DOCSLIB.ORG

Evita Don't Cry for Me Argentina Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Evita Don't Cry for Me Argentina Pdf Evita don't cry for me argentina pdf Continue Julie Covington's 1976 single No llores por m' Argentina redirects here. For The Live Album by Sere Girona, see No llores por me, Argentina (album). Don't Cry for Me ArgentinaSingle Julie Covington from the album EvitaB-sideRainbow High Released 12 November 1976 (1976-11- 12)Recorded1976GenrePopLength5:27LabelMCASongwriter (s)Andrew Lloyd WebberTim RiceProducer (s) Andrew Lloyd WebberTimDavid LandJulie Covington singles chronology Two Worlds Apart (1973) Don't Cry for Me Argentina (1976) Only Women Bleed (1977) Don't Cry for Me Argentina is a song recorded by Julie Covington for the 1976 concept album Evita , later included in the 1978 musical of the same name. The song was written by Andrew Lloyd Webber and Tim Rice while researching the life of Argentine leader Eva Peron. He appears at the opening of the first and second acts, as well as near the end of the show, initially as the spirit of the dead Eva, urging the people of Argentina not to mourn her, during Eva's performance from the balcony of Casa Rosada, and during her last broadcast. Evita's album took three to four months to record, as Rice was not satisfied with the intensity of the first recordings. The song had a number of different titles before Don't Cry for Me Argentina was chosen as the final. The song shares its melody with Oh What a Circus from the same show and lyrically consists of platitudes where Eva tries to win the favor of the people of Argentina. It was released in the United Kingdom on 12 November 1976 as the first single from the album, accompanied by national and commercial advertising, full-color posters, sleeves for the show, and a radio interview. The song reached number one on the UK Singles Chart and received gold certification from the British Phonographic Industry (BPI), with more than a million copies sold. It has also reached the top of the charts in Australia, Belgium, Ireland, New York and the Netherlands. Don't Cry for Me Argentina was praised by critics, and Rice and Lloyd Webber won the 1977 Ivor Novello Award for Best Song Musically and Lyrically. When Evita moved to the London theatre, Covington, who was disillusioned with the whole project, refused to reprise the part of Eve, and the role went to Elaine Page. Don't Cry for Me Argentina has been covered by several artists, including Carpenters, Olivia Newton-John, and Sinead O'Connor, as well as actors Lea Michele and Chris Colfer from the TV series Glee. In 1996, the American singer Madonna starred in the film adaptation of the musical and recorded a performance of the song Don't Cry for Me Argentina. Released as the second single from the film's soundtrack on February 4, 1997, her version received positive reviews from music critics who praised her vocal performance. A separate version called Miami Mix, included re-written vocals in English and Spanish and the Argentine bandoneon, was promoted to radio. Madonna's version reached number one in the European Hot 100 Singles chart and the national charts in the Czech Republic, France, Hungary and Spain. It also became a top 10 hit on the U.S. Billboard Hot 100 and many other charts around the world, while reaching gold or platinum in six countries. Background and development co-authors Don't Cry for Me Argentina, Andrew Lloyd Webber and Tim Rice. Don't Cry for Me Argentina was written by Andrew Lloyd Webber and Tim Rice when they designed Evita for Broadway in 1976. Both were extremely intrigued by the stories surrounding eva Peron's life while researching her in the mid-1970s. Evita was originally released as an album before being adapted for the scene, following a formula that Lloyd Webber and Rice used during the production of Jesus Christ Superstar, their previous musical. The duo wrote songs for the singer with good vocals. Rice and Webber's research showed that Eva didn't actually give any major speeches on the day of her husband Juan Peron's inauguration, but soon after she became Argentina's new first lady, she began making very emotional speeches, the intensity of which they wanted to capture with Don't Cry for Me Argentina. The song was written to appear at the opening and near the end of the show, originally as the spirit of the dead Eve, urging the people of Argentina not to mourn her, and finally during Eva's speech from the balcony of Casa Rosada. His melody is similar to the opening song of the musical Oh What a Circus and focuses on Eva's