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Evita don't cry for me argentina pdf

Continue 's 1976 single No llores por m' Argentina redirects here. For The Live by Sere Girona, see No llores por me, Argentina (album). Don't Cry for Me ArgentinaSingle Julie Covington from the album EvitaB-sideRainbow High Released 12 November 1976 (1976-11- 12)Recorded1976GenrePopLength5:27LabelMCASongwriter (s)Andrew Lloyd WebberTim RiceProducer (s) Andrew Lloyd WebberTimDavid LandJulie Covington singles chronology Two Worlds Apart (1973) Don't Cry for Me Argentina (1976) Only Women Bleed (1977) Don't Cry for Me Argentina is a song recorded by Julie Covington for the 1976 concept album , later included in the 1978 musical of the same name. The song was written by and while researching the life of Argentine leader Eva Peron. He appears at the opening of the first and second acts, as well as near the end of the show, initially as the spirit of the dead Eva, urging the people of Argentina not to mourn her, during Eva's performance from the balcony of Casa Rosada, and during her last broadcast. Evita's album took three to four months to record, as Rice was not satisfied with the intensity of the first recordings. The song had a number of different titles before Don't Cry for Me Argentina was chosen as the final. The song shares its melody with from the same show and lyrically consists of platitudes where Eva tries to win the favor of the people of Argentina. It was released in the United Kingdom on 12 November 1976 as the first single from the album, accompanied by national and commercial advertising, full-color posters, sleeves for the show, and a radio interview. The song reached number one on the UK Singles Chart and received gold certification from the British Phonographic Industry (BPI), with more than a million copies sold. It has also reached the top of the charts in Australia, Belgium, Ireland, New York and the Netherlands. Don't Cry for Me Argentina was praised by critics, and Rice and Lloyd Webber won the 1977 Ivor Novello Award for Best Song Musically and Lyrically. When Evita moved to the theatre, Covington, who was disillusioned with the whole project, refused to reprise the part of Eve, and the role went to Elaine Page. Don't Cry for Me Argentina has been covered by several artists, including Carpenters, Olivia Newton-John, and Sinead O'Connor, as well as actors Lea Michele and Chris Colfer from the TV series Glee. In 1996, the American singer starred in the film adaptation of the musical and recorded a performance of the song Don't Cry for Me Argentina. Released as the second single from the film's soundtrack on February 4, 1997, her version received positive reviews from music critics who praised her vocal performance. A separate version called Miami Mix, included re-written vocals in English and Spanish and the Argentine bandoneon, was promoted to radio. Madonna's version reached number one in the European Hot 100 Singles chart and the national charts in the Czech Republic, France, Hungary and Spain. It also became a top 10 hit on the U.S. Billboard Hot 100 and many other charts around the world, while reaching gold or platinum in six countries. Background and development co-authors Don't Cry for Me Argentina, Andrew Lloyd Webber and Tim Rice. Don't Cry for Me Argentina was written by Andrew Lloyd Webber and Tim Rice when they designed Evita for Broadway in 1976. Both were extremely intrigued by the stories surrounding eva Peron's life while researching her in the mid-1970s. Evita was originally released as an album before being adapted for the scene, following a formula that Lloyd Webber and Rice used during the production of , their previous musical. The duo wrote songs for the singer with good vocals. Rice and Webber's research showed that Eva didn't actually give any major speeches on the day of her husband Juan Peron's inauguration, but soon after she became Argentina's new first , she began making very emotional speeches, the intensity of which they wanted to capture with Don't Cry for Me Argentina. The song was written to appear at the opening and near the end of the show, originally as the spirit of the dead Eve, urging the people of Argentina not to mourn her, and finally during Eva's speech from the balcony of Casa Rosada. His melody is similar to the opening song of the musical Oh What a Circus and focuses on Eva's funeral. As Oh What a Circus ended with Che's sarcastic questioning of the mourning behind Eve's death, Don't Cry for Me Argentina began with a few lines that were sung, while the rest of the song was reserved for the finale. After the song was written, Lloyd Webber and Rice struggled to find a suitable musical actress for the songs and title role, as the only one they knew, Yvonne Elliman, moved to the United States. One day they watched the British music show , where they noticed actress and singer Julie Covington, who played an aspiring rock musician. Covington played in London musicals such as , and her acting abilities in Rock Follies convinced Rice and Lloyd Webber to sign her for Evita. Covington was extremely intrigued by their proposal, considering Eva Peron a non-commercial idea for a musical. However, she thought the songs were great compositions and signed up for their recording. Lloyd Webber and Rice immediately began recording, and the first demos were those from Don't Cry for Me Argentina, I'd Be Surprisingly Good for You and , just a piano as an accompaniment. They moved on to sign with MCA Records to release a song-based album, however, with extremely low royalty rates, as record company executives did not expect the album to be successful. At the same time, singers for all other roles of the musical were also signed, and the actors moved to Olympic Studios in 1975 to start recording. The recording and composition of Personnel, which is working on the album Evita, included recording engineer David Hamilton-Smith, Simon Philip on drums, Mo Foster on bass, Joe Moretti and Ray Russell on guitars and Anne Odell on keyboards. David Snell played the harp while Anthony Bowles conducted the London Philharmonic, while another choir called London Singles was directed by Alan Doggett. The Album also featured members of The Band, including bassist Alan Spenner and rhythm guitarist Neil Hubbard. The recording took a total of 3-4 months. Don't Cry for Me Argentina (1976) is a 30-second sample