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Home , Apple Records, A Beginning, Bad to Me, Flaming Pie, Get Back, Goodnight Vienna

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Greek Theater Ringo July 19th 2014

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TH PLAYLIST JULY 20 2014

9AM

The Beatles - Yellow Submarine - Revolver (-McCartney) Lead vocal: Ringo ’ thirteenth single release for EMI’s label. One of The Beatles’ most innovative creations to date, a children’s sing-along, was written mostly by Paul with assistance from for Ringo’s vocal contribution to the “Revolver” . The track would later be used as the title of the group’s animated film project, which was released in 1968 in the UK. Pop singer Donovan helped Paul with the lyrics, coming up with the memorable line, “Sky of blue, sea of green.” Although at the time of its release it was rumored to be about drugs, McCartney denied this, saying, “I knew ‘Yellow Submarine’ would get connotations, but it really was a children’s song in the key of Ringo.” The basic rhythm track was recorded in four takes on May 26, 1966. The session is notable in Beatles recording history because producer had taken ill with food poisoning and his future wife, Judy, manned the console to capture all of the action in his absence. Lead and background vocals where then added. Six days later, on June 1, with Martin back at the helm, recording resumed. On this date Lennon added his shout out (“Full speed ahead Mr. Boatswain, full speed ahead”), additional backing vocals, and sound effects, including bells, whistles, crashing waves, clinking glasses, etc., were superimposed. Participating in the backing vocals along with George Martin and the four Beatles were guests including Brian Jones of , Pattie Harrison, and band assistants and . The

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song was issued as a double-A side single, paired with “.” This strayed purposely from The Beatles’ usual release pattern. Generally they would not issue from an LP as single sides. But John and Paul had tired of other artists recording their album tracks and having chart hits with them, so this time out The Beatles opted to have the hit single version of two of their album tracks. The “Yellow Submarine”/”Eleanor Rigby” single, issued simultaneously with the “Revolver” album, marked the first time issued LP songs on a single in Britain. In the U.S., the single sold a remarkable 1.2 million copies in the first month of release, and became the group’s 21st gold record. This is the first time a lead vocal had appeared on the A-side of a Beatles single. On U.S. album: Revolver - Capitol LP Yellow Submarine - Capitol LP

The Beatles – Boys – (Dixon-Farrell) Lead vocal: Ringo Recorded in just one take on February 11, 1963. “Boys” was drummer Ringo Starr’s first recorded lead vocal. and Wes Farrell’s song was originally recorded by and was the b-side to their smash hit “Will You Me Tomorrow?” This song was usually Ringo’s contribution at The Beatles’ live performances during their North American Tour in the summer of 1964. On U.S. : Introducing… The Beatles - Vee-Jay LP - Capitol LP

The Beatles - Don’t Pass Me By - The Beatles (Starkey) Lead vocal: Ringo The second song to be recorded for the “White Album” was the first solo songwriting credit for Richard Starkey, aka Ringo Starr. Although Ringo had assistance from Paul McCartney on the catchy, very McCartney-ish chorus (“Don’t pass me by, don’t make me cry, don’t make me blue, ‘cuz you know darlin’ I love ”), the verses are all Ringo, who had been dabbling with this song off and on since 1963! The rhythm track was recorded in three takes on June 5, 1968, with only Paul on and Ringo on drums. Overdubs included a second piano part, sleigh bells, and part. Work continued on June 6 with the recording of Ringo’s lead vocal. On July 12, outside musician Jack Fallon was brought in to play the part. The quirky introduction was a seven-second edit piece of Paul tinkling piano keys, recorded on July 22. A slightly longer introduction to the song was put together by George Martin, but was not used. This 48-second piece, entitled “,” can be found on the “” album.