funeral. As Oh What a Circus ended with Che's sarcastic questioning of the mourning behind Eve's death, Don't Cry for Me Argentina began with a few lines that were sung, while the rest of the song was reserved for the finale. After the song was written, Lloyd Webber and Rice struggled to find a suitable musical actress for the songs and title role, as the only one they knew, Yvonne Elliman, moved to the United States. One day they watched the British music show Rock Follies, where they noticed actress and singer Julie Covington, who played an aspiring rock musician. Covington played in London musicals such as Godspell, and her acting abilities in Rock Follies convinced Rice and Lloyd Webber to sign her for Evita. Covington was extremely intrigued by their proposal, considering Eva Peron a non-commercial idea for a musical. However, she thought the songs were great compositions and signed up for their recording. Lloyd Webber and Rice immediately began recording, and the first demos were those from Don't Cry for Me Argentina, I'd Be Surprisingly Good for You and Buenos Aires, just a piano as an accompaniment. They moved on to sign with MCA Records to release a song-based album, however, with extremely low royalty rates, as record company executives did not expect the album to be successful. At the same time, singers for all other roles of the musical were also signed, and the actors moved to Olympic Studios in 1975 to start recording. The recording and composition of Personnel, which is working on the album Evita, included recording engineer David Hamilton-Smith, Simon Philip on drums, Mo Foster on bass, Joe Moretti and Ray Russell on guitars and Anne Odell on keyboards. David Snell played the harp while Anthony Bowles conducted the London Philharmonic, while another choir called London Boy Singles was directed by Alan Doggett. The Album also featured members of The Grease Band, including bassist Alan Spenner and rhythm guitarist Neil Hubbard. The recording took a total of 3-4 months. Don't Cry for Me Argentina (1976) is a 30-second sample recording of Covington's song that illustrates the strings of the pizzicato, and the smooth tempo of presenting the opening lyrics. Problems with playing this file? See the media report. The intensity that Rice was looking for in the track was not achieved immediately during the recording, because it is a sentimental ballad and because of its lyrics. As the album delivery date approached, they were more tense, as most of the album was put together. Only this song remained, as they could not decide on the final name, and Rice tried out names that make no sense in the political and dramatic atmosphere of history. They initially tried out various lyrics as the main hook and the title of the song, including It's Only Your Lover Returning and All Through My Crazy and Wild Days amid fears that mentioning Argentina would reduce commercial appeal. Rice recalled, What a rude decision! It was perhaps the only time (honest) that I made the mistake of caring more about the potential of the lyrics outside the show than its significance in it, and as a result both the song and the show suffered. Covington had already written down the phrase Don't Cry for Me Argentina for use at the beginning of the show. Shortly before the album was finally mixed, Lloyd Webber suggested to Rice that the line also worked as the title of Eve's speech. Once Covington has recorded with a new title, the song fits perfectly into the mood sequence and has been included in the album. The song's name comes from an epitaph on a plaque on Eva Peron's grave at La Recolet Cemetery in Buenos Aires. The plaque was presented by the city's taxi drivers' union and roughly translates as: Don't cry for me Argentina, I stay very close to you. Roger Ebert of the Chicago Sun-Times wrote, For years I wondered, during the cry for me, Argentina, Argentina. we shouldn't have cried. Now I understand: we don't need to cry because a) Evita got everything out of the life she dreamed of, and (b) Argentina has to cry for itself. Even poor Juan Peron must shed a tear or two; It's relegated ... to the status of a walker, a real man who adorns the hand of a rich and powerful woman as a human fashion accessory. The lyrics are a string of meaningless platitudes, according to Rice, who felt she was working as an emotionally intense but empty speech a manic mana of grandeur trying to win the favor of Argentines. It has texts And as for luck, and as for fame / I never invited them in / Although it seemed to the world that they were all I desired / They are illusions.
