TOOLKIT for Making Written Material Clear and Effective
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JOÃO Carrolo
PERSONAL PROFILE EDUCATION I have been using computers Degree in Graphic Design and Visual Communication, for almost 20 years and I have completed in July 2000 at the Institute of Visual Arts, gained an excellent knowledge Design and Marketing (IADE). in all areas of design, computers Before University, I have completed the following courses of and the internet. six months. Certificate in Basic Graphic Design I am very passionate about the Certificate in Advanced Graphic Design industry I am involved with. Certificate in Computer Macromedia Flash Programming CAREER HISTORY I see one of my major strengths being my adaptability. I am able Since 1998 til present day to jump easily from being a Development of web pages on wordpress, graphic design designer, to a coder, to software and pagination of catalogs, newspapers and magazines, book and hardware technician, to covers, logos, visual identity of brands and products, exhibition decision maker. material, - roll-ups, flyers, cards, advertising gifts - social network day, email campaigns. This adaptability can also be seen Creative Director & Web Developer in my design work where I am October 2017 until October 2019 able handle any task I’m given, italtempo.pt artelusa.pt be it web, multimedia, branding, Freelance Graphic Designer & Web Developer or print. July 2006 until October 2017 Creative Director Itouch Movilisto Portugal March 2004 until July 2006 Creative Director Advertising Agency Talento March 2002 until March 2004 Graphic Designer April 1998 until March 2002 abola.pt SOFTWARE PROFICIENCY Ai Ps Id Wp Em Rs Dw Social Illustrator Photoshop InDesign Wordpress Emailing Network Dreamweaver INTERESTS LANGUAGES All facets of design, art, Portuguese* photography, computers, English technology, music, playing guitar, French motorcycles, movies, games and travel. -
Relief Printing Letterpress Machines
DRAFT SYLLABUS FOR PRESS WORK - I Name of the Course: Diploma in Printing Technology Course Code: Semester: Third Duration: 16 Weeks Maximum Marks: 100 Teaching Scheme Examination Scheme Theory: 3 hrs/week Internal Examination: 20 Tutorial: 1 hr/week Assignment & Attendance: 10 Practical: 6 hrs/week End Semester Exam:70 Credit: 3 Aim: Getting the output through a printing machine is the most important operation for completing the print production. This subject known as Presswork - I is one of the key subject to make a clear and sound knowledge in some of the major print production systems and supplies. This will enable the students to make judgement about the aspect of printing, particularly the selection of a particular process to choose for a specific print production. Objective: The students will be able to (i) understand the basic and clear classification of all kinds of printing processes; (ii) understand the details divisions and subdivisions of letterpress printing machines, their applications and uses, characteristics and identifications of their products- merits and demerits of various letterpress machines; (iii) understand the principal mechanism of various letterpress and sheet-fed machines, their constructional differences in the printing unit and operational features; (iv) understanding the various feeding and delivery mechanism in printing machines; (v) appreciate the relational aspects of various materials used in presswork. Pre -Requisite: Elementary knowledge of Basic Printing & Production Contents: Group-A Hrs/unit Marks Unit 1 Relief Printing 10 10 1.1 Classifications of various relief printing machines, their applications and uses, characteristics of the products. 1.2 Details of divisions and subdivisions of letterpress printing machines, their applications and uses, characteristics and identifications of their products- merits and demerits of various letterpress machines General unit wise division of a printing machine. -
Towards Chinese Calligraphy Zhuzhong Qian
Macalester International Volume 18 Chinese Worlds: Multiple Temporalities Article 12 and Transformations Spring 2007 Towards Chinese Calligraphy Zhuzhong Qian Desheng Fang Follow this and additional works at: http://digitalcommons.macalester.edu/macintl Recommended Citation Qian, Zhuzhong and Fang, Desheng (2007) "Towards Chinese Calligraphy," Macalester International: Vol. 18, Article 12. Available at: http://digitalcommons.macalester.edu/macintl/vol18/iss1/12 This Article is brought to you for free and open access by the Institute for Global Citizenship at DigitalCommons@Macalester College. It has been accepted for inclusion in Macalester International by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Towards Chinese Calligraphy Qian Zhuzhong and Fang Desheng I. History of Chinese Calligraphy: A Brief Overview Chinese calligraphy, like script itself, began with hieroglyphs and, over time, has developed various styles and schools, constituting an important part of the national cultural heritage. Chinese scripts are generally divided into five categories: Seal script, Clerical (or Official) script, Regular script, Running script, and Cursive script. What follows is a brief introduction of the evolution of Chinese calligraphy. A. From Prehistory to Xia Dynasty (ca. 16 century B.C.) The art of calligraphy began with the creation of Chinese characters. Without modern technology in ancient times, “Sound couldn’t travel to another place and couldn’t remain, so writings came into being to act as the track of meaning and sound.”1 However, instead of characters, the first calligraphy works were picture-like symbols. These symbols first appeared on ceramic vessels and only showed ambiguous con- cepts without clear meanings. -
Graphic Designer
Graphic Designer From everyday errands to extraordinary expeditions, Burley has helped folks do more by bike since 1978. A leader in transport gear, Burley is committed to building the future generation of riders, adventures, and explorers. While we continue to perfect the bicycle trailer that put us on the map, the Burley product portfolio has grown over time to meet the changing needs of our customers. From multi-functional child trailer to cargo and pet haulers, we put our heart and soul into everything we build. The Burley brand stands for unmatched quality today, just as it did over 40 years ago. FLSA Status: Exempt HOW TO APPLY: Please send resume, cover letter, and portfolio link to [email protected]. Finalists for this position are subject to criminal background check. SUMMARY: Burley is hiring a Graphic Designer to join its Marketing team! A new position at Burley, this individual will report to the organization’s Marketing Manager and be responsible for leading and developing brand-building creative work for Burley’s marketing, retail, and social channels. ABOUT THE POSITION: This individual will: • Partner with the Marketing team to develop strategic visuals for the brand, including: emails, packaging, brand collateral, display ads, website assets, POP, social media, product manuals, partnership pieces, and product to drive sales and consumer engagement. • Work within and lead maintenance and evolution of brand guidelines. • Own, lead, and contribute to projects throughout the entire design process from defining the problem to improving the solution. • Stay up to date on the latest trends and design concepts while proactively seeking feedback on work from team members. -
Graphic Designer P3
Job Template: Graphic Designer Occupational Group Communication and Marketing Job Family Communication and Marketing Job Path Graphic Design Job Title Graphic Designer Job Category: P Job Level: 3 FLSA Status: E Job Code: C01000 P3: Level Standards GENERAL ROLE This level is accountable for directly providing service to any assigned work unit at the University. The service can focus on a single or a variety of job functions with varying degrees of independence. Positions at this level may supervise student or support employees. Incumbents: • Put into effect what is required by defined job duties and responsibilities following professional norms or established procedures and protocols for guidance. • Alter the order in which work or a procedure is performed to improve efficiency and effectiveness. • Recommend or implement modifications to practices and procedures to improve efficiency and quality, directly affecting the specific office operation or departmental procedure or practice. INDEPENDENCE AND DECISION-MAKING Supervision Received • Works under limited supervision. Context of Decisions • Utilizes general departmental guidelines to develop resolutions outside the standard practice. Job Controls • Possesses considerable freedom from technical and administrative oversight while the work is in progress. • Defines standard work tasks within departmental policies, practices, and procedures to achieve outcomes. • Serves as the advanced resource to whom more junior employees go to for technical guidance. 1 Job Template: Graphic Designer Occupational Group Communication and Marketing Job Family Communication and Marketing Job Path Graphic Design Job Title Graphic Designer Job Category: P Job Level: 3 FLSA Status: E Job Code: C01000 COMPLEXITY AND PROBLEM SOLVING Range of issues • Handles a variety of work situations that are cyclical in character, with occasionally complex situations. -
</Break>The Role of Format and Design in Readability