recording of Covington's song that illustrates the strings of the pizzicato, and the smooth tempo of presenting the opening lyrics. Problems with playing this file? See the media report. The intensity that Rice was looking for in the track was not achieved immediately during the recording, because it is a sentimental ballad and because of its lyrics. As the album delivery date approached, they were more tense, as most of the album was put together. Only this song remained, as they could not decide on the final name, and Rice tried out names that make no sense in the political and dramatic atmosphere of history. They initially tried out various lyrics as the main hook and the title of the song, including It's Only Your Lover Returning and All Through My Crazy and Wild Days amid fears that mentioning Argentina would reduce commercial appeal. Rice recalled, What a rude decision! It was perhaps the only time (honest) that I made the mistake of caring more about the potential of the lyrics outside the show than its significance in it, and as a result both the song and the show suffered. Covington had already written down the phrase Don't Cry for Me Argentina for use at the beginning of the show. Shortly before the album was finally mixed, Lloyd Webber suggested to Rice that the line also worked as the title of Eve's speech. Once Covington has recorded with a new title, the song fits perfectly into the mood sequence and has been included in the album. The song's name comes from an epitaph on a plaque on Eva Peron's grave at La Recolet Cemetery in Buenos Aires. The plaque was presented by the city's taxi drivers' union and roughly translates as: Don't cry for me Argentina, I stay very close to you. Roger Ebert of the Sun-Times wrote, For years I wondered, during the cry for me, Argentina, Argentina. we shouldn't have cried. Now I understand: we don't need to cry because a) Evita got everything out of the life she dreamed of, and (b) Argentina has to cry for itself. Even poor Juan Peron must shed a tear or two; It's relegated ... to the status of a walker, a real man who adorns the hand of a rich and powerful woman as a human fashion accessory. The lyrics are a string of meaningless platitudes, according to Rice, who felt she was working as an emotionally intense but empty speech a manic mana of grandeur trying to win the favor of Argentines. It has texts And as for luck, and as for fame / I never invited them in / Although it seemed to the world that they were all I desired / They are illusions. Webber's orchestral accompaniment added a different level to the track, with his composition consisting of pizzicato strings and his smooth tempo, presenting Covington's introductory vocals. The song jumps from light to heavy and extravagant, with one part of it humming in choral voices. As the final lyrics say: But all you have to do is look at me to know / That every word is faithfully sing, the London Philharmonic Orchestra comes into play with a huge climax and ends. According to a note published by Music Sales Group, the song begins with a G/D-A7/D-D-Bm/D sequence, a change in E-E/D-A/C♯-E7-A-D, with a chorus♯ featuring chords A-Bm-Dmaj7-Gmaj7-G♯M7. The release and reception of Evita has always been a stage show. And Don't Cry for Me Argentina was very specifically written to be a key moment in the theater, but the fact it became a hit was accidental. I couldn't understand how it became such a big hit. It was 6 minutes, it was a minute instrumental of the London Symphony Orchestra and Julie Covington refused to promote it. It even went to number one on the disco chart, which I just couldn't understand. I asked my friend who was a DJ why he was so popular, he said: Because DJs play it to clear the dance floor. Rice, talking about the success of the song in the company's official chart After the album was completed, the Evita team switched to full release promotion, with photographer Tony Snowdon spotting promotional photos. The single version of Don't Cry for Me Argentina was released in the UK on 12 November 1976, accompanied by national and commercial advertisements, full-color posters, sleeves, and radio interviews. Another song from the musical, Rainbow High, was listed as its B-side. MCA marketing manager Stuart Watson explained to Billboard that their main goal was to get an explanation of Eva Peron's story. public. The song received criticism, and The Sunday Times called it a masterpiece. However, Rice and Lloyd Webber felt that they needed more promotion to reach the general audience that would buy the record. They initially decided to host a number of television shows, but Covington was not interested in the project and refused to promote it further. Her reasons included a desire to perform a song with the same studio orchestra and accompaniment, and she was also against one release from the album. The song has never been performed live on the British music show Top of the Pops, as Covington refused, and whenever it was shown on the show, a montage of images of the real Eva was shown in the background. However, within a week she was number one, she appeared in the hall. Rice and Lloyd Webber then took aim at BBC Radio 1, which was in its infancy but still popular with the general crowd. They had a pretty tough selection of songs that they streamed on their channels, and Radio 1 completely refused to add Don't Cry for Me Argentina to their playlists. Rice and Lloyd Webber panicked and were almost on the verge of releasing another Evita track, Another Suitcase in Another Hall, recorded by Barbara Dixon as the second single. But Radio 1 finally relented and started playing the song because of the positive response from the audience. Don't Cry for Me Argentina debuted at number 37 on the UK Singles Chart in the week ending December 25, 1976. It started to climb up the chart, but within 3 weeks it was saved from reaching the top spot of David Soul Don't Give Up on Us. In the week ended February 12, 1977, the song reached the top of the charts. It was first certified silver in January 1977 and then certified gold a month later by the British Phonographic Industry (BPI), selling almost a million physical copies in the UK. Together with digital sales, it sold about 1.01 million copies according to . The single also reached the top of the charts in Australia, Belgium, Ireland, New York and the Netherlands; about 100,000 copies were sold in