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Exhlbltlon CATALOGS 1983 DEADLINES Fluxus Etc EXHlBlTlON CATALOGS 1983 DEADLINES Fluxus Etc. (The Gilbert and Lila Silverman Collection, Cran- Injury by Jury. An unjuried international postcard art action. brook Academy of An Museum, September 20 - November Theme: Artwork/Artists rejected. Send old jury cards, rejec- 1, 1981). ted slides, alternative ideas, opinions, suggestions regarding This huge (410-pages) catalog of the SiIverman Collection, juried mail art or traditional juried exhibitions. Submit work meticulously prepared by Jon Hendricks, is the first Ameri- to Cracker Jack Kid, Central Grounding Space, 2468 S. 3rd can catalog on Fluxus comparable to the large ones which Plaza, Omaha, NE 68108. Deadline: February 1983. No have appeared in Europe, in spite of the large American pani- jury, no fees, no returns. Documentation to all participants. cipation in Fluxus. As a source book in a very iconoclastic Vessels Aesthetic 1983. A competitive exhibition for all ce- area of the arts, it is invaluable. It is organized into four sec- ramic artists/craftspeople. Purchase and merit and purchase tions: one on theory, which resulted when Mr. Silverman awards. Must allude to the vessels form. Entries by slide. asked as many Fluxus artists as possible to send him ten $7.50 per entry, no limit, sets will constitute one entry. words on Fluxus, enclosing a $100 check, so that the resulrs Deadline for slides: 6 January 1983. Exhibition dates at would be considered seriously. The results range from ear- Taft College Art Gallery in Taft, CA 5 - 31 March 1983. nest efforts to define Fluxus (quite difficult, since nobody For prospectus, write to Jack Mettier, Director, Taft College agrees what it is ) to the ridiculous: Yoko Ono had her office Art Gallery, 505 Kern St., Taft, CA 93268. assistant, one Greg Martello, write,"Due to Yoko's busy schedule, we are not at this time able to consider your busi- True Grits. Samples of sands from around the world sought ness offer." The second section consists of Fluxus works by Bruce McAlpine, 65 Thorndike St., Concord, NH 03301 themselves in the Silverman collection, ranging from substan- USA. Please send for collection envelopes. Documentation tial constructions to photographs to graphic pieces, rnulti- to all. Deadline: January 1983. ples, and etc. The third section consists of "Fluxus Periodicals and Docu- Europa and the Wall. John Furnival is building a wall around ments," arranged chronologically, and includes the Fluxus his stately home. It now contains stones from all over Wes- newspapers and publications spon off along the way-CC V tern Europe, famous historical or geographical sites, or not. Tre, De-coll/age, programs, etc. The Fourth Section includes Now he wants stones from all over the world to be incorpora- a chronology of Fluxus performances, important since Flu- ted into the wall. Just send a little stone, not a boulder, to xus performance relates, on the one hand, to Happenings John and he will send you a photograph of your stone "in and the musical experiments of the late 1950s, and, on the situ ", once he has built it in. Send to John Furnival, Rooks- other hand, to the Performance Art of the 1970s and since. moor House, Woodchester,Glos., England. What emerges from this catalog is that Fluxus was far more The Last Mail Art Show. Deadline: 9 January 1984. No cohesive than is generally thought, and far less ephemeral returns, no fees, no jury! Send to Postal Art Network, PAN, as well. Any flaws one might pick with the catalog are rela- 2043 1 B Sun Valley Drive, Laguna.Beach, CA 92651, USA. tively minor, such as that Wolf VosteIl, one of the main Fluxus artists, is missing from the catalog (and presumably from the collection), whereas Claes Oldenburg, a fringe ar- FLASH! FLASH! Henryk Gajewski, formerly of Warsaw, tist in Fluxus for all his deserved reputation elsewhere, is Poland, has been literally thrown out of Poland with only included because Maciunas, the Fluxus director, did an $50 in his pocket. He is not allowed to return to Poland, Oldenburg multiple or so. But, in the main, it's a fine and which was his home for 33 years. He is now living in usefuly catalog, the first large one in the USA, and therefore Holland, c/ V.E.C., P.O. Box 1051, 6201 BB Maastricht, of importance in understanding this very interesting inter Holland. media tendency, which up until now has been more legen- He writes that he feels very Polish, having worked for dary than understood. Available from Backworks, 325 Polish progressive culture in an international sense. Poland Spring St, New York, NY 10013. Price unknown. with its 1000 years of history is his roots. He says that -Dick Higgins what is happening in Poland does not belong to Polish history, but in fact is Russian history. He feels hopeful that Kate Steinitz: Art and Collection highlights the extraordi- the real