Pleasing the reader by pleasing the eye—Part 1 The role of format and design in readability Gabriele Berghammer1, Anders Holmqvist2 Correspondence to: 1the text clinic, Vienna, Austria 2Holmqvist AD & Bild, Lund, Sweden Gabriele Berghammer [email protected]; www.the-text-clinic.com Abstract Whoever writes wants to be read. Yet, even if we punctuation marks, and visuals are arranged on a succeed in creating an informative, logically struc- piece of paper can be as much a part of the story tured, and adequately worded text tailored to our as the content itself. They can make or break a target audience, i.e., text we consider to have an message. adequate level of readability, our documents may At least that ’s what we thought. Seeing, however, still go unread—or read with antipathy. Next to lin- that many of today’s publications, particularly in the guistic factors, therefore, there is a wide range of areas of technical, informational, and instructional other aspects determining how well we understand prose, fall short of what we have come to perceive a text, including layout, typography, or cultural ade- as essential aspects of our crafts, we started to ask quacy. Documents people can use effectively and ourselves whether, in these fast-paced times of with ease have language, graphics, and design budget constraints, format and design had become combine into a harmonious whole. Good design an obsolete luxury reserved for belletristic literature helps arouse interest and singles a text out from or art. Not long ago, one of the authors (GB) read a many others that vie for our attention. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
GOING in STYLE (#3): on TYPOGRAPHY, PART 2 Typography Is “The Visual Component of the Written Word.” (Matthew Butterick, Ty
GOING IN STYLE (#3): ON TYPOGRAPHY, PART 2 Typography is “the visual component of the written word.” (Matthew Butterick, Typography for Lawyers: Essential Tools for Polished & Persuasive Documents (2nd ed. 2015) p. 20.) As discussed in the previous issue of this series, typography is a subtle but significant aspect of every brief we file, with the capacity to improve persuasiveness by making reading easier and demonstrating professionalism through attention to detail. While there are few hard rules in brief typography, there are many areas that call for practitioners’ consideration and consistency. The previous issue addressed two aspects of typography — type composition and text formatting. Here we will take up a third — page layout. PAGE LAYOUT Page layout is the way text looks on the page, including the amount of white space. The California Rules of Court impose a single page layout requirement: rule 8.204(b)(6)1 requires margins of 1.5" on left and right sides, 1" top and bottom. Other than that, brief writers have decisions to make. ● Line spacing Line spacing, the vertical distance between lines of text, must be a minimum 1.5 lines. (Rule 8.204(b)(5).) Although experts generally say something slightly less than 1.5-spaced lines is best for reading, it depends on how long the lines are. (See Ruth Anne Robbins, Painting with print: Incorporating concepts of typographic and layout design into the text of legal writing documents (2004) 2 J. Assoc. of Legal Writing Directors 108, 123–124.) In an appellate brief with 1.5" margins on an 8.5 x 11" page,1.5-spaced lines, which is what the 1 Citations to rules refer to the California Rules of Court. -
Though the Term Graphic Design May Suggest
Though The Term Graphic Design May Suggest Convertible Hamid kalsomined ontogenically and flush, she timed her glossologists capsulize morganatically. Well-formed Gershom sometimes outranged any eluent discountenance like. When Noland bedashes his Offaly startled not explicitly enough, is Tarrant deconsecrated? Remember feeling that visuals can't speak by themselves than can interpret visuals just tough they do words in different ways Choose visuals that deploy the. They have learned that reveal they start to draw they people see each new ideas suggested. Shapes are self-contained areas usually formed by lines although testimony may. A sniff of food Best Typography Books for Designers in 2021. 5 Reasons Why Graphic Design Is false For mortgage Business. What advantage a UXUI Designer Do Mediabistro. SC-631000 Though over term graphic design may suggest. And short-term goals including why they're pursuing this education the. The graphic designers may suggest a particular, though often part of having a very similar. Another true example of negative space in graphic design can often found their the. Just with someone doesn't like perfect work doesn't mean green are plain bad designer. Graphic design projects may intend on t-shirts billboards pamphlets business cards and websites. Your constantly-updated definition of Visual Design and collection of topical content. Definition The principle of scale refers to using relative size to signal. Typography Terms and Definitions Monotype. Design Principles Visual Weight line Direction Smashing. A promise can't be created without flavor the designer and programmer working closely together should start line finish. Learning graphic designer may be prepared to terms of your graphics at some experts in question becomes less skill to marketing strategies will be less wasted resources. -