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Beneath the Surface: Argentine-United States Relations As Perón Assumed the Presidency
    Beneath the Surface: Argentine-United States Relations as Perón Assumed the Presidency Vivian Reed June 5, 2009 HST 600 Latin American Seminar Dr. John Rector 1 Juan Domingo Perón was elected President of Argentina on February 24, 1946,1 just as the world was beginning to recover from World War II and experiencing the first traces of the Cold War. The relationship between Argentina and the United States was both strained and uncertain at this time. The newly elected Perón and his controversial wife, Eva, represented Argentina. The United States’ presence in Argentina for the preceding year was primarily presented through Ambassador Spruille Braden.2 These men had vastly differing perspectives and visions for Argentina. The contest between them was indicative of the relationship between the two nations. Beneath the public and well-documented contest between Perón and United States under the leadership of Braden and his successors, there was another player whose presence was almost unnoticed. The impact of this player was subtlety effective in normalizing relations between Argentina and the United States. The player in question was former United States President Herbert Hoover, who paid a visit to Argentina and Perón in June of 1946. This paper will attempt to describe the nature of Argentine-United States relations in mid-1946. Hoover’s mission and insights will be examined. In addition, the impact of his visit will be assessed in light of unfolding events and the subsequent historiography. The most interesting aspect of the historiography is the marked absence of this episode in studies of Perón and Argentina3 even though it involved a former United States President and the relations with 1 Alexander, 53.
    [Show full text]
  • Krt Madonna Knight Ridder/Tribune
    FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich.
    [Show full text]
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • RIDING the WAVE Page 22 LGBT Issues by Kate Sosin
    PAGE 29 LIZ PHAIR TALKS WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 JAN. 19, 2011 TIMES VOL 26, NO. 16 www.WindyCityMediaGroup.com BEHIV folds; AFC responds BY JOSEPH ERBENTRAUT “Over the last two decades, BEHIV has provid- Foundation of Chicago (AFC) as another factor MIGUEL DEL ed case management, prevention, housing, men- in their decision to shutter. Specifically, BEHIV VALLE INTERVIEW In a statement released Jan. 14, the Chicago- tal health, educational outreach, art and mas- pointed to a “pending decision” by AFC to sus- based HIV/AIDS service organization Better Ex- sage therapy to those affected with HIV/AIDS. pend its allocation of Ryan White Part A case PAGE 12 istence with HIV (BEHIV) announced it would The agency has literally reached thousands of management funding of agencies who, like BE- be closing its doors after 21 years of service to people throughout its tenure. And it has been HIV, do not have an on-site medical clinic. the community. an amazing run,” the statement read. “With the environment for funding becoming The news follows on the heels of Executive Di- “With that being said, how did we get here?” more and more competitive, AFC is encourag- rector Eric Nelson’s departure late last year and the statement continued.“ Alas, community- ing smaller organizations to merge or forcing confirms rumors of financial trouble within the based organizations are finding it more and the choice of consolidation,” the statement organization. According to the statement, is- more difficult to maintain their current level read.
