GO VANDALS! University of Idaho Fight Song Arr

Total Page:16

File Type:pdf, Size:1020Kb

GO VANDALS! University of Idaho Fight Song Arr GO VANDALS! University of Idaho Fight Song arr. Bukvich Flute/Piccolo Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ 1 2 2 w w 3 w w 4 w b 4 & b b 4 ~~~~~~~~~ ˙ . - 5 œ nœ œ œ A 6 > œ œ œ œ œ œ.. œ œ.. .. b J Jnœbœ ˙ œ nœ J œ œ bœ œ & b b J ‰ J ‰‰J J ‰ ‰‰ J 9 8 7 œ œ œ œ œ œ nœ œ ˙ ˙ œ nœ œ bœ œ. œ. œ b ˙ œ œ J œœœ nœbœ & b b J ‰‰ B 10 16 > 11 17 Ÿ~~~~ . 12 18 œ. œ œ. œ ˙ œ œnœ b ˙ œ nœ œ œbœœ ˙ œ nœ & b b . J J J ‰Œ ∑ Ó ‰ J 1 13 > > > n˙ b˙ ˙ œ 14 15 œnœbœ b b b J ‰Œ ¿ Œ ¿ Œ ¿ ¿ ¿ Œ ¿ ¿ ¿¿¿ ¿ ¿ ¿ ¿ J . & ID AHO I - da - ho I - da - ho Go! Go! Go!J 2 19 20 . Ÿ~~~~~~~~~~~~~~~ ^ œ . nœ. œ. œ œ œ ˙ . œ.. ≈ œ.. w œ b œ œ J ¿ ¿ & b b cresc. ‰ Œ Came a tribe from the North brave and bold, Let's Go! Bearing banners of Silver and Gold, Tried and true to subdue all their foes, Go Vandals! Go mighty Vandals! Go, Vandals go, Fight on with hearts brave and bold, Foes will fall before your Silver and your Gold, The victory cannot be withheld from thee, So all bear down for Idaho, Come on old Vandals go! I-D-A-H-O IDAHO, IDAHO GO, GO, GO! GO VANDALS! University of Idaho Fight Song Clarinet in Bb arr. Bukvich 1 2 2 Ÿ~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~~~~ 4 Ÿ~~~~~~~~~~ www w w & b 4 ~~~~~~~~~ 5 A 6 ˙. - œ œ œ œ nœ œ œ > b œ J ‰J‰‰J J J œ nœ bœ œ nœ œ. œ œ. & ‰ ‰‰ J ˙ J J œ. œ bœ œ 7 8 9 œ œ œ œ œ œ nœ œ ˙ ˙ b œ œ #œ œ nœ J ‰‰J œ œœ. œnœbœ & ˙ œ . œ. œ. B 10 16 11 17 12 18 Ÿ~~~~ . >œ . ˙ œ b . ˙ œ nœ œ œœ œbœ œ œ J ‰Œ ∑ Ó ‰ nœ œ #œ & J J . œ ˙ J 1 13 14 15 n˙ b˙ ˙ œ >œn>œb>œ b J ‰Œ ¿ Œ ¿ Œ ¿ ¿ ¿ Œ ¿ ¿ ¿¿¿ ¿ ¿ ¿ ¿ J . & ID AHO I - da - ho I - da - ho Go! Go! Go!J 19 2 20 Ÿ~~~~~~~~~~~~~~~~ . œ. œ. ˙ . .. .. w œ^ & b œ œ. œ nœ œ œ œ ≈ œ J ‰ ¿ ¿ Œ . Let's Go! cresc. Came a tribe from the North brave and bold, Bearing banners of Silver and Gold, Tried and true to subdue all their foes, Go Vandals! Go mighty Vandals! Go, Vandals go, Fight on with hearts brave and bold, Foes will fall before your Silver and your Gold, The victory cannot be withheld from thee, So all bear down for Idaho, Come on old Vandals go! I-D-A-H-O IDAHO, IDAHO GO, GO, GO! GO VANDALS! University of Idaho Fight Song Alto Saxophone arr. Bukvich 1 2 œ. ≈ œ. œ- . - œ. ≈ œ. &44 ∑ Ó Œ œ ≈ œ œ œ ≈ œ . ˙- . 