the latter country. After seeing the success of the single, Rice and Lloyd Webber continued to promote the song in the United States. However, the staff of MCA Records' US office were unable to come to an agreement on how to promote an adult modern oriented track; ultimately, it was never sent to Top 40/CHR radio, and did not appear in any of the U.S. charts. The consequences and influence When the cast of the London musical version of Evita was decided, Rice and Lloyd Webber naturally approached Covington to play the titular role. However, she decided not to reprise the role. Producer Hal Prince wanted to cast a relatively unknown actress to play Eve, and thus Elaine Page In 1977, Rice and Lloyd Webber received the Ivor Novello Award for Best Song Musically and Lyrically. During the Falklands War of 1982 between Great Britain and Argentina, the song was sometimes played sarcastically by British regimental groups when they were sent to the Falkland Islands. They changed the lyrics of the song, it as you don't scare me Argentina / True, we will defeat you / We will sink your carrier, with our Sea Harrier / And with our Sea Kings subs'll be sinking. At the same time, Covington's recording was banned from playing on the BBC. The song was also banned in the Philippines during the dictatorship (1972-1986) of President Ferdinand Marcos. The whole life of former first lady Imelda Marcos, Marcos' wife, is similar to the life of Evita Peron. The presentation of the musical Evita was repressed. In the U.S., the song is also closely related to Patti Lupone, who played the role of Eve in the original Broadway production of the show. Track list and formats 7-single Don't Cry for Me Argentina - 5:24 High Rainbow - 2:31 7 Double hit Don't Cry for Me Argentina - 5:23 I Don't Know How to Love Him (Performed Yvonne Elliman) - 3:55 7 Old Golden Single Don't Cry for Me Argentina - 5:24 Another suitcase in another room (performed by Barbara Dixon) - 3:00 Credits and staff Julie Covington - vocals by Andrew Lloyd Webber - , producer Tim Rice - songwriter, songwriter, Produced by David Land - producer David Hamilton-Smith - recording engineer Simon Phillips - drummer Mo Foster - bass Joe Moretti - guitars by Ray Russell - guitars by Ann Odell - keyboards David Snell - harp of the London Philharmonic - choral credits adapted from 7 singles. Charts Charts (1977) Peakposition Australia (Kent Music Report) 1 Austria (3 Austria Upper 40) 31 14 Belgium ( 50 Flanders) 1 Germany (Official German Charts) 1 Netherlands (Single Top 100) 1 New zealand (Recorded Music N))37 1 Norway (VG-lista) 10 Sweden () 2 Switzerland (Schweizer Hitparade) 3 UK Singles (OCC) Report) 1 Belgium (Ultratop 50 Flanders) 13 Germany (Offizielle Deutsche Charts) 1 Netherlands (Single Top 100) 3 Region Certification Certified Units/Sales Netherlands - 100,000 (BPI) (BPI) (BPI) (BPI) (BPI) (BPI) BPI) Gold 1,010,000 (shipping figures based on the certification of only Madonna's version of Don't Cry for Me ArgentinaSingle Madonna from the album EvitaReleased4 February 1997Recorded1995; Larrabey North CTS StudiosGenreOrchestral popLength5:34LabelWarner Bros.Songwriter (s) Andrew Lloyd WebberTim RiceProducer (s) Nigel WrightAlan ParkerAndry Lloyd WebberDavid CaddickMadonna single In 1996, Don't Cry for Me Argentina (1997) Another suitcase in another room (1997) In 1996, Madonna starred in the film Evita, playing the title role. For a long time Madonna wanted to play Eva and even wrote a letter to director explaining how she would be for the role. Lader noted that the singer had to use her voice in a way she had never used it before. Evita is a real musical theatre - in a sense operatic. Madonna has developed a top register that she did not know she had. Since she was signed to the film, Madonna has expressed interest in recording the dance version of Don't Cry for Me Argentina. According to her publicist Liz Rosenberg, since Madonna didn't write music and lyrics, she wanted her signature on that song... I think on her mind, the best way to do this was to go to the studio and work up a . To do this, in August 1996, while still mixing the soundtrack to the film, Madonna hired of Pablo Flores and Javier Garza. According to Flores, the singer wanted something that would be a dance, but true to the film and Argentina with a Latin sense. Madonna herself said she wanted the remix to be Latin and music elements. The mix was completed within two weeks in Miami and . Madonna had to re-record the track's vocals in English and Spanish, while the Argentine bandoneon was added to the song's intro. Barney Kilpatrick, vice president of promotion for Warner Bros. Records, said the only reason this mix is being done is to host Top 40 radio since we have two soundtrack discs, we are interested in selling rather than singles. Warner Bros wanted to create a buzz for a movie with a song, not a one remix. There were also talks about releasing evita's EP, which remixed Buenos Aires, Don't Cry for Me Argentina and Another Suitcase in Another Hall, but it never materialized. Recording and composition Don't Cry for Me Argentina (Miami Mix) A 30 is the second sample from Miami Mix version of Madonna's song. Unlike the original, it features elements of tango and Latin music. Problems with playing this file? See the media report. Recording of songs and soundtracks for the film began in September 1995 and took place at CTS Studios in London with Madonna accompanied by actors Antonio and Price. However, problems arose as Madonna wasn't quite comfortable with styling the lead vocals simultaneously with the 84 piece of orchestra inside the studio. She used to sing over a pre-recorded track and couldn't listen to her musicians. In addition, unlike its previous soundtrack releases, it had little control over the project; I'm used to writing my own songs and I go to the studio, pick musicians and say what sounds good or not. Working on 46 songs with all the participants and not having much to do with the work was a big adjustment, she recalls. An emergency meeting took place between Parker, Lloyd Webber and Madonna, at which it was decided that the singer would enlist her role in a more modern studio, while the orchestration would take place somewhere else. She also had an alternate weekend after the recording. According to the singer, she was very nervous on the first day of recording. She was supposedly petrified when it came