4528, rue de Bullion Montréal (Québec) H2T 1Y6

F ou gl orieu x

PHOTO: ANGELO BARSETTI

www.louiselecavalier.com

AGENT : URIEL LUFT, ATMO PRODUCTIONS \ [email protected] \ T. : 1 819-842-1919 \ F.: 1 819-842-1818 \

ADMINISTRATION : SUZANNE BENOIT \ [email protected] \ T. : 1 450-258-3061 \ COORDINATION DE TOURNÉE ET COMMUNICATIONS_ TOUR COORDINATION AND COMMUNICATIONS: ANNE VIAU \ [email protected] \ T. : 1 514-273-5478 \ louise LECAVALIER

LONE EPIC (2006) Solo Choreography: Dancer: Louise Lecavalier Music: excerpts from Bernard Herrmann’s music for Citizen Kane Lighting Design: Lucie Bazzo Rehearsal Mistress: Bruyère Costume designed and built by: Anne-Marie Veevaete Sound engineering: Owen Belton, Diane Labrosse Length: 16 minutes

LULA AND THE SAILOR (2005) Duet from Cobalt rouge Choreography:Tedd Robinson Dancers: Louise Lecavalier, Éric Beauchesne* Original Music: Yannick Rieu Lighting Design: Jean-Philippe Trépanier Rehearsal Mistress: France Bruyère Costumes: Yso, Dubuc Length: 12 minutes * with alternate performances by Elijah Brown

Production: Louise Lecavalier/Fou glorieux,Ten Gates Dancing In co-production with Théâtre de la Ville, Paris, the Venice Biennale, and the National Arts Centre, Ottawa

“I” IS MEMORY (2006) Solo Choreography: Benoît Lachambre Dancer: Louise Lecavalier Original Music: Laurent Maslé Lighting: Jean-Philippe Trépanier Props: Louis-Philippe Saint-Arnault Rehearsal Mistress: France Bruyère Length: 45 minutes

Production of “I” Is Memory and Lone Epic: Louise Lecavalier/Fou glorieux, in co-production with STEPS # 10, ; Théâtre de la Ville, Paris; Tanz im August – Internationales Tanzfest, ; Aarhus Festuge, Aarhus; National Arts Centre, Ottawa; Usine C, ; in partnership with Quebec presenters.

Louise Lecavalier is supported by : the Conseil des arts et des lettres du Québec, the Canada Council for the Arts and Foreign Affairs and International Trade Canada. PRESENTATION

“The beginning point is my fascination for the impulse of movement, which precedes all forms of human communication and which allows us to read the soul. I identify with choreographers whose sense of movement captures this kind of subtlety. I want to feel the evocative force of their gestural language to the point of being able to “read” their intu- ition. Minimal dance fascinates me as much as extreme dance, and I like to find one within the other. By working with three choreographers with whom I have an affinity, each of whom has masterfully elaborated a distinctive approach to movement, I hope to achieve a new form of creative osmosis and open up new directions. I chose to work with Canadian choreographer Crystal Pite, who collaborated for a long period with William Forsythe at Ballett . She has a distinct, complex gestural vocabulary and a keen sense of wit and invention that I appreciate very much. In Lone Epic, movement, in close relation with the music, is at the service of human emotions. These 16 minutes of a condensed lifetime, alternatively joyous, delicate, sad, and grandiose, are sufficient to reveal the totality of the character imagined by Crystal Pite, one which is prey to a range of feelings that we have all experienced at one point or another. “Immodestly chaste,” the dance creations of Tedd Robinson, poet of the absurd, juxtapose strange states and very short choreographic phrases that seem to come from nowhere, as if the body were moving as fast as thought, or were taking the mind by surprise. Lula and the Sailor has no story; the two performers cross each other’s path or meet, sometimes close and sometimes distant. They reveal themselves by the way they move and communicate in duet. The dance brings out the fragility of the connection between mind and body, a connection which is also the mirror of our relations with ourselves and with others. While Tedd Robinson’s work refers to the edginess of thought, in Benoît Lachambre’s solo “I” Is Memory, the mind no longer directs the body’s movements: movement springs from an inner explosion that radiates throughout the body—in its bones, muscles, organs, and articulations. Disjointed and undulating, the body becomes thought. “I” Is Memory evokes abandonment, the collapse of the mind, the loss of identity when a being is stripped of its habitual references.This quasi meditative dance, performed with extreme slowness in a drastically minimalist mode, is the dance of a creature of the shadows, a being in the process of metamorphosis, a mutant.” — Louise Lecavalier

