Chapter 5—Crosscut Saw Tasks and Techniques
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Hand Saws Hand Saws Have Evolved to fill Many Niches and Cutting Styles
Source: https://www.garagetooladvisor.com/hand-tools/different-types-of-saws-and-their-uses/ Hand Saws Hand saws have evolved to fill many niches and cutting styles. Some saws are general purpose tools, such as the traditional hand saw, while others were designed for specific applications, such as the keyhole saw. No tool collection is complete without at least one of each of these, while practical craftsmen may only purchase the tools which fit their individual usage patterns, such as framing or trim. Back Saw A back saw is a relatively short saw with a narrow blade that is reinforced along the upper edge, giving it the name. Back saws are commonly used with miter boxes and in other applications which require a consistently fine, straight cut. Back saws may also be called miter saws or tenon saws, depending on saw design, intended use, and region. Bow Saw Another type of crosscut saw, the bow saw is more at home outdoors than inside. It uses a relatively long blade with numerous crosscut teeth designed to remove material while pushing and pulling. Bow saws are used for trimming trees, pruning, and cutting logs, but may be used for other rough cuts as well. Coping Saw With a thin, narrow blade, the coping saw is ideal for trim work, scrolling, and any other cutting which requires precision and intricate cuts. Coping saws can be used to cut a wide variety of materials, and can be found in the toolkits of everyone from carpenters and plumbers to toy and furniture makers. Crosscut Saw Designed specifically for rough cutting wood, a crosscut saw has a comparatively thick blade, with large, beveled teeth. -
Packing a Crosscut
PACKING A CROSSCUT SAW As most folks know, there seems to be no shortage of available wilderness trails that need to be cleared every year using people powered equipment. The standard method of carrying crosscut saws on stock is to carry them on pack animals. Any method of packing a crosscut saw on a pack animal does take some time and care to install the teeth guard, load and unload. This can be a real time consuming hassle if you're working your way along a trail with sporadic windfalls. Everyone that takes part in this form of sadistic recreation, (err rewarding work), does not have a pack animal. And even if you have pack stock, it is just one more animal to contend with on the trail. I have had good luck packing up to a seven foot bucking saw and related equipment on my saddle horse. That is, the horse I ride also packs my saw, handles, axe, wedges, undercutter, kerosene, and lunch. I normally use a good-sized horse, but smaller horses could easily pack a five or six-foot saw, and some of the other equipment could be shared with others in the work party if necessary. Many people that pack and use crosscuts for wilderness trail work use falling saws. The lighter limber falling saws are easier to be bend over a pack or loop and tie on top of a pack. However, I am a big fan of using the right tool for the job. If I am going out to buck logs then I take a bucking saw. -
Usda Forest Service Saw Operations Guide
USDA FOREST SERVICE SAW OPERATIONS GUIDE 2016 Electronic Edition v 1.3.1 July 14, 2016 Table of Contents Acknowledgements................................................................................................................................ 3 Chapter 1 Introduction........................................................................................................................... 4 1.1 Purpose ........................................................................................................................................ 4 1.2 Scope............................................................................................................................................ 4 1.3 Goals ............................................................................................................................................ 4 1.4 Authority ...................................................................................................................................... 4 1.5 National Saw Program Technical Advisory Group (TAG) ............................................................. 5 1.6 Partner, Cooperator, or Volunteer Training Program Review:.................................................... 6 1.7 Terms and Definitions.................................................................................................................. 7 1.8 Qualification............................................................................................................................... 14 Chapter 2 Personal Protective -
Key Concerns for Getting Started in the Pallet Recycling Business
