DOCSLIB.ORG

Quincy Jones Gula Matari Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Quincy Jones Gula Matari Mp3, Flac, Wma Quincy Jones Gula Matari mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Gula Matari Country: US Released: 1970 Style: Soul-Jazz MP3 version RAR size: 1762 mb FLAC version RAR size: 1553 mb WMA version RAR size: 1451 mb Rating: 4.7 Votes: 923 Other Formats: APE MOD MPC MP3 MP3 MP4 MP1 Tracklist Hide Credits Bridge Over Troubled Water A1 6:10 Written-By – Simon - Garfunkel* Gula Matari A2 13:05 Written-By – Quincy Jones Walkin' B1 7:55 Written-By – Richard Carpenter Hummin' B2 8:05 Written-By – Nat Adderley Companies, etc. Printed By – Team-Trykk A.S. Printed By – MacNeill Press Ltd. Made By – MacNeill Press Ltd. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Lacquer Cut At – Rosenborg Studio Pressed By – Musikkindustri A/S Credits Arranged By, Conductor – Quincy Jones Baritone Saxophone – Pepper Adams Baritone Saxophone, Bass Saxophone – Danny Bank Bass – Ray Brown, Richard Davis (tracks: A2), Ron Carter (tracks: A2) Cello – Alan Shulman, Kermit Moore, Lucien Schmit, Seymour Barab Design [Album] – Sam Antupit Drums – Grady Tate Engineer – Rudy Van Gelder Keyboards – Bob James, Bobby Scott, Herbie Hancock Lacquer Cut By – F* Liner Notes – Cannonball Adderley Marimba [Bass] – Don Elliott (tracks: A2) Percussion – Jimmy Johnson , Warren Smith Photography By [Cover] – Pete Turner Producer – Creed Taylor Soloist, Bass, Voice – Major Holley Soloist, Flute – Hubert Laws Soloist, Guitar – Eric Gale Soloist, Guitar, Whistle – Toots Thielemans Soloist, Soprano Saxophone – Jerome Richardson Soloist, Trombone – Al Grey Soloist, Vocals – Valerie Simpson Trombone – Benny Powell, Tony Studd, Wayne Andre Trumpet, Flugelhorn – Danny Moore, Ernie Royal, Gene Young*, Freddie Hubbard, Marvin Stamm Vibraphone [Vibes] – Milt Jackson Vocals – Barbara Massey, Hilda Harris, Maretha Stewart*, Marilyn Jackson Notes Freddie Hubbard and Hubert Laws appear through the courtesy of CTI Records. Grady Tate appears through the courtesy of Skye Records. Herbie Hancock appears through the courtesy of Warner Brothers Records. Recorded at Van Gelder Studios Recorded March 25, 26; May 12, 1970 [In Gatefold] Sleeve printed and made by MacNeill Press Ltd., London, S.E.1 [On rear cover] Team Trykk ℗ 1970 Barcode and Other Identifiers Matrix / Runout (Label side A): AMLS 992-A Matrix / Runout (Label side B): AMLS 992-B Matrix / Runout (Stamped side A): AMLS 992 A 8 P70 F 710 Matrix / Runout (Stamped side B): AMLS 992 B 8 P 70 F 710 Other versions Category Artist Title (Format) Label Category Country Year Quincy Gula Matari (LP, SP-3030 A&M Records SP-3030 US 1970 Jones Album) Quincy Gula Matari (LP, AMP-7026 A&M Records AMP-7026 Japan 1979 Jones Album, RE, Gat) Quincy Gula Matari (LP, South AMC 2138 A&M Records AMC 2138 1970 Jones Album) Africa SP-3030, SP Quincy Gula Matari (LP, A&M Records, SP-3030, SP US 1970 3030 Jones Album) A&M Records 3030 Quincy Gula Matari (CD, A&M Records CD 0820 CD 0820 US Unknown Jones Album) Jazz Series Related Music albums to Gula Matari by Quincy Jones Ron Carter - Pick 'Em Quincy Jones And His Orchestra - Quincy Jones And His Orchestra At Newport '61 Quincy Jones - Go West, Man! Quincy Jones - The Best Of Quincy Jones, Volume 2 King Pleasure / Quincy Jones And His Band - I'm Gone / You're Crying Milt Jackson - Bags' Groove James Moody & His Band - J. Moody's Moods Quincy Jones And His Orchestra - Quincy's Got A Brand New Bag Quincy Jones - Walking In Space The Art Farmer Septet - The Art Farmer Septet.