    [Show full text]
  • Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
    Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times
    [Show full text]
  • Theater: Do Cry for Evita
    Political Hollywood Electronic Dance Music The Avengers One Direction More Log in Create Account August 29, 2012 Edition: U.S. FRONT PAGE POLITICS BUSINESS MEDIA CELEBRITY TV COMEDY FOOD STYLE ARTS BOOKS LIVE ALL SECTIONS Entertainment Celebrity TV Political Hollywood Features Hollywood Buzz Videos HOT ON THE BLOG Featuring fresh takes and real-time analysis from Dean Baker Robert L. Borosage HuffPost's signature lineup of contributors John Hillcoat Jeff Madrick HuffPost Social Reading SPONSOR GENERATED POST Michael Giltz GET UPDATES FROM MICHAEL GILTZ Freelance writer Like 102 Theater: Do Cry for Evita Posted: 04/11/2012 2:42 pm React Inspiring Funny Hot Scary Outrageous Amazing Weird Crazy Follow Video , Andrew Lloyd Webber , Eva Peron , New York Around Town , Ricky Martin , Tim Rice , Broadway , Broadway Musicals , Elena Roger , Evita , Evita Broadway , Evita Broadway Revival , Musicals , Entertainment News Help Us Write 'The Words' EVITA * 1/2 out of **** Quick Read | Comments (26) | 08.20.2012 SHARE THIS STORY MARQUIS THEATRE Broadway fans can go see Jesus Christ Superstar and Evita back to back and appreciate anew how the team of Get Entertainment Alerts FOLLOW US Andrew Lloyd Webber and Tim Rice were growing by Sign Up leaps and bounds even as their collaboration was coming to an end. (They reunited over the years, including Submit this story writing some songs for a London production of The MOST POPULAR ON HUFFPOST 1 of 2 Wizard Of Oz that opened last year.) Compared to Superstar, this musical about the life of Eva Peron is the height of sophistication, though Rice's lyrics Isaac Balloons Into A remain blunt and banal.
    [Show full text]
  • Jan. 23, 2020 $1 Movement Brings Delbert Africa Home Unjustly Framed, out After 41 Years
    La huelga Persecución contra más grande 12 Manning, Assange 12 Workers and oppressed peoples of the world unite! workers.org Vol. 62, No. 4 Jan. 23, 2020 $1 Movement brings Delbert Africa home Unjustly framed, out after 41 years By Ted Kelly Black revolutionary groups. The chairman of the Illinois chapter of the Black Panther Delbert Orr Africa has survived more Party, Fred Hampton, was assassinated on attempts on his life than arguably any Dec. 4, 1969, in a sordid plot that involved other living revolutionary. For over 50 the FBI, the Chicago Police Department years, the United States government has and turncoat informants who had been tried to kill him, beat him, break him down placed close to Hampton’s family. and silence him. And now at the dawn of a After this murder-execution, the rest of new decade, he has bested the empire once the Chicago members— Delbert among again— Delbert Africa is free. them— had false warrants put out on After being granted parole on Dec. 20, them. He managed to elude the state’s he was finally released from SCI Dallas on agents sent to capture him and went into Jan. 18. He is the sixth MOVE 9 member exile in Canada. to be released in the last year. A few years later, back on the U.S. side As a member of the Chicago chapter of of the border, he was nearly killed in a car the Black Panthers in the 1960s, Delbert accident that left his cousin and another faced dire threats from the state’s war on friend dead, but he managed to once again evade the FBI who came to ques- tion him in the hospital.
    [Show full text]
  • Anexo:Premios Y Nominaciones De Madonna 1 Anexo:Premios Y Nominaciones De Madonna
    Anexo:Premios y nominaciones de Madonna 1 Anexo:Premios y nominaciones de Madonna Premios y nominaciones de Madonna interpretando «Ray of Light» durante la gira Sticky & Sweet en 2008. La canción ganó un MTV Video Music Awards por Video del año y un Grammy a mejor grabación dance. Premios y nominaciones Premio Ganados Nominaciones Total Premios 215 Nominaciones 407 Pendientes Las referencias y notas al pie Madonna es una cantante, compositora y actriz. Nació en Bay City, Michigan, el 16 de agosto de 1958, y creció en Rochester Hills, Michigan, se mudó a Nueva York en 1977 para lanzar su carrera en la danza moderna.[1] Después haber sido miembro de los grupos musicales pop Breakfast Club y Emmy, lanzó su auto-titulado álbum debut, Madonna en 1983 por Sire Records.[2] Recibió la nominación a Mejor artista nuevo en el MTV Video Music Awards (VMA) de 1984 por la canción «Borderline». Madonna fue seguido por una serie de éxitosos sencillos, de sus álbumes de estudio Like a Virgin de 1984 y True Blue en 1986, que le dieron reconocimiento mundial.[3] Madonna, se convirtió en un icono pop, empujando los límites de contenido lírico de la música popular y las imágenes de sus videos musicales, que se convirtió en un fijo en MTV.[4] En 1985, recibió una serie de nominaciones VMA por sus videos musicales y dos nominaciones en a la mejor interpretación vocal pop femenina de los premios Grammy. La revista Billboard la clasificó en lista Top Pop Artist para 1985, así como en el Top Pop Singles Artist en los próximos dos años.