January 2014 • www.palletenterprise.com • 800-805-0263 BUYERS' GUIDE 2014 A YEAR-ROUND DIRECTORY OF SUPPLIERS KEEP HANDY FOR EASY ACCESS THROUGHOUT 2014 Solutions and Ideas for Sawmills, Pallet Operations and Wood Processors! The 2014 Pallet Enterprise Buyers’ Guide is your “Yellow Pages” for the pallet and low-grade lumber industries. Keep it handy all year long to find the best machinery and service suppliers that can help you take your operation to the next level of efficiency and profitability. Information about suppliers is listed based on the company name. Suppliers are listed alphabetically with details on the company and its complete contact information. When you are looking for the best suppliers of pallet manufacturing, pallet recycling, sawmill and wood processing equipment and supplies, check out the Pallet Enterprise Buyers’ Guide first. SUPPLIER LISTINGS ticle, & disc screens for chips & OSB • Air Density Email: [email protected] A Separators • Distributors: screw & vane-Particle board Website: www.drykilns.com Accord Financial Group & MDF furnish screening & cleaning systems • Leading the industry since 1981 in innovative & effec- 19 N Pearl St. Debarkers • Chip Crackers • Chip Slicers • Parts & tive drying solutions worldwide. A pioneer in develop- Covington, OH 45318-1609 Service Support for Acrowood & Black Clawson equip- ment of computer-controlled all-aluminum & stainless 513/293-4480 - 800/347-4977 ment. steel dry kilns. ThermoVent power venting & heat ex- Fax: 513/297-1778 changer system boosts kiln efficiency & improves lum- Contact: Ian Liddell ber uniformity & quality. ROI often realized in as little as Email: [email protected] 12 months in saved energy costs. -
ORANGE IS the NEW BLACK PILOT Written By: Jenji Kohan
ORANGE IS THE NEW BLACK PILOT Written by: Jenji Kohan Based on the Memoir by Piper Kerman Writer's first 5/22/12 BATHING MONTAGE: We cycle through a series of scenes with voice overs. Underneath the dialogue, one song plays throughout. Perhaps it’s ‘Tell Me Something Good,’ by Rufus and Chaka Khan or something better or cheaper or both that the music supervisor finds for us. INT. CONNECTICUT KITCHEN - DAY - 1979 A beautiful, fat, blonde baby burbles and splashes in a kitchen sink. A maternal hand pulls out the sprayer and gently showers the baby who squeals with joy. PIPER (V.O.) I’ve always loved getting clean. CUT TO: INT. TRADITIONAL BATHROOM - 1984 Five year old Piper plays in a bathtub surrounded by toys. PIPER (V.O.) Water is my friend. CUT TO: INT. GIRLY BATHROOM - 1989 Ten year old Piper lathers up and sings her heart out into a shampoo bottle. PIPER (V.O.) I love baths. I love showers. CUT TO: INT. DORM BATHROOM - 1997 Seventeen year old Piper showers with a cute guy. PIPER (V.O.) I love the smell of soaps and salts. CUT TO: INT. LOFT BATHROOM - 1999 Twenty year old Piper showers with a woman. (ALEX) ORANGE IS THE NEW BLACK "Pilot" JENJI DRAFT 2. PIPER (V.O.) I love to lather. CUT TO: INT. DAY SPA - 2004 Piper sits in a jacuzzi with girlfriends. PIPER (V.O.) I love to soak. CUT TO: INT. APARTMENT - 2010 Piper in a clawfoot tub in a brownstone in Brooklyn with LARRY. PIPER (V.O.) It’s my happy place. -
Building Practices and Carpenters' Tools That Created Alexandria's Kent Plantation House
Building Practices and Carpenters' Tools That Created Alexandria's Kent Plantation House By N. H. Sand and Peter Koch SouthernForest ExperimentStation Forest Service. U. S. Departmentof Agriculture I t is the year 1796or thereabouts. ily, and he succeeds so well that designed and made with good Louisiana is a Spanish colony with the dwelling still remains sound and materials. French traditions and culture. attractive after 175 years, a very Now known (from a later owner) Pierre Baillio II, of a prominent great age for a house in America. asthe Kent PlantationHouse, Bail- French family, has a sizeable grant To reach it takes good luck-escape lio's home has recently beenmade of land along the Red River near from fire, flood and the Civil War. into a museum in Alexandria, a a small town called EI Rapido. Continuous occupancy and the care short distance from where it was Baillio undertakes to have a that goes with it also helps. Most originally constructed. There it house built for himself and his fam- of all, the house must be soundly standsas testimony to the skins of early Louisiana carpenter crafts- men. In contrast to architects, who seemto leapinto print with no great difficulty, carpenters are a silent tribe. They come to the job with their tool chests, exercise many skins of construction and some of design, and then pass on. Often their works are their only record. Occasionally some tools survive and, after generationsof neglectand abuse,these may find their way int() antique shopsor museums. Thus it is difficult to speakin de- tail of the builders of any given house. -
