Terry Dorsey Remembered Pugilism Do-Goodism
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wilder Charakter Blackheart Sassafras Herbst-Ltds Blackwood 500Er Voll-Koa 300Er & GS Mini
Wilder Charakter Blackheart Sassafras Herbst-LTDs Blackwood 500er Voll-Koa 300er & GS Mini 40 Taylor-Innovationen Warum man mit Verstärker spielen sollte Zeit für einen Saitenwechsel 2 www.taylorguitars.com | Sommerausgabe]. Ich war von 1984 12 hatte ich mal Klavierunterricht gehabt, sofort, dass sich die Basswiedergabe AUSGABE 80 herbst 2014 bis 1988 der Fahrer von Prince. Auch aber als ich die Mädchen entdeckte, war der A- und E-Saite massiv verschlechtert Leserbriefe auf der Purple Rain-Tour war ich dabei. es mit meiner angehenden Musikkarriere hatte. Ich war niedergeschmettert. Die Mir wurde ein umgebauter schwarzer am Ende. Ein langjähriger Freund vom Gitarre klang nicht mehr wie eine Taylor. > IN DIESER AUSGABE < Besuchen Sie uns auf Facebook. Abonnieren Sie uns auf YouTube. Folgen Sie uns auf Twitter: @taylorguitars Transporter zugeteilt, um Prince zu Hot Licks Guitar Shop verkauft Taylor- Außerdem war nicht mehr viel vom Steg den klanglichen Verbesserungen, von fahren. Als ich mir den Wagen ansah, Gitarren. Er war überzeugt davon, dass übrig, und die Justierung hatte einen den strahlenden Höhen bis zu den stieß ich auf einen Gitarrenkoffer. Ich ich noch was lernen kann. Also kaufte dämpfenden Effekt auf das Sustain der tiefen, artikulierten Bässen, rockt es spiele selbst Gitarre, weshalb ich ich eine 518e, und ich liebe ihren Klang. tiefen E-Saite. Es fehlten die starken mit dieser Gitarre viel besser, und ich neugierig war. Ich sah an der Seite Inzwischen sieht mein Zuhause aus wie Bass-Schwingungen, die ich zu hören muss sie nicht missbrauchen, um die den Taylor-Schriftzug, aber ich muss eine Taylor-Ausstellung. Jedes Modell ist und fühlen gewöhnt war. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Keith Hill on Keith Hill
June 1, 2015, Issue 450 Addressing SaladGate Six pages of in-depth reporting on Women In Country and a post-CRS panel write-up in which Keith Hill urged slashing female- voiced songs made nary a ripple outside the business a few months back. But the consultant’s lettuce-and-tomatoes analogy last week in this space touched off a social and, eventually, major media tidal wave. Go figure. We’ll get to Hill in the next story (right), after female PDs and MDs weigh in with their thoughts on a well-known though still confounding reality. In full disclosure, some of the women we contacted declined to contribute for lack of time or lack of what they felt would be helpful feedback. Some passed because they weren’t comfortable publicly commenting in a “no-win argument.” And some came to us asking to be part of the conversation. Lost In Translation: “I don’t think he phrased what he was trying to say especially well,” says Scripps/ Spark Plug: Big Spark/Star Farm’s Olivia Lane hosts industry Tulsa OM and KVOO PD Jules Riley, whose pros at Handlebar J in Phoenix over the weekend. Pictured station has averaged 9% female current/ (front, l-r) are Big Spark’s Dennis Kurtz, Handlebar J’s Ray Herndon, Susan Pohlman (wife of KMLE/Phoenix’s Tim recurrent airplay and 14% in gold since Jan.1, Pohlman), KIIM/Tucson’s Buzz Jackson and wife Dena, KTGX/ according to Mediabase 24/7. “It did strike a Tulsa’s Kristina Carlyle, Lane, KTEX/McAllen’s JoJo Cerda little bit of a nerve. -
April 20, 2015, Issue 444
April 20, 2015, Issue 444 Roam Team Advantage: B&R/New Revolution’s Big Kenny and John Rich congratulate 2015 ACM Broadcast Personalities of the Year at the off-camera awards reception Saturday afternoon at Globe Life Park’s Jack Daniel’s Club in Arlington, TX. Pictured (l-r) are: WUSY/ Chattanooga’s Gator Harrison, Cowboy Kyle and Styckman; KXKT/Omaha’s Steve Lundy and Gina Melton; Big D & Bubba’s Patrick Thomas, Big D and Bubba; WUSN/Chicago’s Lisa Dent and Ramblin’ Ray; and WUBE/Cincinnati’s Stattman, Chelsie and Big Dave. Below, Big & Rich hand hat awards for Station of the Year to WWKA/Orlando’s Drew Bland; KCLR/Columbia, MO’s Jamie Mac and Cara; WQMX/Akron’s Jody Wheatley and Sue Wilson; WWKA’s Ashley and AJ; and WUSN/Chicago’s Jeff Kapugi, Ramblin’ Ray and Lisa Dent. ©2015 Country Aircheck™ — All rights reserved. Sign up free at www.countryaircheck.com. Send news to [email protected] April 20, 2015 Page 4 ACMs Take Texas … & The Cake A good mix of country eras, a fast pace ... and could some- one please tell the winners where to look? Country Aircheck got the consensus on last night’s (4/19) 50th ACM Awards from some folks in radio. KFDI/Wichita APD Carol Hughes: I about fell off my sofa when they opened the show with “Pledge Allegiance To The Hag.” They included songs that would never be on an awards show. Jason Aldean’s medley was fantastic. I loved the Milestone Awards. Those artists were not just brought onstage as a courtesy but they were showcased in a wonderful way and given a huge spotlight to show just why they were Milestone winners. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
News Spinzone
"NEWS! "SPIN ZONE ! "CALENDARS! "CHART DATA ! "NO. 1 SONG! VOICES OF SECONDARY RADIO! " COVERING THE SECONDARY RADIO MARKET SINCE 2002 REPORTING ! PANEL! " Thursday, May 7, 2015 " SPINZONE CHART NEWS" " Toby Keith Adds More ‘Good Times’ To Tour Top Ten— Tim McGraw has the song at top of the MusicRow For The 2015 Toby Keith Good CountryBreakout Chart this week with “Diamond Rings And Times & Pick Up Lines Tour Old Barstools.” Eric Paslay holds strong at No. 2 with “She presented by Ford F-Series, Keith Don’t Love You.” Carrie Underwood’s “Little Toy Guns” moves tapped newcomer Chris Janson up one spot to No. 3, followed by Florida Georgia Line’s as his opening act on more than “Sippin’ On Fire” at No. 4. Brad Paisley remains at No. 5 with 20 tour dates this summer. Janson “Crushin’ It” while Kelsea Ballerini moves up one to No. 6 joins other artists, including Eli with “Love Me Like You Mean It.” Little Big Town is still Young Band and Colt Ford, who moving “Girl Crush” up the chart; this week they are at No. 7. will occasionally join the tour’s Brantley Gilbert jumps “One Hell Of An Amen” up two spots lineup. To read more and to see the full list of dates, click HERE. " to No. 8. Canaan Smith inally reaches the top 10 with “Love … You Like That” landing at No. 9. Blake Shelton also shows up in the top 10 for the Eirst time at No. 10 with “Sangria.” Butler And McCoy Receive No. 1 " Challenge Coin Greatest Gainers— Blake Shelton moves into the top 10 Songwriters Bart Butler after 352 new spins on “Sangria.” Zac Brown Band’s “Loving and Larry McCoy You Easy” received 335 additional plays this week. -