Broadway Close up Oscar Hammerstein II Sean Hartley, Host Featuring Clifton Duncan 2020-21
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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months. -
Bestselling Musical Compositions (1913-32) and Their Seu in Cinema (1968-2007) Paul J
University of Chicago Law School Chicago Unbound Coase-Sandor Working Paper Series in Law and Coase-Sandor Institute for Law and Economics Economics 2008 Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their seU in Cinema (1968-2007) Paul J. Heald Follow this and additional works at: https://chicagounbound.uchicago.edu/law_and_economics Part of the Law Commons Recommended Citation Paul J. Heald, "Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their sU e in Cinema (1968-2007)" (John M. Olin Program in Law and Economics Working Paper No. 429, 2008). This Working Paper is brought to you for free and open access by the Coase-Sandor Institute for Law and Economics at Chicago Unbound. It has been accepted for inclusion in Coase-Sandor Working Paper Series in Law and Economics by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. CHICAGO JOHN M. OLIN LAW & ECONOMICS WORKING PAPER NO. 429 (2D SERIES) PUBLIC LAW AND LEGAL THEORY WORKING PAPER NO. 234 TESTING THE OVER‐ AND UNDER‐EXPLOITATION HYPOTHESIS: BESTSELLING MUSICAL COMPOSITIONS (1913–32) AND THEIR USE IN CINEMA (1968–2007) Paul J. Heald THE LAW SCHOOL THE UNIVERSITY OF CHICAGO September 2008 This paper can be downloaded without charge at the John M. Olin Program in Law and Economics Working Paper Series: http://www.law.uchicago.edu/Lawecon/index.html and at the Public Law and Legal Theory Working Paper Series: http://www.law.uchicago.edu/academics/publiclaw/index.html and The Social Science Research Network Electronic Paper Collection. -
Sing-Along Words for Greenbelt Songs
SEVEN-SONG SING-ALONG Beginner’s Luck: Toe-Tapping Tunes From Greenbelt’s First Year (I’VE GOT) BEGINNER’S LUCK Music by George Gershwin • Lyrics by Ira Gershwin From Shall We Dance (1937) I’ve got beginner’s luck The first time that I’m in love, I’m in love with you Gosh, I’m lucky! I’ve got beginner’s luck They told me beginners win, now I know it’s true Gosh, I’m fortunate! This thing we’ve begun Is much more than a pastime For this time is the one Where the first time is the last time I’ve got beginner’s luck Lucky through and through ‘Cause the first time that I’m in love, I’m in love with you BLOSSOMS ON BROADWAY Music by Ralph Rainger • Lyrics by Leo Robin From Blossoms On Broadway (1937) There are blossoms on Broadway when I’m walking with you Blossoms where trees never grew I forget the crowd and the loud rumble of cars And all the bright lights turn into stars There is magic on Broadway when you’re smiling at me Magic my heart never knew What a joy to be blissfully wandering through The blossoms on Broadway with you I WANT TO BE HAPPY Music by Vincent Youmans • Lyrics by Irving Caesar From No, No, Nanette (1925) I want to be happy But I won’t be happy Till I make you happy, too Life’s really worth living When we are mirth giving Why can’t I give some to you? When skies are gray and you say you are blue I’ll send the sun smiling through I want to be happy But I won’t be happy Till I make you happy, too BLUE SKIES Music and Lyrics by Irving Berlin From Betsy (1926) I was blue just as blue as I could be Every day was a cloudy day for me Then good luck came a-knocking at my door Skies were gray, but they’re not gray anymore Blue skies Smiling at me Nothing but blue skies do I see Bluebirds singing a song Nothing but blue birds all day long Never saw the sun shining so bright Never saw things going so right Noticing the days hurrying by When you’re in love, my how they fly Blue days All of them gone Nothing but blue skies from now on AVALON Music and Lyrics by Al Jolson, Vincent Rose and B.G. -
