. The September 24, 2010 world premiere of Death and the Powers at l’Opéra de Monte-Carlo was praised by audiences and critics alike: “A grand, rich, deeply serious new opera, presented by a team with manifold, coherent accomplishments. Machover has a command of expressive vocal gesture. Voices and electronic sound are well balanced, often with telling counterpoints. Diane Paulus’s staging and Alex McDowell’s scenes were dazzling in their inventions.” — Opera magazine, London “The technological triumph of linking voice to stage, and the acoustical instruments of the excellent orchestra to the synthesized instruments is impressive… Mr. Machover and his students invented magical machines. “ — Herald Tribune The libretto for Death and the Powers is written by U.S. Poet Laureate Robert Pinsky, story by Pinsky and Randy Weiner and directed by Diane Paulus, with choreography by Karole Armitage. -
Jmaddalena 14
James Maddalena Baritone (Updated February 2014. Please discard previous materials.) The renowned baritone James Maddalena commands a large and varied repertoire ranging from Monteverdi to contemporary opera. He first gained international recognition for his notable portrayal of the title role in the world premier of John Adams’ Nixon in China, directed by Peter Sellars with Houston Grand Opera followed by performances at Netherland Opera, the Edinburgh Festival, Brooklyn Academy of Music, Washington Opera, Frankfurt Opera, Australia’s Adelaide Festival, the Chatelet in Paris, English National Opera, the Greek National Opera and most recently for his debut with the Metropolitan Opera. His association with John Adams continued in two more recent roles: the Captain in Adams’s The Death of Klinghoffer, which premiered at the Théâtre de la Monnaie in Brussels and received performances at the Opera de Lyon, the Brooklyn Academy of Music, San Francisco Opera, and at the Vienna Festival prior to being recorded by Nonesuch under Kent Nagano; and Jack Hubbard in Doctor Atomic for San Francisco Opera. Mr. Maddalena has appeared with many other leading international opera companies: New York City Opera, San Francisco Opera, Atlanta Opera, Santa Fe Opera, Opera Theatre of St. Louis, Opera Boston, the Lyric Opera of Kansas City, Frankfurt Opera, and Glyndebourne Festival Opera, as well as with the Chicago Symphony, Los Angeles Philharmonic, Boston Symphony, San Francisco Symphony, Brooklyn Philharmonic, the Royal Scottish Orchestra, Orchestra of the Accademia di Santa Cecilia in Rome and the London Symphony Orchestra. He is a frequent collaborator with director Peter Sellars and sang major roles in Sellars’ stagings of the Mozart/Da Ponte operas (the Count in Le nozze di Figaro and Guglielmo in Così fan tutte), as well as his productions of operas by Haydn, Handel and John Adams. -
La Generación Rota Pilar Jurado Jean-Guihen Queyras Violeta
REVISTA DE MÚSICA Año XXVI - Nº 261 - Marzo 2011 - 7 € Año XXVI - Nº 261 Marzo 2011 DOSIER La generación rota ENCUENTROS Pilar Jurado ACTUALIDAD Jean-Guihen Queyras Violeta Urmana DISCOS Premios ICMA 9778402 134807 16200 'HVFXEUDXVWHGPLVPR WRGDV ODVQRYHGDGHV FG FG FG FG FG FG 'tDDGtDOHLQYLWDPRVDGHVFXEULU\GLVIUXWDUGHODVPHMRUHV JUDEDFLRQHVGHP~VLFDFOiVLFD(VWiQDOPHMRUSUHFLR HQORVFDWiORJRVGH%ULOOLDQW&ODVVLFV\1HZWRQ&ODVVLFV INTERIOR CUBIERTA 261.indd 1 25/02/11 7:59 261-Pliego 1 22/2/11 11:46 Página 1 AÑO XXVI - Nº 261 - Marzo 2011 - 7 € 2 OPINIÓN DOSIER 101 CON NOMBRE La generación rota PROPIO Cadenas generacionales, sendas estéticas 6 Violeta Urmana Jorge de Persia 102 Fernando Fraga Recuerdo de Óscar Esplá 8 Jean-Guihen Queyras Alberto González Lapuente 106 Juan Manuel Viana Jesús Guridi o la luz del norte Asier Vallejo Ugarte 112 10 AGENDA La generación rota: algunos otros nombres 14 ACTUALIDAD José Luis Temes 116 NACIONAL ENCUENTROS 44 ACTUALIDAD Pilar Jurado INTERNACIONAL David Rodríguez Cerdán 122 56 ENTREVISTA EDUCACIÓN Pedro Sarmiento 126 Carlos Kalmar Luis Suñén JAZZ Pablo Sanz 128 58 Discos del mes LIBROS 130 59 SCHERZO DISCOS Sumario LA GUÍA 132 CONTRAPUNTO Norman Lebrecht 136 Colaboran en este número: Javier Alfaya, Julio Andrade Malde, Íñigo Arbiza, Emili Blasco, Alfredo Brotons Muñoz, Ricardo de Cala, José Antonio Cantón, Jacobo Cortines, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, Juan García-Rico, José Antonio García y García, Carmen Dolores García González, -