to performing the song; I had to sing Don't Cry for Me Argentina before Andrew Lloyd Webber I was a complete mess and sobbed afterwards. I thought I did a terrible job, she recalls. The final version was recorded in many similarities to the original Covington version, although it had a much faster tempo and was created as orchestral to suit the contemporary music scene. According to a note published by Musicnotes.com, Madonna's version of the song is set at the usual time, with a slow pace of 90 beats per minute. Madonna's vocals range from G3 to C5. The song follows the main C-F♭-C sequence, when Madonna sings It's not going to be easy, you'll think it's weird and changes to G7-C on the second verse. Critically received after the release, the song as a whole received positive reviews. J. Randy Taraborrelli, author of Madonna: An Intimate Biography, writes that As Evita Peron she is resilient and strong, and doesn't sound out of place at all. Author Lucy O'Brien wrote in Madonna: Like a Icon that while Madonna's vocals lacked emotional complexity in melody, she nevertheless created a convincing version at the very beginning of her grand orchestral finale. Sal Cinquemani of Slant Magazine commented, Easily one of Madonna's greatest vocal performances to date, the singer's dramatic interpretation of Evita's unofficial song was both loyal and whimsically autobiographical. Writing for the , David Gritten opined that show traffic jams like Don't Cry for Me Argentina, which should be belted out, sound comfortable for her. George Hatza of The Reading Eagle said that Madonna sings Don't Cry For Me Argentina in a beautiful, soaring, goosebumps-inducing contralto. J.D. Considine of said it was one of the big songs from In her Evita review, of noted that the track was a tingling sing. Peter Travers of wrote: Madonna, to her credit, puts on quite a show. She sings. She tango She even belts out Don't cry for me Argentina to prove that she's just people . Peter Keough of Phoenix praised Madonna's stunning delivery of the track. He wrote: Madonna sings a softly lush soprano that reflects Evita's quiet vulnerability. Her full lips, precise notes step through grandiose orchestration songs. Webber's songs allow her the whole room, she must have a lot of things; she succeeds in them all. A very positive response was from Greg Morago of the , who called the song a calculated, theatrical triumph of shameless indulgence and steely determination that parallels the pop diva's own rise to the top. Madonna makes this song her own; She was born to play chignon-coiffed, diamond-studded Santa Evita. Greg Cote of the opined that her interpretation of the show-stopper Don't Cry for Me Argentina does not try to ocof many previous versions, but instead returns it to earth with restrained dignity. Matthew Jacobs of The Huffington Post considered it one of Madonna's most important songs, stand-in for the transition from sexy Madonna to adult Madonna. Similarly, Spin's Saleski wrote that the song's subtle but proud performance marked the beginning of Madonna's serious phase, where she balanced youthful coquetry with a more mature, introspective worldview. AllMusic's Jose F. Promis praised the version of Miami Mix; Don't Cry For Me Argentina was transformed into a passionate, smooth dance number, highlighting Madonna's truly passionate performance, which angered musical purists but delighted her fans and audience. In 2017, Billboard ranked Miami Mix at number 95 in the 1997 Best Pop Song Chart; Andrew Unterberger wrote that the remix is as responsible for the song's chart success as Madonna's vocal ambitions of Celine Dion, who takes the song from the balcony to the dance floor and returns it to the people. In 2018, the same magazine called the remix a strangely enjoyable male trio between Broadway, Latin and club music, with a pounding rhythm and a live tango that thrives with Madonna's serious delivery. Similarly, Richard LaBo of Medium found the remix bizarre in theory, but works amazingly in performance. Jude Rogers of wrote: Sorry, Andrew Lloyd Webber, but it's not ; however, she praised the singer's vocal abilities. Writing for Entertainment Weekly, Chuck Arnold opined that while trustworthy, Madonna's performance is not going to make anyone forget Patti Lupone. The negative feedback came from Alex Needham, who wrote; By 1996, Madonna was fast turning into the pop equivalent of Sunset Boulevard, Norma Desmond, croaking: I'm still big! It's just the Top 40 that got small!, and that Don't Cry for Me Argentina stinks then, stinks now. Robert Christgau called it a gloomy track and criticized his mixing. Chart performance in the U.S., the popularity of the version of the song Miami Mix allowed her to become the song with the most radio- receiver, and jumped to 18th place in the Hot 100 Airplay chart. Demand for the song continued to grow, forcing Warner Bros. to release a CD single, and the song became eligible for the charts. It debuted on the Billboard Hot 100 at number 17 on The Week 22, 1997. The single peaked in week 8 on March 1, 1997. The song Don't Cry for Me Argentina reached number one in the European Hot 100 Singles, the week of February 8, 1997. The track also reached the top 20 of the Billboard Adult Contemporary and Adult Top 40 charts, while Miami Mix reached the top of the Billboard Hot chart. In 1997, it peaked at number 87 on the chart. In Canada, the song debuted on the RPM Top Singles chart at number 34, in the week of March 10, 1997. It eventually peaked on the 11th, the week of 7 April 1997. In the UK, the song reached number three in the week of December 28, 1996 and was in the top 100 for a total of 13 weeks. It was certified by the British Phonographic Industry (BPI) on 1 January 1997 to ship 400,000 copies. In Italy, it reached number two on the Musica e dischi chart. In Australia, Don't Cry for Me Argentina reached number on the ARIA Singles Chart, remaining at this position for one week and a total of 13 weeks on the chart. The song peaked at number 56 on the ARIA charts at the end of the year. In France, it topped the SNEP Singles Chart for one month. In Ireland, the song peaked at its 8th week on December 19, 1996. The single was also commercially successful in other countries such as Belgium, Germany, Spain and the Netherlands, where it managed to earn the top 5 places. The promotion and live performances of No Official Video were