15-3703H I Want to Be Happy (SATB) Shackley
2 I Want to Be Happy (Selections from the Broadway Musical,“No, No, Nanette”) SATB and Piano* Lyrics by Irving Caesar Music by Vincent Youmans and Otto Harbach Arranged by Larry Shackley 1 With flair = ca. 92 h 2 œ. ˙ œ. ˙ œ. œ & 2 œœ ˙˙ œœ ˙˙ œœ œœ f ? 2 2 œ ˙ œ ˙ œ œ œ. ˙ œ. ˙ œ. œ 3 SA “I Want to Be Happy” f & ˙ ˙ œ w ∑ œI want toœ be hapœ - py, TB f ? œ ˙ œ ˙ œ œ w ∑ w ˙ œ. ˙ œ. ˙ œ. œ & ww ˙˙ Ó œœ ˙˙ œœ ˙˙ œœ œœ >œ >œ >œ ? œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ ˙ œ œ > > > œ 7 œ > œ. ˙ œ. ˙ œ. œ & ˙ ˙ œ œ Œ ˙ ˙ butœ I won’tœ be hapœ - py till˙ ˙I make˙ ˙ ˙ ˙ ? œ ˙ œ ˙ œ œ œ Œ ˙ ˙ ˙ ˙ ww ˙˙ & w ˙ Ó ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ >œ >œ > ? œ œ œ œ œ w ˙ ˙ œ œ œ œ œ œ œ ˙ > œ > > w ˙ Duration:œ approx. 4:30 > > *Also available: Performance/Accompaniment CD (99/4082H). © 2020 Heritage Music Press, a division of The Lorenz Corporation. All rights reserved. Printed in U.S.A. Unauthorized reproduction of this publication is a criminal offense subject to prosecution. Copying this music is illegal. A license from CCLI or OneLicense does not grant permission to copy. 15/3703H-2 www.lorenz.com SW 3 2 Easy shuffle = ca. 112( = ) 3 11 molto rit. q q q q e U F ˙ 4 b & w ˙ 4 w ∑ b bb youw hap˙ - py˙ too!w w U F w ˙ ˙ w ? 4 w ∑ b b 4 3 b b Easy shuffle = ca. -
Rodgers & Hammerstein
Connect the Devon Energy Presents Dots to Find Lyric Theatre’s the Castle! CinderellaA Literary Tale Interactive Rodgers & Hammerstein The music of Cinderella was composed by Richard Rodgers. The lyrics to the songs and book (script) were written by Oscar Hammerstein II. Originally presented on television in 1957 starring Julie Andrews (pictured below), Rodgers and Hammerstein’s Cinderella was the most widely viewed program in the history of the medium. Andrews starred in many musicals and movies, such as The Sound of Music, Camelot, and The Princess Diaries. Music by Richard Rodgers Book & Lyrics by Oscar Hammerstein II After long and highly distinguished careers with Study Guide Recommended for Children of All Ages other writing partners, Richard Rodgers (composer, Lyric’s Cinderella - A Literary Tale Interactive is a thrilling program 1902-1979) and Oscar Hammerstein II (librettist/ offering an original take on a familiar story. You will visit with favorite lyricist, 1895-1960), also known as R&H, joined characters: the gracious Cinderella, the charming Prince, and the forces in 1943 to create the most consistently fruitful evil Stepsisters. Through the music and dialogue of Rodgers and and successful partnership in the American musical Hammerstein, you will learn fun and important literary terms and theatre. Oklahoma!, the first Rodgers & Hammerstein concepts. musical, was also the first of a new genre, the musical play! Other R&H Musicals You May Know: Carousel, South Pacific, The King and I,and The Sound of Music Carolyn Watson THE Wilshire Rural Oklahoma McGee Charitable Source: www.rnh.com Community Foundation FOUNDATION Foundation LYRIC IS OKLAHOMA’S LEADING PROFESSIONAL THEATRE COMPANY and Seek & has been producing classic and contemporary musicals featuring both nationally Literature Plot Diagram known Broadway stars and local favorites for over 50 years. -
Film Theme Music Calendar for May 2020
