View a PDF Version of This Issue

Total Page:16

File Type:pdf, Size:1020Kb

View a PDF Version of This Issue Monday, May 21, 2018 I Vol. 115 Iss. 3 AN INDEPENDENT STUDENT NEWSPAPER • SERVING THE GW COMMUNITY SINCE 1904 WWW.GWHATCHET.COM The GW Hatchet ETHAN STOLER | CONTRIBUTING PHOTO EDITOR The Class of 2018 gathered on the National Mall for the annual Commencement ceremony Sunday. McNutt encourages graduates to ‘bring hope back’ LAUREN PELLER & SARAH ROACH ASSISTANT NEWS EDITORS When Marcia McNutt was named the president of the Na- even in a society that lacks trust in the U.S. government. tional Academy of Sciences two years ago, she became the fi rst “The diploma you will be given today from this great Uni- woman to take on the title – but proving herself as a woman in versity is a powerful tool for you to discover your ‘why,’” she a male-dominated fi eld was nothing new to her. said. “I want you to fi nd it and use it to bring hope back into As a doctoral student at the Scripps Institution of Ocean- this world.” ography, McNutt was told that the “deck was stacked against” McNutt is the fi rst woman to head the National Academy of her as the university’s only female geophysics student. Sciences and previously directed the U.S. Geological Survey, a But after she graduated fi rst in her class, “no one messed scientifi c agency that studies natural resources. She also served with me,” she said. as the editor in chief of Science, a national academic journal. McNutt, who delivered the annual Commencement speech The speaker encouraged graduates to become “beacons of Sunday, told graduates that they should use their education to “see those doors that are opening ahead” and discover their purpose in life. She said graduates should remain hopeful – See UNIVERSITY Page 3 Lawsuit alleges GW ‘turned a blind eye’ to sexual misconduct DANI GRACE violations this academic year. alumna’s sexual violence case plaintiff s’ complaints. her and other underage staff provided safe harbor for the ASSISTANT NEWS EDITOR “GW engaged in a pat- and repeatedly put her at risk The women claim that members drinks when the assailant,” the suit states. tern and practice of behav- of further sexual harassment both the alleged assailant and staff went to a nightclub, took University spokeswoman A lawsuit fi led earlier this ior designed to discourage by refusing to expel her as- the women’s supervisor, Kyle her back to his apartment Maralee Csellar declined to month alleges the Univer- and dissuade students and sailant and allowing him to Renner, the operations man- while she was “grossly intoxi- comment on the lawsuit, cit- sity and senior management parents of students who had keep his on-campus job. ager at IIEP, created a culture cated” and raped her. ing a University policy not to failed to protect multiple been sexually assaulted from The University is also cur- of “pervasive and regular” Jane Doe 5 alleges the comment on pending litiga- student employees from a seeking prosecution and pro- rently under federal Title IX sexual hostility in the work- assailant forced her into an tion – but she said GW will “sexual predator” in the tection,” the lawsuit states. investigation for allegedly mis- place. Uber with him after a party respond “as appropriate.” workplace. handling another sexual vio- In the complaint, Jane Doe and began to assault her “The George Washing- In a 29-page complaint Multiple alleged lence case involving sex-based 1 states the alleged assailant during the ride. She said he ton University takes issues fi led May 10 in the D.C. Supe- violations discrimination and retaliation repeatedly asked her to come “aggressively raped” her at of sexual misconduct, sexual rior Court, fi ve anonymous The suit names a student for reporting an incident. alone to his apartment and his apartment, and she physi- violence and its obligations women claim GW “turned a employee who works at the The lawsuit comes at the openly discussed his “sexual cally tried to stop him, but under Title IX very seriously,” blind eye to the hostile, dan- institute as the alleged assail- same time as an overhaul of exploits” around the offi ce, couldn’t because she was in- Csellar said. “The University gerous work environment” ant. The women, identifi ed the University’s sexual ha- including a public ranking toxicated and was falling “in is committed to fully support- at an institute at the Elliott as Jane Does 1 through 5 in rassment policy, which was of his sexual encounters with and out of consciousness.” ing any survivors and pro- School of International Af- the suit, claim the alleged as- fi nalized at a Board of Trust- female coworkers. The suit Jane Doe 3, the head of the viding an equitable process fairs. They claim