Views of Risk in Late Modernity
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The Primitivist Critique of Modernity: Carl Einstein and Walter Benjamin1
The Primitivist Critique of Modernity: Carl Einstein and Walter Benjamin1 David Pan In the “Sirens” episode in Homer’s Odyssey, Odysseus, relying on nothing more than the wax in his sailors’ ears and the rope binding him to the mast of his ship, was able to hear the sirens’ song without being drawn to his death like all the sailors before him.2 Franz Kafka, finally giving the sirens their due, points out that their song could certainly pierce wax and would lead a man to burst all bonds. Instead of attributing Odysseus’ sur- vival to his cunning use of technical means, which he calls “childish mea- sures,”3 Kafka attributes it to the sirens’ use of an even more horrible weapon than their song: their silence. Believing his trick had worked, Odysseus did not hear their silence, but imagined he heard the sound of their singing, for no one could resist “the feeling of having triumphed over them by one’s own strength, and the consequent exaltation that bears down everything before it.”4 The sirens disappeared from Odysseus’per- ceptions, which were focused entirely on himself. Kafka concludes: “If the sirens had possessed consciousness, they would have been annihilated at that moment. But they remained as they had been; all that had hap- pened was that Odysseus had escaped them.”5 Max Horkheimer and Theodor Adorno have argued that this ancient 1. From Primitive Renaissance: Rethinking German Expressionism by David Pan. Copyright 2001 by the University of Nebraska Press. 2. Homer, Odyssey, Book 12, pp.166-200. 3. -
Bridging Politics and Science: the Concept of Social Engineering in Sweden and the USA, Circa 1890-1950
Department of History and Civilization Bridging Politics and Science: The Concept of Social Engineering in Sweden and the USA, Circa 1890-1950 Carl Marklund Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute 5 November 2008 Abstract - Contents - Prologue EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization Bridging Politics and Science: The Concept of Social Engineering in Sweden and the USA, Circa 1890-1950 Carl Marklund Examining Board: Prof. Bo Stråth (Helsinki University, European University Institute) - supervisor Prof. Peter Wagner (University of Trento, European University Institute) Prof. Alan Brinkley (Columbia University) Prof. Yvonne Hirdman (Stockholm University) © 2008, Carl Marklund No part of this thesis may be copied, reproduced or transmitted without prior permission of the author BRIDGING POLITICS AND SCIENCE: THE CONCEPT OF SOCIAL ENGINEERING IN SWEDEN AND THE USA, CIRCA 1890-1950 Carl Marklund Abstract This dissertation aims to problematize the historical concept of “social engineering.” In historiography, social engineering is usually understood as the application of scientific theory to political and social practice. As such, it is thought to have characterized much of early 20th century expansion of public interest and state responsibility into previously non-politicized areas of private life, especially when deceptive and/or technological in nature. It has also been seen as an expression of mechanistic “modernity” and “technocracy.” Through a comparative and conceptual histoire croisée of social engineering this dissertation studies how this concept was “spoken” in Sweden and the USA circa 1890-1950. The comparison shows that social engineering rhetoric emphasized the role of human agency and voluntarism in social change, rather than social laws or mechanistic determinism. -
Post / Late? Modernity As the Context for Christian Scholarship Today,” Themelios 22.2 (January 1997): 25-38
Craig Bartholomew, “Post / Late? Modernity as the Context for Christian Scholarship Today,” Themelios 22.2 (January 1997): 25-38. Post / Late? Modernity as the Context for Christian Scholarship Today Craig Bartholomew1 [p.25] INTRODUCTION Scholarship is always historical, in the sense that it is crafted by particular humans at a particular time and place. Christian scholarship is of course no exception to this rule. Thus Christians in academia, using the insights of God’s Word, need to work as hard as anyone to understand the historical context in which they work, so that they might craft integrally Christian theory at their point in history. Once we try to think about the context in which we are doing our scholarship, the word postmodern is unavoidable. Go to any major bookshop, especially the sociology section, and you will see what I mean! Postmodern is the word in vogue to identify the context in which we in the West live and think as we head towards the end of the second millennium. In this article we shall try to unravel what ‘the postmodern turn’ involves and examine the challenge it presents for the practice of Christian scholarship at this time. THE TERM ‘POSTMODERN’ Postmodernity is an unusually slippery word, used nowadays in a bewildering variety of ways―’the adjective “postmodern” has now been applied to almost everything, from trainer shoes to the nature of our subjectivity―from “soul to soul” as the rappers might say’2. Although this fuzziness may reflect the instability of the postmodern era, it easily obscures the important issues at stake in the antithetical notions of postmodernity available today. -