3 4 œ- . - œ. œ. œ- . - - œ ≈ œ œ œ ≈ œ ≈ œ ≈ œ œ ≈ œ & . ˙- . #œ. œ. ˙- . 5 A 6 7 œ œ œ œ #œ œ œ œœœ ˙ œœb œ & J ‰ J ‰‰J J ‰J‰‰J ˙ œ œ ‰ J ˙ œ œ 8 9 j j œœœ & œ #œ œ nœ œ œ œ ‰‰œ œ œ œ œ ˙ ˙ ˙‰J B 10 16 11 17 12 18 . ˙ œœb œ œ œ œ œ œ. œœ. j & . ˙ œ œ ‰ J ˙ œ œ #˙. nœ JJ#œ œ#œ 1 13 14 15 > >> ˙ ˙ j ‰Œ ¿ Œ ¿ Œ ¿ ¿ ¿ Œ ¿ ¿ ¿¿¿ ¿ ¿ ¿ ¿ œ œœ. & ˙ œ ID AHO I - da- ho I - da- ho Go! Go! Go!J J 2 19 20 .. .. - ^ w ˙. œ ≈ œ œ œ. ≈ œ. œ- ≈ œ ¿ ¿ Œ & œ œ J ‰ Came a tribe from the North brave and. bold,. Let's Go! Bearing banners of Silver and Gold, Tried and true to subdue all their foes, Go Vandals! Go mighty Vandals! Go, Vandals go, Fight on with hearts brave and bold, Foes will fall before your Silver and your Gold, The victory cannot be withheld from thee, So all bear down for Idaho, Come on old Vandals go! I-D-A-H-O IDAHO, IDAHO GO, GO, GO! GO VANDALS! University of Idaho Tenor Saxophone Fight Song arr. Bukvich 1 2 4 ^ ^ ^ ^ ^ ^ ^ & b 4 œ œ œ œ œ œ œ œ. ≈ œ. œ- œ. ≈ œ. œ- œ. ≈ œ. ˙- . œ. ≈ œ. 3 4 - œ- . - œ. œ. - . - . - œ & b œ ≈œœ ≈ ˙. œ ≈œ œ œ ≈ œ œ #œ ≈ œ ˙. 6 . - 5 A œ œ œ œ nœ œ œ > b J ‰J‰‰J J ‰ J ‰‰ œ nœ bœ œ nœ œ. œ œ. & J ˙ J J œ. œ bœ œ 7 8 œ b ˙ œ œ œ œ œ œ œ œ œ & œ œ œ œ J ‰‰J 9 B 10 16 j >œ . & b n˙ ˙ œ. œ œ bœ œ. œ œ œ œ œ œ bœ œ . œ œ œ ˙ . J . 11 17 12 18 j œ œ œ œ j b ˙ œ œ œ #œ nœ œ ‰ nœ œ. œ jnœ œ #œ & œ . œ. J 13 1 14 15 ˙ œ . & b œœœ œ œ. j ‰Œ¿ Œ ¿ Œ ¿ ¿ ¿ Œ ¿ ¿ ¿¿¿ ¿ ¿ ¿ ¿ j . œ. ID AHO I-da-ho I-da-ho Go! Go! Go!J œ œœ 2 19 20 > >> . œ. œ œ ^j ¿ ¿ & b ˙ œ œ œ. œ œ. ≈ œ. œ- œ. ≈ œ. œ--œ≈ œ œ ‰ Œ cresc.œ œ. Let's Go! œ. Came. a tribe from the North brave and bold, Bearing banners of Silver and Gold, Tried and true to subdue all their foes, Go Vandals! Go mighty Vandals! Go, Vandals go, Fight on with hearts brave and bold, Foes will fall before your Silver and your Gold, The victory cannot be withheld from thee, So all bear down for Idaho, Come on old Vandals go! I-D-A-H-O IDAHO, IDAHO GO, GO, GO! GO VANDALS! University of Idaho Trumpet in Bb 2 Fight Song arr. Bukvich 1 2 . - . & b 4 ∑ Ó Œ œ ≈ œ œ œ ≈ œ œ ≈ œ ≈ œ . -œ. œ. ˙. 