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Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
IRONBIRD AERIAL CINEMATOGRAPHY LTD AERIAL FILMING CV ACCREDITATIONS • CAA Permission for Commercial Operations (PFCO) Holders
IRONBIRD AERIAL CINEMATOGRAPHY LTD 16 Jordan St Studio D Liverpool, L10BP Tel: 0151 909 8464 Mail: [email protected] iron-bird.co.uk AERIAL FILMING CV ACCREDITATIONS • CAA Permission for Commercial Operations (PFCO) holders. First issued 2013, current OSC PFCO valid until 1st AUGUST 2020 - valid for UAS (unmanned aircraft systems) up to 20kg. • Holders of enhanced Operational Safety Case Permissions (heavy lifts within Towns and Cities) • Euro-USC BNUC-s & RPQ qualified Pilots. Feature & Independant Film • (2019) ’83’ Phantom Films • (2017) ‘Tolkien’ Fox Searchlight UK • (2017) ‘Stan and Ollie’ BBC Film // Bowler Hat • (2017) ‘Farming’ HH Films // Farming The Film LTD • (2016) ‘Eaten By Lions’ Mecca Films • (2013) ‘Mrs Browns Boys Da’ Movie’ - Penalty Kick Films // BBC Films // Thats Nice Broadcast & Drama • (2019) ‘Hanna II’ UMSI Productions Ltd • (2019) ‘Tin Star’ Season 3 Kudos • (2019) ‘Cobra’ New Pictures // All3 Media • (2019) ‘The English Game’ Netflix • (2019) ‘The Stranger’ Red Productions • (2019) ‘Years & Years’ Red Productions • (2019) ‘Bancroft II’ ITV • (2018) ‘Deep Water’ Kudos // ITV • (2018) ‘Long Shot - Catfish and the Bottle Men’ Island Records // VEVO • (2018) ‘Hospital’ LabelTV // BBC • (2018) ‘Silent Witness 22’ BBC • (2018) ‘The Feed’ Studio Lambert // Amazon Prime • (2018) ‘Creeped Out 2’ DHX Media // CBBC • (2018) ‘Care’ LA Productions // BBC One • (2018) ‘Wander Lust’ Red Productions // Netflix • (2018) ‘All or Nothing MCFC’ Amazon Prime • (2018) ‘Free Rein’ Lime Pictures // Netflix • (2017) ‘Bulletproof’ Vertigo -
The James Bond Quiz Eye Spy...Which Bond? 1
THE JAMES BOND QUIZ EYE SPY...WHICH BOND? 1. 3. 2. 4. EYE SPY...WHICH BOND? 5. 6. WHO’S WHO? 1. Who plays Kara Milovy in The Living Daylights? 2. Who makes his final appearance as M in Moonraker? 3. Which Bond character has diamonds embedded in his face? 4. In For Your Eyes Only, which recurring character does not appear for the first time in the series? 5. Who plays Solitaire in Live And Let Die? 6. Which character is painted gold in Goldfinger? 7. In Casino Royale, who is Solange married to? 8. In Skyfall, which character is told to “Think on your sins”? 9. Who plays Q in On Her Majesty’s Secret Service? 10. Name the character who is the head of the Japanese Secret Intelligence Service in You Only Live Twice? EMOJI FILM TITLES 1. 6. 2. 7. ∞ 3. 8. 4. 9. 5. 10. GUESS THE LOCATION 1. Who works here in Spectre? 3. Who lives on this island? 2. Which country is this lake in, as seen in Quantum Of Solace? 4. Patrice dies here in Skyfall. Name the city. GUESS THE LOCATION 5. Which iconic landmark is this? 7. Which country is this volcano situated in? 6. Where is James Bond’s family home? GUESS THE LOCATION 10. In which European country was this iconic 8. Bond and Anya first meet here, but which country is it? scene filmed? 9. In GoldenEye, Bond and Xenia Onatopp race their cars on the way to where? GENERAL KNOWLEDGE 1. In which Bond film did the iconic Aston Martin DB5 first appear? 2. -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
Huddersfield Area
48 (Section 52) ADVERTISEMENTS. ~ Telt>phone• lti!JT ~ Telephone /liff" H U D DE ltS FIELD 971 HUDDERSFIELD 971 482 482 WM. ARNOLD & SON, e1\RTER & eo .• CENTRAL SALT DEPu'J'","' BIRKHOUSE BOILFR WORKS, 39, Market Street, and Water Street, Haddersfield, ~addoeR, Jiuddersfield. Manufacturers and Merchants of firewood and Firelighters. Cement Plaster Whiting, Granite, Lime-stone, Slag, Spar, 8and, French Chalk, La'ths, Naiis, Hair, Colors, Oils, Paints, Putty, Varnishes, Brushes, MAKERS OF ALL KINDS OF BOILERS. Blachlng Brass Polishes, Turpentine, Glue, Salt, Saltpetre. Soap, Soda. Charcoai. Chloride of Lime, Ammonia, Liquid Annatto, Vinegar, Corks, REPAIRS PROMPTLY ATTENDED TO. Fibrous Plaster, Centre Flowers, and Trusses, &.c. "& Telephone /liiiT Tel. : Huddersfield 131. Telegrams : Station Tel. : Huddersfield 131a. "TROHAB DARWIN, HUDDEB&FIKLD.' 41y HUDDERSFIELD 41y -L. CONTRACTOR FOR CABS DAY OR NIGHT. lB' HIS MAJESTY'S MAILS ~ ~ { <tonfecttoner Wedding & Funeral Carriages, Olass·Sided & Plain Hearses. JQ t~a V er, ant~ <taterer. Also tbe latest designs in New Silent= Tyred Funeral Cars. ti4, New .Street, Huddersfield. funerals turntsbeb <tomplete. WEDDING CAKES of artistic design and highest THOMAS DARWIN, quality, from 10f6. LIVERY STABLES, DECORATIVE CAKES in great variety. Fartown, HUDDERSFIELD ~ Telephone w 17X Machine and Metal Bl'oke,.!l .C. • 17x BRIG HOUSE and Commission Agent. :\.1) V * LISTER BROOK & CO., Boiler and Pipe Coverer ~ $ Telephone: with Non-eonclueting ~· J.._ HUDDERSFIELD 792. Builders & Contractors, Composition. ~ :El B. :I: G-~ 0 U S E, V ~ And at l'i•:I.R\'. Estimates r'. Sectional Covering a Speciality. Dealers InSanitary Pipes, Chimney Pots, Fire Brlclis. Fire Clay. Lime, Cement, &c. Free. ""-V Same..price as " Plastic." IIRDUitO MORTAR FOR SALE. -