the Univer- sailant continuously asked ees meeting Friday. The up- claims Jane Doe 1 brought digital communications and for those who are accused.” sity and a supervisor at the coworkers on dates, used dates change the sexual mis- her concerns to Renner and social media team, said in the The suit states that mul- Institute for International “demeaning” language to re- conduct investigation process the Title IX offi ce, and while lawsuit she was repeatedly tiple staff members com- Economic Policy did not take fer to female coworkers and from including a six-person a Title IX investigator reached told about the alleged assail- plained to Renner about the action against a male em- raped three of the women faculty- and student-led hear- out to her, the offi ce pursued ant’s unwanted advances on assailant’s “inappropriate” ployee who raped or sexually when they were intoxicated. ing board to a single investi- no further action. other offi ce employees. She actions over the past year, but harassed at least 11 women “These women were not gator model and require all Jane Doe 2 said in the said in the lawsuit she fi led at the women allege Renner at- – and forced the plaintiff s to only sexually assaulted by faculty to be mandatory re- complaint that the assailant least four formal complaints tempted to silence them by either cut back on hours and this monster – they were porters. sexually assaulted her in his with supervisors about the asking them to work from work from home or continue mentally assaulted by his apartment when she was a alleged assailant’s behavior, home or responding to their to work in close quarters with taunts, threats and ridicule,” Allegations of sexual freshman, despite telling him but offi cials failed to follow complaints with, “sometimes their assailant. the lawsuit states. “The ex- misconduct repeatedly she didn’t want up on the complaints, fi re you need to work with peo- The plaintiff s ask for more treme distress, humiliation, The lawsuit alleges the to “do anything sexual.” She him or launch a Title IX in- ple you don’t necessarily get than $30 million in damages embarrassment and feeling University violated the D.C. said she returned to the job vestigation. along with.” and demand the University of powerlessness the plain- Human Rights Act by forcing the next year because she “Renner was part of the implement discrimination tiff s have experienced in the some of the women to resign needed money but frequently A ‘deliberate indifference’ problem and his behavior is and sexual harassment train- face of such an injustice is or cut back on their hours to asked coworkers to walk her to student concerns indicative of the systematic ing at the institute, fi re the al- not something that heals well avoid interacting with the al- to work to avoid seeing him The suit claims GW did failures of GW to recognize leged assailant and promote with time.” leged assailant instead of fi r- alone. not take any “discernible ac- and respond to complaints clear resources to employees The alleged assailant did ing him. The complaint states Jane Doe 4 said in the com- tion” to remove the alleged of sexual harassment in the about how to fi le a sexual not respond to multiple re- GW acted “negligently” by plaint the assailant often used assailant from his position workplace,” the suit reads. misconduct complaint. quests for comment. declining to implement basic “demeaning” tactics – like after being made aware of al- Renner said the lawsuit The suit is one of at least The lawsuit is the latest anti-harassment training and intentionally calling her co- leged incidents. is “inaccurate in a number of six legal challenges – includ- in a slew of Title IX lawsuits supervision for employees workers by the wrong name “Not only has GW dem- respects” and “mischaracter- ing lawsuits and federal com- this academic year, including and violated various federal – and referred to new female onstrated a deliberate indif- izes” his actions. He declined plaints – fi led against the Uni- a complaint fi led last month Title IX policies by failing staff ers as his “new offi ce ference to plaintiff s’ com- to comment further on the versity for possible Title IX alleging GW mishandled an to respond appropriately to crush.” She said he bought plaints of harassment, it has complaint. Timeline of Title IX-related legal challenges led against GW Sept. 10, 2017 March 8, 2018 May 10, 2018 An alumna les a federal Title IX A former student les a lawsuit against the Five current and former female student complaint alleging GW mishandled University claiming GW unfairly ruled employees claim GW subjected them her sexual violence case against him in a sexual assault hearing to a “sexually hostile” workplace Dec.