Load more

Recommended publications
  • Download the Vocal of Frank Foster
    1 The TENORSAX of FRANK BENJAMIN FOSTER Solographer: Jan Evensmo Last update: Oct. 7, 2020 2 Born: Cincinnati, Ohio, Sept. 23, 1928 Died: Chesapeake, Virginia, July 26, 2011 Introduction: Oslo Jazz Circle always loved the Count Basie orchestra, no matter what time, and of course we became familiar with Frank Foster’s fine tenorsax playing! Early history: Learned to play saxes and clarinet while in high school. Went to Wilberforce University and left for Detroit in 1949. Played with Wardell Gray until he joined the army in 1951. After his discharge he got a job in Count Basie's orchestra July 1953 after recommendation by Ernie Wilkins. Stayed until 1964. 3 FRANK FOSTER SOLOGRAPHY COUNT BASIE AND HIS ORCHESTRA LA. Aug. 13, 1953 Paul Campbell, Wendell Cully, Reunald Jones, Joe Newman (tp), Johnny Mandel (btp), Henry Coker, Benny Powell (tb), Marshal Royal (cl, as), Ernie Wilkins (as, ts), Frank Wess (fl, ts), Frank Foster (ts), Charlie Fowlkes (bar), Count Basie (p), Freddie Green (g), Eddie Jones (b), Gus Johnson (dm). Three titles were recorded for Clef, two issued, one has FF: 1257-5 Blues Go Away Solo with orch 24 bars. (SM) Frank Foster’s first recorded solo appears when he just has joined the Count Basie organization, of which he should be such an important member for years to come. It is relaxed and highly competent. Hollywood, Aug. 15, 1953 Same personnel. NBC-TV "Hoagy Carmichael Show", three titles, no solo info. Hoagy Carmichael (vo). Pasadena, Sept. 16, 1953 Same personnel. Concert at the Civic Auditorium. Billy Eckstine (vo).
    [Show full text]
  • Duke Ellington Kyle Etges Signature Recordings Cottontail
    Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the ​ band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke ​ Ellington, states that Cottontail “opened a window on the future, predicting elements to come in ​ jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & ​ ​ Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more ​ grandiose pieces with more extended forms.
    [Show full text]
  • Powell, His Trombone Student Bradley Cooper, Weeks
    Interview with Benny Powell By Todd Bryant Weeks Present: Powell, his trombone student Bradley Cooper, Weeks TBW: Today is August the 6th, 2009, believe it or not, and I’m interviewing Mr. Benny Powell. We’re at his apartment in Manhattan, on 55th Street on the West Side of Manhattan. I feel honored to be here. Thanks very much for inviting me into your home. BP: Thank you. TBW: How long have you been here, in this location? BP: Over forty years. Or more, actually. This is such a nice location. I’ve lived in other places—I was in California for about ten years, but I’ve always kept this place because it’s so centrally located. Of course, when I was doing Broadway, it was great, because I can practically stumble from my house to Broadway, and a lot of times it came in handy when there were snow storms and things, when other musicians had to come in from Long Island or New Jersey, and I could be on call. It really worked very well for me in those days. TBW: You played Broadway for many years, is that right? BP: Yeah. TBW: Starting when? BP: I left Count Basie in 1963, and I started doing Broadway about 1964. TBW: At that time Broadway was not, nor is it now, particularly integrated. I think you and Joe Wilder were among the first to integrate Broadway. BP: It’s funny how it’s turned around. When I began in the early 1960s, there were very few black musicians on Broadway, then in about 1970, when I went to California, it was beginning to get more integrated.