NIXON in CHINA Live Broadcast: FEBRUARY 12, 2011 (1:00 Pm ET) Encore Broadcast: MARCH 12, 2011 (1:00 Pm ET)
John Adams NIXON IN CHINA Live Broadcast: FEBRUARY 12, 2011 (1:00 pm ET) Encore Broadcast: MARCH 12, 2011 (1:00 pm ET) CONDUCTOR John Adams’s groundbreaking 1987 work has its Met premiere in a production by Peter Sellars, John Adams in his Met debut. “All of my operas have dealt on deep psychological levels with our American PRODUCTION mythology,” Adams says. “The meeting of Nixon and Mao is a mythological moment in Peter Sellars American history.” The composer’s operatic exploration of the President’s 1972 encounter with SET DESIGNER Communist China stars James Maddalena as Nixon, reprising his acclaimed portrayal from Adrianne Lobel the opera’s world premiere. Adams makes his Met conducting debut. COSTUME DESIGNER Dunya Ramicova LIGHTING DESIGNER James F. Ingalls ACT I CHOREOGRAPHER An airfield outside Peking, China: it is a cold, clear, dry morning: Monday, February Mark Morris 21, 1972. Contingents of army, navy, and air force circle the field and sing “The Three SOUND DESIGNER Main Rules of Discipline and the Eight Points of Attention.” Premier Chou En-lai, Mark Grey accompanied by a small group of officials, strolls onto the runway just as The Spirit of CHIANG CH’ING ’76 taxis into view. President Nixon disembarks. They shake hands and the President Kathleen Kim sings of his excitement and his fears. PAT NIXON Janis Kelly An hour later he is meeting with Chairman Mao. Mao’s conversational armory contains philosophical apothegms, unexpected political observations, and gnomic MAO TSE-TUNG Robert Brubaker jokes, and everything he sings is amplified by his secretaries and the Premier. -
FOR IMMEDIATE RELEASE CONTACT: Joyce Linehan 617-282-2510, [email protected]
FOR IMMEDIATE RELEASE CONTACT: Joyce Linehan 617-282-2510, [email protected] OPERA BOSTON ANNOUNCES 2011-2012 SEASON Note: This is an update to a release sent in March 2011. Sandra Piques Eddy will NOT appear in Béatrice et Bénédict; French-Canadian mezzo-soprano Julie Boulianne will debut the role of Béatrice. Program includes two rarities by beloved composers not staged locally in decades, and a New England premiere. Panikkar, Boulianne, Lenormand, Harvey make company debuts. Hector Berlioz Béatrice et Bénédict October 21, 23, 25, 2011 Sir Michael Tippett The Midsummer Marriage (New England Premiere) February 24, 26, 28, 2012 Vincenzo Bellini I Capuleti e i Montecchi April 27, 29, and May 1, 2012 (BOSTON – Update August 1, 2011 ) Opera Boston announces its first full season under the leadership of General Director Lesley Koenig and Artistic Director Gil Rose. The season features strong ensemble casts. Mezzo-soprano Julie Boulianne and tenor Sean Panikkar make company debuts in the title roles of Béatrice et Bénédict . Young American soprano Joélle Harvey debuts as Jenifer in The Midsummer Marriage with Joyce Castle. Acclaimed French mezzo-soprano Marie Lenormand makes a company debut as Romeo, opposite emerging Korean soprano Hae Ji Chang, a New England Conservatory Artist Diploma candidate, as Giulietta. All performances will be held at the Cutler Majestic Theatre at Emerson College, 219 Tremont St., Boston. Each performance will feature a pre-performance talk, and Sunday performances feature a free post-performance talkback with artists. Opera Boston is pleased to partner with Figaro Systems to provide English translations on large flat-screen panels for all performances. -