Metamodernism, Or Exploring the Afterlife of Postmodernism
“We’re Lost Without Connection”: Metamodernism, or Exploring the Afterlife of Postmodernism MA Thesis Faculty of Humanities Media Studies MA Comparative Literature and Literary Theory Giada Camerra S2103540 Media Studies: Comparative Literature and Literary Theory Leiden, 14-06-2020 Supervisor: Dr. M.J.A. Kasten Second reader: Dr.Y. Horsman Master thesis submitted in accordance with the regulations of Leiden University 2 Table of Contents Acknowledgments ................................................................................................................................. 3 Introduction ........................................................................................................................................... 4 CHAPTER 1: Discussing postmodernism ........................................................................................ 10 1.1 Postmodernism: theories, receptions and the crisis of representation ......................................... 10 1.2 Postmodernism: introduction to the crisis of representation ....................................................... 12 1.3 Postmodern aesthetics ................................................................................................................. 14 1.3.1 Sociocultural and economical premise ................................................................................. 14 1.3.2 Time, space and meaning ..................................................................................................... 15 1.3.3 Pastiche, parody and nostalgia ............................................................................................ -
Beck's Risk Society and Giddens' Search for Ontological Security: a Comparative Analysis Between the Anthroposophical Society and the Assemblies of God
Volume 15, Number 1 27 Beck's Risk Society and Giddens' Search for Ontological Security: A Comparative Analysis Between the Anthroposophical Society and the Assemblies of God Alphia Possamai-Inesedy University of Western Sydney There is a contention by social theorists such as Beck, Giddens, Bauman and Lash that contemporary Western society is in a transitional period in which risks have proliferated as an outcome of modernisation. In accordance with these changes individuals' sense ofselfhood have moved toward being more sensitive as to what they define as risks, such as threats to their health, as economic security or emotional wellbeing than they were in previous eras. Living in such a world can lead individuals to what Giddens would term ontological insecurity. Obsessive exaggeration of risks to personal existence, extreme introspection and moral vacuity are characteristics of the ontologically insecure individual. The opposite condition, ontological security, when achieved, leaves the individual with a sense of continuity and stability, which enables him or her to cope effectively with risk situations, personal tensions and anxiety. This emergent field of study in sociology has nevertheless poorly addressed religious issues; as if these social researchers have omitted parts of the religious aspects ofcontemporary society. This article attempts to fill this lacuna and explores the notion of risk society and ontological security with that of postmodern religion/spiritualities. Two case studies of the Anthroposophical society and Pentecostalism aid in this task. UlrichBeck(1992; 1994; 1995; 1996)andAnthonyGiddens(1990; 1991; 1994; 1999) while differing in their approaches, share similar concerns, foci and epistemological underpinnings in their work. -
Action Yes, 1(7): 1-17
http://www.diva-portal.org This is the published version of a paper published in . Citation for the original published paper (version of record): Bäckström, P. (2008) One Earth, Four or Five Words: The Notion of ”Avant-Garde” Problematized Action Yes, 1(7): 1-17 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-89603 ACTION YES http://www.actionyes.org/issue7/backstrom/backstrom-printfriendl... s One Earth, Four or Five Words The Notion of 'Avant-Garde' Problematized by Per Bäckström L’art, expression de la Société, exprime, dans son essor le plus élevé, les tendances sociales les plus avancées; il est précurseur et révélateur. Or, pour savoir si l’art remplit dignement son rôle d’initiateur, si l’artiste est bien à l’avant-garde, il est nécessaire de savoir où va l’Humanité, quelle est la destinée de l’Espèce. [---] à côté de l’hymne au bonheur, le chant douloureux et désespéré. […] Étalez d’un pinceau brutal toutes les laideurs, toutes les tortures qui sont au fond de notre société. [1] Gabriel-Désiré Laverdant, 1845 Metaphors grow old, turn into dead metaphors, and finally become clichés. This succession seems to be inevitable – but on the other hand, poets have the power to return old clichés into words with a precise meaning. Accordingly, academic writers, too, need to carry out a similar operation with notions that are worn out by frequent use in everyday language. -