LONE EPIC Lone Epic is a 16-minute solo set to selections from Bernard Herrmann’s majestic score for Citizen Kane. “The work is decidedly brief and low-tech in contrast to the large-scale big-budget features that influence it.The conventions of epic cinema serve as an unconventional backdrop for a small story that is personal, intimate and true. Lone Epic looks for the possibility of real human emotion within the facade of presentation, while recognizing that the emotions of love and loss, while intensely personal, are of epic importance. When a performer waves good-bye to the unmistakeable chords of a cinematic ending, framed by proscenium and perfectly-angled light, do we witness the retreat of a genuinely broken heart? Or does convention eclipse the heart and leave us unmoved? Lone Epic is both humble and grand, real and artificial. A spectacle made of the real-life drama of desire.” — Crystal Pite

LULA AND THE SAILOR This duet is an excerpt from the piece Cobalt rouge, first performed in February 2005 at the National Arts Centre in Ottawa and at the Théâtre Outremont in Montreal. ”The quirky movement vocabulary of this particular duet was never revealed as fully as I thought it could be and now it will stand alone simply and without distraction. The performers are hardly ever physically together and they rarely look at one another. Lula and the Sailor considers the dynamics of a straight line, the clearcut relationship between in and out, and the grey areas of hello and goodbye. A portrait of abundance in an austere frame. A meditation on the activity of simplicity.” — Tedd Robinson

“I” IS MEMORY “The coming together of one body with the sinuous twistings of its own movements, “I” Is Memory reveals the mutations of a moving image whose references are turned upside down—-the lyrical disintegration of a being in motion, like the dance of the rays of a phoenix becoming a mermaid. “I” Is Memory presents kinetic images shared between Louise and I, creating an aesthetic whose trajectory can take unpredictable turns. The dance leads us directly to the self, dissociated from its references, in the process of developing an empathetic relationship with its surroundings.” — Benoît Lachambre BIOGRAPHICAL NOTES \ LOUISE LECAVALIER AND COLLABORATORS

LOUISE LECAVALIER, dancer

Born in Montreal, Louise Lecavalier has been a professional dancer since 1977. She joined La La La Human Steps in 1981 in Oranges and went on to perform in every one of the company’s productions until 1999. In 1985, she became the first Canadian to win a Bessie Award in New York for her performance in Businessman in the Process of Becoming an Angel (1983). She starred in Human Sex (1985), New Demons (1987), Infante (1991), and finally, in 2 (1995) and Salt (1998), works in which she achieved remarkable maturity as a performer. She also partic- ipated in all the major collaborations of La La La Human Steps, including the Sound and Vision tour in 1990, concert by and the of Germany in autumn, 1992, and ’s film, Inspirations, in 1996. As the company’s symbol and luminary for nearly two decades, Louise gave her heart and soul to her art, embodying dance on the outer edge with passion and unrestrained generosity, dazzling audiences everywhere. In May 1999, when Louise Lecavalier received the Jean A. Chalmers National Award, Canada’s most distinguished dance prize, it was the first time this award had been given to a performer. In February 2003, she received a Career Grant from the Conseil des arts et des lettres du Québec. She regularly gives training sessions and master classes at dance festivals in Europe.