9.12 BREAK

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The Beatles - - single version (Non-LP track) (Lennon-McCartney) Lead vocal: Paul The Beatles’ nineteenth single release for EMI, and second on the label. The “Get Back” sessions, as the recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969. Producer/Engineer attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes were left dormant in the vault for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). “Get Back” had been rehearsed and reworked throughout the January sessions, including over 30 takes of the song on January 27, 1969. Among those over 30 takes was the master take of the song, but it did not include the familiar coda at the end. That would be recorded the following day and edited on to the January 27 master. Like ’s “Don’t Let Me Down,” “Get Back” features on keyboards. The song is also notable as one of John’s best guitar solos. Rush-released as a single with the hope of being in stores in the UK on April 11, 1969, the single showed up a week later. Although the single did not list a producer credit, it did, for the first time on a Beatles single, list an artist in addition to the Beatles: “THE BEATLES with Billy Preston” graced both sides of the single. “A great honor,” said Preston.

The Beatles - Don’t Let Me Down - Non-LP B-Side

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(Lennon-McCartney) Lead vocal: John with Paul The Beatles’ nineteenth single release for EMI, and second on the Apple Records label. The “Get Back” sessions, as the January 1969 recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969. Producer/Engineer Glyn Johns attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes would be left dormant in the vault for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). John Lennon’s “Don’t Let Me Down” was a love song for and was the first song given a full run-through by the group when sessions for the new album began at Twickenham Studios on January 2, 1969. But proper multi-track recording takes were not done until the band changed location to the basement at their Apple headquarters. The master take was recorded on January 28, 1969. Like Paul McCartney’s “Get Back,” the song features Billy Preston on keyboards. Rush-released as a single with the hope of being in stores in the UK on April 11, 1969, the single showed up a week later. Although the single did not list a producer credit, it did, for the first time on a Beatles single, list an artist in addition to the Beatles: “THE BEATLES with Billy Preston” graced both sides of the single. “A great honor,” said Preston. The single debuted at number one on the Record Retailer singles chart. In America, the single was issued on May 5, 1969, and it topped the Billboard sales chart for five weeks. It is the first Beatles single released in stereo, but the stereo mixes were for the American market, not the UK. The UK would have to wait until the next single release (“The Ballad Of John And Yoko”) to get its first stereo Beatles 45. Prior to this all previous Beatles singles had been issued in mono. Although the song appears in the “” film, it is not included on the soundtrack album. On U.S. album: - Capitol LP (1970)

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The Beatles - - Non-LP B-Side (Harrison) Lead vocal: George On February 25, 1969, his 26th birthday, went to Studios and recorded elaborate eight-track demos of three of his latest compositions: “Old Brown Shoe,” “Something,” and “.” All three of the demos recorded this day can be found on the “Anthology 3” album. “Old Brown Shoe” had made a brief appearance near the end of the “Get Back” sessions with a few run-through/rehearsals on January 28, 1969. The full band revisited the song for a proper recording on April 16, 1969. The rhythm track was finished in four takes, with George on lead guitar, Paul on jangle piano, John on (which would be erased in favor of a part played by George on April 18), and Ringo on drums. Overdubs included bass guitar, lead guitar, and backing vocals by John and Paul. In his book, “,” George said, “I started the chord sequences on piano, which I don’t really play, and then began writing ideas for the words from various opposites… Again, it’s the duality of things - yes no, up down, left right, right wrong, etc.” Released as the flip side of “The Ballad Of John And Yoko” in the UK on May 30, 1969, while the “Get Back” single was topping the charts. The single was issued by in the U.S. on June 4, 1969. On U.S. album: Hey Jude - Capitol LP (1970)

The Beatles - The Ballad Of John And Yoko - Non-LP track (Lennon-McCartney) Lead vocal: John

