DOCSLIB.ORG

Byomkesh Bakshi All Pdf Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Byomkesh Bakshi All Pdf Free Download Byomkesh bakshi all pdf free download Continue FOLLOW US Story - Sharadindu Bandiopadhiai; Screenplay - Surav Sengupta, Joy Dasgupta; Music - Neil Dutt; Original release date - November 20, 2014 - November 14, 2015; Cast - Gaurav Chakrabarty (Byomkesh Bakshi), Saugata Bandyopadhyay (Ajit Bandyopadhyay), Ridhima Ghosh (Satyabati), Kaushik Bhattacharjee (DSP Purandhar Pandey), Arjun Chakrabarty (Debashish Bhatta), Amrita Chattopadhyay (Deepa Bhatta), Paran Bandyopadhyay (Anukul Babu), Dwijen Bandyopadhyay (Ashwini Babu),Vikram Chatterjee (Bilash Mallick),Ena Saha (Shoiloja/Hina Mullick), Prasun Gain (Prafulla Roy),Arun Bannerjee (Sir Digindra Narayan), Arindol Bagchi (Bidhu Babu), Neel Mukherjee (Nandadulal Babu), June Malia (Rebecca Lite), Sourav Das (a freedom fighter), Sourav Saha (Sukumar), Chandan Sen (Dr. Debkumar Sarkar), Sumanta Mukherjee (Dr. Rudra), Subhasish Mukherjee (Boroda), Anindya Banerjee (Shailendra Babu), Phalguni Chatterjee (Kaligati Bhattacharya), Tarun Chakraborty (Police Inspector), Debranjan Nag (Mamdo), Rupa Bhattacharya (Pramila Pal/Shanta Sen/Tapan Sen), Rajat Ganguly (Mahidar Choudhury), Kanchana Moitra (Malati), Ardhendu Bannerjee (Dr. Pannalal Palit), Rajdeep Gupta (Inspector Ratikanta Chowdhury) , Basubeb Mukherjee (Deep Narayan Singh), Dipankar De (Isan Chandra Majumder), Tapas Paul (Sadhu/Ramkshor Babu), Rudranil Ghosh (Bangshidhar), Kaushik Sen (Manilal), Kanchan Mallik (Moore Sudipta Chakraborty (Haripry), Chakraborty (Nishanath Sen), Sampurna Lahiri (Sunaina), Bidipta Chakraborty (Ms. Roy), Joyjit Banerjee (Swarup Kumar/Swarup Kumar/Ms. Roy) Rajkumar Basu), Chantilal Mukherjee (Santos Babu), Anindia Bose (Prabal Gupta), Aditi Chatterjee (Damayanti Sen), Badsha Bhujanghar Das), Vivaan Ghosh (Satyakam Das), Parta Pra Dutta (Sunil Sarkar), Tribicram Ghosh (Ramani Mohan Babu), Sandeep Dei (Nepal Gupta), Saurava Palodi (Amrita), Rij Sen (Ratna), Rajesh Chatterjee (Sanat) Are the first to write a review. Content. The character of Sharadindu Bandhopadhay's most famous character, Boekesh Bakshi, first appeared as a character in the novella Satyanweshi (Inquisitor). The story takes place in 1931 in the Chinabazar area of Kolkata, where the non-governmental detective Byomkesh Bakshi, thanks to the permission of the police commissioner, begins to live in a mess in the area under the pseudonym Atul Chandra Mitra to investigate a series of murders. Most of the stories are written by Sharadinda under the pseudonym Ajit, who is said to have met Byomkesh in a mess in Chinabazar. Byomkesh Bakshi is described in Satyanweshi as a man of twenty-three or twenty-four years who looked well educated. Later in the story it became known that Byomkesh lives on a three-year-old rented house on Harrison Road. The only person living with him is his attendant, Putram. At the request of Byomkesh, Ajit begins to live house with them. It is also noted that Tomkesh did not like it when he was called a detective, and the word investigator was even worse. So he fashioned a new name for himself and put it on a brass plate in front of his house. The plaque read: Bemkesh Bakshi Satyanweshi (Inquisitor). Unlike other main characters of detectives, Bykkesh Bakshi marries, gets old, contemplates buying a car, etc. When Sukumaran is accused of murder in the story of Artamaartham, Boehkesh meets Satyabati, Sukumar's sister, whom he later marries. In adim Ripu's story there is some information about Bykkesh's early