Groundbreakers August 17–August 25, 2019 Burlington, Vt
GROUNDBREAKERS AUGUST 17–AUGUST 25, 2019 BURLINGTON, VT FESTIVAL PROGRAM SOOVIN KIM & GLORIA CHIEN artistic directors DAVID SERKIN LUDWIG resident composer LAKE CHAMPLAIN 11 TH CHAMBER MUSIC FESTIVAL SEASON FESTIVAL ARTISTS Ara Guzelimian, guest speaker Merz Trio with Nicholas Kitchen, guest speaker Tod Machover, guest composer Caroline Copeland Sunday, November 10 at 2 pm Daniel Chong, violin Bella Hristova, violin Jaime Laredo, violin Soovin Kim, violin The Westerlies Jessica Bodner, viola with Lucy Shelton Burchard Tang, viola Sunday, April 12 at 2 pm Priscilla Lee, cello Sharon Robinson, cello Evan Premo, double bass Emi Ferguson, flute Roni Gal-Ed, oboe Romie de Guise-Langlois, clarinet Bixby Kennedy, clarinet Peter Kolkay, bassoon Wei-Ping Chou, horn Richard King, horn Mark Emery, trumpet Gloria Chien, piano Welcome to Groundbreakers, Matan Porat, piano our 11th summer festival! FLYNN Teresa Wakim, soprano This year we focus on visionary Martin Near, alto composers of the last 500 years who shaped the course of music history. Jason McStoots, tenor Sumner Thompson, tenor Over the last few centuries music has gone through a remarkable evolution. Paul Guttry, bass Composers today have an ever-expanding repertoire of expressive musical Joshua Weilerstein, conductor tools. Harmony, rhythm, structure, and instrumentation are only a few of Borromeo String Quartet 19 the compositional elements composers have used to add multiple layers of Nicholas Kitchen, violin complexity. Kristopher Tong, violin Musical evolution has been driven by powerful innovators. Haydn in the Mai Motobuchi, viola 18th century and Bartók in the 20th transformed the string quartet, Beethoven Yeesun Kim, cello expanded musical structure, Debussy and Schoenberg re-imagined harmony, Merz Trio 20 Stravinsky made polyrhythms the norm, and Tod Machover utilizes today’s Brigid Coleridge, violin rapid advances in technology. -
Britten in Beijing
Boosey & Hawkes Music Publishers Limited February 2013 2013/1 Reich Radio Rewrite Britten in Beijing Steve Reich’s new ensemble work, with first performances in Included in this issue: The Britten centenary sees the composer’s drawings, resulting in a spectacular series of the UK and US in March, draws inspiration from songs by music celebrated worldwide including many animal lanterns handcrafted in Shangdong van der Aa Radiohead. works receiving territorial premieres, from Province. The production used the biblical Interview about his new 3D song through to reworkings by Stravinsky. South America to Asia and the Antipodes. tale of Noah to explore contemporary film opera Sunken Garden “It was not my intention to make anything like As an upbeat to this year’s events, the first ecological concerns. Through a series of ‘variations’ on these songs, but rather to Britten opera was staged in China with a educational projects, Noye’s Fludde provided draw on their harmonies and sometimes Noye’s Fludde collaboration between an illustration of man’s struggle with the melodic fragments and work them into my Northern Ireland Opera, the KT Wong environment and the significance of flood own piece. As to actually hearing the original Foundation and the Beijing Music Festival. mythology to both Chinese and Western cultures. songs, the truth is – sometimes you hear First staged in Belfast Zoo last summer as them and sometimes you don’t.” part of the Cultural Olympiad, Oliver Mears’s Overseas Britten highlights in 2013 include Photo: Wonge Bergmann Reich encountered the music of Radiohead production transferred in October to Beijing as territorial opera premieres in Brazil, Chile, following a performance by Jonny part of the UK Now Festival. -
Nixon in China a Concert Performa Nce of the Opera in Th Ree Acts