ListeningMA CalendarY 2020 May 2020 SUN MON TUE WED THU FRI SAT A Gift of a Thistle Anakin's Theme 1 From Braveheart 2 from By John by James Horner Williams Elevator to the Interstellar Main Theme from Schindler's List The Heart Asks The Mask of Kiss the Girl 3 Gallows by Miles 4 Theme by Hans 5 James Bond by 6 by John Williams 7 Pleasure From 8 Zorro by James 9 from The Little Davis Zimmer David Arnold The Piano by Horner Mermaid by Michael Nyman Samuel Wright Hymn to the Fallen Married Life Apollo 13 by Gabriel's Oboe Thor: The Dark Friend Like Me Jake's First Flight From from Saving Private from Up by James Horner from The Mission World from from Aladdin by 10 Ryan by John 11 12 13 14 15 16 Avatar by Michael by Enrico Thor by Brian Alan Menken Williams James Horner Giacchino Morricone Tyler Theme from The Shallow from A Main Theme from Moon River from Axel Foley from Feather Theme Black Hills of Godfather by Star is Born by The Man From Breakfast at Beverly Hills Cop from Forrest Dakota from 17 18 19 20 Tiffany's by 21 by Harold 22 23 Nino Rota Lady Gaga Snowy River by Gump by Alan Calamity Jame by Henry Mancini Faltermeyer Bruce Rowland Silvestri from Sammy Fain Somewhere over Ben Hur by The Hanging Tree Welcome to The Exorcist Psycho by The Lonley the Rainbow from Miklos Rozsa from The Hunger Jurrasic Park by Theme by Mike Shepherd from Kill 24 25 26 27 The Wizard of Oz 28 29 Bernard 30 Games by James John Williams Bill by Gheorghe by Harold Arlen Oldfield Herrmann Newton Howard Zamfir End Theme from Dances with 31 Wolves by John Barry Holidays and Observances: 5: Cinco de Mayo, 10: Mother's Day, 25: Memorial Day www.wiki-calendar.com. -
Music by ALAN MENKEN Lyrics by HOWARD ASHMAN & TIM RICE
JUL. 26 - AUG. 6, 2021 Music by Lyrics by Book by ALAN HOWARD ASHMAN LINDA MENKEN & TIM RICE WOOLVERTON Originally Directed by Rob Roth Originally Produced by Disney eatrical Productions Beauty and the Beast Jr. is presented through special arrangement with Music eatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com SCENES & MUSICAL NUMBERS CAST OF CHARACTERS Prologue: A Castle Belle.............................................BRONWYN ANDREOLI Prologue Maurice..........................................................IULI PETERS Beast.....................................................CAMERON WARD Scene 1: e Village Gaston......................................................AMMON PEREZ Belle LeFou...........................................BRAEDON REYNOLDS Lumiere....................................................DANNY KENNY Scene 2: e Forest Cogsworth...................................................JADEN WILLIS Mrs. Potts..........................................MARIELLE SUTTON Scene 3: e Castle Babette..................................................BENZLEY TINNEY Scene 4: Belle’s Cottage Meadow Madame De Le Grande Bouche......................HANNAH EVANS Chip........................................................AVRI DAVIDSON Belle (Reprise) Silly Girl 1 (Soprano)..................................LAURA JACOBS Scene 5: e Castle Silly Girl 2 (2nd Soprano).........................BRIANNA ORME Silly Girl 3 (Alto)................................JOCELYN OSMOND Home (Tag) Narrator / -
Docking at the Benedum Center August 5-14
FOR IMMEDIATE RELEASE Contact: Aja Jones 412-281-3973 ext. 224 [email protected] Images: Press Room User: pressroom Pswd: pittstadium 10-TIME TONY AWARD®-WINNING MUSICAL THEATER MASTERPIECE DOCKING AT THE BENEDUM CENTER AUGUST 5-14 Pittsburgh, PA ∙ July 26, 2016 – Travel to Bali Ha’i with Billis and his crew in Rodgers & Hammerstein’s SOUTH PACIFIC, starring Broadway’s Ben Davis, James Snyder and Erika Henningsen August 5-14 at the Benedum Center. Tickets are now available and can be purchased online, by visiting the Theater Square Box Office or calling 412-456- 6666. Love transcends the harsh realities of war and prejudice in this sweeping Pulitzer Prize-winning tale centered around two unlikely love affairs. Set on a tropical island during World War II, this timeless Rodgers & Hammerstein classic features some of the most beautiful music ever composed woven into an inspiring story cherished the world over. The beloved score’s songs include “Some Enchanted Evening,” “I’m Gonna Wash That Man Right Outa My Hair,” and “There is Nothin’ Like a Dame” amidst