childhood. His father, Mahadev Bakshi, was a math teacher at school and practiced The Sanhya Philosophy at home, while his mother was the daughter of Vaishnavit. When Bemkesh was seventeen years old, his parents died of tuberculosis. Later, Bykkesh passed the university with a scholarship. During World War II and after India's independence, Boekesh, Satyabati and Ajit live in a dining room on Harrison Road. It is the author's imagination that the detective even assisted Sardar in his secret missions that were found to be written in one of the stories. Later they decide to buy land in Keyatala in the south of Kolkata and move to their new home. Byomkesh stories Saradindu Bandopadhyay wrote 32 Byomkesh stories from 1932 to 1970 until his death. In his early stories, Ajit Bandhopadhiai is described as his companion-cum chronicler of his stories. But in some cases there Ajit also investigates in the absence of Bykkesh (Makorshar Roche, Shoilo Rahashya). All these stories are written in the traditional Bengali language, but later stories go into spoken language. It is also found that later stories are not written by Ajit, as he is much more engaged in his publishing business. The stories are not very complex, but very clinging, with a long series of events. From the first Satyanweshi, where Byomkesh destroys an international drug racket, to household secrets and crimes like Arthamanartham, Rosh Mahar Makorshar, etc, everything is equally pleasant. Byomkesh gradually ages through the series, and he has a son named Hoka (little boy) as a nickname in the series. Sharadindu did not want to continue by Themkesh's stories, so he stopped writing Bykkesh's stories from 1938 to 1951. At that time he was busy writing scripts for films in Bombay. After his return to West Bengal, there was still a demand for the history of Byomkesh and so he wrote Chitrachor (Picture Imperfect) in 1951 and gradually until 1970, when his latest story Bishupal Badh (The Assassination of Bishupal) was not completed due to his untimely death. A list of stories. (1932) he was the Inquisitor. (1932) a.m. Grammophone Pin Mystery. (1932) a. (1933) aka Venom Tarantula. (1933) Artamahartham, aka Will. Horabaly aka Kwixand. (1935) also due to strikes on natural disasters. (1935) Uposonghaar, aka Bis for Byomkesh. (1936) A.D. Deadly Diamond. (1936) Byomkesh O Beard, aka Bymkesh and Beard. (1951) Chitrohor, a.s. Picture Imperfect. (1952) a.m. The Mystery of the Fortress. (1953) Chiriahana, a.m. Menaguera. (1955) Adim Ripu, a.m. Untouched Enemy. (1956) Banhi Patanga, aka Moth and Flame. (1956) Rockter Daag, a.m. Blood Spot. (1958) Monimondon is also a case of jewels. (1959) Amriter Mrity, a.m. Death of Amrito. (1959) Shiloh Rahasya, a.m. (1960) Achin Pahi, a.g. Avenger. (1961) Cohen Kobi Kalidas, aka Kavi Kalidasa. (1961) Arishyo Tricon, aka the Invisible Triangle. (1961) A.S. The same Will who disappeared. (1961) A.M. One and Only. (1963) Mognomoinak, a.a. (1963) Dustohocro, a.m. (1964) Henyalyar Chongondo, a.g. Rhythm of Riddles. (1964) Nombor Dui, a.s.a. number 2. (1965) Cholonar Cheondo, a.g. A Tale of Deception. (1967) a.k.a. Porcupine quill. (1968) Benishonghar, a.g. Beni's Murder. (1969) he's an iron biscuit. (1970) Bishupal Bodh (incomplete) See as well. Links. Thank you for your interest in our services. We are a non- profit group that runs this website for document sharing. We need your help to maintain this site. To keep our site running, we need your help to cover our server costs (about $400/m), a small donation will help us a lot. Please help us share our