filmed for the song. Instead, a scene from the film was used where Eva performs a song on the balcony of Casa Rosada. In 1993, two years before it was cast at Evita, Madonna performed an impromptu version of the song during her first visit to Argentina with The Girlie Show World Tour. Eight years later, during his World Tour in 2001, the instrumental version of the song was used as an interlude, with several dancers playing the Tango number. The performance on August 26, 2001, at Auburn Hills Palace, outside Madonna's hometown of , was recorded and released in живой видеоальбом, 2001. На остановке в Буэнос-Айресе в декабре 2008 года, после исполнения песни «», Мадонна также исполнила песню «Don't Cry for Me Argentina», так как сцены из Эвиты играли на фоне экранов. Выступления обеих песен в городе были записаны в живом DVD под названием Sticky и Sweet Tour (2010). Певица вновь исполнила песню в Аргентине во время тура MDNA в декабре 2012 года. Для выступления, она слово Ева окрашены на спине. Мадонна также сделала «страстное исполнение» песни «Don't Cry for Me Argentina» во время остановки в Майами ею Tour 23 января 2016 года в сопровождении акустической гитары. 6 декабря Мадонна исполнила песню «Don't Cry for Me Argentina» во время carpool Karaoke сегмента The Late Late Show с Джеймсом Корденом. Трек включает в себя британский CD-сингл «Don't Cry for Me Argentina» (в исполнении Мадонны) - 5:31 «Santa Evita» (в исполнении Оркестра/Джона Маусери) - 2:30 «Latin Chant» (в исполнении Оркестра/Джона Маусери) - 2:11 UK «The Dance Mixes» CD-сингл / СИНГЛ AU CD / DE 12» «Don't Cry for Me Argentina» (Miami Mix Edit) - 4:31 «Don't Cry for Me Argentina» (Miami Spanglish Mix Edit) - 4:29 «Don't Cry for Me Argentina» (Miami Mix) - 6:51 «Don't Cry for Me Argentina» (альбомная версия) - 5:3 1 США 12 / CD Maxi-сингл (1997) - Don't Cry for Me Argentina (Miami Mix Alternative Ending) - 7:59 Don't Cry for Me Argentina (Miami Spanglish Mix) - 6:57 Don't Cry for Me Argentina (Miami Mix Edit) - 4:29 Don't Cry для меня Аргентина (Miami Dub Mix) - 6:23 Don't Cry for Me Argentina (Miami Mix Instrumental Version) - 6:55 Don't Cry for Me Argentina (Miami Spanglish Mix Edit) - 4:28 Charts Chart (1997) Peakposition Australia (ARIA) 3 Belgium (Ultratop 50 Flanders)[111] 5 Belgium (Ultratop 50 Wallonia)[112] 2 Canada (Canadian Singles Chart)[113] 1 Canada Top Singles (RPM)[85] 14 Canada Adult Contemporary (RPM)[114] 3 Canada Dance/Urban (RPM)[115] Remix 26 Czech Republic (IFPI)[116] 1 Denmark (IFPI Denmark)[117] 6 European Hot 100 Singles (Music & Media)[79] 1 Finland (Suomen virallinen lista)[118] 8 France (SNEP)[92] 1 Germany (Official German Charts)[119] 3 Hungary (Mahasz)[120] 1 Iceland (Íslenski Listinn Topp 40)[121] 2 Ireland (IRMA)[93] 9 Italy (Musica e dischi)[89] 2 Netherlands ()[122] 3 Netherlands (Single Top 100)[123] 4 New Zealand (Recorded Music NZ)[124] 6 Norway (VG-lista)[125] 9 Scotland (OCC)[126] 3 Spain (AFYVE)[94] 1 Sweden (Sverigetopplistan)[127] 9 Switzerland (Schweizer Hitparade)[128] 4 UK Singles (OCC)[86] 3 US Billboard Hot 100[78] 8 US Adult Contemporary (Billboard)[80] 21 US Adult Top 40 (Billboard)[81] 14 US Dance Club Песни (Billboard) 1 США Горячий танец Синглы продаж 1 US Mainstream Top 40 (Billboard)[130] 7 US Rhythmic (Billboard)[131] 11 Chart (1997) Position Australia (ARIA)[91] 56 Austria (Ö3 Austria Top 40)[132] 19 Belgium (Ultratop 50 Flanders)[133] 36 Belgium (Ultratop 50 Wallonia)[134] 18 Canada Top Singles (RPM)[135] 92 Canada Adult Contemporary (RPM)[136] 34 Europe (Eurochart Hot 100)[137] 8 France (SNEP)[138] 14 Germany (Official German Charts)[139] 22 Iceland (Íslenski Listinn Topp 40)[140] 31 Netherlands (Dutch Top 40)[141] 46 Netherlands (Single Top 100)[142] 80 Romania (Romanian Top 100)[143] 27 Sweden (Sverigetopplistan)[144] 54 Switzerland (Schweizer Hitparade)[145] 22 US Billboard Hot 100[83] 87 US Hot Dance Club Songs (Billboard)[83] 10 Certifications Region Certification Certified units/sales Australia (ARIA) [146] Gold 35,000^ Belgium (BEA)[147] Platinum 50,000* France (SNEP)[148] Gold 250,000* Germany (BVMI)[149] Gold 250,000^ Switzerland (IFPI Switzerland)[150] Gold 25,000^ United Kingdom (BPI)[87] Gold 400,000^ *sales figures based on certification alone^shipments The figures, based on the certification of only Other versions of Don't Cry for Me Argentina was recorded by a number of actors portraying Eva Peron in subsequent productions of Evita, including Elaine Page (1978 Original London Cast Recording), Patti Lupon (1979 Original Broadway Recording Cast) and Elena Roger (2006 London Cast and 2014 Broadway Cast Recordings). Marty Webb, who succeeded Elaine Page in the original London production of Evita, included the song in his 1981 album Won't Change Places, produced by Andrew Lloyd Webber in 1981, and included it in 1995's Music and Songs from Evita. Joe Francis of AllMusic praised the record. The Shadows' 1978 version of Don't Cry for Me Argentina was a top five hit in the UK, The Carpenters recorded a song for their 1977 album, Passage, in conjunction with On the Balcony of the Casa Rosada, which precedes it in the musical's score. That same year, Olivia Newton-John released the song as a single from her tenth studio album Making a Good Thing Better. In 1978, The Shadows recorded an instrumental version that reached number 5 on the UK Singles Chart. Also in 1978, Shirley Bassey recorded a song for her album The Magic Is You. The ' Simon Gage praised the performance, saying that Bassey more than covers the ground with it. She recorded it again in 1993 for her album Sings the Songs of Andrew Lloyd Webber. The singer Tom Jones' interpretation of the song on his 1979 album Rescue Me received negative reviews, with biographer Lucy Ellis describing it as the most ridiculous murder on the LP. American disco band Festival released a version in 1979, a single from a whole disc of cover songs by Evita. Paloma San Basilio performed the song when she starred in the Spanish adaptation musical in 1980. Chae Guevara, who also starred in the musical in 1986, performed the song live several times. Singer Sinead O'Connor recorded Don't Cry for Me Argentina on her album Am I Not Your Girl (1992). Her version received a mixed response, with Joy Press from Spin describing the performance as a melodramatic, sweeping 'Je nee ri regretten'-style apology. O'Connor had a calling. Obsessed with purity and truth, she broke