In 2003, Louise Lecavalier worked with choreographer Tedd Robinson, who created Cobalt rouge for her and three male dancers. Co-produced by the National Arts Centre (Ottawa), the Venice Biennale, and the Théâtre de la Ville (Paris), this work premiered at the National Arts Centre and was performed at the Théâtre Outremont as part of the Montreal HighLights Festival in February, 2005.Following the creation of the solo piece, “I” Is Memory, choreographed by Benoît Lachambre, at Festival Steps # 10 in Switzerland in May 2006, she collaborated with Canadian choreographer Crystal Pite to create the solo, Lone Epic, presented at the 2006 Festival Tanz im August in Berlin. Lone Epic, “I” Is Memory, and Lula and the Sailor—a duet from Cobalt Rouge—are the three components of a programme touring Canada, Europe, , and during the 2006-2007 and 2007-2008 seasons. The duet Is You Me?, a collaboration between Louise Lecavalier and Benoît Lachambre, was created last spring at Festival Transamériques in Montreal. Louise will dedicate the coming months to the preparation of Children, a duet created for her and dancer Patrick Lamothe by British choreographer Nigel Charnock.The work will have its premiere per- formance at Festival Oriente Occidente in Rovereto, , in September, 2009.

ÉRIC BEAUCHESNE, dancer, Lula and the Sailor

Born in Bécancour,Quebec, Éric Beauchesne discovered dance at the age of 16 when he performed in a student musical comedy show. After graduating from l’École supérieure de danse du Québec, he danced in several productions of Les Grands Ballets Canadiens, Le Jeune Ballet du Québec, and the Banff Festival Ballet. In 1994, upon receiving the du Maurier Prize for promising young talent, Éric left for Europe where he became a member of the Badisches Staatstheater Karlsruhe, and later, the Stadttheater Mönchengladbach in Germany. In 1997, he was invited to join Les Ballets de Jazz de Montréal [bjm_danse,] with whom he performed the works of more than a dozen choreographers in over twenty countries, earning particular distinction in pieces signed by Crystal Pite, Dominique Dumais, and Patrick Delcroix. After seven years with [bjm_danse] in 2004, Éric became an independent artist. Recent performances include works by Jean-Pierre Perreault, Paul-André Fortier,Lina Cruz, Sylvain Émard, Kevin O’Day and Crystal Pite. Éric has also worked with several new names in contemporary dance, including Aszure Barton, Andrew Giday, and Edgar Zendejas.

ELIJAH BROWN, dancer, Lula and the Sailor (alternately with Éric Beauchesne)

Elijah Brown graduated in acting and dance at Ryerson Theatre School in Toronto. He recently finished a five-year run as the leading White Character in the Céline Dion show, A New Day, created in Las Vegas by Franco Dragone. He also acted in the Road to Avonlea television series and in the films End of Summer and Brain Candy. Elijah was a member of Compagnie Marie Chouinard in Montreal for seven years; Ms. Chouinard created the solo Des feux dans la nuit for him in 1999. Other choreographers he has worked with include Dominique Porte, Julia Sasso, Michael Downing, Mia Michaels, Ray Leeper, and Liz Imperio. In 2008, Elijah was assistant artistic director and acting coach at Premio Lo Nuestro (the Latin Music Awards) in Miami. He is currently preparing a show with the interdisciplinary performance collective, Bluemouth, in Toronto. BENOÎT LACHAMBRE, choreographer, “I” Is Memory