Recommended publications
  • September 21, 2017
    September 21, 2017 Volume 97 Number 06 THE DUQUESNE DUKE www.duqsm.com PROUDLY SERVING OUR CAMPUS SINCE 1925 DU Press Laying out the welcome mat PA state to reopen budget in changed woes may format affect JOSIAH MARTIN staff writer city’s bus Duquesne University Press fans may finally have a reason to rejoice. system Though last year’s much-debated budget cuts seemed to spell doom for the academic press, the university has announced a new plan that will RAYMOND ARKE allow its existing titles to remain in news editor print and available to the academic community. A funding crisis is gripping This new, retooled DU Press will Pennsylvania. After passing a utilize agreements with other presses budget in July, the state legis- to continue to distribute its works. lature has yet to approve a plan The University Press of New England that would bankroll the budget will continue to handle distribution legislation. for Duquesne University’s existing The latest attempt to fund books, as well as printing new copies the state, which was passed by of these titles when necessary. the PA House of Representa- However, the DU Press will no tives, has the Port Authority longer publish original titles on its warning of drastic consequenc- own. The series for which the Press es that would affect Pittsburgh is known will be passed on to other residents and Duquesne stu- publishers. KAILEY LOVE/PHOTO EDITOR dents. The PA Senate voted on Sept. 20 to send the bill back to see PRESS — page 3 Prospective students and their family members explored campus on Sept.
    [Show full text]
  • 2021 Breeze Show Choir Catalog
    Previously Arranged Titles (updated 2/24/21) Specific details about each arrangement (including audio samples and cost) are available at https://breezetunes.com . The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** For songs that do not have vocal rehearsal tracks, these can be created for $150/song. To place an order, send an e-mail to [email protected] or submit a license request on Tresona listing Garrett Breeze as the arranger, Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Most SATB songs, for example, can be easily reworked for SAT. • Remember that show function is one of the most important things to consider when purchasing an arrangement. For example, if something is labelled in the catalog as a Song 2/4, it is probably not going to work as a closer.
    [Show full text]
  • STORM Report Is a Compilation of Up-And-Coming Bands and Artists the Importance of Music As a Way of Connect- Who Are Worth Watching
    Sound Affects: What Is Your Sonic Brand Identity? Jorja Smith Pnau RAYE dvsn Elderbrook and more ISSUE NO. 56 AUGUST 2018 TABLE OF CONTENTS 4 EYE OF THE STORM Sound Affects: What Is Your Sonic Brand Identity? 6 STORM TRACKER Dua Lipa, Jazz Cartier, Chance the Rapper, and BROCKHAMPTON 7 STORM FORECAST Crazy Rich Asians Movie, Victorious Videos, Game On!, Life Is Beautiful, and Hustle With Bustle 8 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Bebe Rexha (STORM No. 3) Photo provided by label ©2018 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Over the years, I’ve had the pleasure of work- ing with brands who have deeply understood The STORM Report is a compilation of up-and-coming bands and artists the importance of music as a way of connect- who are worth watching. Only those showing the most promising ing with consumers on an emotional level. potential for future commercial success make it onto our monthly list. Storytelling has become multi-sensory, with interactive experiencing offering consumers How do we know? a more visceral, emotional connection. And brands employing a more multi-dimension- Through correspondence with industry insiders and our own ravenous al branding strategy, inclusive of audio, have media consumption, we spend our month gathering names of artists experienced tangible results. This month’s who are “bubbling under”. We then extensively vet this information, “Eye of the STORM” article explores the fun- analyzing an artist’s print & digital media coverage, social media damentals of sonic brand identity along with growth, sales chart statistics, and various other checks and balances to its impact on generating consumer attention, ensure that our list represents the cream of the crop.