3 4 - œ- . - œ. œ. - . - & b œ ≈œœ œ ≈ œ ≈ #œ œ ≈œœ œ ≈ œ œ . ˙- . #˙. - 6 - 5 A j‰ j‰‰ j nœ œ ‰ œ ‰‰ j j & b œ œ œ œ J J œœœ ˙ œ œ ˙ ‰ œœb œ 7 8 9 b j‰‰ j œ ‰ j & ˙ œ œ œ œ œ œ œœœ œ œ œ #œ ˙ ˙ ˙ œœœ B 10 16 11 17 12 18 j j & b . œ œ ˙ ‰ œœb œ œ œ œ. œ jnœ œ#œ ˙ ˙ œ œ ˙. œ œ œ . œ. J 13 1 14 15 j b n˙ b˙ ˙ œ ‰Œ ¿ Œ ¿ Œ ¿ ¿ ¿ Œ ¿ ¿ ¿¿¿ ¿ ¿ ¿ ¿j . & ID AHO I-da-ho I-da-ho Go! Go! Go!J œ œœ > >> 19 2 20 œ.. œ.. œ- ^j ¿ ¿ & b nw b˙. ≈ œ.. ≈ œ.. œ--œ≈ œ œ ‰ Œ Came a tribe from the North brave and.. bold,.. Let's Go! Bearing banners of Silver and Gold, Tried and true to subdue all their foes, Go Vandals! Go mighty Vandals! Go, Vandals go, Fight on with hearts brave and bold, Foes will fall before your Silver and your Gold, The victory cannot be withheld from thee, So all bear down for Idaho, Come on old Vandals go! I-D-A-H-O IDAHO, IDAHO GO, GO, GO! GO VANDALS! University of Idaho Fight Song Horn arr. Bukvich 1 2 b 4 œ. œ. œ- . - œ. œ. & b 4 ∑ Ó Œ ≈ œ ≈œœ œ ≈œ ≈ . ˙- . 3 4 b œ- . - œ. ≈ œ. œ- . - - & b œ ≈œœ œ ≈ œ œ ≈œœ ≈ œ . ˙- . #œ. œ. ˙- . 5 A 6 7 b œ ‰ œ ‰‰œ œ nœ œ œ œœœ œœb œ & b J J J J ‰ J ‰‰J ˙ œ œ ˙‰J ˙ œ œ 8 9 b j ‰‰ j ‰ œœœ & b œ #œ œ nœ œ œ œ œ œ œ œ œ ˙ ˙ ˙ J B 10 16 11 17 12 18 œ. bb . œ œ ˙‰œœb œ œ œ œ œ œœ. j & ˙ J ˙ œ œ #˙. nœ JJ nœ œ#œ 1 13 14 15 > >> bb ˙ ˙ j ‰Œ ¿ Œ ¿ Œ ¿ ¿ ¿ Œ ¿ ¿ ¿¿¿ ¿ ¿ ¿ ¿ œ œœ. & ˙ œ ID AHO I-da-ho I-da-ho Go! Go! Go!J J 2 19 20 b ˙ œ.. œ.. œ- . - ^ ¿ ¿ & b w . ≈ œ ≈œœ œ ≈ œ œ ‰ Œ . J Let's Go! GO VANDALS! University of Idaho Trombone Fight Song 2 arr. Bukvich 1 œ. œ. œ- . - œ. œ. ? ^ ^ ^ ^ ^ ^ ^ ≈ œ ≈ œ œ œ. ≈ œ. - ≈ bb 4 œ œ œ œ œ œ œ ˙. b 4 3 - . - œ œ. œ. œ- . œ ≈ œ œ . œ. - . ? ≈ œ ≈ œ ˙- nœ ≈ œ œ ≈ œ ˙- œ- bbb . 6 5 A > œ œ œ œ. œ œ. ? b œ œ œ œ nœ nœ bœ ˙ œ nœ œ œ bœ œ b b J ‰ J ‰‰J J ‰J‰‰ J J J 7 8 ? ˙ œ #œ w œ œ œ œ œ œ nœ œ bbb J ‰‰J 9 B 10 16 . >œ . œ. œ œ nœ bœ œ nœ œ œ œ. œ ? b ˙ ˙œœ œ . ˙ J J bœ œ b b 12 18 11 17 œ œ œnœ bœ œ œ œ. œ nœ ? b ˙ œ #œ œ nœ œ ‰ œ œ. nœ b b J J J J 13 14 15 1 œ. ˙ ˙ œ œ œ. >œn>œb>œ ? b œ ‰Œ ¿ Œ ¿ Œ ¿ ¿ ¿ Œ ¿ ¿ ¿¿¿ ¿ ¿ ¿ ¿ J . b b J ID AHO20 I - da-ho I - da-ho Go! Go! Go!J 19 2 .. .. œ. œ œ œ- .. .. - ? ˙ . œ. œ. bœ œ œ ≈ œ ≈ œ œ œ.
