The newsletter of The Acoustical Society of America
Volume 22, Number 1 Winter 2012
Vuvuzelas and their impact Kenneth A. Cunefare, Richard Ruhala, and Tina Ortkiese
Vuvuzelas are inexpensive But beyond the pos- horns that became a part of the sibility that the sound of American and world vocabulary the horns may be consid- during the 2010 World Cup held ered annoying by some in South Africa, though horns of spectators and television the style have been used for viewers, is there a risk of decades in the States and else- hearing damage associat- where. During the World Cup, ed with the playing of spectators played these horns Vuvuzelas? When indi- throughout the games, causing vidual players sound a noise complaints from athletes horn, the mouth of the and spectators alike, including horn is at some distance television listeners; enthusiastic removed from their own fans playing them at all hours ears; but what about the outside of the stadiums was also person in the row in front an issue. The Vuvuzelas and of them? And what hap- similar horns are sold in the U.S. pens when there are and other countries, and there is many, many people concern that they will create a sounding horns at the related noise problem at future Fig. 1. A collection of Vuvuzelas; the one on the far right was used at same time? These con- matches during the 2010 World Cup in South Africa. sporting events. Indeed, the lead cerns were raised before author’s first experience with Vuvuzela’s pre-dated the World the 2010 World Cup (e.g., by Swanepoel et al.), which moti- Cup, when he attended an “International Friendly” match vated us to perform a variety of precision measurements to between Club America and AC Milan at the Georgia Dome in characterize the horns’ acoustic performance, including their Atlanta (Club America won, 2-1); the number of horns in spectral content and sound power. We performed controlled play at that match was a foreshadowing of what was seen dur- measurements in a special acoustic test room, called a hemi- ing the World Cup. anechoic chamber, which suppresses echoes. Figure 2 is an But what is a Vuvuzela? Figure 1 depicts several exam- image of one of our players sounding a 2010 World Cup ples of these inexpensive horns. These horns were purchased Vuvuzela while in the test chamber. from internet-based vendors, as well as at the 2010 World When played, the horns have a particular “droning” Cup. There is no standardized form for these horns; they quality to them, and some listeners have described the examples in the figure range from 0.6 to 0.75 m in length, sound of massed horns as akin to a swarm of angry bees. and their profiles (their geometric shape or “flare”) are not Recordings of the sound produced by these horns reveal that the same. Since the horns are each different, each will have a they have a strong “fundamental” tone as well as many somewhat different sound when played. While the recent strong harmonics or overtones of the fundamental, as seen popular name for these horns, Vuvuzela, appears to be of in Figure 3 which depicts the frequency content of a num- South African origin, horns of this style have existed for cen- ber of different horns and soundings of those horns (differ- turies, and have long been available even in the United States ences between the horns and how they may be played can be as “stadium horns.” What has happened, though, to increase appreciated by listening to the sound sample that accompa- their visibility is their massed use at sporting events and the nies the figure; the sample corresponds to the spectrogram attendant publicity, especially related to soccer as occurred in the figure). And, players of different ability, playing during the 2010 World Cup in South Africa. horns of different character, starting and stopping at differ- continued on page 3 We hear that . . .