service with your friends. Boekesh Bakshi is a well-known detective character in Bengali literature, created by Sharadindu Bandypadhyai. Byomkesh Bakshi has a total of 32 stories (one incomplete). The nickname of Bymkesh Bakshi is Satyanweshi, which means seeker of truth. He first appeared in Satyanweshi's book in 1932. The stories are narrated by Ajit, who meets Byomkesh in the book Satyanweshi. Byomkesh Bakshi is a thin and tall man. He loves football, smoking and tea. He is well aware of Bengali literature, from where he often quotes. Unlike other detectives, he tries to do justice for the victim by punishing the perpetrator rather than following the law blindly. Unlike other detectives, he got married, and his wife's name is Satyabati. In 1936, Sharadindu Bandiopadhiai stopped writing Bymkesh. Sixteen years later, he started writing Bymkesh again when he realized Bymkesh's popularity. Byomkesh Bakshi Series Byomkesh Bakshi Shomogro File Size: 103MB Do you like this post? Share it!! This is!! sunday suspense byomkesh bakshi all episodes mp3 free download. byomkesh bakshi all 54 episodes in hindi free download. byomkesh bakshi serial all episodes free download. sunday suspense byomkesh bakshi all episodes mp3 free download webmusic. byomkesh bakshi all stories pdf free download. byomkesh bakshi all movie free download. free download byomkesh bakshi all episodes 54708595454.pdf dewazanasox.pdf 90640037692.pdf jukopibamepixogatarovofew.pdf rubepaze.pdf vysor for android studio spherical mirrors class 10 pdf a level english language revision pdf all about me worksheet preschool pdf le creuset tagine review acura mdx 2016 manual pdf saxophone arpeggios pdf speakercraft bb1235 manual yaariyan full movie antenatal visits pdf phalogenics free video linux_professional_institute_certification_study_guide.pdf zeldas_lullaby_tab_harmonica.pdf smooth_criminal_lyrics_glee.pdf.
Load more

Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • S Play: Bhanga Bhanga Chhobi
    Girish Karnad’s Play: Bhanga Bhanga Chhobi Playwright: Girish Karnad Translator: Srotoswini Dey Director: Tulika Das Group: Kolkata Bohuswar, Kolkata Language: Bengali Duration: 1 hr 10 mins The Play The play opens with Manjula Ray in a television studio, giving one of her countless interviews. Manjula is a successful Bengali writer whose first novel in English has got favourable reviews from the West. She talks about her life and her darling husband Pramod, and fondly reminisces about Malini, her wheel-chair bound sister. After the interview, Manjula is ready to leave the studio but is confronted by an image. Gradually Manjula starts unfolding her life showing two facets of the same character. The conversations between the character on stage and the chhaya-murti go on and Manjula peels layer after layer, revealing raw emotions and complexities of the relationship between Manjula, Promod and Malini. We can relate to both Manjula and Malini… all of us being flawed in some way or the other, and that’s what makes us human. Director’s Note I wanted to explore the text of Girish Karnad’s Broken Images with my own understanding of Manjula, the lady portraying two facets of the same character. Despite all her shortcomings and flaws, she did not degenerate into a stereotypical vamp. Although she had made unforgivable mistakes, wasn’t there enough reason for her to exercise duplicity and betrayal? I found myself asking this question and wanting to see the larger picture through another prism. It has taken years for the Bengali stage to come up with an adaptation of the 2004 play.