Recommended publications
  • Repertoire List for Solo Guitar
    David William Ross Repertoire List for Solo Guitar This list is represents the most current snapshot of my repertoire. It is often changing and expanding as I learn new music for the coming season. Occasionally, I will drop songs that I feel are not working. Of course, I’m always interested in hearing about personal tastes and music ideas, so requests and recommendations are welcome. Please send me a message with your thoughts for new music! - David Popular Arrangements and Classic Songs These songs have mostly accumulated from client requests. There are great options for ceremony music in here. I also tend to emphasize this section for cocktail hours unless otherwise noted by the client. • Don’t Wanna Miss a Thing Aerosmith • Let’s Stay Together Al Green • When You Say Nothing at All Allison Krauss • God Only Knows The Beach Boys • Surfer Girl The Beach Boys • Here Comes the Sun The Beatles • And I Love Her The Beatles • In My Life The Beatles • Let it Be The Beatles David William Ross – Repertoire • I Will The Beatles • All You Need is Love The Beatles • Blackbird The Beatles • Till There Was You The Beatles (M. Wilson) • Stand by Me Ben E. King • Lovely Day Bill Withers • To Make You Feel My Love Bob Dylan/Adele • Holocene Bon Iver • Marry You Bruno Mars • Yellow Coldplay • La Vie en Rose Édith Piaf and Louiguy • Home Edward Sharpe • Perfect Ed Sheeran • Thinking Out Loud Ed Sheeran • Your Song Elton John • Can’t Help Falling in Love Elvis Presley • Wonderful Tonight Eric Clapton • Can’t Take My Eyes Off You Frankie Vallie • Do You
    [Show full text]
  • NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I O N
    November 2003 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i o n The Retail Climate: Uncertainty, Mergers and Diversification 50th Anniversary by David Hirshland The big new s in the music electronic games - to the unexpected The President’s industry this month of course is – toys and candy . The idea seems Corner about the five majors shrinking to to be that if they can’t beat the Best three. No one seems to seriously Buys of the world they should join Teri Nelson Carpenter doubt this will happen as BMG and them. The ironic twist of course is Sony annou nced join t venture dis- that Best Buy sells CDs at a October's dinner meeting provided us cussions had begun and Warner discount, unfairly low, record re- with a view as to what is currently hap- Bros and EMI moved inextricably to- tailers claim, in order to sell bigger pening in "O, Canada". David Baskin of ward some kind of merger. Amidst ticket items such as appliances. Tra- the CMRRA and Paul Spurgeon of all of the speculation as to what ditional record stores, on the other SOCAN had us laughing a good part of hand, are simply seeking new ways the time but were still able to present exactly this will mean for the busi- many updates as to m ech anic al co l- ness – with the Los Angeles Times, to get people to the racks to pay a lection and music licensing in Canada.