Beyond the “Postmodern University”*
Beyond the “Postmodern University”* Claire Donovan Abstract As an institution, the “postmodern university” is central to the canon of today’s research on higher education policy. Yet in this essay I argue that the postmodern university is a fiction that frames and inhibits our thinking about the future university. To understand why the postmodern university is a fiction, I first turn to grand theory and ask whether we can make sense of the notion of “post”-postmodernity. Second, I turn to the UK higher education sector and show that the postmodern university is a chimera, a modern artefact of competing instrumentalist, gothic, and postmodernist discourses. Third, I discuss competing visions of the future university and find that the progressive (yet modernist) agendas that re-imagine the public value of knowledge production, transmission, and contestation, are those that can move us beyond the palliative and panacea of the postmodern university. * Health Economics Research Group, Brunel University, Uxbridge, Middlesex, UK. Email: [email protected]. 1 In this essay I investigate the idea of the postmodern university, an institution that is central to research on, and debate about, higher education policy.1 I contend that the postmodern university does not actually exist, yet this fiction casts a shadow over discussions of higher education policy that inhibits more lateral and creative thinking about the future university. In order to properly investigate the concept of the postmodern, it is first necessary to explain the difference between postmodernism and postmodernity. I then ask if we can make sense of being “beyond” postmodernity to prove that postmodernity has never, in fact, existed. -
Modernity, Modernism, and Fascism. a "Mazeway Resynthesis"
0RGHUQLW\PRGHUQLVPDQGIDVFLVP$PD]HZD\UHV\QWKHVLV 5RJHU*ULIILQ Modernism/modernity, Volume 15, Number 1, January 2008, pp. 9-24 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/mod.2008.0011 For additional information about this article http://muse.jhu.edu/journals/mod/summary/v015/15.1griffin.html Access provided by Universitätsbibliothek Bern (1 Mar 2015 12:52 GMT) GRIFFIN / modernity, modernism, and fascism 9 Modernity, modernism, and fascism. A “mazeway resynthesis”1 Roger Griffin MODERNISM / modernity VOLUME FIFTEEN, NUMBER Fascism and modernism: finding the “big picture” ONE, PP 9–24. Researchers combing through back numbers of this journal © 2008 THE JOHNS HOPKINS in search of authoritative guidance to the relationship between UNIVERSITY PRESS modernity, modernism, and fascism could be forgiven for occa- sionally losing their bearings. In one of the earliest issues they will alight upon Emilio Gentile’s article tracing the paternity of early Fascism to the campaign for a “modernist national- ism” which was launched in the 1900s by Italian avant-garde artists and intellectuals fanatical about providing the catalyst to a national program of radical modernization.2 They will also come across the eloquent case made by Peter Fritzsche for the thesis that there was a distinctive “Nazi modern,” that the Third Roger Griffin is Reich embodied an extreme, uncompromising form of politi- Professor in Modern History at Oxford cal modernism, a ruthless bid to realize an alternative vision of Brookes University modernity whatever the human cost.3 But closer to the present (UK), and author of they will encounter Lutz Koepnik’s sustained argument that over 70 publications on the aesthetics of fascism reflected its aspiration “to subsume generic fascism, notably everything under the logic of a modern culture industry, hop- The Nature of Fascism ing to crush the emancipatory substance of modern life through (Pinter, 1991). -
Pushkin and the Futurists
1 A Stowaway on the Steamship of Modernity: Pushkin and the Futurists James Rann UCL Submitted for the Degree of Doctor of Philosophy 2 Declaration I, James Rann, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Acknowledgements I owe a great debt of gratitude to my supervisor, Robin Aizlewood, who has been an inspirational discussion partner and an assiduous reader. Any errors in interpretation, argumentation or presentation are, however, my own. Many thanks must also go to numerous people who have read parts of this thesis, in various incarnations, and offered generous and insightful commentary. They include: Julian Graffy, Pamela Davidson, Seth Graham, Andreas Schönle, Alexandra Smith and Mark D. Steinberg. I am grateful to Chris Tapp for his willingness to lead me through certain aspects of Biblical exegesis, and to Robert Chandler and Robin Milner-Gulland for sharing their insights into Khlebnikov’s ‘Odinokii litsedei’ with me. I would also like to thank Julia, for her inspiration, kindness and support, and my parents, for everything. 4 Note on Conventions I have used the Library of Congress system of transliteration throughout, with the exception of the names of tsars and the cities Moscow and St Petersburg. References have been cited in accordance with the latest guidelines of the Modern Humanities Research Association. In the relevant chapters specific works have been referenced within the body of the text. They are as follows: Chapter One—Vladimir Markov, ed., Manifesty i programmy russkikh futuristov; Chapter Two—Velimir Khlebnikov, Sobranie sochinenii v shesti tomakh, ed. -