How to Page a Document in Microsoft Word
1 HOW TO PAGE A DOCUMENT IN MICROSOFT WORD 1– PAGING A WHOLE DOCUMENT FROM 1 TO …Z (Including the first page) 1.1 – Arabic Numbers (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. 1.2 – Other Formats (Romans, letters, etc) (a) Repeat steps (a) to (c) from 1.1 above (b) At the “Header & Footer” Section, click on “Page Number” drop down menu. (C) Choose… “Format Page Numbers” (d) At the top of the box, “Number format”, click the drop down menu and choose your preference (i, ii, iii; OR a, b, c, OR A, B, C,…and etc.) an click OK. (e) You can also set it to start with any of the intermediate numbers if you want at the “Page Numbering”, “Start at” option within that box. 2 – TITLE PAGE WITHOUT A PAGE NUMBER…….. Option A – …And second page being page number 2 (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. -
II-17 Page Layouts.Pdf
Chapter II-17 II-17Page Layouts Overview.......................................................................................................................................................... 389 Page Layout Windows ................................................................................................................................... 390 Page Layout Names and Titles .............................................................................................................. 390 Hiding and Showing a Layout............................................................................................................... 390 Killing and Recreating a Layout............................................................................................................ 390 Page Layout Zooming............................................................................................................................. 390 Page Layout Background Color............................................................................................................. 390 Page Layout Pages .......................................................................................................................................... 391 The Page Sorter ........................................................................................................................................ 391 Page Layout Page Sizes........................................................................................................................... 391 Compatibility with -
Website Graphic Designer - Volunteer Position
Website Graphic Designer - Volunteer Position Description The Website Graphic Designer assistant is an unpaid virtual volunteer position. He/she will work collaboratively with the creative team to help develop new modern innovative images for our new website design currently under construction. This role will assist in designing graphics to visually communicate the organization’s new rebranding and re-messaging. Digital collateral will be designed to clearly convey the organizations mission, encourage community engagement and advocacy interaction. This role directly contributes to the visual communication of American SPCC’s vision and mission messaging as it relates to child social issues. With a visual focus on the organization’s advocacy, awareness, and education initiatives to help promote social impact and improve children’s lives, related to all forms of abuse and maltreatment; including, but are not limited to: child abuse, child neglect, child sexual abuse, child exploitation, trafficking, bullying, cyberbullying, domestic violence, foster care, child safety, shaken baby syndrome and positive parenting. Duties and Responsibilities • Collaborate with our team to develop fresh new visual imagery for our new website. • Design and produce original creative high-res digital images. • Use royalty-free images and photography. • Maintain standards for fonts and colors within the context of the organization brand. • Circulate creative proofs for approval and maintain an archive of artwork produced. • Communicate any challenges with timing and deliverables to the design team. • Other design duties, as assigned. Skills & Personal Traits • Experience and/or knowledge in website graphic design and/or related fields. • Strong understanding of responsive design, strategy, best practices, and implementation. • Clear command of all aspects of visual design, including typography, composition, color, use of photography, and information organization.