Choreographer, performer, improviser, and teacher, Benoît Lachambre is interested in the dynamics of communication and perception. His creations, presented at prestigious festivals in Canada and abroad, blur the parameters of dance and reflect his quest for the authenticity of movement. In 1966 in Montreal, Benoît founded the company par b.l. eux, devoted to contem- porary choreography and international and interdisciplinary collaborations. He has worked with important figures in new dance in Canada and Europe, including Lynda Gaudreau, Sasha Waltz, and Meg Stuart, with whom he created Forgeries, Love and Other Matters, hailed as one of the best productions of the 2004-05 season in and the . In March 2006, Benoît created Lugares Comunes, a work for nine dancers, presented at the Quartz theatre during Festival Antipodes in Brest, France. Winner of the Jacqueline-Lemieux Prize from the Canada Council for the Arts (1998), Benoît Lachambre also received two Dora Mavor Moore awards for his solo work, Délire défait, performed in Toronto in 2001. In 2003, he shared the honours with Carol Prieur for Best Performance at the Moving Pictures Festival (Toronto) for his role in Marie Chouinard’s films Cantique no 1 and no 2. In September 2006, he received a Bessie Award in New York for his performance in Forgeries, Love and Other Matters.

CRYSTAL PITE, choreographer, Lone Epic

Crystal Pite is a Vancouver-based choreographer and performer.From 1988 until 1996 she was a member of Ballet British Columbia in Vancouver,performing the works of choreographers such as John Alleyne, Serge Bennathan, James Kudelka, David Earle, Barry Ingham, and William Forsythe.

Pite’s choreographic debut was in 1990, at Ballet British Columbia’s first choreographic work- shop. Since then, she has created new works for Netherlands Dans Theatre 1, Ballett Frankfurt, [bjm_danse] where she was resident choreographer from 2001 to 2004, Ballet British Columbia, the Alberta Ballet, Ballet Jorgen, and several independent dance artists, including Louise Lecavalier.She is the recipient of the Banff Centre’s Clifford E. Lee Award (1995), the Bonnie Bird North American Choreography Award (2004), and the Isadora Award (2005). Her work was also nominated for the Dora Mavor Moore Award (2006), and a Jessie Richardson Theatre Award (2006).

In 1996, Pite joined Ballett Frankfurt in Germany under the directorship of William Forsythe, performing worldwide in works such as Eidos: Telos, The Loss of Small Detail, and Endless House. She was involved in the creation of Forsythe’s CD-ROM, Improvisation Technologies, and has participated as both performer and creator in Forsythe’s recent works.

In 2001, Pite returned to Canada where she formed her own company, Kidd Pivot, and continues to create and perform in her own work. Kidd Pivot tours nationally and internationally with productions that include Uncollected Work (2002), Double Story (2004), and Lost Action (2006), created with Richard Siegal. Kidd Pivot is the recipient of the Alcan Performing Arts Award for 2006.

TEDD ROBINSON, choreographer, Lula and the Sailor

Born in Ottawa, Canada, Tedd Robinson graduated with a Bachelor of Fine Arts from York University (Toronto). He also studied at The School of The Toronto Dance Theatre, and with eminent British visual theatre artist Lindsay Kemp.Tedd first rose to prominence as the artistic director of Contemporary Dancers in Winnipeg from 1984 to 1990, creating strongly theatrical ensemble works. Returning to Ottawa in 1990 to pursue a solo career, he established himself as a chore- ographer, educator and solo artist whose award-winning, highly original works have resulted in a multitude of commissions and international tours. His critically acclaimed work Rokudo: Six Destinies in Three Steps received the 1998 Jean A. Chalmers National Dance Award. From 1994 to 2000,Tedd was a practising monk of hakukaze soto zen in Ottawa. He is artistic director of 10 Gates Dancing Inc., a non-profit company formed in 1998 to promote the development and performance of contemporary dance creations. LAURENT MASLÉ, composer, “I” Is Memory

Born in France, Laurent Maslé has lived in Montreal since 1987. He has been an active part of the contemporary dance community, and has created music and soundscapes for over thirty works by a number of choreographers, including Dominique Porte, José Navas and Emmanuel Jouthe. Laurent’s close collaboration with Benoît Lachambre began in 1997, and he has since been an integral part of the creation of the sound environments for works by par b.l.eux. He is also involved in the production of installations, art films and documentaries.