Crosscut Saw/Axe Use Chattahoochee-Oconee Nfs National Forests in North Carolina Mike Davis Forest FMO 1/24/2020 Personal Protec
FS-6700-7 (2/98) U.S. Department of Agriculture 1. WORK PROJECT/ACTIVITY 2. LOCATION 3. UNIT Forest Service Blue Ridge District Crosscut Saw/Axe Use Chattahoochee-Oconee NFs Chattooga District Tusquittee District National Forests in North Carolina JOB HAZARD ANALYSIS (JHA) 4. NAME OF ANALYST 5. JOB TITLE 6. DATE PREPARED References-FSH 6709.11 and -12 Mike Davis (Instructions on Reverse) Forest FMO 1/24/2020 7. TASKS/PROCEDURES 8. HAZARDS 9. ABATEMENT ACTIONS Engineering Controls * Substitution * Administrative Controls * PPE Personal Protective Equipment (PPE) Cuts to body. Wear PPE. The following PPE is required for saw operations: Forest Service Injuries from falls and approved hardhat; eye protection, appropriate gloves (cut-resistant); long aerial hazards. Eye sleeve shirt (optional), long pants; Forest Service approved chain saw chaps injuries, Cuts and (optional); approved first aid kit; heavy duty, cut resistant, waterproof or abrasions, aerial hazards water repellent 8” high boots with nonskid soles; fire shelter (wildfire and and cuts from saws and prescribed burn assignments). axes. Saw qualifications Accidents from Must attend classroom and field training encompassing in part or in total a improper or non- national training program such as Wildfire Power Saws S-212 or MTDC. qualified personnel Sawyers must maintain national certifications indicating their proficiency levels using saws at the A, B or C sawyer level for crosscut saws (Refer FSM 2300 Section 2358.1). Recommended that new sawyers visit OSHA web site “Logging Advisor” prior to taking saw training: www.osha-slc.gov/SLTC/logging_advisor/manual. Sharpening Cuts to hands, body or Use saw vise. -
Wide Shot (Or Establishing Shot) Medium Shot Close-Up Extreme
Definitions: Wide Shot (or Establishing Shot) Medium Shot Close-up Extreme Close-up Pan –Right or left movement of the camera Tilt –Up or down movement of the camera Zoom –Change in focal length (magnification) of the lens V/O –Voice-over, narration not synchronized with video SOT –Sound on Tape, Interview audio synchronized with video B-Roll -Refers to the earlier days of film when you had two rolls of film – A and B – and you had to edit them together. A-roll is the main subject of your shot, with audio such as an interview with someone or SOT (Sound on Tape synchronized with the video). B-roll is the background video for your film, often just video over which you’ll lay an audio track (such as the person talking in the A-roll). Nat Sound (Wild Sound) –Natural sound recorded with B-Roll This is video that has some natural background noise – traffic on a street, birds chirping in a park, etc. This audio can add depth and impact to a two-dimensional video tape. 2-Shot –Shot of the interview subject and the person asking the questions Reverse Angle –Straight-on shot of the person asking the questions Use a Tripod Use a tripod to get a steady shot, particularly if you’re shooting something that is not moving or a formal interview. Shaky video, especially in close-ups, can cause the viewer to become dizzy, even nauseous. If you don’t have a tripod or you’re doing a shot where you’ll have to move quickly, then find something to steady your camera – i.e. -
2.3 Flash-Forward: the Future Is Now
2.3 Flash-Forward: The Future is Now BY PATRICIA PISTERS 1. The Death of the Image is Behind Us Starting with the observation that “a certain idea of fate and a certain idea of the image are tied up in the apocalyptic discourse of today’s cultural climate,” Jacques Rancière investigates the possibilities of “imageness,” or the future of the image that can be an alternative to the often-heard complaint in contemporary culture that there is nothing but images, and that therefore images are devoid of content or meaning (1). This discourse is particularly strong in discussions on the fate of cinema in the digital age, where it is commonly argued that the cinematographic image has died either because image culture has become saturated with interactive images, as Peter Greenaway argues on countless occasions, or because the digital has undermined the ontological photographic power of the image but that film has a virtual afterlife as either information or art (Rodowick 143). Looking for the artistic power of the image, Rancière offers in his own way an alternative to these claims of the “death of the image.” According to him, the end of the image is long behind us. It was announced in the modernist artistic discourses that took place between Symbolism and Constructivism between the 1880s and 1920s. Rancière argues that the modernist search for a pure image is now replaced by a kind of impure image regime typical for contemporary media culture. | 1 2.3 Flash-Forward: The Future is Now Rancière’s position is free from any technological determinism when he argues that there is no “mediatic” or “mediumistic” catastrophe (such as the loss of chemical imprinting at the arrival of the digital) that marks the end of the image (18). -