    [Show full text]
  • Los Angeles April 24–27, 2018
    A PR I L 24–27, 2018 1 NORDIC MUSIC TRADE MISSION / NORDIC SOUNDS APRIL 24–27 LOS ANGELES LOS ANGELES NORDIC WRITERS 2 NORDIC MUSIC TRADE MISSION / NORDIC SOUNDS APRIL 24–27 LOS ANGELES Lxandra Ida Paul Celine Svänback TOPLINER / ARTIST TOPLINER / ARTIST TOPLINER FINLAND FINLAND DENMARK Lxandra is a 21 year-old singer/songwriter from a Ida Paul is a Finnish-American songwriter signed Celine is a new, 22 year-old songwriter from Co- small island called, Suomenlinna, outside of Helsinki, to HMC Publishing (publishing company owned by penhagen, whose discography includes placements Finland. She is currently working on her forthcoming Warner Music Finland) as a songwriter, and Warner with Danish artists such as Stine Bramsen (Copenha- debut album, due out in 2018 on Island Records. Her Records Finland as an artist. She released her de- gen Recs), Noah (Copenhagen Recs), Anya (Sony), first single was “Flicker“, released in 2017. Follow-up but single, “Laukauksia pimeään” in 2016, which Faustix (WB), and Page Four (Sony). Recent collabo- singles included “Hush Hush Baby“ and “Dig Deep”. certified platinum. She has since joined forces with rations include those with Morten Breum (PRMD/Dim popular Finnish artist, Kalle Lindroth, and together Mak/WB), Cisilia (Nexus/Uni), Gulddreng (Uni), and COMPANY they have released three platinum-certified singles Ericka Jane (Uni). Celine is currently collaborating MAG Music/Island Records (“Kupla”, “Hakuammuntaa”, and “Parvekkeella”). with new artists such as Imani Williams (RCA UK), Anna Goller The duo was recently nominated as “Newcomer Jaded (Sony UK), KLOE (Kobalt UK), Polina (Warner Of The Year” for the 2018 Emma Awards (Finn- UK), Leon Arcade (RCA UK), Lionmann (Sony Swe- LINK ish Grammy’s).
    [Show full text]
  • Episode Nine Cue Sheets
    Worldwide Clogging Fun Dance Number Nine SYLLABUS BANJO FANTASY Wickline Band Left Foot Lead Easy Intermediate Clogography: Barry Welch 16291 Anaconda Rd. Madera, CA 93638 (559) 259-9904 Email: [email protected] www.cagroundpounders.org SEQUENCE: Intro – A – B – C – A – Bridge – B - A - A - Ending 32 beat wait Intro: (32) 8 Stomp Doubles Stomp DS DS RS (turn ¼ R on each of 1st 4, ¼ R on each of 2nd 4) Part A: (8) - 1 Clog Over Vine DS DS(xif) DS DS(xib) DS DS(xif) DS RS (4) 2 2 Basics DS RS (4) - 1 Fancy Double DS DS RS RS Part B: (4) - 1 Slur Vine DS Slur(xib) St DS RS (4) 2 1 Push Off DS RS RS RS (move R) (8) - 4 Basics (Full turn L) Part C: (8) - 2 Triples DS DS DS RS 2 (8) - 4 Rock Steps DS R(xib) St Repeat: A Bridge: (4) 2 Basics (4) 1 Triple (32) 16 Toe Heels Toe Heel (start w/R foot) (make two boxes turn R, then L) (4) - 1 Rock Back DS RS RS RS (R foot lead) (moving back) 2 (4) - 1 Triple (L foot lead) (move forward) (2) - 1 Basic (R foot lead) 2 (2) - 1 Rock Step (L foot lead) (4) 1 Triple (4) 1 Fancy Double Repeat: B – A – A Ending: (8) 2 Triples (1) 1 Stomp ************* Black & White (feat. Superfruit) (Pop) Artist: Todrick Hall Album: Straight Outta Oz (Deluxe Edition) Time: 4:14 Level: Intermediate Foot Lead: Left Speed: Normal Choreo: Barry Welch Email: [email protected] Website: www.cagroundpounders.com SEQUENCE: Intro – A – B – C - D – B – C – D – B – E – D1 – A – B – Ending WAIT 32 COUNTS CUES Step Breakdowns: Intro: 1 First Step First Step 4 Stomps ST ST ST Pull Step ST Pull Step ST ST ST Pull Step ST L R L R R
    [Show full text]