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The Beatles’ twentieth single release for EMI, and third on the Apple Records label. The first Beatles single issued in stereo in the UK, it is also the very first stereo single issued by EMI. The “Get Back” single had been released in stereo in America by Capitol. Recorded on April 14, 1969, by just John and Paul, the song was completed that day. George was on vacation and Ringo was still filming the Peter Sellers’ comedy “The Magic Christian.” Producer George Martin and engineer , who had distanced themselves from the group because of the constant bickering amongst the group members, were back on board behind the recording console. The single was a complete surprise to Beatles fans. They had waited a long seven months for the group to follow- up “Hey Jude” with “Get Back” and now just over a month came another new Beatles record. The rhythm track was perfected in 11 takes (four complete) with Paul playing drums while John played and sang the lead vocal. The duo was in good spirits during the day-long session. Prior to take four John said to drummer Paul “Go a bit faster, Ringo!” and Paul replied “OK, George!” Overdubs featured Paul on bass guitar, piano, backing vocal and maracas, and John on two lead guitar parts and percussive thumping on the back of an acoustic guitar. The song recounts the chaos surrounding John and Yoko’s getting married. Lennon had encountered visa problems because of his November 1968 drug conviction which made his movement from one country to another very difficult. As an example, he was not allowed to enter the United States at this time so the couple’s second “Bed-In” was staged in Montreal, about an hour north of the U.S. border in Canada.

John knew the song’s controversial chorus was going to cause problems, particularly coming from the man who three years earlier had claimed the Beatles were “.”

Christ! You know it ain’t easy You know how hard it can be The way things are going They’re gonna crucify me

On U.S. album: Hey Jude - Capitol LP (1970)

Couple of Beatles singles in their entirety..(both sides)

And now it’s QUIZ TIME…

Their were not one ...BUT 2 Beatles singles released 50 years TODAY here in the states on Capitol Records…name those 2 singles…A & B sides…so you will be calling in with 4 songs titles.

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While you attempting to figure that out… Let’s get back to music… Wanna hear Think For Yourself before Paul overdubbed that FUZZ BASS?

The Beatles - Think For Yourself - sessions

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(Harrison) Lead vocal: George The fifth original composition by George Harrison to be recorded by The Beatles was completed on November 8, 1965 in one take with overdubs under the working title “Won’t Be There With You.” The version does NOT feature Paul playing his bass through a fuzz box to give it a distorted sound. On U.S. album: Rubber Soul - Capitol LP

WINNER HERE (you the single pick winner)

A/ US single release: `I'll Cry Instead'/`I'm Happy Just to Dance With You'. & `'/`'.

The Beatles - I’ll Cry Instead - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John

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A country-influenced Lennon-McCartney rocker recorded on June 1, 1964. John Lennon says that he wrote it for “A Hard Day’s Night,” but the film’s director, Richard Lester, didn’t like it and replaced it at the last minute with “Can’t Buy Me Love.” The decision to cut “I’ll Cry Instead” from the film was so last minute that the American soundtrack LP, which had been rush-released by Records, included “I’ll Cry Instead” in its song line-up. Released as a single in the U.S. on July 20, 1964. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP

The Beatles - I’m Happy Just To Dance With You - A Hard Day’s Night (Lennon-McCartney) Lead vocal: George Written by John and Paul specifically to give George a song in the movie “A Hard Day’s Night.” Completed in four takes on March 1, 1964, with filming slated to begin the next day. The b-side of “I’ll Cry Instead” in U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP

9.42 BREAK

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The Beatles - - Non-LP Track (Lennon-McCartney) Lead vocal: Paul The Beatles’ seventeenth single release for EMI’s Parlophone label. The last original issue Beatles 45 to appear on the Capitol swirl label in the U.S. or on the Parlophone label in the UK. Starting in the summer of 1968, Beatles recordings would be issued on their own , Apple Records. The Beatles did not leave EMI or Capitol, they simply had their own custom label, to which they could sign artists. The manufacturing and distribution would remain the same as before. In fact, in America, their releases continued to use Capitol album and single catalog numbering. “Lady Madonna” was a number one single in Britain, but in America is did not reach the top of the charts. Billboard had it peaking at number four. Cashbox and Record World charted it as high as number two. Despite not reaching the top of the charts in America, the single sold over one million copies within a month. Released on March 15, 1968 in the UK and March 18, 1968 in the U.S. On U.S. album: Hey Jude - Capitol LP