Poland will find its way. By the way, he is not nary life of this woman as scholar, writer, collector, artist asking for political asylum. and spirited supporter of others of greater aesthetic achieve- He hopes to come to Philadelphia for the Bookworks:82 ment. Organized by Julius Kaplan and his students at the Conference, where he can show his collection of 200 book California State College in San Bemardino, this exhibition projects. He also has a good film, Other Child Book, which reflects the irrepressible nature of Steinitz' spirit, a woman is '16mm, color and sound which lasts 20 minutes. Along who late in life became the librarian of the Belt Library of with this is a 30 minute videotape, and a slide program of Vinciana, who in the early part of this century painted and 400 slides. If he does come in October, if any of you studied with Lovis Corinth, worked in collaboration with have time to arrange for exhibitions of Other Child Book Kurt Schwitters on collage, knew countless artists in Han- in your area, please let Umbrella know. He could circu- nover and had them as guests in her house. But her life was a late the show for 6 months in this country and it is a collage in the dynamics of European art of the 20s and 30s fantastic exhibition! There is also a catalog which accom- and in the burgeoning art of America in the 40s through the panies the exhibition. 70s. Included are essays by Kaplan, head of the Dept. of Art at the college, and by William A. Emboden, a persona1 friend. 69 Included in this exhibition were 77 works by Steinitz and the work of Joseph Clower, Gloriane Harris, Mark Lere, Su- 55 pieces from her collection, consisting of Marc ChagaI1, san Rankaitis, Richard Dunlap, Robbert Flick, Gary Lloyd Kollwitz, collages by Schwitters, and various graphics by El and Eugene Sturman. Lissitsky, Moholy-Nagy and others. Price unknown, but available from the Art Gallery, Cal State College, San Ber- MANNERsm: A Theory of Culture is represented by a stun- nardino, 5500 State College Parkway, San Bernardino, CA ning catalog which appears to be a new Style magazine. The 92407. show deals with the nature and place of today's art and its audience in a society in which artists are no longer the exclu- Saul Steinberg: Still Life and Architecture, an exhibition in sive originators of visual communication. Curator Jo-Anne 40 pages beautifully illustrating personal experience. Inclu- Birnie Danzker has brought together Fernando de Filippi ( ded are Steinberg's complex and autobiographical sculptures. (Italy), Nicole Gravier (France), Klaus Staeck (Germany), There is a poetic text by Italo Calvino, entitled The Pen in Sherrie Levine (New York), David Buchan (Toronto), Colin the First Person, which enhances the documentation. $15.00 Campbell (Toronto), Carol Conde'/Karl Beveridge (Toronto), from Pace Gallery Publications, 32 E. 57th St., New York, Eric Metcalfe (Vancouver), Mr. Peanut (Vancouver) and his NY 10022. mayoralty campaign as well as Art & Language (England) and Dutch Directions (12 Feb. - 14 March 1982, Berlin; 4 Novem- General Idea (Toronto). The catalog proposes a definition ber - 5 December, Museum Fodor, Amsterdam) is an exhibiti- of both Mannersm and Mannerst art, both serving as a cri- on of 5 photographers curated by Nan Hoover. Each artist tique of existing cultural forms as well as a mode for develo- uses the medium from a very personal point of view. None ping a theory of culture and/or artistic practice. There are of the artists had exhibited in Berlin before, and the project biographies, chronologies and bibliographies. $5.00 from grew to include work of video and film. The artists included Vancouver Art Gallery, 1145 West George, Vancouver, BC are Ania Bien, Ger van Dijk, Richard Hefti, Hetty Huisman Canada V6E 3H2. John Liggins, Madelon Hooykaas and Elsa Stansfield and many more. Available from Kunstlerhaus Bethanien, Berlin, CLASSIFIED ADS West Germany. Small Endearments: 19th Century Quilts for Children & The lnventory of the Philadelphia Museum Dolls by Sandi Fox is the catalog of an exhibition which of Art is now available. compilation of the lnventory was supported by a grant award appeared during 1980 in Los Angeles at the Municipal Art from the National Endowment for the Hu- Gallery. As an outgrowth, this catalog or reference tool is es- manities. Several in-house guides were also sential for all textile collections, as well as collectors. Expla- prepared including those for the Fiske Kim- nations of all designs with black and white and color illustra- ball Papers and the George Grey Barnard Pa- tions are included as well as a checklist for the exhibition. pers. A copy of the lnventory will be sent $10.00 plus 60 cents for California state tax, as well as $1 upon receipt of $2.00 to Philadelphia Muse- for postage and handling from Bookshop, Los Angeles Mu- um of Art, P.O.
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