  • Superfruit Releases Debut Album Future Friends – Part One
    SUPERFRUIT RELEASES DEBUT ALBUM FUTURE FRIENDS – PART ONE AVAILABLE TODAY ACROSS ALL DIGITAL PLATFORMS “IMAGINARY PARTIES” MUSIC VIDEO DEBUTS TODAY VIA YOUTUBE VIEW IT HERE FUTURE FRIENDS - PART TWO AVAILABLE FOR PREORDER, OUT SEPTEMBER 15 (Los Angeles, CA – June 30th, 2017) Superfruit releases their highly anticipated debut album FUTURE FRIENDS - PART ONE today via RCA Records across all digital platforms. Superfruit is comprised of Mitch Grassi and Scott Hoying of the 3x Grammy Award winning and multi- platinum selling group, Pentatonix. Having worked with various writers and producers on this project including Danny Harle, Caroline Polacheck (Chairlift), SLATERS, ROBOPOP and more, FUTURE FRIENDS is the first installment of the two-part album and the first official music release stemming from Mitch and Scott’s popular YouTube music, comedy and lifestyle channel. They previously released an animated video for “Bad 4 Us” last September and today they released their latest music video for the album’s lead track “Imaginary Parties.” You can view the video HERE. FUTURE FRIENDS - PART ONE TRACK LIST: 1. Imaginary Parties 2. Bad 4 Us 3. Worth It (Perfect) 4. Vacation 5. Sexy Ladies 6. Heartthrob 7. Future Friends About Superfruit: Superfruit launched in August 2013 and has since amassed more than 350 million views of their music and comedy videos. Their musical content has ranged from artist medleys - their Beyoncé medley was hailed “Flawless” by Huff Post and endorsed by Beyoncé herself - to one-take theatrical performances, such as their Frozen and La La Land medleys. Buzzfeed declared that “Superfruit has turned your hip-hop faves into Broadway Masterpieces” with their “Hip Hop Goes Broadway” videos, the first garnering nearly 9 million views.
    [Show full text]
  • 'Ghost' with Scott Hoying
    FRANKIE & SCOTT HOYING TEAM UP TO RELEASE NEW TRACK AND VIDEO FOR “GHOST” FEAT. ONE NIGHT—CLICK HERE TO WATCH (Los Angeles, CA)—Today, much buzzed about pop singer-songwriter FRANKIE and Grammy Award- winning artist, Scott Hoying release their brand new track “Ghost” featuring One Night along with the music video, which serves as a playful homage to Grease with a twist and is directed by Dano Cerny. “Ghost” feat. One Night is available now at all digital retail providers via RCA Records. Click HERE to watch. About FRANKIE Hailing from Oakland, California, Frankie burst onto the scene when she released her song “Problems Problems”, which has racked up over 4 million streams on Spotify. Idolator called the song a “head- bopping track” with a “catchy hook Her debut EP, Dreamstate was released via RCA Records, and features “Problems Problems” as well as her second single, “New Obsession”, for which she also released a music video (Click HERE). Billboard included “New Obsession”, in their list of “20 Pop Songs You Need For Your Summer Playlist” calling it a “slick, wildly engaging highlight.” The track was also included in Taylor Swift’s “New Songs That Will Make Your Life More Awesome” playlist. FRANKIE has also released her previous single “Blink” along with the music video (Click HERE), and was included in ELLE Magazine’s “The ELLE 25”, as well as in Nylon’s “15 New Singer-Songwriters That Will Steal Your Heart”. Further, she released a revamped version of “Problems Problems” with Marc E. Bassy along with a music video (Click HERE to watch).