The Beatles - - The Beatles (Lennon-McCartney) Lead vocal: John On February 19, 1968, the Beatles left the comforts of the UK for an oft-postponed extended trip to Rishikesh, India. Arriving the next day, they had come to learn the powers of mediation under the direction of Indian guru at the Academy of Transcendental Meditation. The compound was located 150 feet above the Ganges surrounded on three sides by jungle-covered mountains. Students would live in stone cottages. Each cottage had twin beds and modern bathroom facilities. George Harrison had been enlightened by the Indian culture and the Maharishi’s teachings and invited his band mates to immerse themselves in it as well. But instead of rejuvenating the other Beatles, the trip became tedious. Ringo and wife Maureen left Rishikesh after 10 days, complaining of missing their children and not liking the food. John and Paul turned it into a songwriting vacation, much to Harrison’s irritation. Paul and girlfriend returned to England on March 26. In April, things came to a head when a rumor circulated that the Maharishi had made sexual advances toward at least one of the women at the compound. John: “We went to see him after we stayed up all night discussing was it true or not true. When George started thinking it might be true, I thought well, it must be true, because if George started thinking it might be true there must be something to it. So we went to see Maharishi, the whole gang of us, the next day, charged down to his hut, his bungalow, and as usual, when the dirty work came, I was the spokesman.” But instead of accusing the Maharishi outright of wrongdoing or inquiring about the specifics of the rumor, Lennon announced cryptically “We’re leaving.” When the Maharishi asked why, Lennon’s response was “Well, if you’re so cosmic you’ll know why.” True or not, Lennon and Harrison had had enough and left with their entourage immediately. “Sexy Sadie” was written by John while waiting at Delhi Airport, and was originally titled “Maharishi” with lyrics being “Maharishi, what have you done? You made a fool of everyone.” At Harrison’s request, Lennon backed off

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and substituted ‘Sexy Sadie’ for ‘Maharishi.’

The Beatles - - (EP) (Lennon-McCartney) Lead vocal: Paul Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded, including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them. In the “Magical Mystery Tour” film you can see Paul (by himself) standing atop a hill near Nice, France, during sunrise. The scene also includes ad-libs of Paul spinning, running and dancing, and close-ups of Paul’s moving eyes. It was an interesting trip for Paul as he forgot his wallet, passport and his money! They also didn’t have the correct camera lenses. It ended up costing over 4,000 pounds to film the scene. Paul’s September 6 live piano/vocal solo demo can be found on the “” album. On U.S. album: Magical Mystery Tour - Capitol LP

John Lennon – Remember - ‘70

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“Remember, Remember the Fifth of November.” This is a reference to Guy Fawkes Day (Guy Fawkes famously tried to blow up parliament in 1605). This was recorded on John’s 30th birthday, October 9th, 1970.

Paul McCartney – – Flaming Pie ‘97 The title track, it evolved out of jam between Paul and (during recording of the track, “Souvenir”). It was recorded in a single session on February 27th, 1996.

Ringo – – Goodnight Vienna

BREAK FOR NEWS HERE

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10.12 BREAK

Bumper/ The Beatles - - Non-LP B-Side (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ debut album was set to hit stores in the UK on March 22, 1963. On March 5 the band members returned to to record songs for a single that would be released a few weeks after the album. Three Lennon-McCartney originals were recorded this day: “,” “Thank You Girl,” and “.” A fourth song, “What Goes On,” was rehearsed but not recorded. Recorded under its original title “Thank You Little Girl” and finished in 13 takes and took the b-side of the third Beatles single, “From Me To You.” The single was the first true #1 for The Beatles in Britain, reaching the top spot on all three of the nation’s record charts. It is the last Beatles single to be released with the writing credits listed as “McCartney-Lennon.”