I Am Mediacityuk
Useful information Events Cycle Contacts I am MediaCityUK is easy to MediaCityUK is a new Commercial office space: reach by bike and there waterfront destination for 07436 839 969 are over 300 cycle bays Manchester with digital [email protected] dotted across our site. creativity, learning and The Studios: MediaCityUK leisure at its heart. We host 0161 886 5111 a wide range of exciting Eat and drink studiobookings@ events: mediacityuk.co.uk/ We have a wide selection of dock10.co.uk destination/whats-on more than 40 venues for you The Pie Factory: to choose from. To find out 0161 660 3600 Getting here more visit: mediacityuk.co.uk/ [email protected] destination/eat-and-drink Road and parking Apartments: Two minutes from the 0161 238 7404 Manchester motorway Shopping anita.jolley@ network via Junctions 2 The Lowry Outlet at mediacityuk.co.uk and 3 of the M602. We have MediaCityUK is home to Hotel: 6,000 secure car parking a range of designer, high 0845 250 8458 spaces at key locations street and individual brands reservations@ across MediaCityUK. Sat offering discounts of up to himediacityuk.co.uk nav reference: M50 2EQ. 70%. lowryoutlet.co.uk Serviced apartments: 0161 820 6868 Tram reservations@ There are tram stops at Studio audiences theheartapartments.co.uk MediaCityUK, Broadway The Studios, MediaCityUK, and Harbour City and it are operated by dock10. General: takes just 15 minutes to To find out more details 0161 886 5300 get to Manchester city on tickets for shows go to: [email protected] centre for all inter-city mediacityuk.co.uk/studios/ connections. -
A Career at BBC North
A Career at BBC North BBC North is the whole of the BBC in the north of England. There are approximately 2700 staff at MediaCityUK in Salford, and 700 staff who work in local radio and regional television across the north in Leeds, Sheffield, Hull, Newcastle, Middlesbrough, Carlisle, York, Blackburn, Lincoln and Liverpool. 200 more posts will move to MediaCityUK in 2015. MediaCityUK is in Salford on the Quays. There are 3 BBC buildings. The whole of BBC Sport is at Media City and there’s also BBC Breakfast, BBC Radio 5 live, the whole of the BBC Children’s department, that’s CBBC and CBeebies. We also have BBC Learning, the BBC Philharmonic Orchestra, North West Tonight and Radio Manchester. There’s Future Media, who build the BBC’s websites and apps and look after the BBC iPlayer and there are Technology teams who provide the support to keep our studios on air. There is Comedy and Entertainment, with programmes like Citizen Khan, Dragons’ Den and A Question of Sport and then there’s Radio Drama and Drama North, and even more radio with Radio 6 music and some Radio 2 and Radio 4 programmes. There is more to MediaCityUK than just the BBC, with many other companies there as well. ITV have around 500 staff there and they make Jeremy Kyle and Countdown and, of course, there’s the new set for Coronation Street. The first recording was done on this set in March. There are lot of smaller companies there too including small production companies, technical companies, sceneshifters, media accountants and lawyers and of course shops and restaurants as well. -
BBC Script Agreement for Television and Online March 2017
SCRIPT AGREEMENT FOR TELEVISION AND ONLINE Memorandum of an Agreement made on 21st March 2017. Between The British Broadcasting Corporation whose principal office is at Broadcasting House Portland Place London W1A 1AA (the “BBC”, which term shall where the context so permits include the BBC’s assignees and successors in title including without limitation BBC Studios or any successor to BBC Studios, other production entity or co-producer, distributor, licensee or broadcaster) and The Personal Managers’ Association Limited whose registered office is at Summit House, 170 Finchley Road, London NW3 6BP (Company number 00487049) (the “PMA”) and The Writers’ Guild of Great Britain of First Floor 134 Tooley Street London SE1 2TU (the “WGGB”) establishing the minimum terms which shall be offered by the BBC on commissioning a Writer to write a Script for a television or online programme. 1 CONTENTS 1. Application of Agreement 2. Commissioning 3. Rights 4. Format Rights and Characters 5. Extracts 6. Script Payment and Secondary Channel Use 7. Repeat Fees on Primary Channels 8. Commercial Exploitation 9. Collective Administration 10. Miscellaneous Uses 11. Disputes Procedure 12. Regulation 13. Forum 14. Accounting 15. Publicity 16. Rewrites and Acceptance 17. Moral Rights and Alterations 18. Turnaround 19. Long Running Series 20. Credit 21. Copy of Programme 22. Attendance and Expenses 23. Confidentiality 24. Warranties and Indemnity 25. BBC’s Licensees 26. Term and Termination 27. Notices 28. Assignment 29. No Agency Partnership Joint Venture or Employment 30. Variation 31. Value Added Tax 32. Severability 33. Headings 34. Proper Law 35. Nature of the Agreement SCHEDULES 1. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