LEISURE PLACES and MODERNITY the Use and Meaning of Recreational Cottages in Norway and the USA
LEISURE PLACES AND MODERNITY The use and meaning of recreational cottages in Norway and the USA Daniel R. Williams and Bjom P Kaltenborn Williams, D. R., & Kaltellbom, B. P. (1999). Leisure places and modernity: The use and meaning of recreational cottages in Norway and the USA. In D. Crouch (Ed.), Leisure practices and geographic Itnowledge (pp. 214-230). London: Routledge. Introduction When we think of tourism we often dunk of travel to exotic destinations, but modernization has also dispersed and extended our network of relatives, friends, and acquaintances. Fewer people live out their lives in a single place or even a single region of their natal country. Modern forms of dwelling, working, and playing involve circulating through a geographically extended network of social relations and a multiplicity of widely dispersed places and regions. Much of the "postmodern" discourse on tourism leaves the impression that tourists seek out only the exotic, authentic "other" and experience every destination through a detached "gaze" that rarely engages the "real" (i.e., uncommodified) aspects of the place (MacCanneU. 1992, Selwyn 1996, Urry 1990). Contrary to images of "gazing" tourists on a pilgrimage for the authentic, much of modern tourism is rather ordinary and involves complex patterns of social and spatial interaction that cannot be neatly reduced to a shallow detached relation. Leisure/tourism is often less packaged, commodified, and colonial than contemporary academic renderings seem to permit. One widespread, but largely unexamined form of leisure travel involves the seemingly enigmatic practice of establishing and maintaining a second home (what we will generally refer to as cottaginl). -
Szarka GEP 2012 12 2 87.Pdf
Citation for published version: Szarka, J 2012, 'Climate challenges, ecological modernization and technological forcing: policy lessons from a comparative US-EU analysis', Global Environmental Politics, vol. 12, no. 2, pp. 87-109. https://doi.org/10.1162/GLEP_a_00110 DOI: 10.1162/GLEP_a_00110 Publication date: 2012 Document Version Peer reviewed version Link to publication University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 Climate Challenges, Ecological Modernization, and Technological Forcing Joseph Szarka Climate Challenges, Ecological Modernization, and Technological Forcing: Policy Lessons from a Comparative US-EU Analysis • Joseph Szarka* Introduction The international policy regime initiated by the United Nations Framework Convention on Climate Change in 1992 has yet to prove its effectiveness. Dur ing negotiation of the 1997 Kyoto Protocol greenhouse gas emission (GHG) targets of around 8 percent were discussed for regions such as the European Union and the United States of America. These goals have offered scant global climate protection, given that global CO2 emissions alone increased by 40 per cent between 1990 and 2009.1 Indeed, the regime’s effectiveness was diluted by defections, notably the United States. -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Gustav Mahler, Alfred Roller, and the Wagnerian Gesamtkunstwerk: Tristan and Affinities Between the Arts at the Vienna Court Opera Stephen Carlton Thursby Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC GUSTAV MAHLER, ALFRED ROLLER, AND THE WAGNERIAN GESAMTKUNSTWERK: TRISTAN AND AFFINITIES BETWEEN THE ARTS AT THE VIENNA COURT OPERA By STEPHEN CARLTON THURSBY A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Dissertation of Stephen Carlton Thursby defended on April 3, 2009. _______________________________ Denise Von Glahn Professor Directing Dissertation _______________________________ Lauren Weingarden Outside Committee Member _______________________________ Douglass Seaton Committee Member Approved: ___________________________________ Douglass Seaton, Chair, Musicology ___________________________________ Don Gibson, Dean, College of Music The Graduate School has verified and approved the above named committee members. ii To my wonderful wife Joanna, for whose patience and love I am eternally grateful. In memory of my grandfather, James C. Thursby (1926-2008). iii ACKNOWLEDGEMENTS The completion of this dissertation would not have been possible without the generous assistance and support of numerous people. My thanks go to the staff of the Austrian Theater Museum and Austrian National Library-Music Division, especially to Dr. Vana Greisenegger, curator of the visual materials in the Alfred Roller Archive of the Austrian Theater Museum. I would also like to thank the musicology faculty of the Florida State University College of Music for awarding me the Curtis Mayes Scholar Award, which funded my dissertation research in Vienna over two consecutive summers (2007- 2008).