    [Show full text]
  • Firstchoice Wusf
    firstchoice wusf for information, education and entertainment • auGuSt 2010 Marvin Hamlisch Presents: The 70s, The Way We Were Renowned composer and conductor Marvin Hamlisch hosts and performs in this musical blast from the past. Three Dog Night, Debby Boone, Bobby Goldsboro, Peaches and Herb, Gloria Gaynor are a few of the musical greats who join him. The 1970s hit parade includes “You Light Up My Life,” “Raindrops Keep Fallin’ on My Head,” “Joy to the World,” and, of course, “The Way We Were.” Hamlisch fondly recalls the way we were in the 1970s. As he says in this special, “The country breathed a sigh of relief when the 1970s began. The new decade brought us peace, confidence and a feeling of national pride in our accomplishments. We had reached the stars we were aiming for; it’s a goal worth remembering today.” Airs Sunday, August 1, at 8 p.m., and Saturday, August 7, at 4 p.m. radio television WUSF 89.7 RADIO SCHEDULE AUGUST TV HIGHLIGHTS Monday through Friday Saturday continued Morning Edition ~ Classical Music 6-8 a.m. Carson Cooper 5-9 a.m. Weekend Edition 8-10 a.m. Classical Music ~ Car Talk 10-11 a.m. Russell Gant 9 a.m.-1 p.m. Wait Wait... Don’t Tell Me! 11-noon Classical Music ~ Classical Music noon-5 p.m. Bethany Cagle 1-4 p.m. All Things Considered 5-6 p.m. All Things Considered ~ Joshua Stewart A Prairie Home Companion 6-8 p.m. & Susan Giles Wantuck 4-6 p.m. This American Life 8-9 p.m.
    [Show full text]
  • Program Notes
    Saturday, March 11, 2017, at 8:30 pm m a r We Never Do This: An Evening g with Kristen & Bobby Lopez o r Brian Usifer, Musical Director and Piano P Entcho Todorov, Concertmaster and Violin e Emily Bruskin Yarbrough, Violin h Allison Seidner, Cello T Marc Phaneuf, Reeds Jake Ezra Schwartz, Guitar Dave Phillips, Bass Sean McDaniel, Drums Gordon Greenberg, Director This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Meg and Bennett Goodman, Rita J. and Stanley H. Kaplan Family Foundation, Inc., The DuBose and Dorothy Heyward Memorial Fund, Jill & Irwin B. Cohen, The Shubert Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE STANLEY H. KAPLAN PENTHOUSE: Wednesday, March 22, at 8:00 pm Joan Shelley Thursday, March 23, at 8:00 pm Julian & Leon Fleisher: The Man I Love Friday, March 24, at 8:00 pm Olga Bell Monday, March 27, at 8:00 pm Matt Gould & Griffin Matthews Tuesday, March 28, at 8:00 pm The Cactus Blossoms Wednesday, March 29, at 8:00 pm Ruby Amanfu The Stanley H.
    [Show full text]
  • Composed by Ted Hearne Libretto by Mark Doten Directed by Daniel Fish
    2014 NEXT WAVE FESTIVAL Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, The Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Source Joseph V. Melillo, Executive Producer Composed by Ted Hearne Libretto by Mark Doten Directed by Daniel Fish DATES: OCT 22—25 at 7:30pm LOCATION: BAM Fisher (Fishman Space) RUN TIME: Approx 1hr 15min (no intermission) BAM 2014 Next Wave Festival Sponsor Bloomberg is the Season Sponsor Viacom is the BAM 2014 Music Sponsor Leadership support for music at BAM provided by: Frances Bermanzohn & Alan Roseman Pablo J. Salame #THESOURCE BAM Fisher 2014 NEXT WAVE FESTIVAL ENSEMBLE Nathan Koci Music Director The Conductor/Keyboard Courtney Orlando Violin Anne Lanzilotti Viola Leah Coloff Cello Source Taylor Levine Guitar Greg Chudzik Bass COMPOSER Ron Wiltrout Drums Ted Hearne PRODUCTION TEAM LIBRETTIST Sarah Peterson Production Manager Mark Doten Jason Kaiser Stage Manager Garth MacAleavey Sound Engineer DIRECTOR Gil Sperling Video Engineer Daniel Fish Philip White Vocal Processing Engineer PRODUCTION DESIGNER Jim Findlay PRODUCER BETH MORRISON PROJECTS VIDEO DESIGNERS Beth Morrison Creative Producer Jim Findlay & Daniel Fish Jecca Barry General Manager Noah Stern Weber Associate Producer LIGHTING DESIGER Kat Castle Production and Christopher Kuhl Administrative Intern COSTUME DESIGNER On Video: Terese Wadden Ernest Acosta, Dwayne Adams, Iones- cu-Ocnita Alexandra-Vasilia, Matthew ASSISTANT DIRECTOR Annenberg, Ed Bak, Hwa-Mi Barnett, Ashley Tata Rommel C. Barns, Rachel Bier, Judy Brick Freedman, Gregory Brown, WORLD PREMIERE Richard Francis Burst-Lazarus, Zorelly BAM 2014 NEXT WAVE FESTIVAL Cepeda, Doug Chapman, Thierry OCTOBER 22—25, 2014 Chauvaud, Christina Choe, Michael Christians, Janet D.