What Is a Lighting Director?
What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view. -
CE50 – 2018 Foreword Caroline Norbury MBE
CE50 – 2018 Foreword Caroline Norbury MBE Creative England Chief Executive It is my pleasure to introduce to you the CE50 industry tool. Previous CE50 companies have 2018. The people and businesses featured in this gone on to receive BAFTA nominations, opened book are at the very forefront of creativity. Through international offices, revolutionised the way western their work – be it games, film or TV productions, products are sold to the Chinese market, and interactive platforms or immersive experiences – received the prestigious Nora Ephron prize at the they produce the original ideas, the entertaining Tribeca Film Festival. This year’s cohort highlights content and the innovations which make this the move towards technology and creativity country truly world-leading in the creative industries. merging to create meaningful solutions to real-world problems, with many of the companies championing The creative sectors are a cornerstone of the UK’s diversity, giving a platform to unheard voices and economy and key to driving future growth and benefitting the wider industry. prosperity. They are worth £92bn in GVA and are outgrowing the wider economy by twice the rate. This year we have also included businesses that They employ 2m people – over 3m in the wider focus on improving the environment for creative creative economy when we count non-creative businesses – such as Platform in Stoke-on-Trent roles – and make over £21bn in service exports. who are building a cluster programme for creative entrepreneurs and InnovateHer who seek to improve Those exceptional statistics are being driven the gender balance of the tech sector. by the talented creative minds like those included in this year’s CE50 – those who continue to look Our job at Creative England is to ensure that at new ways of doing things, whether that’s the voices of our country’s creators and innovators bringing fresh ideas and perspective into the craft have the opportunity to be heard, and that they of storytelling, designing platforms that adopt are given the right support to build their businesses. -
Creative England's Filming Partnership Toolkit
Creative England’s Filming Partnership Toolkit Flamborough, East Yorkshire © VisitEngland, Iain Lewis Why is Filming Important? In 2014, film production was worth £1.47 billion to UK GDP and created thousands of full-time equivalent jobs. Creative England’s involvement includes bringing together England-wide world-class locations, studios, facilities and crew to support this thriving industry. Our work ensures production companies can deliver Creative England is able to calculate the average amount Contents a successful shoot in the English regions. We deliver production spends when filming on location. With a professional on-the-ground support and a film friendly television production’s estimated spend of £17,000 - welcome to attract high profile production to England. £19,000 per day on local employment and services, and a 2 About Creative England & our Filming Partners These interventions also deliver long term benefits from major feature film around £32,000, the benefit to the local 3 Why is Filming Important? profiling England around the globe as a premier visitor economy is clear. destination. 3 Why do we gather statistics from Filming Partners? 4 A Case Study – ITV’s Broadchurch 5 Promoting Locations “In 2014, film production was worth 6 Facilitating Filming About our Filming 6 Consent vs Permits £1.47bn to UK GDP and created 6 Road Closures, Temporary Traffic Regulations Orders Partners and Parking Bay Suspensions. thousands of full-time equivalent jobs.” 6 Costs vs Fees Creative England’s Filming Partners are made up of Local Authority and other public sector organisations 7 Ways to Maximise Returns from Productions committed to supporting the facilitation of filming in the Why do we gather statistics from Filming Partners? 7 Contracts regions.