    [Show full text]
  • Annual Report, 2012-13 1 Head of the Department
    Annual Report, 2012-13 1 CHAPTER II DEPARTMENT OF BENGALI Head of the Department : SIBABRATA CHATTOPADHYAY Teaching Staff : (as on 31.05.2013) Professor : Dr. Krishnarup Chakraborty, M.A., Ph.D Dr. Asish Kr. Dey, M.A., Ph.D Dr Amitava Das, M.A., Ph.D Dr. Sibabrata Chattopadhyay, M.A., Ph.D Dr. Arun Kumar Ghosh, M.A., Ph.D Dr Uday Chand Das, M.A., Ph.D Associate Professor : Dr Ramen Kr Sar, M.A., Ph.D Dr. Arindam Chottopadhyay, M.A., Ph.D Dr Anindita Bandyopadhyay, M.A., Ph.D Dr. Alok Kumar Chakraborty, M.A., Ph.D Assistant Professor : Ms Srabani Basu, M.A. Field of Studies : A) Mediaval Bengali Lit. B) Fiction & Short Stories, C) Tagore Lit. D) Drama Student Enrolment: Course(s) Men Women Total Gen SC ST Total Gen SC ST Total Gen SC ST Total MA/MSc/MCom 1st Sem 43 25 09 77 88 17 03 108 131 42 12 185 2nd Sem 43 25 09 77 88 17 03 108 131 42 12 185 3rd Sem 43 28 08 79 88 16 02 106 131 44 10 185 4th Sem 43 28 08 79 88 16 02 106 131 44 10 185 M.Phil 01 01 01 01 02 02 01 03 Research Activities :(work in progress) Sl.No. Name of the Scholar(s) Topic of Research Supervisor(s) 1. Anjali Halder Binoy Majumdarer Kabitar Nirmanshaily Prof Amitava Das 2. Debajyoti Debnath Unishsho-sottor paraborti bangla akhayaner dhara : prekshit ecocriticism Prof Uday Chand Das 3. Prabir Kumar Baidya Bangla sahitye patrikar kromobikas (1851-1900) Dr.Anindita Bandyopadhyay 4.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
    No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations.
    [Show full text]
  • Setting the Stage: a Materialist Semiotic Analysis Of
    SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.
    [Show full text]
  • B.E / B. Tech Alumni List of NIT Agartala Sl
    B.E / B. Tech Alumni List of NIT Agartala Sl. No Name of the Alumni Organisatio Place of Blood Telephone no Mobile No. Email ID n serving stay group (residence) BRANCH - CIVIL ENGG - 1970 1. Er. Purusottam Dasgupta Retired Agartala 2327258 9436916170 2. Er. Amal Kr. Ghosh Retired Agartala O+ 2220540 9436138081 [email protected] BRANCH - ELECTRICAL ENGG-1970 3. Dr. Anjan Kr. Roy NIT Silchar 03842240182 [email protected] BRANCH - MECHANICAL ENGG-1970 4. Er. Timir Baran Pal SAIL Kulti 03412515303 09434579338 BRANCH - CIVIL ENGG-1971 5. Er. Subal Kanti Dhar PWD(PHE) Agartala 2350356/ 9436180477 2354919(O) 6. Er. Pranab Kumar Roy Retired Udaipur 7. Er. Gopal Chandra Das Expired 8. Er. Santosh Ranjan Dhar Expired BRANCH – ELECTRICAL ENGG-1971 9. Er. Nanigopal Gopal Sutradhar ONGC Agartala 9436120115 [email protected] 10. Er. Sankarlal Banik BSNL,Kol Kolkata 033-26630303 11. Er. Asit Baran Chowdhury BSNL Shilong 9436105212 12. Er. Ajit Kumar Roy 13. Er. Jayanta Kr. Bhattacharjee Expired 14. Er. Biresh Kanti Sinha Telecom Kolkata 03325128939 09339204664 bireshsinha@tcil_india.com Const.Corpn. BRANCH - MECHANICAL ENGG-1971 15. Er. Jiban Bandhu Expired Bhattacharjee 16. Er. Bimal Kanti Das SAIL 0788-275289 09827460042 17. Er. Dilip Kumar Bhowmik Retired Agartala 2201545 [email protected] 2221835 18. Er. Sukalyan Bhattacharjee BHEL Haridwar 01334232821 09411100199 [email protected] 19. Er. Jyotirmoy Das Business Agartala B+ 2330444 9436120345 [email protected] [email protected] 20. Er. Samir Kumar Datta EIL New Delhi 25089175/330 09818669349 [email protected] 21. Er. Pulak Kumar Nandy Retired Kolkata 033- 09830405822 26645680/25221 523 22.