    [Show full text]
  • Aufstieg Und Fall Der Stadt Mahagonny
    Kurt Weill Newsletter Volume 24, Number 1 13 City. Some recently discovered documents among the Elisabeth Books Hauptmann papers, housed in the Akademie der Künste in Berlin, fill “some central gaps in the text’s history” (p. 633). By scrutiniz- ing, analyzing, and comparing these and additional sources, he Libretto im Progress: Brechts und Weills offers a comprehensive picture of the existing text sources and their interrelations. The analyses reveal hitherto unknown relationships “Aufstieg und Fall der Stadt between text sources, and Nyström offers a new system of defining Mahagonny” aus textgeschichtlicher Sicht various stages and branches, which he fortunately presents in form of a stemma. Furthermore, he provides a diagram to show which quotations Brecht borrowed from his own works. Thus, Nyström Esbjörn Nyström makes a substantial contribution to illuminating the genesis of Aufstieg und Fall der Stadt Mahagonny. His study is divided into eight chapters. While the first two Bern: Peter Lang, 2005 (Arbeiten zur Editionswissenschaft, 6), 709 pp. chapters discuss the basis for research, provide a brief survey of the ISBN: 3-03910-479-9 inherent problems, and address aspects of methodology and histo- ry, chapters 3–5 provide a description and systematization of the There was a time when the genesis of the Weill/Brecht works could textual material. Chapters 6 and 7 contain analyses and interpreta- be presented rather innocently. Such an account would have read: tions of selected parts of the libretto, followed by a conclusion in In 1927 Mahagonny: Ein Songspiel was created, in 1928 Die chapter 8 that also offers a prospect for future scholarship.
    [Show full text]
  • SE Summerissue.Pdf
    STRING SUCCESS! HOW A TEACHER TRANSFORMED A HIGH SCHOOL ORCHESTRA PLUS: 6 TIPS FOR EAR TRAINING COLLABORATE WITH ADMINISTRATORS AND THE COMMUNITY A MAGAZINE FOR INSTRUMENTAL INSTRUCTORS ESSA ESSENTIALS: SUMMER 2016 WHAT YOU CAN DO? WYCLIFFE GORDONJAZZ MASTERIN THE ON STAGECLASSROOM AND ARTIST SPOTLIGHT Musical Globetrotter Wycliffe Gordon, one of the top jazz trombonists, splits his time on a multitude of musical pursuits including teaching and composing. BY EMILY MONEYMAKER | PHOTOS COURTESY OF WYCLIFFE GORDON n a seemingly normal mid-April day, a group of jazz students at Columbia College Chicago are fixated on the man who’s talking. Their excitement is palpable. The lights shine down from above while the Artist-in-Residence’s master class takes place. He’s so close that Othe students can see their reflection in his trombone. Following the weeklong residency, the same artist performs with the Good Times Brass Band at Gospel Nation Christian Fellowship in Powder Springs, Georgia, in a setting much like that of his youth. Even though the details are different, the nostalgia is overwhelming. While his father played piano in church, the son is now on stage with his instrument of choice—the trombone—performing in support of a local charity, Calvary Children’s Home. Fast forward one week to April 30 and May 1. He’s halfway around the world, a featured soloist with the Tuxedo Big Band and Grimethorpe Colliery Band in two separate concerts at the Limoux Brass Festival in France. It’s a busy life, but to Wycliffe Gordon, it’s the norm. EARLY INFLUENCES Gordon’s initial exposure to music came from his father, Lucius Gordon.