    [Show full text]
  • Kevin Iega Jeff Choreographer / Director ______6909 S
    Kevin Iega Jeff Choreographer / Director ______________________________________________________________________________________________ 6909 S. Merrill Avenue #1w, Chicago, IL 60649 Tel: 773-592-9606 Email: [email protected] Profile & Resume A native New Yorker, Kevin Iega Jeff began choreographing at nineteen at The Bernice Johnson Cultural Arts Center in Jamaica, Queens, NY. In 1982 he founded JUBILATION! Dance Company in Brooklyn, NY, which toured internationally for over ten years. JUBILATION! began Jeff’s pursuit to choreograph new works and direct a company that would train new generations of dancers and choreographers. In 1995, he co-founded Deeply Rooted Dance Theater in Chicago where he continues to serve today as Artistic Director. Jeff has created more than fifty works, ranging from solos to large-scale company dances. He’s choreographed for renowned theater companies throughout the United States and abroad, and continuously receives commissions for new and repertory works by internationally renowned companies. Jeff is often invited to provide master dance instruction at leading colleges, universities, festivals, and cultural institutions world-wide. Kevin Iega Jeff collaborated with Chicago’s Goodman Theater on By the Music of the Spheres during the 2002/2003 Season. He appeared on Broadway in Com'in Uptown and The Wiz. His direction and choreography credits include Black Nativity at Penumbra Theater; Oedipus the King at Hartford Stage; and the international tour of Porgy and Bess. Regionally, Mr. Jeff has worked with the Deeply Rooted Dance Theater, featuring Roberta Flack; the Alvin Ailey American Dance Theater Ensemble; Cleo Parker Robinson Dance Ensemble; Wylliams/Henry Dance Theater; River North Dance Company; the Dallas Black Dance Theater; SUNY Purchase and Howard University dance programs; the D.C.
    [Show full text]
  • Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
    September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.
    [Show full text]
  • The Waynowne
    ..,..', ~, ','.,; t , -i' PrOptHiyof r I j'" , '~OG The,'>, ';:WaynowNE" , $l~gie Copy 7. 5¢ Sections - 4' "., Pages': 3~ ." J " .J , ' , Thursday, 'A~gust 13, 2009 133rd Year - No. 47 ,; " , ' ' "C' ',' '.,.' ' " j" , . "',, F;,'\';: • , ,".>,. " Wqyne's 196th birtnday cele~r(ltzona bighit, Teachers~ agreement.] is"approved By Lynn Sievers Of the Berald " " . The Wayne Community School's Board of Education met in regular$eS$ion Monday night, The f009-201Q negotiated agree­ ment between, the school board andLhe WEA (Wayne Education As~ociation) was discussed. 'School board member Rod Garwood made a motion to approve' the negotiated agreement pending approval of the teaching staff, board member Dr. Jeryl Nelson seconded the motion which passed unanimously. Among routine business reports and actions was the resignation of Kay Doin,~~h as full time kitchen staff and the hiring of Pam Ekberg for the position. School board member 'Mark Evetovich made a motion to approve the hiring of Ekberg, Wendi Consoli seconded the motion which passed unanimously. i Evetovich made a motion to approve the financial claims, Consoli seconded the motion which passed unanimously. MUo Meyer ConstructIon's gift of dirt work in the parking expansion project (Photos by Clara Osten behind the high school was recognized. The and Michael Carnes) city's concrete work for the parking area was also noted. Whether it was Cathy Var­ Administration reports were discussed. ley winning the Jaycees' Wayne High principal Mark Hanson gave Kiss The Pig contest, get­ the board information on a problem some ting your hand (and ev­ schools across the nation are having on sex­ erything else) dirty in ting, which is students sending classmates mud volleyball dr'showing , inappropriate photos via cellphones.: Be off your best beard and wanted the board to be aware of the term mustache, Wayne's Q-125 and activity and that it has been addressed celebration had plenty of in the student handbook Middle School principal Tim Krupicka good times to offer.