YANNICK RIEU, composer and musician, Lula and the Sailor

Montreal-born Yannick Rieu was raised in the Gaspé and Saguenay regions of Quebec. After studying at the Conservatoire de Rennes (Brittany) and later in Chicoutimi and Montreal, he began his career as a jazz saxophonist in 1980. By 1988, Down Beat magazine ranked him among the 20 most promising sax players in the world, along with Branford Marsalis, Joe Lovano and Courtney Pine. Since then, Yannick has garnered rave reviews in pre-eminent jazz publications in the U.S., France and Canada. He has performed mainly in Quebec, but also in English Canada, France, Germany, , Switzerland, and the United States. Inspired by the legendary saxophone players who marked the history of jazz, especially Charlie Parker, John Coltrane, Sonny Rollins, Stan Getz, Éric Dolphy, Steve Lacy and Lee Konitz, Yannick has absorbed their influences to forge his own highly personal style. He has played with Paul Bley, Dizzy Gillespie, Dee Dee Bridgewater, John Hendricks, Toots Thielemans, François Théberge, Gilles Naturel, Simon Goubert, Olivier Renne, Jean-Loup Longnon and Christian Vander,among others. He was the recipient of the Oscar Peterson Prize at the 2006 Montreal International Jazz Festival.

LUCIE BAZZO, lighting designer, Lone Epic

Lucie Bazzo is a graduate of the stage production programme of the Conservatoire d’art dra- matique de Québec. She has worked as a lighting designer in contemporary dance and theatre productions for almost twenty years. She began her career with director Robert Lepage, design- ing the lighting for Dragon’s Trilogy. She has continued to collaborate with Lepage, winning the Critics’ Award for the lighting of Tectonic Plates. Lucie has worked with leading choreographers Lynda Gaudreau, Danièle Desnoyers, and Ginette Laurin, as well as with theatre director Denis Marleau. She also collaborates with several emerging choreographers, and has started designing creative architectural lighting.

JEAN PHILIPPE TRÉPANIER, lighting designer, Lula and the Sailor and “I” Is Memory

Jean Philippe Trépanier has brought his skills in lighting design to new dance to more than 200 works. An independent lighting artist, he has worked with several different companies in produc- tions all over Canada. In 1992, he was awarded the Jacqueline Lemieux Prize by the Canada Council for the Arts, and received a grant for research and creation in the United States and Europe. Recently, he was associate lighting designer for Franco Dragone’s Le rêve at the new Wynn Las Vegas Resort. He began working with Louise Lecavalier in 2005.

FRANCE BRUYÈRE, rehearsal mistress

Classically trained, France Bruyère quickly widened her field of interest to include contemporary and jazz dance. After her professional debut at age 17 with the Groupe Nouvelle Aire in Montreal, she danced for numerous choreographers and with several dance companies which, besides Nouvelle Aire, included Groupe Axis, the Louise Latreille dance troupe, Pointépiénu, and the Danny Grossman Dance Company in Toronto. France teaches dance at university and in the private sector. After a decade as rehearsal mistress for La La La Human Steps, she has pursued her teaching activities with passion. She also does free-lance rehearsal work in both dance and the circus arts. louise LECAVALIER \ TOUR SCHEDULE 2006-2007-2008-2009

DATES CITY THEATRE/ PROGRAMME 2006 COUNTRY FESTIVAL

March 18, 9 p.m. RIO DE JANEIRO Theatro Municipal [1] BRAZIL

March 22, 9 p.m. BRASILIA Teatro Nacional [1] BRAZIL

March 25, 9 p.m. SÃO PAULO Teatro Alfa [1] March 26, 6 p.m. BRAZIL

May 6, 8:30 p.m. CHIASSO Cinema Teatro [1b] [4] SWITZERLAND Steps # 10

May 9, 8:00 p.m. BASEL Theater Kaserne [1b] [4] SWITZERLAND Steps # 10

May 12, 8:00 p.m. ZURICH Theaterhaus Gessnerallee [1b] [4] SWITZERLAND Steps # 10