big, Broadway performances and a chorus of American sailors and Navy nurses ready to take you to Bali Ha’i. ABOUT THE CAST Loretta Ables Sayre (Bloody Mary) had her NYC and Broadway debut as Bloody Mary in Lincoln Center Theater’s revival of South Pacific (Tony Award® nomination and Theatre World Award) and London debut at Barbican Theatre and U.K. tour. Other theatre credits include: Bloody Mary in South Pacific (The MUNY and Paper Mill Playhouse), Wrestling Ernest Hemingway (Hawaii Theatre), You Somebody (Diamond Head Theater), Dreamgirls (Hawaii Theatre), Song of the Navigator (Honolulu Theater for Youth - U.S. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
Poor Unfortunate Souls)
TABLE OF CONTENTS INTRODUCTION 1 SYNOPSIS 2 CASTING 4 MUSIC DIRECTION 8 DIRECTING TIPS 17 DESIGN 20 BEYOND THE STAGE 35 RESOURCES 44 CREDITS 48 Betcha on land They understand Bet they don’t reprimand their daughters Bright young women Sick of swimmin’ Ready to stand — “Part of Your World,” lyrics by Howard Ashman INTRODUCTION hether you first came toThe Little Mermaid by searching for his place in the world. As Ariel and Eric way of the original Hans Christian Andersen learn to make decisions for themselves, King Triton tale, the classic Disney animated film, or the stage and Grimsby learn the parental lesson of letting go. musical adaptation, the story resonates with the same emotional power. Strip the tale of its fantastical The stage adaptation of The Little Mermaid – with Betcha on land elements – mermaids and sea witches and talking music by Alan Menken, lyrics by Howard Ashman crabs – and what’s left is the simple story of a young and Glenn Slater, and book by Doug Wright – retains They understand woman struggling to come into her own. the most beloved songs and moments from the original film while deepening the core relationships There’s a little bit of Ariel in all of us: headstrong, and themes, adding in layers, textures, and songs Bet they don’t reprimand their daughters independent, insatiably curious, and longing to know to form an even more moving and relevant story. the world in all of its glory, mystery, and diversity. A This stage musical presents endless opportunities Bright young women young woman who passionately pursues her dream, for creative design – from costuming the merfolk, to Ariel makes decisions that have serious consequences, creating distinct underwater and on-land worlds, to all of which she faces with bravery and dignity. -
Popular Selection List, 2017 Edition
Popular Selection List, 2017 Edition PAGE SECTION DESCRIPTION 4 Level 1 Beauty and the Beast From Beauty and the Beast Music by Alan Menken; lyrics by Howard Ashman Contemporary Disney Solos HAL, p. 2 N.B. Appears in the first edition of Contemporary Disney Solos only, is not included in the second edition. 18 Level 7 Imagine Music and lyrics by John Lennon John Lennon Piano Solos HAL, p. 18 Should Read: sheet music, Piano/Vocal/Guitar HAL 20 Level 8 Chasing Pavements Music and lyrics by Adele Adkins and Francis “Eg” White Adele for Piano Solo HAL, p. 3 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p. 8 21 Level 8 Make You Feel My Love Music and lyrics by Bob Dylan Adele for Piano Solo HAL, p. 12 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p. 21 October 4, 2018 21 Level 8 Someone Like You Music and lyrics by Adele Adkins and Dan Wilson Adele for Piano Solo HAL, p. 30 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p. 34 21 Level 8 Somewhere From West Side Story Music by Leonard Bernstein; lyrics by Stephen Sondheim West Side Story, Vocal Selections B&H, p. 64 Should Read: West Side Story, Vocal Selections B&H, p. 6 24 Level 9 One and Only Music and lyrics by Adele Adkins, Dan Wilson, and Greg Wells Adele for Solo Piano HAL, p. 15 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p.