herself somewhere between Christ and the Virgin Mary, as an asexual seer whose suffering was inextricably intertwined with the pain of Ireland and the world. Released as a maxi-single CD, the song reached number 31 in Flanders and 44th in the Netherlands. The short cover of The Mike Flowers Pops reached number 30 on the UK singles charts in 1996. The version was recorded by alternative band Me First and Gimme Gimmes in 1999 for their second studio album Are a Drag. Angus Cargill, author of Hang the DJ: Alternative Book of Music Lists was shocked by the complete revamp of the song as punk rock, saying there is a dark call here as the thought of taking cattle prod to your grandmother. She covers Lloyd Webber's younger brother and cellist Julian on the 2001 album, Lloyd Webber plays Lloyd Webber. Another version was recorded in 2010 by actors Lea Michele and Chris Colfer as characters Rachel Berry and Kurt Hammel respectively. He was sung in a duet with each singer, taking different stanzas and performing in front of another audience in a split scene. Their solo versions were also in Glee: The Music, The Complete Season Two and reached 67th in the UK and 97th in the US. The multinational quartet Il Divo recorded it on the 2011 album and performed it live on tour. The band's voice was considered suitable for musical performances such as Ben Walsh's Don't Cry for Me Argentina by . Nicole Scherzinger performed the song live on Andrew Lloyd Webber's show 40 Musical Years. Louis Virtel of The Backlot praised her vocals, saying that the performance should be seen to believe how crystal clear Scherzinger's vocals soar like a brilliant spear. See also Julie Covington's version of The List of Top 25 Singles for 1977's Australia List of Dutch Top 40 Number 1 Singles 1977 List of Number One Singles 1977 (Ireland) List number one singles in 1977 (New ) List number one single (1977) List of UK Singles Chart number one of the 1970s Madonna version of the List of Top 25 Singles for 1997 in Australia List of European Hits Number One 1997 List of Number One Singles 1997 (France) List number one singles 1997 (Spain) List of dance singles number one 1997 (USA) Notes : Clark 2015, page 53 - Rice 2012, p. 25 c d e f g Reece 2012, p. 23 - b c Rees 2012, p. 22 - b quinan, Joe (September 7, 2007). Origin Don't Cry for me, Argentina. Keeper. Received on October 7, 2014. Mark Rowe (February 23, 2003). They have a real team spirit in Buenos Aires. Independent. Received on October 7, 2014. Roger Ebert (January 3, 1997). Review of Evita's film and the film's summary (1997). RogerEbert.com archive from the original dated September 20, 2016. Received on October 7, 2016. Don't Cry for Me Argentina: Leaf Music. A group of music sales. Received on August 12, 2015. Best Broadway Songs Ever (4 ed.). Leaf Music Plus. Received on August 13, 2015. Company 2012, page 28 and b Reece 2012, page 28 - New releases. Music Week: 43. November 13, 1976. ISSN 0265-1548. Murdoch, Winter (January 22, 1977). MCA in a major promo on Evita. Billboard: 69. ISSN 0006-2510. Received on August 17, 2015. a b Rice 2012, page 27 - Humphries and Bracknell 2013, page 198 and b Julie Covington: A History of the Artist's Chart. The official charts of the company. Received on October 8, 2014. a b British Singles Certificates - Julie Covington - Don't Cry for Me Argentina. British phonographic industry. Received on December 21, 2018. Select singles in the Format box. Choose Gold in the certification area. Enter Don't Cry for Me Argentina at the Search BPI Awards and then click Enter. Evening times. May 3, 1985. page 25. Received on November 9, 2010. a b Sedghi, Ami (November 4, 2012). UK million-dollar singles sales: full list. Keeper. Received on November 4, 2012. a b c Kent 1993, p. 130 and b From the music capitals of the world. Billboard: 73. May 7, 1977. ISSN 0006-2510. Received on August 17, 2015. Knapp 2010, page 348, Jones, Chris (December 13, 1998). Don't cry because of Evita. Chicago Tribune. Received on March 27, 2014. David Lister (May 28, 1994). Pop ballads are bitten by lyrical fashion. Independent. Received on October 7, 2014. Boyce 2005, page 206 - Reeves, Joseph A. (May 19, 1986). Philippine Evita strikes back. Chicago Tribune. Received on March 27, 2014. Wendy Rosenfield (October 27, 2007). Mandy, Patti is a real cozier. customer. Received on August 13, 2015. a b Don't Cry for Me Argentina (UK 7 One Liner Notes). Julie Covington. MCA Records. 1977. 006-98 665.CS1 maint: others (link) - Don't Cry for Me Argentina (UK 7 Double hit single liner notes). Julie Covington. MCA Records. 1981. 102 918.CS1 maint: others (link) - Don't Cry for Me Argentina (UK 7 Gold single liner notes). Julie Covington. MCA Records. 1984. OG 9420.CS1 maint: others (link) - Austriancharts.at - Julie Covington - Don't Cry for Me Argentina (in German). No 3 Austria Top 40. Received on October 8, 2014. Ultratop.be - Julie Covington - Don't cry for me Argentina (in Dutch). Received on 8 October 2014. Offiziellecharts.de Offiziellecharts.de Julie Covington - Don't cry for me Argentina. GfK Entertainment Charts. Received on October 8, 2014. Irish charts - Search results - Don't cry about me Argentina. Irish singles chart. Received on October 8, 2014. Nederlandse Top 40 - Julie Covington (in Dutch). Dutch Top 40. Received on October 8, 2014. Dutchcharts.nl - Julie Covington - Don't cry for me Argentina (in Dutch). Single Top 100. Received on October 8, 2014. Charts.nz - Julie Covington . . . Top 40 singles. Received on October 8, 2014. Norwegiancharts.com - Julie Covington . . . VG list. Received on October 8, 2014. Swedishcharts.com - Julie Covington . . . don't cry for me Argentina. Singles Top 100. Received on October 8, 2014. Swisscharts.com - Julie Covington . . . don't cry for me Argentina. Swiss singles chart. Received on October 8, 2014. Jaaroverzichten 1977. Ultratop and Hung Medien. Received on June 14, 2016. Top 100 single-Jahrescharts 1977 (in German). offiziellecharts.de. Received on September 7, 2018. Jaaroverzichten - Single 1977. GfK . Received on June 14, 2016. Best selling singles of 1977. Recorded music by New zealand. Received on June 14, 2016. Schweizer Jahreshitparade 1977. Hung Medien. Received on June 14, 2016. - Skapping and Hunter 1978, page 216-217 - Michael 2004, page 67 - Taraborrelli 2008, page 260 , Ciccone, Madonna (November 1996). Madonna's diaries. Vanity Fair: 174-188. ISSN 0733-8899. b c d Taylor, Chuck (January 25, 1997). 