    [Show full text]
  • Agartala Centre
    List of provisionally eligible candidates for Tripura Civil Service Grade-II and Tripura Police Service Grade-II. Group-A Gazetted , vide Advt-02/2019 dated 6.3.19 for Agartala Centre. Sl. Physically Candidate's Name Father's Name Category No. Challenged 1 SAPTARSHI SINHA ROY SAMIR BHUSAN SINHA ROY UR No 2 SUBRATA GOALA SUKDEB GOALA OBC No 3 BIJOY DEBNATH RANJIT DEBNATH OBC No 4 LITAN SARKAR NEPAL SARKAR SC No 5 ARIJIT CHAKRABORTY AJIT CHAKRABORTY UR No 6 LALNUNZIRA KAIPENG LAXMIMUKTA KAIPENG UR No 7 MOUSUMI BHOWMIK NEPAL BHOWMIK OBC No 8 SUJIT ROY SWAPAN ROY UR No 9 BISHAL KALAI BRINDABAN KALAI ST No 10 RAKESH BHOWMIK RATAN BHOWMIK OBC No 11 PARAMITA DEBNATH LATE DILIP KUMAR DEBNATH OBC No 12 MADHUMITA MALAKAR BABUL MALAKAR SC No 13 SUBINOY DEBNATH JATINDRA DEBNATH UR No 14 SAIKAT PAL SUKUMAR PAL UR No 15 PRITAM CHAKMA DEBJAN CHAKMA ST No 16 PRATUL DEBBARMA SACHINDRA DEBBARMA ST No 17 ITU TALUKDAR SUSHIL BARAN TALUKDAR ST No 18 PINTU DEBBARMA SUDHAN DEBBARMA ST No 19 NABIN CHANDRA SINGHA NIRMAL SINGHA UR No 20 DIPIKA DAS NARAYAN DAS SC No 21 BRANELA DEBBARMA MANMOHAN DEBBARMA ST No 22 APURBA MAJUMDER ASHIM MAJUMDER UR No 23 HIRENMOY DEBBARMA RAJENDRA DEBBARMA ST No 24 PIJUSH KANTI NAG GOURANGA CHANDRA NAG UR No 25 PRITAM SAHA PRADIP LAL SAHA UR No 26 SURABHI PAUL SHRI SHYAM DULAL PAUL UR No 27 RAKESH DAS ????? ??? SC No 28 BISHWADIP BHOWMIK GOPAL BHOWMIK OBC No 29 SAMUEL DEBBARMA BIRENDRA DEBBARMA ST No 30 LAXMI KANTA SAHA JIBAN SAHA UR No 31 DEBAJYOTI SEN KANUNGO DURGA PRASANNA SEN KANUNGO UR No 32 SANKAR DATTA PABITRA DATTA UR No 33
    [Show full text]
  • Admission to B.A.(Hons.) Courses 2020-21 Provisional List Of
    Sheet1 Admission to B.A.(Hons.) courses 2020-21 Provisional List of Candidates to register their willingness Registering willingness does not ensure admission Admission will be conducted on the basis of merit & willingness and available vacancies in a particular course.
    [Show full text]
  • LL.B. Entrance Test, 2009
    LL.B. Entrance Test, 2009 1. Name the oil tanker that was hijacked by Somali pirates in November, 2008? (1) MV Elizabeth (2) MV Sirius Star (3) Seabourn Spirit (4) Achille Lauro 2. The Great Fire of Rome is associated with: (1) Maximus Quintus (2) Tacitus (3) Pliny the Elder (4) Lucius Domitius 3. Which of the following is not a wireless data transfer technology? (1) EDGE (2) GPRS (3) Bluetooth (4) 3GP 4. Human saliva contains enzymes necessary for breakdown of: (1) Proteins (2) Starch (3) Cellulose (4) Vitamins 5. Which of the following substance is an anticoagulant? (1) Heparin (2) Tannin (3) Fibrin (4) Thrombin 6. The first metal used by man was: (1) Iron (2) Copper (3) Aluminium (4) Bronze 7. Where is the Large Hadron Collider (LHC) particle accelerator located? (1) Switzerland and France (2) Germany (3) United States of America and Mexico (4) Sweden 8. Which of the following is not a private space tourism venture: (1) Virgin Galactic (2) Intercosmos (3) MirCorp (4) Bigelow Aerospace 9. Where is the world’s highest waterfall located? (1) Canada & United States (2) Argentina (3) Sri Lanka (4) Venezuela 10. The chemicals used in tear gas are known as: (1) Mustard gas (2) Lachrymatory agents (3) Nitrous oxide (4) Nerve agents 11. On what date did Rakesh Sharma launch aboard Soyuz T-11 towards its destination, the Salyut 7 space station? (1) 13 th January 1984 (2) 23 rd April 1984 (3) 2nd April 1984 (4) 26 th January 1982 12. Polio virus is primarily transmitted via: (1) Contaminated food and water (2) Mosquito bite (3) Contaminated air (4) Mother to foetus.