    [Show full text]
  • 1993 February 24, 25, 26 & 27, 1993
    dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • BAM R&B Festival at Metrotech Returns with 10 Free Concerts, Jun 7
    BAM R&B Festival at MetroTech returns with 10 free concerts, Jun 7—Aug 9 The stellar lineup includes Bernard Purdie, Bobbi Humphrey, Savion Glover, Terence Blanchard, Vivian Green, and Marcus Miller Forest City Ratner Companies is the Presenting Sponsor of BAM R&B Festival at MetroTech BAM R&B Festival at MetroTech Thursdays, noon—2pm, Jun 7—Aug 9 Free admission, MetroTech Commons at MetroTech Center Produced by Danny Kapilian Jun 7 Bernard Purdie’s All-Star Shuffle with guests Bobbi Humphrey and Quiana Lynell Jun 14 Savion Glover featuring Marcus Gilmore Jun 21 PJ Morton Jun 28 Vivian Green Jul 5 Delgres Jul 12 Amalgarhythm with Kris Davis and Terri Lyne Carrington Jul 19 Jupiter & Okwess Jul 26 Terence Blanchard featuring the E-Collective Aug 2 Ranky Tanky Aug 9 Marcus Miller May 3, 2018/Brooklyn, NY—BAM R&B Festival at MetroTech, Downtown Brooklyn’s best summer tradition, returns from June 7 to August 9 with 10 afternoons of jazz, soul, R&B, and some tap dancing. Now in its 24th year, the festival continues to feature music legends alongside groundbreaking emerging artists. Producer Danny Kapilian said, “It’s so great to bring dynamic artists every year to perform in Downtown Brooklyn. This is one of those adventurous years where we are stepping into some thrilling new musical territory. Four of our star artists this summer live where R&B and jazz combine to create something totally new. Legendary tap dancing star Savion Glover presents a duo performance with the brilliant young jazz drummer Marcus Gilmore. Terri Lyne Carrington is a three-time Grammy-winning drummer who’s bridged the music of Dianne Reeves, Esperanza Spalding, and Valerie Simpson.
    [Show full text]
  • Bandinfo English 2018.Indd
    Jazz, from New Orleans to Swing, presented in an entirely original form by the leading Classic Jazz group in Germany: BARRELHOUSE JAZZBAND www.barrelhouse-jazzband.com Founded in 1953 and active ever since, the BARRELHOUSE JAZZBAND has gai- ned national and international renown and ranks among the top groups of the Euro- pean scene. The BARRELHOUSE JAZZBAND presents a special blend of elements from all phases of traditional jazz, with predominant accents from the early big band style of the twenties, the small band style around 1930 and the New Orleans Renaissance. All numbers are played in new original arrangements. The band also plays many original titles written by members of the band. Some of them became very popular, like „The Barrelhouse Showboat“ and „Take Us To The Mardi Gras“ (by Horst Schwarz). The band has toured more than 50 countries on 4 continents and appeared at all major jazz festivals in Europe, e.g. The Hague, Breda, Nice, Paris, San Sebastian, Ascona, Zurich, Lucerne, Cracow, Cork, Birmingham, Copenhagen, Oslo, Berlin and many more. When the Barrelhouse Jazzband played at the New Orleans Jazz Festival - rits, received the honorary citizenship of the birthplace of jazz. in1968, they were one of the first bands from Europe who, in recognition of their me The band has recorded more than 30 albums and has received - beside other awards - the „German Phono Academy Award“ for the Best Traditional Jazz Record of the year (Quotation: „Highly intelligent old jazz, full of vitality, enlightened music, al- ways with that beautiful black feeling“). Eubie Blake, the famous ragtime pianist and composer, heard the band and commented: „Everything that I write I mean from the bottom of my heart: This is one of the best for a small orchestra that I have ever heard.
    [Show full text]