    [Show full text]
  • Martin Frost
    Vol. 46 • No. 4 September 2019 MARTIN FROST Caroline Schleicher-Krähmer: Hook or Lefèvre: Who Wrote The First Female Clarinet Soloist the Concerto in E-flat? Tom Martin and André Previn Performer’s Guide to Air Travel with a Bass Clarinet Dialogue de l’ombre double Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] hope everyone enjoyed a great summer. It was EDITORIAL BOARD wonderful to see so many members in Knoxville Mitchell Estrin, Heike Fricke, Denise Gainey, at ClarinetFest®! We heard so many remarkable Jessica Harrie, Rachel Yoder performances by superb clarinet artists from around MUSIC REVIEWS EDITOR Ithe world. I must once again thank Artistic Director Victor Gregory Barrett Chavez and the artistic leadership team for producing such [email protected] a memorable festival. Congratulations to the three new AUDIO REVIEWS EDITOR ICA Honorary Members: Ron Odrich, Alan Stanek and Kip Franklin Eddy Vanoosthuyse. The ICA is also very grateful for the [email protected] generous support from all of the sponsors in Knoxville, Mitchell Estrin ASSOCIATE AUDIO REVIEWS EDITOR including Buffet Crampon, D’Addario, Rovner Products, RZ Jeffrey O’Flynn Woodwinds, Henri Selmer Paris, Vandoren and Yamaha. Stay [email protected] tuned to the December issue for complete coverage of ClarinetFest® 2019.
    [Show full text]
  • Topical Weill: News and Events
    Volume 29 Number 1 topical Weill Spring 2011 A supplement to the Kurt Weill Newsletter news & news events Mark Your Calendars! “Is it opera or musical? Formal definitions seem academic when confronted by a show of such passion and power . a show that deserves to be seen” (The Guardian). Street Scene won the Evening Standard Award for best musical on the London stage in 2008. This fall the Opera Group/Young Vic production, directed by John Fulljames, will return to the Young Vic’s South Bank theater on 15 September 2011, where it will play 14 times through 1 October, except for a two-day interval (25–26 September) during which the company will travel to Vienna’s Theater an der Wien for two performances. Keith Lockhart will conduct the BBC Concert Orchestra in London 15–20 September and in Vienna; in the other performances, the Southbank Sinfonia will be conducted by Tim Murray. Immediately following the London run, the production will tour the U.K., making stops in Basingstoke (3–4 October), Edinburgh (6–8 October), Newport (10–12 October), and Hull (13–15 October). Weill’s first opera, Der Protagonist, premiered at the Dresden State Opera in 1926. Eighty-five years later and sixty-five years after its creation for Broadway, Street Scene debuts at Dresden’s Semperoper, the first of Weill’s American works ever to be presented there. Street Scene opens on 19 June for a seven-performance run ending 3 July, in a production conducted by Jonathan Darlington and directed by Bettina Bruinier, with a cast including Sabine Brohm (Anna Maurrant), Markus Marquardt (Frank Maurrant), Carolina Ullrich (Rose), and Simeon Esper (Sam Kaplan).
    [Show full text]
  • The Modern Bass Trombone Repertoire: an Annotated List and Pedagogical Guide
    THE MODERN BASS TROMBONE REPERTOIRE: AN ANNOTATED LIST AND PEDAGOGICAL GUIDE by Evan J. Conroy Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2018 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee: __________________________________________ Richard Seraphinoff, Research Director __________________________________________ Peter Ellefson, Chair __________________________________________ Carl Lenthe __________________________________________ Peter Miksza November 05, 2018 ii To Tatiana; I could have never done this without you. iii Acknowledgements I’d like to thank all of those who have encouraged me to finish this degree in a timely manner. To my wife, Tatiana, who has been a constant source of strength and support. To my family and friends who have held a constant interest in my progress and have made numerous suggestions throughout my journey through higher education. To Alex Lowe, who has graciously housed me during my stays in Bloomington after moving back to Louisiana. To my teachers, especially Pete Ellefson, who have inspired and motivated me to be my best. iv The Modern Bass Trombone Repertoire: An Annotated List and Pedagogical Guide Since the last edition of Thomas Everett’s book, An Annotated Guide to the Bass Trombone, the bass trombone literature has gone largely undocumented in one source for professionals, teachers, and students as a reference for the expanding repertoire. While this document does not fully update the repertoire list, it does provide a representative sampling of the works written for the instrument since 1985.