    [Show full text]
  • Chatting with Evita's Christina Decicco, the 'Alternate Eva'
    Friday, June 29, 2012 DIVA TALK Chatting With Evita’s Christina DeCicco, the ‘Alternate Eva’ By ANDREW GANS For those like myself who like to catch as many different actresses playing the role of Evita as possible, there is some exciting news: For two weeks this summer former Wicked star Christina DeCicco will step into the title role of the Tony Award-nominated Broadway revival of the Andrew Lloyd Webber and Tim Rice musical at the Marquis Theatre. DeCicco, who normally performs the role twice weekly — Wednesday evenings and Saturday matinees — will play the late Eva Peron six performances a week July 12-19 and August (dates to be announced shortly) while Argentinian actress and Olivier winner Elena Roger films a movie (during those two weeks Jessica Lea Patty will be the Alternate Eva). (For the record, this diva lover has enjoyed the Evitas of Tony winner Patti LuPone, Derin Altay, Nancy Opel, Donna Marie Elio [now Asbury], Judy McLane, Natalie Toro, Felicia Finley, Elena Roger, and, come July 7, Ms. DeCicco.) Although DeCicco has only gotten to play the role about 20 times, her co-stars have lavished her with praise. Rachel Potter, who plays Peron’s Mistress, previously told me, “Christina is from New York. She’s an American through and through, and she brings such a different energy, but it’s so, so great, and I hope that more and more people will come see her because she’s fantastic....Her voice is stunning, and we’re all very, very proud of her because obviously being an alternate is never an easy job.
    [Show full text]
  • 70S & 80S MUSIC
    70s & 80s MUSIC TITLE ARTIST ABBA Medley Stars On 45 Are You Old Enough Dragon Billy Don't Be A Hero Paper Lace C'est La Vie Robbie Nevil Abc Pop - Various Artists As Stevie Wonder Black Betty Ram Jam California Dreamin' The Mamas & The Papas Abraham, Martin & John Pop - Various Artists Atomic Blondie Black Cat Janet Jackson Call Me Blondie Addicted To Love Robert Palmer Baby got back Sir mix a lot Black Man Ray China Crisis call me al paul simon Africa Toto Baby I love You Aretha Franklin Blame It On The Boogie The Jacksons Can You Feel It The Jacksons After The Love Has Gone Earth Wind & Fire Back To Life Soul II Soul Blinded By The Light Bruce Springsteen Can't Fight This Feeling REO Speedwagon Ain't No Mountain High Enough Diana Ross Bad Michael Jackson Blue Monday New Order Can't Get Enough Of Your Love Babe Barry White Ain't No Sunshine Bill Withers Bad Girls Donna Summer bohemian rhapsody queen Can't Help Lovin' That Man Trudy Richards Ain't No Sunshine Pop - Various Artists Bad To The Bone G.Thorogood & The Destroyyers Boogie Fever Slyvers Can't Stop the Music The Village People Ain't Nobody Rufus & Chaka Khan Ball Of Confusion Pop - Various Artists Boogie Wonderland Earth Wind & Fire Candy Iggy Pop All Fired Up Pat Benatar The Ballad of Lucy Jordan Marianne Faithfull Borderline Madonna Cant Get Enough Of Your Love Barry White all i wanna do Heart The Ballad Of Lucy Jordan Pop - Various Artists Born In The U.S.A.
    [Show full text]
  • Andrew Lloyd Webber's Musicals
    MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography.
    [Show full text]