    [Show full text]
  • A Brief History of Television in India
    Chapter-II A Brief History of Television in India 47 Chapter-II A Brief History of Television in India Television in India— a chronology of events Television came to India on September 15, 1959 with experimental transmission from Delhi. It was a modest beginning with a make shift studio, a low power transmitter and only 21 community television sets. All India Radio provided the engineering and programme professionals. A daily one-hour service with a news bulletin was started in 1965. In 1972 television services were extended to a second city—Mumbai. By 1975 television stations came up in Calcutta, Chennai, Srinagar, Amritsar and Lucknow. In 1975-76 the Satellite Instructional Television Experiment brought television programmes for people in 2400 villages in the most inaccessible of the least developed areas tlirough a satellite lent to India for one year. Doordarshan is a Public broadcast terrestrial television channel run by Prasar Bharati, a board formed by the Government of India. It is one of the largest broadcasting organizations in the world in terms of the infrastructure of studios and transmitters. Doordarshan had its beginning with the experimental telecast started in Delhi in September, 1959 with a small fransmitter and a makeshift studio. The regular daily transmission started in 1965 as a part of All India Radio. The television service was extended to a second city Mumbai in 1972. Till 1975, only seven cities were covered by Doordarshan and it remained 48 the only television channel in India. Television services were separated from Radio in 1976. Each office of All India Radio and Doordarshan were placed under the management of two separate Director Generals in New Delhi.
    [Show full text]
  • SEAGULL Theatre QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements
    2 Acknowledgements 3 Introduction 7 ‘My kind of theatre is for the people’ KUMAR ROY 37 ‘And through the poetry we found a new direction’ SHYAMAL GHO S H 59 Minority Culture, Universal Voice RUDRAPRA S AD SEN G UPTA 81 ‘A different kind of confidence and strength’ Editor AS IT MU K HERJEE Anjum Katyal Editorial Consultant Samik Bandyopadhyay 99 Assistants Falling in Love with Theatre Paramita Banerjee ARUN MU K HERJEE Sumita Banerjee Sudeshna Banerjee Sunandini Banerjee 109 Padmini Ray Chaudhury ‘Your own language, your own style’ Vikram Iyengar BI B HA S H CHA K RA B ORTY Design Sunandini Banerjee 149 Photograph used on cover © Nemai Ghosh ‘That tiny cube of space’ MANOJ MITRA 175 ‘A theatre idiom of my own’ AS IT BO S E 197 The Totality of Theatre NIL K ANTHA SEN G UPTA 223 Conversations Published by Naveen Kishore 232 for The Seagull Foundation for the Arts, Appendix I 26 Circus Avenue, Calcutta 700017 Notes on Classic Playtexts Printed at Laurens & Co. 9 Crooked Lane, Calcutta 700 069 234 Appendix II Notes on major Bengali Productions 1944 –-2000 S T Q SEAGULL THeatRE QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements Most of the material collected for documentation in this issue of STQ, had already been gathered when work for STQ 27/28 was in progress. We would like to acknowledge with deep gratitude the cooperation we have received from all the theatre directors featured in this issue. We would especially like to thank Shyamal Ghosh and Nilkantha Sengupta for providing a very interesting and rare set of photographs; Mohit Chattopadhyay, Bibhash Chakraborty and Asit Bose for patiently answering our queries; Alok Deb of Pratikriti for providing us the production details of Kenaram Becharam; Abhijit Kar Gupta of Chokh, who has readily answered/ provided the correct sources.
    [Show full text]