    [Show full text]
  • Gas Stove Store., Manufacturers of ~~~5 Oliv"E St
    KUNKEL'S MUSICAL REVIEW, JUNE, 1887. 201 MUSIC BOOKS PUBLISHED EY OLIVER DITSON co. BOSTON., :MASS. DYITSSONch"ocool.·sMusl·c BuY Youn ScHooL SoNG BooKs PIANO TEACHERS Sunda OF OLIVER DITSON & CO., do not need to be told that their pupils make the best pro gress when the best books are used. DITSON & CO.'S books ranks with the very best, and no Sunday School management whose series of well-made, melodious songsters are known for teaching ~urposes are "tried and true" and stand in the ahould adopt a new Singing Book without carefully everywhere, and give general satisfaction. very foremos rank. __ _ examining one of their "tried and true" SUNDAY SCHOOL SONG BOOKS. The Newest High School Song Book 1 J:J -IS- Young People's .Classics ~~~- t~~ic~ "$l.~~tcA.n ,ICIS of Pra'lse (40 cts., 84.20 per doz.) Rev. c. L. Hutch- mirable collection of easy music that is good music, and vo ins. Music and poetry dignified and SONG GR~ETING (60 cents; 86 per doz.) It is filled with calculated to improve the taste, as well as furnish useful classical, but not dull; in fact, bright and enthusiastic. Very the best of part-songs. A fine collection. practice to pupils in their 2d and 3d quarter on the piano large collection for the money. 52 pieces: by Lichner, Lange, Perabo, Kullak, Spindler , , . ROYAL SINGER (60 cts.; 86 per doz.) Made for Singing Oesten, Schumann and others. .,gmg on the Way (35 cts., 83.60 per doz.) by Mrs. classes, it is yet a.
    [Show full text]
  • Kunkel Brothers
    ,_. " ,. I .. .. • 'V.{ -~~"-:'\ c~e//~ ~OFTHE~ COPYRIGHT PUBLICATIONS QNKEL @) BROTI1ERS, 612 Olive Street, ST. LOUIS, MO. M~ MLI4:/\\ J 0­ .1< ?( <.J , LIS'll] Kunkel's Parlor Album No. I. PRICE, $1.00. Bea.ds of Champagne (Polka Ca.price) ....................Schuetz Bubbling Spring (Capr.ice), with Lesson.............. Rive-King Careless Elegance (QUIckstep) ..................... .Schleiffarth Dream of the Lily (Tone Poem Characteristic) with Lesson .................. ....................•...... .. Hertel Echoes of the Woods, with Lesson........................ .Paul Gem of Columbia (Grand Galopl. with Lesson...........Siebert II Trovatore, (Verdi) (Operatic Fantasia), with Lesson... .Paul Martha (Flotow), (Operatic Fantasia)..................... ..Paul Norma (Bellini), (Operatic Fantasia), with Lesson.........Paul Shepherds' Morning Song (Idyl), with Lesson............ .Paul Shower of Rubies (Tone Poem), with Lesson.. '" .....Prosinger Skylark Polka, with Lesson............................. .Dreyer Summer Sky (Waltz), with Lesson....................Vrellmecke The Jolly Blacksmiths (Caprice) with Lesson............ ..Paul Traviata (Verdi), (Operatic Fantasia), with Lesson....... .Paul William Tell (Rossini), (Operatic Fantasia), with Lesson. .Paul Kunkel's Parlor Album No.2. PRICE, $1.00. V<>c~1. Angels' Visits .......................................... ..Melnotte Because I dO-Ballad, (English and German words) .....Molloy Bliss All Raptures Past Excelling (Vocal Waltz-Eng. lish, Italian and German words, and Lesson) ....... Robyn
    [Show full text]