May 14, 7:30 p.m. BERN Dampfzentrale [1b] [4] SWITZERLAND Steps # 10

May 17-18, 8:30 p.m. LAUSANNE Théâtre Sévelin 36 [1b] [4] SWITZERLAND Steps # 10

May 21, 8:30 p.m. LJUBLJANA Cankarjev Dom [1b] [4] SLOVENIA Exodos Festival

August 18-19-20, 8 p.m. BERLIN Podlewils’sches Palais [2] [4] GERMANY Tanz im August

September 8, 7:30 p.m. AARHUS Musikhuset [2] [3] [4] DENMARK Aarhus Festuge

October 26-27-28, 8:30 p.m. Tanzquartier Wien [4] AUSTRIA

November 2, 8:30 p.m. MUNICH Carl-Orff-Saal, Gasteig, [2] [3] [4] GERMANY Dance 2006

November 6, 7 p.m. TOKYO Aoyama Round Theatre [1b] [4] JAPAN Dance Triennale Tokyo 06

November 8, 7 p.m. TOKYO Aoyama Round Theatre [1b (duo 1)] [4] JAPAN Dance Triennale Tokyo 06

Dec. 1-2-4, 8:30 p.m. PARIS Les Abbesses [2] [3] [4] December 3, 3 p.m. FRANCE Théâtre de la Ville

December 6, 8 p.m. ESSEN Pact Zollverein [2] [3] [4] ALLEMAGNE

December 9, 8:30 p.m. CHÂTEAUVALLON Théâtre couvert [2] [3] [4] FRANCE

December 14, 8:30 p.m. Opéra Garnier [2] [3] [4] December 15, 6 p.m. Monaco Dance Forum

[1]Cobalt rouge [1b]Cobalt rouge Remix [2]Lone Epic [3]Lula and the Sailor [4]“I” Is Memory DATES CITY THEATRE/ PROGRAMME 2007 COUNTRY FESTIVAL

February 8-9-10-11, 8 p.m. MONTREAL Salle Pierre-Mercure [2] [3] [4] CANADA Centre Pierre-Péladeau série Danse Danse

March 7, 8 p.m. ROUYN, CANADA Théâtre du cuivre [2] [3] [4]

March 15, 8 p.m. L’ASSOMPTION, CANADA Théâtre Hector-Charland [2] [3] [4]

March 17, 8 p.m. STE-THÉRÈSE, CANADA Théâtre Lionel-Groulx [2] [3] [4]

March 20, 8 p.m. SHERBROOKE Salle Maurice O’Bready [2] [3] [4] CANADA Centre culturel de l’Université de Sherbrooke

March 23, 8 p.m. VALLEYFIELD Théâtre du Collège de [2] [3] [4] CANADA Valleyfield

March 26-27-28, 8 p.m. QUEBEC CITY Grand Théâtre de Québec [2] [3] [4] CANADA Salle Octave-Crémazie

March 31, 8 p.m. RIMOUSKI, CANADA Théâtre de Rimouski [2] [3] [4]

April 5, 8 p.m. LAVAL, CANADA Maison des Arts [2] [3] [4]

May 11-12, 9:30 p.m. FLORENCE Stazione Leopolda [2] [3] [4] ITALY Fabbrica Europa

June 6, 10 p.m. ZAGREB, ZKM (Zagreb Young Theatre) [2] [3] [4] June 7, 8 p.m. 24th Dance Week Festival

June 23, 10:30 p.m. LILLE, FRANCE Maison Folie de Wazemmes [4] Latitudes contemporaines

July 4-5, 9 p.m. AMSTERDAM Théâtre Bellevue [2] [3] [4] THE NETHERLANDS Julidans

September 12-13, 8:30 p.m. DIVONNE-LES-BAINS Esplanade du lac [2] [3] [4] FRANCE Festival de la Bâtie

October 1st, 8:30 p.m. SAN LUIS POTOSI Teatro de la Paz [2] [3] [4] MEXICO XXVII Festival Internacional de Danza Contemporánea Lila López