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U.S. Non-album single (b-side of “From Me To You” and “Do You Want To Know A Secret”) (Vee-Jay)

On U.S. album: The Beatles’ Second Album - Capitol LP

UK: Non-album single (B-side)

On UK album: Rarities -- Parlophone LP (1979)

I Call Your Name - EP (Lennon-McCartney) Lead vocal: John Composed by John Lennon and originally given to Billy J. Kramer with the Dakotas to use as the b-side of another Lennon song (credited to Lennon-McCartney), “.” Both songs had been recorded at Abbey Road by Kramer and band on June 27, 1963, with Paul McCartney in attendance. The Beatles’ version was recorded in seven takes on March 1, 1964. On U.S. album: The Beatles’ Second Album - Capitol LP

U.K.: Non-album track (EP song)

The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse

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but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970)

QUIZ #2 HERE The Beatles Something New was Released 50 years ago today here in the USA …it was the shortest Beatles album released on Capitol records… What is the running time of entire Something New album? Their shortest ever.

Length 24:47 (mono)

Something 24:27 (stereo) New I’ll play the shortest song on the album…if we don’t get an answer in 1.58…we’ll move on…

The Beatles - Matchbox (Perkins) – Long Tall Sally EP / Something New/ * flip of Slow Down in US Capitol 5255 (US) August 24, 1964 Recorded: 1st June 1964 "Matchbox" is sung by Ringo, and was recorded on 1st June. It's writer was present at the sessions, although he did not participate. Carl had originally released "Matchbox" on the legendary Sun label on 11th February 1957, but failed to chart anywhere

WINNER?

Play a song from the longest Beatles album…. Check time 7min or 10min

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The Beatles - Blackbird - The Beatles (Lennon-McCartney) Lead vocal: Paul Another Paul McCartney solo performance for the “White Album.” Paul wrote “Blackbird” at his Scottish farm house and the song was started and finished in 32 takes, 11 being complete run-throughs of the song, on June 10, 1968. Paul has said the music was inspired by Bach’s “Bourree in E Minor,” which he learned to play at a young age. The tapping sound on the recording is not a metronome. The percussion-like sound keeping the beat is actually Paul tapping his foot on the studio floor, which was separately miked onto one of the tracks. Paul has since revealed that the song was a message of solidarity to black people living in the U.S.

“Blackbird” is one of only five Beatles songs Paul chose to perform live during his “” concert tour in 1976.

George Harrison – - All Things Must Pass ‘70 Also written during the “Let It Be” sessions, this track shows running rampant with the Wall of Sound.

John Lennon – Imagine - Acoustic ‘04 Live at the Apollo Theater, December 17th, 1971. From Anthology.

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10.42 BREAK

So,…In the beginning of 2014 I asked if somebody would keep a running count of how many times we play as we’ve been accused of playing too much…anybody counting? Since we are half way though the year I thought I ask…if you are keeping count…you can ADD another spin to the list!

The Beatles - Hey Bulldog - Yellow Submarine (Lennon-McCartney) Lead vocal: John In early February 1968, the Beatles were on a tight schedule. They had two weeks to audition and record possible songs for their next single, which would be released while

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they were away on an extended trip to India where the group would meditate with Maharishi Mahesh Yogi. In addition to picking the single sides they would need to spend a day with a film crew making a short promotional film for the song. The Paul McCartney-penned “Lady Madonna” was chosen as the A-side and would be the subject of the promo film. On the last weekend of recording, the Beatles were informed they were one song short of the four new songs needed for “Yellow Submarine,” and a new song had to be recorded before they left for India. The song shortage was due to “Baby, You’re A Rich Man,” which had been earmarked for the film soundtrack, being used as the B-side of the “” single.