December 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS .. - II' ~I ( I'll ,~ i1 !'Ii II.. ri' ,', II II ", ! j,r !l .' • -" I Jennifer Bartlett, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPANIES INC Brooklyn Academy of· Music Brooklyn Philharmonic Orchestra Bruce C. Ratner 46th Season 1999-2000 Chairman of the Board The Century-Program 2 Karen Brooks Hopkins Robert Spano, Music Director President Lukas Foss, Conductor Laureate Craig G. Matthews, President Joseph V. Melillo Executive Producer present Nixon in China a concert performa nce of the opera in th ree acts Running time: BAM Opera House approximately December 3, 1999, at 8:00 p.m. 2 hours and 45 December 4, 1999, at 8:00 p.m. minutes, with one intermission Music John Adams Libretto Alice Goodman Brooklyn Philharmonic Orchestra Cond uctor Robert Spano Chou En-Iai William Sharp Richard Nixon James Maddalena Henry Kissinger Thomas Hammons Nancy T'ang (First Secretary to Mao) Karen Krueger Second Secretary to Mao Nancy Wertsch Third Secretary to Mao Phyllis ·Jo Kubey Mao Tse-tung Richard Clement Madame Mao Tse-tungJudith Howarth Pat Nixon Heather Buck The New York Virtuoso Singers Director Harold Rosenbaum Visual Consultant and Designer Anne C. Patterson Lighting Designer Matthew Frey Major support provided by The Dime Savings Bank of New York, FSB. Nixon in China is presented by arrangement with Hendon Music, Inc., a Boosey & Hawkes company, publisher and copyright owner. Supertitles by permission of Hendon Music, Inc. Copyright 1987 by Hendon Music, Inc., a Boosey & Hawkes Company. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996, Subscription, Volume 02
BOSTON ii_'. A4 SYMPHONY . II ORCHESTRA A -+*\ SEIJIOZAWA MUSIC DIRECTOR 9 6 S E SON The security of a trust, Fidelity investment expertise. A CLjmIc Composition Just as a Beethoven score is at its Fidelity i best when performed by a world- Pergonal ** class symphony — so, too, should your trust assets be managed by Trudt r a financial company recognized Serviced globally for its investment expertise. Fidelity Investments. hat's why Fidelity now offers a naged trust or personalized estment management account ** »f -Vfor your portfolio of $400,000 or ^^ more. For more information, visit -a Fidelity Investor Center or call Fidelity Pergonal Triut Serviced at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes William F. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
10 October 2008 Page 1 of 40
Radio 3 Listings for 4 – 10 October 2008 Page 1 of 40 SATURDAY 04 OCTOBER 2008 Sinfonia No.2 in B flat major Camerata Bern SAT 01:00 Through the Night (b00dpq5h) Through the Night 04/10/2008 04:53AM Scacchi, Marco (1602-1662) With Jonathan Swain. Omnes Gentes Kai Wessel (alto), Krzystof Szmyt (tenor), Il Tempo Baroque 01:01AM Ensemble, Agata Sapiecha (director) Dvorák, Antonín (1841-1904) Slavonic Dances (Op.72 No.1-4) 04:56AM Bergen Philharmonic Orchestra, Juanjo Mena (conductor) Scacchi, Marco (1602-1662) Beatus Laurentius 01:21AM Olga Pasiecznik & Marta Boberska (sopranos), Kai Wessel (alto), Nielsen, Carl (1865-1931) Krzystof Szmyt (tenor), Dirk Snellings (bass), Il Tempo Baroque Symphony no.2 (Op.16) 'The Four temperaments' Ensemble, Agata Sapiecha (director) Bergen Philharmonic Orchestra, Ingar Bergby (conductor) 05:00AM 01:55AM Pacius, Frederik (1809-1891) Sibelius, Jean (1865-1957) Overture for Large Orchestra Pensees Lyriques (Op.40) The Finnish Radio Symphony Orchestra, Kari Tikka (conductor) Eero Heinonen (piano) 05:06AM 02:14AM Liszt, Franz (1811-1886) Beethoven, Ludwig van (1770-1827) Fantasy on Halevy's 'La Juive' Piano Trio in C minor (Op.1 No.3) Károly Mocsári (piano) Katherine Gowers (violin), Adrian Brendel (cello), Paul Lewis (piano) 05:21AM Halévy, Jacques-François (1799-1862) 02:44AM Aria: 'Quand de la nuit l'épais nuage' (from 'L'Éclair', Act 3) Handel, Georg Frideric (1685-1759) Benjamin Butterfield (tenor), Canadian Opera Company Concerto Grosso in A major (Op.6 No.11) Orchestra, Richard Bradshaw (conductor) Barbara