November 3, 8 p.m. CHICOUTIMI Auditorium Dufour [2] [3] [4] CANADA Théâtre du Saguenay

November 16, 8 p.m. ARR. MONTRÉAL-NORD Maison culturelle et [2] [3] [4] MONTREAL, CANADA communautaire Montréal-Nord

November 23, 8 p.m. ARR. SAINT-LÉONARD Théâtre Mirella et Lino Saputo [2] [3] [4] MONTREAL, CANADA

November 27-28, 8:30 p.m. PARIS, FRANCE Ménagerie de verre [4] Festival des Inaccoutumés

November 30 CHÂLONS-EN-CHAMPAGNE La Comète [2] [3] [4] FRANCE

December 8, 9 p.m. BRUGGE Stadsschouwburg [4] December 9, 6 p.m. BELGIUM Dance 07

December 11, 8 p.m. GHENT, BELGIUM Vooruit,Theaterzaal [4]

December 13-14, 8:30 p.m. BRUSSELS, BELGIUM Kaaitheater [4]

[1]Cobalt rouge [1b]Cobalt rouge Remix [2]Lone Epic [3]Lula and the Sailor [4]“I” Is Memory DATES CITY THEATRE/ PROGRAMME 2008 COUNTRY FESTIVAL

January 16, 8 p.m. ARR. VILLE-MARIE Maison de la culture Frontenac [2] [3] [4] MONTREAL, CANADA

January 22, 7:30 p.m. ARR. OUTREMONT Théâtre Outremont [2] [3] [4] MONTREAL, CANADA

January 25, 8 p.m. STE-GENEVIÈVE Salle Pauline-Julien [2] [3] [4] CANADA Collège Gérald-Godin

February 2, 8 p.m. ARR. ROSEMONT- Salle Jean-Eudes [2] [3] [4] LA-PETITE-PATRIE Maison de la culture MONTREAL, CANADA Rosemont

February 10, 8 p.m. ARR. LASALLE Salle Jean-Grimaldi [2] [3] [4] MONTREAL, CANADA

February 12, 8 p.m. ARR. AHUNTSIC- Maison de la culture [2] [3] [4] CARTIERVILLE Ahuntsic MONTREAL, CANADA

April 16-17-18, 8:30 p.m. MADRID Festival Madrid en Danza [2] [3] [4] SPAIN Teatro Pradillo

June 8-9, 7 p.m. OTTAWA Studio, National Arts [2] [3] [4] CANADA Centre Canada Dance Festival

July 26, 7 p.m. PYHÄJÄRVI, Full Moon Dance Festival [2] [3] [4]

July 31, 9 p.m. VIENNA Akademietheater [4] AUSTRIA ImPulsTanz

August 8, 8 p.m. MONCTON, NB Théâtre l’Escaouette [2] [3] [4] CANADA Festival de danse en Atlantique

November 16 DÜSSELDORF Schauspielhaus [2] GERMANY Internationales Tanzfest NRW 2008

November 18, 8:30 p.m. MULHOUSE La Filature [2] [3] [4] FRANCE

November 21, 9 p.m. SAINT-QUENTIN- Le Prisme [2] [3] [4] EN-YVELINES FRANCE

2009

March 18-19-20, 8 p.m. RENNES Théâtre national de Bretagne [2] [3] [4] FRANCE

June 5, 8 p.m. TROIS-RIVIÈRES Maison de la Culture [2] [3] [4] CANADA de Trois-Rivières Festival DansEncore

Lone Epic : Choreography : Crystal Pite Lula and the Sailor, duet from Cobalt rouge : Choreography :Tedd Robinson “I” Is Memory : Choreography : Benoît Lachambre

This schedule is subject to change. 03/02/2009

[1]Cobalt rouge [1b]Cobalt rouge Remix [2]Lone Epic [3]Lula and the Sailor [4]“I” Is Memory