The Beatles - She’s A Woman (Lennon-McCartney) Lead vocal: Paul Recorded in seven takes on October 8, 1964, take 6 is the released version. Written by Paul McCartney while waking around St. John’s Wood the morning of the recording session and finished at home before heading off to Abbey Road studios. Issued in the U.S. on November 23, 1964, and in U.K. four days later. Not included on the “” LP, which was released on December 4, 1964 in the UK. The B-side of “.” On U.S. albums: Beatles ‘65 - Capitol LP

UK: Non-album single (B-side)

Paul McCartney – Oo You – McCartney ‘70

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The first three tracks were recorded at home, while the lyrics were written during another hurried lunch. Aerosol spray was used as an instrument in the song.

The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00

John Lennon – Tight A$ - Mind Games ‘73 This track was an interesting turn for John’s songwriting, as this was the first song that wasn’t about “something.”

The Beatles - What You’re Doing - Beatles For Sale

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(Lennon-McCartney) Lead vocal: Paul Recorded in seven takes on October 26, 1964. The most problematic song in the sessions for ”Beatles For Sale.” The Beatles tried different arrangements over three days and finally hit upon one they liked on the last day of recording for the album. Written primarily by Paul between August 31 and September 1, 1964 in Atlantic City during days off on the Beatles’ North American Tour. Paul provides the double-tracked lead vocal. On U.S. album: Beatles VI - Capitol LP

The Beatles - Every Little Thing - Beatles For Sale (Lennon-McCartney) Lead vocal: John (with Paul on the choruses) Written primarily by Paul between (though sung mainly by John) August 31 and September 1, 1964 in Atlantic City during days off on the Beatles’ North American Tour. Recorded on September 29 and 30, 1964 in nine takes. Ringo makes his debut on timpani (the orchestral drum instrument), which appears only on the final take (Take 9) of the song. On U.S. album: Beatles VI - Capitol LP

A LENNON/MCCARTNEY ONLY SET No Ringo-starr time No George Just John & Paul

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11.12 BREAK

LIVE SOLO BEATLES SONGS

George Harrison – Taxman - Live In Japan ‘92 Recorded in Tokyo – December 15th 1991.

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John Lennon/ – – MSG `74 This was John’s choice. He had rejected Elton’s suggestion that he close the set with “Imagine,” and rather wanted to have fun singing an old tune that he had never owned on the lead. This was dedicated to his “old estranged fiancée named, Paul.”

Paul – You Won’t See Me – Live Russia…

Ringo – Octopus Garden – VH1

QUICK BREAK

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The Beatles - Hey Jude – SIMI LIVE DAVID FROST

11.42 BREAK

BUMPER/ The Beatles - One After 909 - March 5, 1963

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(Lennon-McCartney) Lead vocal: John and Paul One of the oldest songs in the Lennon-McCartney catalog, “One After 909” had been written by John when he was 17 or 18, and had been performed by in 1960, and by the Beatles in their pre-fame club days. The song was first recorded by the Beatles at the March 5, 1963, session for their third EMI single. After completing both sides of the new single (“From Me To You” and “Thank You Girl”), John and Paul had two additional songs they wanted the group to record. In addition to “One After 909” they also brought in “What Goes On,” but there was only enough time in the session to record one additional song, so “One After 909” got the go-ahead. Six years later the group revisited the song, with Billy Preston on keyboards. In his 1980 “Playboy” interview, Lennon admitted the song was probably resurrected for “Let It Be” because of a lack of material. As the rooftop performance drew to a close John sang an impromptu line from “Danny Boy.” The previously unreleased 1963 version can be found on the “Anthology 1” album.

The Beatles - The Sheik of Araby – Decca Audition

written in 1921 by Harry B. Smith and Francis Wheeler, with music by Ted Snyder. It was composed in response to the popularity of the Rudolph Valentino feature film The Sheik.

John recorded for Mind Games…gave off to Johnny…. Lost him…Edgar good friend of the show…our thoughts & prayers to the Winters…

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Johnny Winter – Rock’n’Roll People (Lennon) John Dawson Winter III

Ramones – I Wanna Be Your Boyfriend – The

Next Sunday ( &) The Bayonets! (LIVE!)

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