    [Show full text]
  • Superfruit Reveals Tracklist for Debut Ep Future Friends
    SUPERFRUIT REVEALS TRACKLIST FOR DEBUT EP FUTURE FRIENDS – PART ONE DUE JUNE 30TH, AVAILABLE FOR PREORDER TODAY “BAD 4 US” AVAILABLE TO DOWNLOAD INSTANTLY (Los Angeles, CA – June 20, 2017) Pop duo Superfruit have revealed the tracklist (see below) for the June 30th release of Future Friends - Part One (RCA Records). The album is available for pre- order along with the instant grat track “Bad 4 Us,” at all digital providers. The album was co- written by Mitch Grassi and Scott Hoying, who worked with various producers/songwriters including Danny L. Harle, Caroline Polacheck (Chairlift), ROBOPOP and more. Tracklist: 1. Imaginary Parties 2. Bad 4 Us 3. Worth It (Perfect) 4. Vacation 5. Sexy Ladies 6. Heartthrob 7. Future Friends Future Friends – Part One is available for pre-order now: iTunes / Apple Music: http://smarturl.it/FutureFriendsPart1 Amazon Music: http://smarturl.it/FutureFriendsPart1Am Google Play: http://smarturl.it/FutureFriendsPart1GP “Bad 4 Us” is available now: Spotify: http://smarturl.it/StreamBad4Us About Superfruit: Superfruit is comprised of Mitch Grassi and Scott Hoying, both founding and current members of the 3x Grammy Award-winning, multi-platinum a cappella group Pentatonix. Superfruit was launched in August 2013 and have since amassed more than 350 million views of their music and comedy videos. Their musical content has ranged from artist medleys - their Beyoncé medley was hailed “Flawless” by Huff Post and endorsed by Beyoncé herself - to one-take theatrical performances, such as their Frozen and La La Land medleys. Buzzfeed declared that “Superfruit has turned your hip-hop faves into Broadway Masterpieces” with their “Hip Hop Goes Broadway” videos, the first garnering nearly 9 million views.
    [Show full text]
  • I'm Serving up Drag Queen Realness: a Look Into Language, Kinship, And
    I’M SERVING UP DRAG QUEEN REALNESS: A LOOK INTO LANGUAGE, KINSHIP, AND SIGNIFICANCE OF GENDER PERFORMATIVITY WITHIN AND BEYOND THE DRAG COMMUNITY AND ITS ROLE IN NATIONAL TRANSGENDER PROGRESSION by Hannah Paperno A Thesis Submitted to the Faculty of The Harriet L. Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in Anthropology Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2016 I’M SERVING UP DRAG QUEEN REALNESS: A LOOK INTO LANGUAGE, KINSHIP, AND SIGNIFICANCE OF GENDER PERFORMATIVITY WITHIN AND BEYOND THE DRAG COMMUNITY AND ITS ROLE IN NATIONAL TRANSGENDER PROGRESSION by Hannah Paperno This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Jacqueline Fewkes, and has been approved by members of her supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ___________________________ Dr. Jacqueline Fewkes ___________________________ Dr. Christopher Strain ___________________________ Dean Jeffrey Buller, Wilkes Honors College ___________ Date i ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Jacqueline Fewkes, for guiding and supporting throughout this process. She helped me keep my head on straight and motivate me despite all of the struggles that accompany a research project. I would also like to thank Dr. Corr for her motivation throughout the thesis process and Dr. Strain, my second reader, for his guidance and mentorship throughout my last four years.
    [Show full text]
  • MARY's POPPIN' Into LP
    the SIREN In this edition: Statue Sparks Controversy in Pittsburgh (p. 1) Students Talk Trump’s Transgender Military Ban (p. 5) MARY’S POPPIN’ into LP 1 Statue Sparks Controversy in Pittsburgh By Luke Aloi SIREN Staff Statue photos: Luke Aloi On Aug. 12, two crowds of protesters assembled on the campus of the University of Virginia in Charlottesville. On one side were white nationalists, waving Confederate flags and shouting a multitude of racist slurs. On the other side were college stu- dents, clergy, and members of the Black Lives Matter Movement, all singing “This Little Light of Mine.” Later, they were joined by radical leftist groups like Antifa, and violence soon erupted, leaving three people dead and dozens injured. The spark for the protests was the city’s decision to remove a statue of Confederate General Robert E. Lee. Across the country, statues of controversial historical figures are being taken down, cited as being monuments perpetuating racism. In Pittsburgh, there is discussion about taking down one particular landmark: the statue of composer Stephen Foster on Forbes Avenue, next to the Carnegie Museum of Natural History. Foster, a Pittsburgh native, made significant contributions to the musical culture of America. His songs, such as “Oh! Susanna” and “Camptown Races,” were popular during the nineteenth century and remain familiar today. In the statue scene, Foster -- a well-dressed white man -- is seated high on a pedestal, while the fictional Uncle Ned -- a toothless, barefooted African-American slave -- is seated at Foster’s feet. Critics of the Foster statue believe the depiction of Un- cle Ned is demeaning to African-Americans.
    [Show full text]