'Miami Mix' makes people scream at one Madonna Argentina release. Billboard. 109 (04): 100. Received on July 6, 2015. Taraborrelli 2008, page 261 - Taraborrelli 2008, page 262, Larry (October 26, 1996). Radio covers Evita Madonna. Billboard. 108 (43): 91. Received on August 3, 2015. Ruksby 2004, page 79 and b Don't Cry for Me Argentina: Madonna is a digital note. Musicnotes.com. Alfred Publishing. Received on August 5, 2015. Taraborrelli 2008, page 286 - O'Brien 2008, page 307 - Cinquemani, Sal (November 9, 2001). Madonna: GHV2 Musical Review. It's a magazine. Received on August 3, 2015. Gritten, David (May 4, 1996). It will surprise a lot of people. Los Angeles Times. Received on August 3, 2015. Hatza, George (July 19, 1996). Madonna's 'Evita' has a kind of hit. Reading Eagle: 43. Received on August 3, 2015. J.D. Considine (November 12, 1996). The 'Evita' soundtrack is not a showtopper review. The Baltimore Sun. received on August 3, 2015. Maslin, Janet (December 25, 1996). Film review - Evita (1996). The New York Times. Received on August 3, 2015. Peter Travers (January 10, 1997). Evita review. Rolling Stone. Archive from the original on September 19, 2011. Received on August 3, 2015. Keo, Peter (January 2, 1997). Evita with batons, but seduces. Boston Phoenix. Media/Communications Group. Архив Архив March 4, 2016. Received on January 13, 2016. Morago, Greg (November 14, 1996). Album Review - Soundtrack to the film - Evita. Hartford Courant. Received on January 3, 2016. Cat, Greg (November 10, 1996). Don't cry about Madonna. Chicago Tribune. Received on August 6, 2019. Matthew Jacobs (March 10, 2015). Madonna's final singles rating. The Huffington Post. August 3, 2015. Saleski, Annie (March 9, 2015). Express yourself: What is Madonna's Greatest Era? SPIN employees dissect three decades of one woman's pop star. Back. Received on August 14, 2015. Jose F. Promis (January 8, 1997). Madonna doesn't cry for me Argentina. AllMusic. Received on August 14, 2015. Unterberger, Andrew (June 29, 2017). 100 Greatest Pop Songs of 1997: A Sample of Critics. Billboard. Received on October 21, 2017. Madonna's 100 Greatest Songs: A Choice of Critics. Billboard. August 15, 2018. Received on November 25, 2018. LeBo, Richard (August 16, 2018). Ranking all 57 Madonna Billboard Hits in honor of her 60th birthday. Tolerant. Received on June 2, 2019. Rogers, Jude (August 16, 2018). Each of Madonna's 78 singles is rated!. Keeper. Received on August 26, 2018. Chuck Arnold (August 15, 2018). Madonna's 60 best singles, ranking. Entertainment Weekly. Received on September 28, 2018. Alex Needham (September 12, 2005). Madonna : GHV2. Nme. Received on August 15, 2015. Christgau, Robert (2001). Customer feedback. Robert Christgau. Archive from the original on June 6, 2011. Received on March 4, 2016. The Billboard Hot 100: The Week of February 22, 1997. Billboard. Received on August 3, 2015. a b History chart of Madonna (Hot 100). Billboard. Received on June 12, 2015. b Billboard Communications (February 8, 1997). Hits of the world: Eurochart Hot 100. Billboard. 109 (6): 41. ISSN 0006-2510. Received on August 4, 2015. a b History chart of Madonna (Adult Contemporary). Billboard. Received on June 12, 2015. b Madonna Chart History (Adult Pop Songs). Billboard. Received on June 12, 2015. a b History chart madonna (Songs of the Dance Club). Billboard. Received on June 12, 2015. a b c Year in music. Billboard: YE-11, 34. December 27, 1997. ISSN 0006-2510. Received on August 13, 2015. Top RPM Singles: Release 7850. About/min. Library and Archives of Canada. Received on August 4, 2015. a b Top RPM Singles: Issue 3176. About/min. Library and Archives of Canada. Received on June 12, 2015. a b Madonna: The History of the Artist's Chart. The official charts of the company. Received on June 12, 2015. a b British single certificates - Madonna - Don't cry about me Argentina. British phonographic industry. Received on October 28, 2014. Select singles in the Format box. Choose Gold in the certification area. Type Don't Cry for Me in the Search FOR the BPI Awards area, and then click Enter. MTV News. Archive from out October 10, 2010. b Best National Sellers (PDF). Music and media. Volume 14 No 6. February 8, 1997. page 21. Received on November 27, 2019. a b c Australian-charts.com - Madonna - Don't cry for me Argentina. ARIA Top 50 singles. Received on June 12, 2015. a b ARIA Charts - End Of Year Charts - Top 100 Singles 1997. Aria. Archive from the original september 12, 2009. Received on August 4, 2015. a b Lescharts.com - Madonna - Don't cry for me Argentina (in French). Les classement single. Received on June 12, 2015. a b Irish charts - Search results - Don't cry for me Argentina. Irish singles chart. Received on June 12, 2015. a b Salaverri 2005, page 510 and Morton 2002, page 408 and Cocaro, Gabriel Martin. Madonna in Argentina: her two visits. Rolling Stone (in Spanish). Archive from the original on September 7, 2015. Received on August 3, 2015. Chansanchai, Amima (August 26, 2001). This fan gets to the bottom of the drowned World Tour appeal. The Baltimore Sun. received on August 3, 2015. Trust, Gary (October 9, 2001). Madonna 'Drowned' Comes to The Home Video. Billboard. Received on August 3, 2015. - Hasty, Katie (October 29, 2009). Preview: Madonna Sticky and Sweet: Live from The Buenos Aires Concert Film. HitFix. Received on August 3, 2015. Gill, Andy (March 26, 2010). Album: Madonna, Sticky and Sweet Tour (Warner Bros). Independent. Received on August 3, 2015. Madonna delayed her show in Argentina due to fever (in Spanish). Rpp. December 14, 2012. Received on August 3, 2015. Michael Hamersley (January 24, 2016). Review: Madonna brings a hearty, personal touch with her concert in Miami. The Miami Herald. Archive from the original on March 6, 2016. Received on January 24, 2016. Kelly, Seth. Madonna Tverks, Vogues and talks kissing Michael Jackson at Full Carpool Karaoke (Watch). Different. PenzaNce Media Corporation. Received on January 20, 2019. Don't cry for me Argentina (UK CD one liner notes). Madonna. Warner Bros. Records. 1997. W0384CD. CS1 maint: others (link) - Don't Cry for Me Argentina (UK The Dance Mixes CD single). Madonna. Warner Bros. Records. 1997. W 0384LC, 5439 17423 7.CS1 maint: others (link) - Don't Cry for Me Argentina (Australia CD single with folding poster liner notes). Madonna. Warner Bros. Records. 