Cinematic Technique Intended Effect and Purpose Film Examples Shots
WRITING A STYLE ANALYSIS ESSAY Name ___________________________________ Cinematic Techniques Due Date ________________________________ Cinematic Technique Intended Effect and Purpose Film Examples Shot: A single piece of film, uninterrupted by cuts. Establishing Shot: Often a This is used to establish setting long shot or a series of and to show transitions shots that sets the scene. between locations. Long Shot (LS): A shot from It may suggest the isolation or some distance (also called vulnerability of a character. a full shot). A long shot of a person shows the full body. Medium Shot (MS): The The effect is to ground the most common shot. The story. camera seems to be a medium distance from the object being filmed. A medium shot shows a person from the waist up. Close-up Shot (CU): The Shots and Framing Shots image being shot takes up at least 80% of the frame. Extreme Close-up Shot (ECU): The image being shot is part of the whole, such as an eye or a hand. Two Shot: A scene between two people shot exclusively from an angle that includes both characters more or less equally, it is used in scenes where interaction between the two characters is important. Cinematic Technique Intended Effect and Purpose Film Examples Eye Level: A shot taken Ninety to ninety-five percent from a normal height – that of the shots seen are eye level is, at the character’s eye because it is the most natural level. angle. High Angle: The camera is This angle usually has the above the subject. effect of making the subject look smaller than normal, giving the character the appearance of being weak, powerless, and/or trapped. -
New Tools for Old Saws Forest Service
FRONT COVER United States Department of Agriculture New Tools for Old Saws Forest Service Technology & Crosscut Saw Tools Development Program 2300 Recreation June 2005 0523–2815–MTDC Uniited States Department of Agriculture New Tools for Old Saws Forest Service Technology & Crosscut Saw Tools Development Program 2300 Recreation June 2005 0523–2815–MTDC Bob Beckley Project Leader USDA Forest Service Technology and Development Program Missoula, MT 2E22A64—Crosscut Saw Sharpening Tools June 2005 The Forest Service, United States Department of Agriculture (USDA), has developed this information for the guidance of its employees, its contractors, and its cooperating Federal and State agencies, and is not responsible for the interpretation or use of this information by anyone except its own employees. The use of trade, firm, or corporation names in this document is for the information and convenience of the reader, and does not constitute an endorsement by the Department of any product or service to the exclusion of others that may be suitable. The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, sex, religion, age, disability, political beliefs, sexual orientation, or marital or family status. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 1400 Independence Avenue, SW, Washington, D.C. -
Northeastern Loggers Handrook
./ NORTHEASTERN LOGGERS HANDROOK U. S. Deportment of Agricnitnre Hondbook No. 6 r L ii- ^ y ,^--i==â crk ■^ --> v-'/C'^ ¿'x'&So, Âfy % zr. j*' i-.nif.*- -^«L- V^ UNITED STATES DEPARTMENT OF AGRICULTURE AGRICULTURE HANDBOOK NO. 6 JANUARY 1951 NORTHEASTERN LOGGERS' HANDBOOK by FRED C. SIMMONS, logging specialist NORTHEASTERN FOREST EXPERIMENT STATION FOREST SERVICE UNITED STATES GOVERNMENT PRINTING OFFICE - - - WASHINGTON, D. C, 1951 For sale by the Superintendent of Documents, Washington, D. C. Price 75 cents Preface THOSE who want to be successful in any line of work or business must learn the tricks of the trade one way or another. For most occupations there is a wealth of published information that explains how the job can best be done without taking too many knocks in the hard school of experience. For logging, however, there has been no ade- quate source of information that could be understood and used by the man who actually does the work in the woods. This NORTHEASTERN LOGGERS' HANDBOOK brings to- gether what the young or inexperienced woodsman needs to know about the care and use of logging tools and about the best of the old and new devices and techniques for logging under the conditions existing in the northeastern part of the United States. Emphasis has been given to the matter of workers' safety because the accident rate in logging is much higher than it should be. Sections of the handbook have previously been circulated in a pre- liminary edition. Scores of suggestions have been made to the author by logging operators, equipment manufacturers, and professional forest- ers.