1997. 9362438302.CS1 maint: others (link) - Don't Cry for Me Argentina (Germany 12 One Liner Notes). Madonna. Warner Bros. Records. 1997. 9362 43830-0.CS1 maint: others (link) - Don't Cry for Me Argentina (US 12 One Liner Notes). Madonna. Warner Bros. Records. 1997. 9 43809-2.CS1 maint: others (link) - Don't Cry for Me Argentina (US CD maxi single liner notes). Madonna. Warner Bros. 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Swiss singles chart. Received on June 12, 2015. The history of the Madonna chart (Sales of dance singles). Billboard. Received on May 27, 2020. Madonna Chart History (Pop Songs). Billboard. Received on June 12, 2015. The story of Madonna's chart (rhythmic). Billboard. Received on June 12, 2015. Jahreshitparade Singles 1997. austriancharts.at. received on March 4, 2020. Jaaroverzichten 1997 (in Dutch). Ultratope. Archive from the original on June 26, 2009. Received on December 30, 2011. Rapports Annuels 1997 (in French). Ultratope. Archive from the original on June 26, 2009. Received on December 30, 2011. RPM '97 Year End Top 100 Hit Tracks. About/min. Library and Archives of Canada. Received on February 16, 2020. RPM Top 100 Adult Modern Tracks 1997. About/min. Library and Archives of Canada. Received on June 11, 2018. 1997 Year-end Sales Chart: Eurochart Hot 100 Singles (PDF). Music and media. Received on December 21, 2019. Classement Singles - anne 1997 (in French). Archive of March 7, 2012. Received on December 30, 2011. Top 100 single-Jahrescharts (in German). GfK Entertainment. Received on July 15, 2015. ^ ^ 1997 - Aslenski Listinn - 100 Vincento Lyugin. Dagblyach Wasir (in Icelandic). January 2, 1998. page 25. Received on February 16, 2020. Jaarlisten - Singles 1997 (in Dutch). Dutch Top 40. Received on December 30, 2011. Jaaroverzichten - Singles 1997 (in Dutch). Received on December 30, 2011. Romanian Top 100 singles Airplay - Top of the Year 1997 (in Romanian). Romanian Top 100. Archive from the original on January 22, 2005. Received on May 4, 2020. Erslista Singler, 1997 (in Swedish). Sverigetopplistan. Received on May 4, 2020. Swiss year-end chart 1997 (in German). Schweizer Hitparad. Received on December 30, 2011. ARIA Charts - Accreditation - 1997 Singles. Australian Recording Industry Association. Archive from the original on August 10, 2020. Received on October 28, 2014. Ultratop - Goud en Platinum - singles 1997. Ultratope. Hung Medien. Received on May 22, 2019. French single certificates - Madonna - Don't cry for me Argentina (in French). Syndicate National de l'Decia Phonographic. Received on October 28, 2014. Gold/Platinum-Dtenbank (Madonna; 'Don't cry for me Argentina' (in German). Bundeswerband Musikininindustry. Received on October 28, 2014. Official Swiss Charts and Music Community: Awards (Madonna; 'Don't cry for me Argentina.' IFPI Switzerland. Hung Medien. Received on October 28, 2014. Frances, Joe. Music and songs from Evita zgt; Marty Webb. AllMusic. Received on August 21, 2015. Passage of the Review. AllMusic. Received on August 21, 2015. Competitive crunch in a softer sound market. Billboard: 8. 17 December 1977. ISSN 0006-2510. Received on August 21, 2015. UK official schedule: Shadows. The official charts of the company. Received on January 27, 2019. Gage, Simon. Album review: Shirley Bassey - Magic Is You / Thoughts of Love (BGO). Daily Express. Received on August 21, 2015. 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Received August 27 Ben Walsh (April 18, 2012). Il Divo, Royal Albert Hall, London. Independent. Received on August 21, 2015. Virtel, Louis (April 2, 2013). Look: Nicole Scherzinger owns Don't Cry For Me Argentina. AfterEllen.com and TheBacklot.com. Received on August 21, 2015. Links boyce, D. George (2005). Falklands War. Palgrave Macmillan. ISBN 9780230801981.CS1 maint: ref'harv (link) Cargill, Angus (2014). Hang DJ: An alternative book of music lists. Faber and Faber. ISBN 9780571307173.CS1 maint: ref'harv (link) Clark, Mark Ross (2015). Broadway song: Singer's guide. Oxford University Press. ISBN 978-0-19-935167-1.CS1 maint: ref'harv (link) Clark, Donald (1998). Penguin Encyclopedia of Popular Music. Penguin Books. ISBN 978-0140513707.CS1 maint: ref'harv (link) Company, Official Graphics (2012). A million sellers. A group of music sales. ISBN 9780857128829.CS1 maint: ref'harv (link) Ellis, Lucy (2009). Tom Jones close-up. Omnibus Press. ISBN 9780857121073.CS1 maint: ref'harv (link) Humphreys, Patrick; Bracknell, Steve (2013). The pinnacle of the 50th anniversary of Pops. McNedder and Grace Limited. ISBN 9780857160638.CS1 maint: ref'harv (link) Knapp, Raymond (2010). American musical and performance of personal identity. Princeton University Press. ISBN 9781400832682.CS1 maint: ref'harv (link) Kent, David (1993). Australian Chart Book 1970-1992. Australian chart book. ISBN 978-0-64611-917-5.CS1 maint: ref'harv (link) Michael, Mick St. (2004). Madonna 'Speak': Madonna in her own words. Omnibus Press. ISBN 1844494187.CS1 maint: ref'harv (link) Morton, Andrew (2002). Madonna. Macmillan Publishers. ISBN 0-312-98310-7.CS1 maint: ref'harv (link) O'Brien, Lucy (2008). Madonna: As an icon. Bantam Press. ISBN 9780552153614.CS1 maint: ref'harv (link) Rice, Tim (2012). Oh, what a circus. Hachette UK. ISBN 978144762174.CS1 maint: ref'harv (link) Ruksby, Ricky (2004). A complete guide to Madonna's music. Omnibus Press. ISBN 0-7119-9883-3.CS1 maint: ref'harv (link) Salaverri, Fernando (2005). Salo Oxitos: Agno Agno, 1959-2002. Foundation Author-SGAE. ISBN 84-8048-639-2.CS1 maint: ref'harv (link) Skapping, Peter; Hunter, Nigel (1978). 1978 BOOK of the Year BYI. British phonographic industry. ISBN 0-906154-01-4.CS1 maint: ref'harv (link) Taraborrelli, Randy J. Madonna: Intimate biography. Simon Schuster. ISBN 9780330454469.CS1 maint: ref'harv (link) External links Don't cry for me Argentina (Madonna music video) on YouTube Don't Cry for Me Argentina (Glee (Rachel Kurt Full Duet) on YouTube Don't Cry for Me Argentina (Il Divo (AOL Sessions) on YouTube Julie Covington Don't Cry For Me evita don't cry for me argentina lyrics. evita don't cry for me argentina original. evita don't cry for me argentina meaning. evita don't cry for me argentina . evita don't cry for me argentina broadway. evita don't cry for me argentina karaoke. evita don't cry for me argentina . evita don't cry for me argentina youtube

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